The place to discuss, post photos, video, and audio of the G&L products (US instruments, stomp boxes, etc.) produced after 1991, including the amps & gear we use with them.
louis cyfer wrote:that is one of my favorite finishes. i would prefer it with a maple board, but it's great as it is.
I'm a big fan of Rosewood myself. I bought this guitar from a guy at work for $800...he gave me all of the original paperwork, the cutsheet of all the parts he ordered for it as well as the COA that Phyllis signs for the American made G&Ls.
The guy wasn't hurting for money, but wanted to get enough money to purchase his wife an iPad. I definitely got it for a steal and I've been creaming over G&Ls for years.
here is another blonde, although not g&l, made by chris clem. that is natural wear, not "reliced".
the discoloration on the arm contour is from my arm, the white spot in the middle of it is the paint wearing through.
darwinohm wrote:Louis, how long have you been playing that? That is cool!-- Darwin
12-13 years? it has been my main number 1 that whole time. one of my friend has a '54 white strat and when he played mine he said he'd have a hard time to pick which one he'd want.
i bought it used, it had a little wear, but nothing like it is now. a very thin nitro finish though, so it gas a lot of the hairline cracks in the finish, and it chips along those cracks.
Gabe wrote:I love that it has the cream colored pickguard and pickups. I love that guitar!
actually that pickguard started white as did the guitar. you can see the white spot between the middle pup and the switch, that is where i rest my pinky when i play. the pickup covers are aged white from a set of sd antiquities.