The place to discuss, post photos, video, and audio of the G&L products (US instruments, stomp boxes, etc.) produced after 1991, including the amps & gear we use with them.
Never mind, just found half of my answer in the "Gallery" section. However, now I have another question: Since position 1 Expanded and position 5 Expanded are neck and bridge pickups together, is one position weird in series while the other is wired in parallel? I ask because these two positions are DEFINITELY sounding different (in a great way, might I add).
I've never heard that the Position 1 Expanded and Position 5 Expanded were wired differently, and on my S-500 I think they sound the same. Super cool for you though if you ended up with more sound options.
I'd be interested to know if anyone else on the board has an S-500 that does what yours does.
Last edited by TBillPSU on Sun Jan 05, 2014 6:26 pm, edited 1 time in total.
Yup, love the expanded position on my Tribute Comanche, too. Positions 1 and 5 sound different to me, too, when they're expanded, but it's subtle. As bloodied fingers said, based on the circuit diagram there should be no difference, so maybe I just think I'm listening with "golden ears"
G&L Tribute Comanche || G&L Tribute L-2500 || Roland XV-88 keyboard || Roland TD9 V-drums || Austin ribbon mic || Sennheiser HD280 Pro cans
Studio One 2.6 (64 bit) || Audiobox USB || Asus U50f Intel Core i3, Windows 7 x64 http://www.patrickmusic.me