cuzwilly wrote:Back in the 70's and 80's playing in cover bands was pretty much the norm. You would play at holiday inns, beer joints,pizza places and road houses for the whole week. I did this myself for about 2 years. Disco DJ's and kareoke put a end to a lot of that.If I had to do this today. Id take my s500 tribute & my Will Ray tribute. mainly because these guitars sound and play great. And if something happens to them they could be replaced. When you playing out like that something always happens. I would also take my Line 6 pod 500 and Peavey classic amp. Set the tone controls on the amp to 0 and cover everything from heavy metal to soft jazz. It not perfect but close and very function able
This post is a belter cuz

not only echoes my thoughts like a mirror but the bulk of my playing days as well.
There were 2 other factors in australia circa the 80's in particular mate.the 1st being that along with DJ's & karaoke slaying the live serpent there was also the much dreaded camp fire strummer.who armed with a drum machine,a takamine & his favourite edition of 101 hits for buskers would go sabotage a venue by telling the boss he could do the same job for 50 bucks & a few drinks

this was the birth of midi as well.there was still money in the bush in the 90's if you wanted to travel but these cats plus poker & card machines decimated the live scene in the smoke.
Another was the 80's was also the era of diamond dave,Bon jovi,spandex & hair bands

so between the Johnny mellencamp & Bryan Adams staples the plank spanker had a few holes to shine & taking a swinging bridge to ape eddies latest licks was all the rage to an extent until slash turned up.
The conundrums that can arise taking a Floyd or kahler on the road with you as one of your bridges are near limitless doing a covers gig
If you'd asked me this question circa that era I would take the exact same 2 models as you've picked here cuz',but in hindsight & due to my experiences would probably bite the bullet a bit now & take 2 of the same all weather planks to keep me,the band & the show motoring along.
Good read cuz cheers..
Boogie Bill wrote:Well, a Legacy is my main guitar. And when I gig with my cover band I will always take a backup. Now I also use a 2HB guitar, usually a Les Paul or 335. The Legacy Special works well in its ability to backup the both Legacy and the 2HBn with the ergon of the Legacy and the thick tone of the Paul.
Now I could also probably get by with either one of my S-500s or Comanches, and my ASAT Deluxe. I suppose a Legacy 2HB could also work in place of the AD. I can't remember the scale length on the Ascari, but that could be a candidate...I prefer the Gibson scale for my 2HB guitar.
The idea of using two, a duplicate, of any one guitar is an excellent idea. It depends on how married you are to the design. For example, can't imagine Steve Cropper or Roy Buchanan using anything but a tele.
The amp would be key in this scenario. With my Boogies, I can get the single coil Legacys nearly as thick and meaty as my Les Pauls.
As for team sports, I follow the Seattle Seahawks and Mariners, and the Portland Trail Blazers. Big fan of all of them.
Bill
It's a tough call bill for sure.id really like to road test a Comanche & SC-2 in this setting & see how they fair mate.sounds like Scott's getting between styles no probs with his.the legacy is defineatly a safe bet,especially with a boogie & the right stomps or a module of some description.
The cropper/Buchanan call is bang on bud,both them cats can skate between genres with aplomb on one weapon of choice.converesly though we're hearing them in an original setting,wonder how roy would fare going from wayfaring pilgram to enter sand man on the tele?
That brings us back to Louis & scott's angle though by "owning" & interpreting a song your own way,which also has merit.
Portland were a great team not so long ago,how are they going nowadays bill still up there?