The place to discuss, post photos, video, and audio of the G&L products (US instruments, stomp boxes, etc.) produced after 1991, including the amps & gear we use with them.
In the same vain as everybody above, if your S-500 only sounds half as good as it looks, you're ahead of the curve already ... Oh wait, it is an instrument. If it sounds exceedingly good, who gives a darn how it looks!
Thanks all. I'm very happy with it. Blarg: I converted to ebony fingerboards a while ago with my '90 Strat Ultra. Nice hard and smooth, plenty of spank like maple. I much prefer it to rosewood. Helps that it's an awesome looking wood too. Belgianlefty/fumblefingers: I had the expansion mini-toggle replaced with a push-pull on the treble knob. Much cleaner look that way, and no tiny switch to get in the way. Yowhatsshakin: I tried out USA S500s in the shop before ordering this one, so I knew what the pickups would be like. But the tone really shines through, imo, with the ebony fingerboard and quartersawn maple neck. Thing's got sustain out to >here<. It's already replaced the Ultra as my primary axe.
--- - 2013 G&L USA S-500 - 1990 Fender Strat Ultra - 2008 Gibson Les Paul Studio - 2008 Epiphone Nick Valensi Riviera P94
- 1996 Fender Jazz Bass