The place to discuss, post photos, video, and audio of the G&L products (US instruments, stomp boxes, etc.) produced after 1991, including the amps & gear we use with them.
Dude. I orderred a trans orange Special about 6 weeks ago Hope mine looks that good. I have been gassing for a Bluesboy too...Anything special about it spec wise?
The frets are indeed smaller than usual, I went with the vintage option because I was used to guitars with smaller frets. This also has the size 3 neck which feels great. I also went with the graphite nut and locking tuners. I haven't used these tuners in the past but I hear they are nice once you get the hang of using them properly. The fretboard is rosewood, it just happens to be pretty dark. I loved the look of the birdseye neck, but because I went with a rosewood board I went with the matte finish neck, so it already feels broken in too!
GuitarJunkie84 wrote:The frets are indeed smaller than usual, I went with the vintage option because I was used to guitars with smaller frets. This also has the size 3 neck which feels great. I also went with the graphite nut and locking tuners. I haven't used these tuners in the past but I hear they are nice once you get the hang of using them properly. The fretboard is rosewood, it just happens to be pretty dark. I loved the look of the birdseye neck, but because I went with a rosewood board I went with the matte finish neck, so it already feels broken in too!
Thought those frets were small
I have locking tuners on all my G&Ls, they make string changing much, much quicker. The trick is to not have too many winds on the post. You can even get away with only having half a wind on them!
What are your impressions so far? When I got my Bluesboy I couldn't get over how great the neck pickup sounds, it's so rich and detailed. The MFD pickup in the bridge is the best match for it - don't even bother trying to find a better one. A few forumites, myself included, have tried but failed. I believe Tim (Buffalo Bros) chose the Seth Lover after much experimenting. The man knows what he's doing!
blargfromouterspace wrote:
I have locking tuners on all my G&Ls, they make string changing much, much quicker. The trick is to not have too many winds on the post. You can even get away with only having half a wind on them!
That is how I string em, no more than 3/4 a wind ever. Greatly improves your tuning stability as you have no slip.
I really like the way the two pickups sound. It was only after I ordered it that I read about people trying to find a better match, but I am happy with them overall, I won't be touching them. I haven't had a neck humbucker on a guitar in a long time so I already like how many different sounds I can get out of this, and thats with somewhat limited gear in the amp department. Lefty that bluesboy looks awesome. How does the hollow body sound?
GuitarJunkie84 wrote:I really like the way the two pickups sound. It was only after I ordered it that I read about people trying to find a better match, but I am happy with them overall, I won't be touching them. I haven't had a neck humbucker on a guitar in a long time so I already like how many different sounds I can get out of this, and thats with somewhat limited gear in the amp department. Lefty that bluesboy looks awesome. How does the hollow body sound?
Thanks GuitarJunkie84, I think some people are always trying reinvent their guitars. I find the Seth Lover HB on an Bluesboy to be perfect. I absolutely love the sounds I can get out of the pickup combination.
As far as how the semi-hollow body sounds - I can't compare it to a solid body Bluesboy since I've never played one. But I think it sounds a bit more "woody" like other semi-hollow guitars. It is one of my favorite guitars!