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What are you reading these days? I’m a big fan of John Sandford, Lee Child, Vince Flynn, and Clive Cussler. Right now, I’m reading the second spy-thriller by Ben Coes, Coup d’ Etat. I’ve got a bunch of books around here to read, as we cleaned out Borders when they when out of business. Got a lot of books on the Civil War and WWII. What’s on your nightstand? Paperback? Hard covers” Or an e-reader?
And who bought Fifty Shades Of Gray?

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Here’s a hot tip for you: check out Disc Makers. They offer some neat deals on producing your next CD, and their e-mail newsletters always offer some great music tips on a variety of topics. The current newsletter topic deals with some of the pitfalls of endorsement deals—which was part of Monday’s Lunch Report. How’s that for being timely!
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Tell me about any “AHA!” moments you’ve had with your guitar playing, or your music in general. Was it figuring out how to get the sound you wanted from a piece of gear, or the moment when you fell in love with the Cmaj7 chord? Perhaps it was something related to dealing with band members, or figuring out how to get more gigs. Maybe it was something that happened on a more spiritual plane—you either figured out that you were born to be a star, or the reality that you were not going to be the next Bob Dylan, Eric Clapton, or…???
What/Whom/Where inspires you?
I had a moment after I’d been playing a few years, talking to a young lady, and telling her that I played guitar. She asked me if I was any good, and in that moment I realized that after telling people for years that I was just okay, I couldn’t do that anymore. So I said, “Yeah, I’m pretty good.” Didn’t really help me seduce her, but it was a game-changer in my life.
Another woman a few years later, took me to the service at her church and I learned about doing affirmations. My mother had done this for years, but I didn’t realize it. Made a big impact on me. I changed the way that I talked to myself before a gig, telling myself that I WAS good; that I was going to have a great night; that my guitar would sound great, etc. The more I did it, the more I benefited from it. I sang better, sounded better, and it certainly helped me relax. It enabled me to calmly face any of the challenges I might face in doing a gig. I still use the technique before every gig or jam session. Oh, and this time, I got the girl!
And as far as sounding better, well, I’ve learned there are some issues with that concept. I went over to a friend’s house one time for a little bit of jamming, and he had a Marshall JCM 900 112 combo. Now back then, I had first been using Fender amps for a number of years, and then my solid-state SUNN Solos II 212 combo. For the life of me, I could not get the sound I wanted out of that Marshall! Yet, the other people at the jam kept raving about how good my guitar sounded. I was getting a bit frustrated, but in that “AHA!” moment, I realized that things could sound different—yet still be good. I might have a tone that is not exactly what I want yet I can accept that it still sounds “good”.
I try not to use “good” and “bad” or even “better” or “worse” in my thinking. My tone is what it is. Sure, there’s all that stuff about how tone comes from your heart and your fingers, and having great gear and the knowledge of how to use it helps tremendously. But I see so many guys that are chasing tone, and they are so unhappy in the process. For me, the bottom line is to be happy and soulful—and I think the great tone comes from that inner place. If you feel it from me, that’s wonderful. If you don’t, that’s fine too. Maybe I’m the smiling village idiot, but for me, I don’t need to obsess over every minute detail of my rig.
And I’ve learned that my way is not the only way. What works for me might not, hell, PROBABLY WON’T EVER work for you. There are so many ways to get it done in this business, but you have to find your own way, just as I did over the years. It’s nice to get acknowledgement from all of you when I do the Lunch Report, and I hope you’ve learned something and I’ve even perhaps, opened new possibilities for you. I excited to do that. It’s been a terrific journey of self-discovery for me, and I hope you enjoy your journey as much as I have mine.
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I was looking at some of the G&Ls on EBay yesterday, and saw some beautiful guitars. EBay is full of dealer listings, and I miss the “good old days” when it was mostly used gear at great prices. There are good deals still to be had, but it seems like prices are going up again. Some of the new guitars I saw had some pretty stiff price-tags, too. But I still think USA-made G&Ls are a good value.
Do you think G&L would get more respect in the marketplace if they offered a big ticket line for the cork sniffers out there? I was wondering how you thought they might compare against offerings from Suhr, Grosh, DeTemple, Anderson, Sadowsky—and the other upscale manufacturers. Would a more expensive guitar help them get more recognition?
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Didn’t have a lot of time today, which is unfortunate because I wanted to get some new pics of some of my latest acquisitions. My honey-do list is about as long as my arm this weekend—I HAVE to do laundry, or I will be running around half naked. If I get a chance, I’ll post some serious porn.
My week as lunch reporter went really fast, and I had a great time. You should see all the topics I got left! And thanks again for all your comments. I hope you have a great weekend, take care and rock out!
Bill