Shielding

Technical Talk and Tips
wrigman
Posts: 57
Joined: Fri May 14, 2010 5:28 pm

Shielding

Post by wrigman »

Is it nessary to shield the term cavity as well as the "swimming pool" and control cavity? I also shield the whole pick guard back and plug in socket cavity. Almost dead quiet. Just wondering if going to the back would kill all the 60 cycle humm on a Legacy.
Also, why the heck doesn't the factory do this for us???
2015 Himalayan blue ASAT Classic blues boy, 2000 Tobacco burst ASAT DELUXE Semi Hollow, 1998 Hunny Burst S-500 with deep V neck, 2005 PRS Soap bar II SE. 2008 Tanglewood TWDLX15 . A CRAP LOAD of pedals and last but not least a SAMAMP VAC 23 v3.
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DanDoulogos
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Location: Canada

Re: Shielding

Post by DanDoulogos »

Short answer: no.

Long answer: Shielding works by surrounding the internal wiring of the guitar in a conductive surface that is shorted to ground. Stray electromagnetic interference (EMI) that would normally have passed through this "Faraday cage" is grounded by the shielding and thus does not pass through it into the circuitry that the shielding encases. The Tremolo system is likewise grounded, and as such isn't part of the circuit - no signal that passes into the tremolo or the strings will pass into the circuit because it is grounded, so that whatever emi might be present in the strings is drained to ground also. For that reason, shielding the Tremolo cavity will be a pointless thing to do - as the purpose of shielding is to protect the signal that has been induced in the pickups (and subsequent circuitry beneath the pick guard) - that signal does not pass to ground, but is returned to the amp.

So, shielding the tremolo cavity doesn't do anything, because there isn't any signal there to protect.

A note about shielding: it protects only the circuit under the pick guard from the unwanted EMI. The lion's share of your EMI is going to enter into the circuit through the pickups themselves. In other words, shielding will reduce, but not eliminate EMI.

A better option for noise reduction is a hum-cancelling circuit - either by way of humbucking pickups, or by pairing alternately wound pickups together in the same circuit. (reverse wind coupled with regular wind = hum-cancelling). Many guitars do this already.

EMI is most noticeable when your volume is up, but you're not playing anything on the strings - that 60Hz hum (HUMMMMMMMM) - seems obnoxiously loud. Yet when you're playing something, that "hum" contributes to what some would describe as an "airy" tone. Take it away, and the resulting (clean) tone may seem to be missing something. It may sound muted, or lacking a sort of "live" flavor. It isn't a subtle difference either. You notice it. When your tubes start to crack, that same EMI that sounds so awful when you're not playing anything suddenly gives you're signal a difficult to quantify "live" sound that is diminished in guitars that effectively remove the EMI.

Many guitarists who have come close to eliminating the EMI, then back off because their tone sounds comparatively dull without it.

I expect that the reason this isn't done at the factory is because it is neither cost effective nor overly effective as an EMI solution. It certainly helps - don't get me wrong - but not as much as a hum-cancelling pickups (z-coils for instance) or pairing regular and reverse wound single coil pickups via a pickup selector.

That's how I see it at least.

(edit: I repeated myself on the tone stuff because I left the post half written to eat lunch, and came back to finish it and ended up repeating myself - so I blended what I said before and what I added after into one paragraph).
Last edited by DanDoulogos on Thu Jul 06, 2017 5:16 am, edited 1 time in total.
G & L: '08 Comanche (Tribute) | '14 ASAT Classic | '00 ASAT Spec | '21 JB2 (Tribute)
Other: '87 Strat | '05 Heritage CH-157 | '12 Tele Select Koa | '19 MJT Esquire | '18 Taylor | 2015 Chrome Epi Dobro |
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john o
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Re: Shielding

Post by john o »

Thanks, Dan. Your comments are helpful.
Any advantage of copper tape vs aluminum tape for shielding under the pick guard?
john o
wrigman
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Joined: Fri May 14, 2010 5:28 pm

Re: Shielding

Post by wrigman »

very detailed answer. I am one that likes to know why, not just "Do it this way". Thank you!!!
I use copper tape as I have found it to be better and faster than paint.
I guess it's a good thing that a little 60 ycle humm is still there, but greatly reduced....
2015 Himalayan blue ASAT Classic blues boy, 2000 Tobacco burst ASAT DELUXE Semi Hollow, 1998 Hunny Burst S-500 with deep V neck, 2005 PRS Soap bar II SE. 2008 Tanglewood TWDLX15 . A CRAP LOAD of pedals and last but not least a SAMAMP VAC 23 v3.
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DanDoulogos
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Location: Canada

Re: Shielding

Post by DanDoulogos »

Copper is more durable (higher tensile strength) than aluminium, and more ductile. I use copper for all my shielding.

Also, you want the adhesive on the copper tape (assuming that's what you'd use) to be conductive. You don't want to have to solder each line of tape to the next just for continuity.

Finally, you may be tempted on Amazon or some other Internet store to purchase inexpensive copper tape from China. I've purchased some fairly decent copper tape from China - but it took months to arrive. The few dollars I saved did not warrant that kind of wait. If you're going to order some online - pay a few more dollars and buy from someone on the continent - you'll thank me. ;)
G & L: '08 Comanche (Tribute) | '14 ASAT Classic | '00 ASAT Spec | '21 JB2 (Tribute)
Other: '87 Strat | '05 Heritage CH-157 | '12 Tele Select Koa | '19 MJT Esquire | '18 Taylor | 2015 Chrome Epi Dobro |
wrigman
Posts: 57
Joined: Fri May 14, 2010 5:28 pm

Re: Shielding

Post by wrigman »

I get mine from Stew Mac....... figure I can trust it. I have not had to solder any joints, just make sure they overlap. I do, as a final step, solder a ground wire from a tone pot to the bottom of the control cavity.
I have done about four guitars with tape, but never even thought about a trem cavity, as all the other guitars have been ASAT's. Just did my first Legacy and just didn't know if it was a good idea or not.
Thanks for sharing your knowlage. It has been a huge help!!
Scott
2015 Himalayan blue ASAT Classic blues boy, 2000 Tobacco burst ASAT DELUXE Semi Hollow, 1998 Hunny Burst S-500 with deep V neck, 2005 PRS Soap bar II SE. 2008 Tanglewood TWDLX15 . A CRAP LOAD of pedals and last but not least a SAMAMP VAC 23 v3.