- The Interceptor Guitar & Bass: Introduction and history
- The Interceptor Guitar & Bass: 1st X-body Interceptor II
- The Interceptor Guitar & Bass: 1st X-body Interceptor III
- The Interceptor Guitar & Bass: 2nd X-body Interceptor HH
- The Interceptor Guitar & Bass: 3rd style Interceptor HSS
- The Interceptor Guitar & Bass: The Interceptor Bass
That one (previously known) SSS (S/N G022500) is registered to GNLDAVE himself. But here I present a second SSS! And whereas G022500 is registered as having a Blue/Black combo, this one with S/N G024394 has a swamp ash body with a uniform Clear Blue finish. The ash is something different given maple is used on many of the other instruments in this series. And Greg communicated to me that the combination of a rare SSS configuration with an uncommon non-combo finish makes this instrument super rare. Its neck date is MAR 10 1989 with a body date of JUN 15 1989, i.e. the body is much younger than the neck. Since usually necks are the constrained resource at G&L this is a rare occurrence. The Long-Horn body still has bevels which do not stand out as much as when a combo is used.
This one has the 3rd type of vibrato available on the 3rd style Interceptor: the standard Dual-Fulcrum Vibrato.
The SSS shared the same wiring harness with the HSS and Invader, i.e. 3 mini-toggle switches to turn each pickup on or off combined with a single volume and tone control. Hence, no Passive Treble Bass (PTB) circuit typical for other contemporary non-SC triple single coil MFD models.
It should be stated here that this wiring harness is identical to the Broadcaster/pre-1990 ASAT. This means the (CTS) 250kΩ Audio Taper volume pot has a 200pF treble bleed capacitor between signal and wiper and the (CTS) 250kΩ Audio Taper tone pot is in series with a 6.8kΩ resistor to ground and has a 100,000pF treble bleed capacitor.
This guitar has a beautiful rosewood fingerboard on a pre-BBE #3 neck, i.e. 12” radius and 1¾" nut width. Note that the nut is the standard Micarta nut used in these days without any string lock mechanism. Neither does it use locking tuners on the sleek, matching colored, Ray Ransdell designed sickle headstock.
Sonically, the pickups are amazingly sweet. With DC-R values around 4kΩ they are undoubtedly contemporary Skyhawk MFD single-coils. With the on/off switches you can easily do the stutter otherwise only available on guitars with separate volume controls for each pickup. And there is plenty of quack when 2 neighboring pickups are selected. It should also be noted that these mini-switches provide the same functionality as nowadays is achieved with the presence of an expander switch, i.e. it is easy to select neck+bridge or all 3 pickups together.
I have never seen pictures of the other 3rd style Interceptor SSS and would love to see some. Maybe this piece can inspire whomever is the current owner to do so? Who knows?
In the next installment, two low-ender Interceptor Basses will be discussed to close out the series.
- Jos