Sixth set of photos from the Factory for 2014 ...

[Craig]

Here's the sixth set of photos for 2014, which were posted on G&L's Facebook page (March 24-April 6, 2014):

Here's an ASAT Bass in Butterscotch Blonde over swamp ash, quartersawn maple neck with Vintage Tint Gloss finish.

Here's a Bluesboy 90 in Himalayan Blue with 3-ply creme guard, rosewood board and Vintage Tint Gloss neck finish.

Here's an L-2000 in Redburst over swamp ash, quartersawn maple neck with Clear Satin finish.

Here's an SB-2 in Black with a 3-ply black guard, ebony board on a quartersawn maple neck with Clear Satin finish.

Here's an ASAT Classic S Alnico in 3-Tone Sunburst over alder, 3-ply white guard, rosewood board, Clear Satin neck finish.

Here's an L-2000 in Blueburst over swamp ash with matching headstock and ebony board.

Here's an L-2500 in Ruby Red Metallic with matching headstock and rosewood board.

Here's a Legacy in Honeyburst over swamp ash, tortoise guard, creme covers and knobs, maple neck with Vintage Tint Satin finish.

Here's a Legacy HB in Lake Placid Blue, mint knobs and single coil covers, black Duncan bucker, quartersawn maple neck with rosewood board,
stainless steel frets, Vintage Tint Satin neck finish...and more. A killer retro vibe hotrod.

Here's a Legacy in 2-Tone Sunburst over alder, 3-ply creme guard, creme covers and knobs, maple neck with Clear Satin finish.

Here's an L-2500 in Honeyburst over a flame top, ebony board, GraphTech nut and black headstock on a quartersawn maple neck. It's really sweet.

Sprayed this MJ-4 body in Margarita Metallic with a Satin Frost top coat (aka "Margarita Frost"). Looking forward to seeing this get built.
Margarita Frost sounds pretty tasty right now.

Here's an L-2500 in Tobacco Sunburst over alder, wood binding, quartersawn maple neck with Light Tint Satin finish.

Here's a Bluesboy Semi-Hollow in Old School Tobacco Sunburst over swamp ash, 3-ply white guard, rosewood board and Clear Satin neck finish.

Here's an ASAT Classic S Alnico in Emerald Blue with arm contour and tummy cut, pearl guard, rosewood board and Clear Satin neck finish.
We really like the vibe of this guitar.

Here's an S-500 hardtail in 3-Tone Sunburst over alder, 3-ply white guard, white covers, chrome knurled knobs, rosewood board, Clear Satin neck finish.
If you don't need a vibrato, Leo's Saddle Lock bridge is the way to go.

Here's an LB-100 in 3-Tone Sunburst over alder, tortoise guard, rosewood board, Vintage Tint Satin neck finish.

Here's an ASAT Classic Rustic in Butterscotch Blonde. Nitro body and neck, aged by our foreman Josh. Looks and feels like a well loved old ASAT.

Here's an ASAT Bass in Blue Metal Flake, quartersawn maple neck with Light Tint Satin finish.

Here's a Savannah Collection ASAT Deluxe II.

Here's a Legacy in Himalayan Blue with a 3-ply white guard and maple neck with Vintage Tint Gloss finish.

Here's a JB-2 in Clear Blue over swamp ash, rosewood board on a quartersawn maple neck with clear satin finish.
Some say that blue isn't a good color for basses. Yeah, well look at this one.

Here's a lefty Black Ice Collection ASAT Deluxe II.

Here's an L-2000 in Gloss Black with an ebony board and matching headstock. Simply sexy.

Here's a Legacy in 3-Tone Sunburst over alder, tortoise guard, black covers and knobs, maple neck with Clear Satin finish.
Some very nice grain in the alder.

Here 's an ASAT Classic in White with 3-ply Mint guard, quartersawn maple neck with Vintage Tint Gloss finish.

Here's an L-2000 in Natural Gloss over swamp ash, ebony board with abalone dots in a quartersawn maple neck with clear satin finish.
Some good wood.

Here's a Bluesboy in Blonde over swamp ash, tortoise guard, rosewood board, clear satin neck finish.

Here's an S-500 in Lemondrop over swamp ash with wood binding, pearl guard, white covers,
matching headstock on a maple neck with clear satin neck finish.

Here's a Superhawk Jerry Cantrell in Ivory. Yes, we throw down AIC riffs when we finish building them. You would too.

Here's an ASAT Special in Sonic Blue with a 3-ply white guard, white covers, rosewood board and Vintage Tint Gloss neck finish.

Here's an SB-2 in white with a tortoise guard, ebony board on a quartersawn maple neck with clear satin finish.
It's going to Japan next week.

Here's a Legacy Special in Belair Green, 3-ply white guard, black knobs, rosewood board with Light Tint Satin finish.

This S-500 Semi-Hollow is just incredible. Orange Metal Flake over swamp ash, matching headstock on a bound quartersawn maple neck,
abalone face dots, locking tuners, DFS bridge upgrade, mirror guard, black knurled knobs and black covers. This guitar is off the hook cool.

Here's a Bluesboy in Shoreline Gold with a 3-ply white guard and maple neck with clear satin finish. A clean look.

Here's an L-2000 in Blueburst over swamp ash, quartersawn maple neck with clear satin finish.

Here's an ASAT Special Semi-Hollow in Greenburst over swamp ash with wood binding, matching headstock,
maple board with clear satin finish, pearl guard and white covers.

Here's a Legacy in Clear Blue over swamp ash with wood binding, matching headstock, Light Tint Satin neck finish, pearl guard, white pickups and knobs.

Here is Rob Richard's LB-100 in Emerald Green Metallic, tortoise guard, rosewood board with face dots deleted on a quartersawn maple neck
with Light Tint Satin finish. Rob's bass came in for repair and now it's sweet as can be.

Here's an MJ-4 in Honeyburst over swamp ash, rosewood board, Light Tint Gloss neck finish. Beautiful.

Here's a Savannah Collection Bluesboy. Look at that grain character in the Korina top. Wow.

Last Friday we showed you Pat building this guitar and today it's complete. ASAT Classic Semi-Hollow in Honey over swamp ash,
wood binding, matching headstock, rosewood board, tortoise guard.

Here's an LB-100 in Emerald Green Metallic, pearl guard and rosewood board. Elegant.

Here's an ASAT Z-3 in Blue Metal Flake with matching headstock, rosewood board, 3-ply white guard and white covers.
Leo would love this.

Here's a Legacy 2HB in Clear Forest Green over swamp ash, matching headstock, maple board with clear satin finish,
tortoise guard, white pickups and knobs.

Here's an L-1505 in Himalayan Blue, quartersawn maple neck with Light Tint Gloss finish.

Wood binding on Clear Blue over swamp ash. This S-500 body goes to our Polish Shop today.

We've prepped some body blanks of nice mahogany and racked them them up in the seasoning room. For us, it's a beautiful sight.

In the Final Assembly Shop: we serve variety hot and fresh daily. These instruments should be completed tomorrow.

Here's another ASAT S-3 for Midlothian Music in Orland Park, Illinois. This one is Butterscotch Blonde over swamp ash,
1-ply black guard, maple neck with vintage gloss finish and black headstock.

[Elwood]

You guys have been busy...wow.
The 5-string with tobacco burst and wood binding looks exceptional.

Here's a Superhawk Jerry Cantrell in Ivory. Yes, we throw down AIC riffs when we finish building them. You would too.

Any chance those black saddelock assemblies could be offered to us fans of the dark side ?


Always nice to see factory shots...thanks!
elwood

[Fumble fingers]

the photo's show the color dead match on the color's I have seen in person like Ruby red , clear Blue , the Honey burst , blue sparkle , shore line gold and the neck photo should be in the knowledge base with the neck finishes , Salomon will love that picture ..... definetly some sweet guitars and Booste Grande ..lol

[darwinohm]

I was also stricken by the colors. They are beautiful. Speaking of the Boosta Grande, I happened to see some BBE pedals in a store last week and they have change the graphics to a much more appealing look. Good job BBE.-- Darwin

[Fumble fingers]

I got a whole rack of BBE pedals with the modern finish and booste grande is about the only one I don't have

[fianoman]

Another batch of stellar instruments. If given a choice to pick just one as a fave, I would be unable to do so without changing my mind in 5 minutes. They have quality oozing out of the photos.

[Case24]

I always enjoy these factory photo posts! So many guitars, so little money.

[glvourot]

These factory photos are becoming my favorite part of this forum. A real stroke of genius to post them. Just when I think any latent GAS has dispersed , here comes some more great pictures. A fine way to keep the G&L fires burning. Looking forward to some factory Fallout photos, they will only make me purchase one sooner.

[Salmon]

...the neck photo should be in the knowledge base with the neck finishes , Salomon will love that picture ......l

I spent a lot of time looking at all of those necks before I got down to your post and read this. I wonder where my tinted neck would fall in that lighting using that camera. It is closer to the one at the front left.

I would like to special order something close to the Savannah concept so I could get an ebony fretboard.

Lemondrop: You don't see many plain top lemondrop G&L's. The lemondrops I have seen have been flame tops or quilt tops. Whomever ordered that one, private request or dealer, has excellent taste. I almost bought a lemondrop last week but it had sold by the time I decided between it and a different guitar.