


I bought this one on line without seeing a photo, and had her shipped to the local Guitar Center for Tuesday delivery. On Monday I had to take an unexpected trip for work, and was finally able to pick her up when I returned yesterday.
I have to say that I was seriously underwhelmed when I opened the case, as the instrument was very dirty, the strings were about rusted off, and some of the hardware did not appear to match the vintage of the decal. After disassembly and a thorough cleaning, though, I very quickly fell in love. The neck is dated May 13 1986, and the body is dated May 19. The year on the body stamp was drilled through, but I'm guessing it was also 1986 given the close dates and the maple construction.


The fingerboard appears to have a 12" radius, but I'm not 100% sure of this. It's definitely a lot flatter than the 7.5s I usually favor. It seems flatter than the board on my John Jorgenson Signature, but that could just be my imagination. Anyhow, here are a couple of shots of the grain in the fingerboard and the radius:



My first suspicion when the guitar was described over the phone was that the neck had hung around the factory long enough for the silver chrome parts to enter production (they were on some ASAT III prototypes in '87 and on production ASATs in '88). After a closer look, though, I have to wonder if a previous owner didn't have the black crinkle stripped and a chrome finish applied. It's a very professional job, but the edges of the G&L stamp in the bridge are not very crisp - possibly a result of incomplete removal of the old finish?
By show of hands, who thinks a return to typical 1986 Broadcaster leftover features (plastic pick guard, black crinkle parts, black tuners) is in order?
Ken