Lowender Wednesday 03/21/12
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Lowender Wednesday 03/21/12
Today I am going to finish the leftover Corn Beef and Cabbage for lunch. I really like it and I put Carrots in, sometimes a few potatoes, but a lot of pickling spice. This batch was not as good as some as they had a different type of pickling spice and it was a bit bland. Good thing Ginny was gone or I would have got the question "what did you do differently"? My answer to that would be "don't you like it", and she would say, " I asked you if you did anything differently" , you see how this goes!
Some of you have already mentioned your basses. I am a bass player starting in 1961 and haven't looked back. The Dollies are always watching the lead players squirming around, showing cool moves and looking like they are in pain, but what they are feeling is the bass player driving the band along with the drummer (no jokes). If only they knew how these bass players execute, they wouldn't even look at the seemingly in pain lead dude. Joke joke! Anyway, here we bashful, shy, bass players are just driving the hell out of the band. As they say " It ain't right but it is what it is. Enough of the ranting.
Back in 1961 I had never seen a bass guitar close up. I sat in once with a friend of mine with a borrowed Framus bass. All of a sudden, I'm a bass player. I bought that Framus and played it for a couple of years until the neck fell off on the way to a summer gig. I then bought a Gibson EBO bass and used that until we stopped playing in 1965. The biggest challenge back then was getting an amp that could take it. That's where Leo stood heads over the rest. In the mid 70s I picked up a Fender Mustang bass (67) and rarely used it. I did use it on a recording in 2002 and have since sold it. It wasn't a good gigging bass but great for recording. I no longer have any of my old basses but wish I still had them all. I have several basses and my favorite is my L-2500. I just got rid of my Stingray 5 HH this week ( don't tell Ginny). Here are a couple of pictures of a couple of my G&Ls. Don't be bashful like most bass players are, and I want to see pictures of some cool basses today. I know that you have them!
My current squeeze
And the one I traded in. It is on the left in this picture
This is the non G&L content for today and it is kind of a confessional, and Louis, this could be painful. Four years ago I wanted to do some recording and I ended up with a DigiRack 002 , Pro Tools LE , and some studio equipment. This is another seemingly brilliant idea that I had sold Ginny on and realized after all was said and done that she was expecting something from this, like some decent recordings. Boy, I was starting to sweat because when I loaded Pro Tools I would get a blank screen. It took a couple of evenings to figure out that I had to open a new session. Now we are cooking.
I started working on some guitar songs (I'm a bass player) and learned each song as I recorded them. The first few songs I didn't know how to edit so I had to play them right! After the 3 dr song I made a phone call and found out how to edit. This CD was titled "Instrumentals I Remember (kind Of). Its true as I couldn't remember parts of some of the songs but did things that worked. It was a CD of 12 songs, all instrumental except for one. I would love to redo this CD as I am a much better guitar player now but the whole purpose of this CD was to learn Pro Tools. Ginny truly likes this CD bless her soul! Here is the first track that I recorded, bad timing, warts and all. Look folks, my reason for posting is that any of you could do this and it is fun.
40 Miles Of Bad Road, an old Duane Eddy song
http://www.guitarsbyleo.com/GALLERY2/ma ... temId=9873
This next song was a difficult song for me to play at the time. It was also hard from a timing standpoint and there are some timing issues. You can also hear tension in my playing. It is a Ventures song, and one of my favorite Ventures tunes called Ram-Buk-Shish
http://www.guitarsbyleo.com/GALLERY2/ma ... temId=9877
Thanks to my old bandmate Roger for doing the drum work on this. They say timing is everything but you couldn't prove it by us!
The bottom line is there is hope for everyone! That's it for today and the music will get just a bit more refined tomorrow! Have a great day-- Darwin
Some of you have already mentioned your basses. I am a bass player starting in 1961 and haven't looked back. The Dollies are always watching the lead players squirming around, showing cool moves and looking like they are in pain, but what they are feeling is the bass player driving the band along with the drummer (no jokes). If only they knew how these bass players execute, they wouldn't even look at the seemingly in pain lead dude. Joke joke! Anyway, here we bashful, shy, bass players are just driving the hell out of the band. As they say " It ain't right but it is what it is. Enough of the ranting.
Back in 1961 I had never seen a bass guitar close up. I sat in once with a friend of mine with a borrowed Framus bass. All of a sudden, I'm a bass player. I bought that Framus and played it for a couple of years until the neck fell off on the way to a summer gig. I then bought a Gibson EBO bass and used that until we stopped playing in 1965. The biggest challenge back then was getting an amp that could take it. That's where Leo stood heads over the rest. In the mid 70s I picked up a Fender Mustang bass (67) and rarely used it. I did use it on a recording in 2002 and have since sold it. It wasn't a good gigging bass but great for recording. I no longer have any of my old basses but wish I still had them all. I have several basses and my favorite is my L-2500. I just got rid of my Stingray 5 HH this week ( don't tell Ginny). Here are a couple of pictures of a couple of my G&Ls. Don't be bashful like most bass players are, and I want to see pictures of some cool basses today. I know that you have them!
My current squeeze
And the one I traded in. It is on the left in this picture
This is the non G&L content for today and it is kind of a confessional, and Louis, this could be painful. Four years ago I wanted to do some recording and I ended up with a DigiRack 002 , Pro Tools LE , and some studio equipment. This is another seemingly brilliant idea that I had sold Ginny on and realized after all was said and done that she was expecting something from this, like some decent recordings. Boy, I was starting to sweat because when I loaded Pro Tools I would get a blank screen. It took a couple of evenings to figure out that I had to open a new session. Now we are cooking.
I started working on some guitar songs (I'm a bass player) and learned each song as I recorded them. The first few songs I didn't know how to edit so I had to play them right! After the 3 dr song I made a phone call and found out how to edit. This CD was titled "Instrumentals I Remember (kind Of). Its true as I couldn't remember parts of some of the songs but did things that worked. It was a CD of 12 songs, all instrumental except for one. I would love to redo this CD as I am a much better guitar player now but the whole purpose of this CD was to learn Pro Tools. Ginny truly likes this CD bless her soul! Here is the first track that I recorded, bad timing, warts and all. Look folks, my reason for posting is that any of you could do this and it is fun.
40 Miles Of Bad Road, an old Duane Eddy song
http://www.guitarsbyleo.com/GALLERY2/ma ... temId=9873
This next song was a difficult song for me to play at the time. It was also hard from a timing standpoint and there are some timing issues. You can also hear tension in my playing. It is a Ventures song, and one of my favorite Ventures tunes called Ram-Buk-Shish
http://www.guitarsbyleo.com/GALLERY2/ma ... temId=9877
Thanks to my old bandmate Roger for doing the drum work on this. They say timing is everything but you couldn't prove it by us!
The bottom line is there is hope for everyone! That's it for today and the music will get just a bit more refined tomorrow! Have a great day-- Darwin
Last edited by darwinohm on Wed Mar 21, 2012 10:54 am, edited 2 times in total.
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Re: Lowender Wednesday 03/21/12
Hey Darwin,
Here is my contribution to Lowender Day....
Its a reissue of the Bass VI that Fender did quite a few years back - i think they called it the Jaguar Baritone. Which is really weird as it is certainly not a baritone. I ended up with it after my american strat got stolen and the insurance money was burning a hole in my pocket. I had recently got my s-500, so i knew i didn't want another strat, so i ended up with it. I have a few bass students, so it gets used every week.
I always wish i had more time to invest into recording projects. It is on the radar for the future for sure. I had trouble trying to open your tunes, i want to have a listen - i will try again later.
Have a good one
Scott
Here is my contribution to Lowender Day....
Its a reissue of the Bass VI that Fender did quite a few years back - i think they called it the Jaguar Baritone. Which is really weird as it is certainly not a baritone. I ended up with it after my american strat got stolen and the insurance money was burning a hole in my pocket. I had recently got my s-500, so i knew i didn't want another strat, so i ended up with it. I have a few bass students, so it gets used every week.
I always wish i had more time to invest into recording projects. It is on the radar for the future for sure. I had trouble trying to open your tunes, i want to have a listen - i will try again later.
Have a good one
Scott
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Re: Lowender Wednesday 03/21/12
Scott, this has been a scramble. The files were lost on the host and I don't know why. I just tested it and it worked so give another try when you get a chance. Thanks for bringing it to my attention.-- Darwin
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Re: Lowender Wednesday 03/21/12
Here are my basses. I use the CV precision the most at band practise. The Jazz has a great neck but is in dire need of a good set up and a look under the hood.
I could not play your files either Darwin, I'll try later as well. Nice Basses BTW !
I could not play your files either Darwin, I'll try later as well. Nice Basses BTW !
Paul
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Re: Lowender Wednesday 03/21/12
Found one file but not the other. NIce, I've had some recording gear for over a year now and haven't had time to do anything with it!!
My Basses
Interceptor and Bassman 10
SB-2
Fender in the background
I can't find any pics of the SB-1 that I gave to my nephew.
And like you said you can't have a good beat without the drums.
My Basses
Interceptor and Bassman 10
SB-2
Fender in the background
I can't find any pics of the SB-1 that I gave to my nephew.
And like you said you can't have a good beat without the drums.
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Re: Lowender Wednesday 03/21/12
Sorry for the link issues. Thanks to the help of our webmaster Craig the issues are resolved. The songs are now linked properly. Thanks again-- Darwin
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Re: Lowender Wednesday 03/21/12
that is fine playing darwin. nothing to be ashamed of. some timing issues as you said, but i am not sure if that is the drummer or the guitar. did you record the drums first or the guitar? what did you use for the guitar sound?
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Re: Lowender Wednesday 03/21/12
Good questions Louis. I used a click track for timing. I did all the guitar work and had Rog lay down drum tracks last. Backwards for sure. I am off bit at times and the drums are off also. During this CD, that was not my primary focus. My guitar playing wasn't even the big focus but just laying it down and mixing it together. I was surprised by the sound you could get with Pro Tools. I direct recorded all my guitar work into the DigiRack 002 and front ended with my Vox Tone Lab to get the Duane Eddy sound that I wanted. I also wanted to get the 60's sound and probably did okay as no one was too concerned about anything back then. Some of the recordings back then had more noise than music. In the end this project took me about 2 months and I would love to redo it but it isn't worth it. You can tell, Louis, that when you play something a lot you really get smooth at it. I just learned these songs and recorded them and you can hear the tension in the guitar work, some songs more than others. This was a learning project for Pro Tools and did I ever have fun! My second CD was done more like it should be done. None of this was intended to be a commercial thing although I had the copies done and paid royalties for 500 copies. Thanks for asking. --Darwin
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Re: Lowender Wednesday 03/21/12
Just listened to the tracks . Well done. I thought it sounded really good.
Paul
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Re: Lowender Wednesday 03/21/12
The click cue is brutal, and so good for you! (By you I mean me.)
I will get to listen to your stuff today as I have a lot of odds and ends to take care of here at work! I have a crazy March and April (no I am not a CPA), but I am going to really formalize my practice regime in May--focusing on songs--as opposed to riffs, tricks, and little lines. I love to noodle, but it's time to sharpen back up. My plan is do a rough jam track every Sunday using drum machine and one string track, say rhythm guitar. (I think rhythm guitar, because I am such a bad bass player, I will work on that later during the week, and can kinda cheat and follow at first. When I am better, I will mix it up more.) Then try and improve all the tracks, every evening.
Thanks for sharing, its really getting me excited to get back to it. j
I will get to listen to your stuff today as I have a lot of odds and ends to take care of here at work! I have a crazy March and April (no I am not a CPA), but I am going to really formalize my practice regime in May--focusing on songs--as opposed to riffs, tricks, and little lines. I love to noodle, but it's time to sharpen back up. My plan is do a rough jam track every Sunday using drum machine and one string track, say rhythm guitar. (I think rhythm guitar, because I am such a bad bass player, I will work on that later during the week, and can kinda cheat and follow at first. When I am better, I will mix it up more.) Then try and improve all the tracks, every evening.
Thanks for sharing, its really getting me excited to get back to it. j
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Re: Lowender Wednesday 03/21/12
It's late, so I'll jump straight to the porn:
My first G&L, a first-style SB-1:
I think this may have been a practice piece for a new employee, as there are a couple of minor routing flaws (unusual on a G&L, but par for the course on a Fender of that era), a non-standard butterscotch blond finish, and no headstock decal.
My newest G&L, a "rescue" L-1000 from January '82:
I scored this one on eBay last month for a very low price. It was a gamble, but I couldn't stand the thought of somebody else winning the auction and parting her out. I have all of the original parts, except for a couple of bridge mounting screws. If anybody has some for sale (or to spare!), please PM me!
The L-1000 had been covered in metallic burgundy spray paint and reassembled before it was dry. I hated taking off the original black finish with the spray paint, but it couldn't be helped. The ash grain is very tight on this one (see photo above), so I may end up going with a transparent finish if I can get the black paint out of the end grain.
My soon-to-be-newest G&L, a mahogany '81 L-2000 Series E which should arrive tomorrow:
This is another rescue. A previous owner apparently carved the word "FUNK" into the upper horn, and his initials into the back. The price was low enough that after some serious finish repair and possibly a fret job she will still have been a great deal. Not to mention, this was another one that likely would have been parted out for a quick buck. I've been promised that everything is original on this bass, aside from the carvings.
Here's my first real bass, a '78 (approximately) Fender Jazz with a '69 Precision neck. This was my first rescue bass, back during high school in '81. I nickel-and-dimed repairs as I could afford until she reached her current state in '86. I think at this point I have about $450 in her, excluding the strings. The volume and tone that comes out of those vintage ('81 or earlier) DiMarzio pickups defies description:
Finally, here's the upright that was my main instrument for five years, until the G&L fever struck:
Enjoy!
Ken
My first G&L, a first-style SB-1:
I think this may have been a practice piece for a new employee, as there are a couple of minor routing flaws (unusual on a G&L, but par for the course on a Fender of that era), a non-standard butterscotch blond finish, and no headstock decal.
My newest G&L, a "rescue" L-1000 from January '82:
I scored this one on eBay last month for a very low price. It was a gamble, but I couldn't stand the thought of somebody else winning the auction and parting her out. I have all of the original parts, except for a couple of bridge mounting screws. If anybody has some for sale (or to spare!), please PM me!
The L-1000 had been covered in metallic burgundy spray paint and reassembled before it was dry. I hated taking off the original black finish with the spray paint, but it couldn't be helped. The ash grain is very tight on this one (see photo above), so I may end up going with a transparent finish if I can get the black paint out of the end grain.
My soon-to-be-newest G&L, a mahogany '81 L-2000 Series E which should arrive tomorrow:
This is another rescue. A previous owner apparently carved the word "FUNK" into the upper horn, and his initials into the back. The price was low enough that after some serious finish repair and possibly a fret job she will still have been a great deal. Not to mention, this was another one that likely would have been parted out for a quick buck. I've been promised that everything is original on this bass, aside from the carvings.
Here's my first real bass, a '78 (approximately) Fender Jazz with a '69 Precision neck. This was my first rescue bass, back during high school in '81. I nickel-and-dimed repairs as I could afford until she reached her current state in '86. I think at this point I have about $450 in her, excluding the strings. The volume and tone that comes out of those vintage ('81 or earlier) DiMarzio pickups defies description:
Finally, here's the upright that was my main instrument for five years, until the G&L fever struck:
Enjoy!
Ken
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Re: Lowender Wednesday 03/21/12
What a really cool freak-show first style SB-1, between the body finish, the lack of headstock decal, and the aforementioned minor routing flaws make it most interesting. Thanks for sharing.
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Re: Lowender with BASS BANJO!
Here's my newest bass. We aren't done with it yet. It's a Bass Banjo. Here's a look at the instrument and construction:
[youtube]hgypOPLkKu4[/youtube]
...and here's a track ("F" from "Natural") I recently recorded with it:
http://jukebox.rpmchallenge.com/music/2 ... 2012-F.mp3
...and the rest of "Natural" is at the bottom of the page. An interesting project to tackle. I'll probably revisit in the future, tighten it up, and pair it down to about 12 minutes instead of the current 16. (the long tracks are "A", "D", and "A+D" by structure).
We still aren't done with the Bass Banjo, but I'm reasonably happy with it as it sits in 0.7 release mode. It could be better, and we'll get there.
[youtube]hgypOPLkKu4[/youtube]
...and here's a track ("F" from "Natural") I recently recorded with it:
http://jukebox.rpmchallenge.com/music/2 ... 2012-F.mp3
...and the rest of "Natural" is at the bottom of the page. An interesting project to tackle. I'll probably revisit in the future, tighten it up, and pair it down to about 12 minutes instead of the current 16. (the long tracks are "A", "D", and "A+D" by structure).
We still aren't done with the Bass Banjo, but I'm reasonably happy with it as it sits in 0.7 release mode. It could be better, and we'll get there.
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Re: Lowender Wednesday 03/21/12
Just a thought: Don't the prototypes in Leo's office have a similar sort of finish and a lack of headstock decals? That might explain the rough routing and everything else. Just a thought.
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Re: Lowender Wednesday 03/21/12
Great pictures posted of some really interesting stuff! A banjo bass?????
Scott, nice Baritone. I had looked at one of these, a Strat type, MIJ. A friend of mine had one and convinced I would never use it. I saw Roy Orbison in 1962 or 3 and his bass player was using one and did a lot of fill with it.
GLV, Nice basses. Is the CV a Fender model? Looks almost Surf Green.
Duck, Great assortment of gear. You could be a one man band! I like the Carvin on the Bassman. The SB-2 is great wood and a cool headstock on the Interceptor
SBNT, Keep at it and keep it simple. It is challenging to make a whole CD as it gets tiring near the end. My focus was to learn Pro Tools but I still had to work on my guitar work.
Ken, What a display of basses. You rescue them like Louis rescues pets. I really like the SB-1. It looks so clean and simple.
Brock, What a display of banjos. I have never heard of a bass banjo. What kind of a neck did you put on it? Haven't viewed the clip but will do so later.
Jamie, Here I have been talking about spring. It occured to me that you are just into fall.
Thanks everyone and sorry for the link issues on the tunes.-- Darwin
Scott, nice Baritone. I had looked at one of these, a Strat type, MIJ. A friend of mine had one and convinced I would never use it. I saw Roy Orbison in 1962 or 3 and his bass player was using one and did a lot of fill with it.
GLV, Nice basses. Is the CV a Fender model? Looks almost Surf Green.
Duck, Great assortment of gear. You could be a one man band! I like the Carvin on the Bassman. The SB-2 is great wood and a cool headstock on the Interceptor
SBNT, Keep at it and keep it simple. It is challenging to make a whole CD as it gets tiring near the end. My focus was to learn Pro Tools but I still had to work on my guitar work.
Ken, What a display of basses. You rescue them like Louis rescues pets. I really like the SB-1. It looks so clean and simple.
Brock, What a display of banjos. I have never heard of a bass banjo. What kind of a neck did you put on it? Haven't viewed the clip but will do so later.
Jamie, Here I have been talking about spring. It occured to me that you are just into fall.
Thanks everyone and sorry for the link issues on the tunes.-- Darwin
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Re: Lowender Wednesday 03/21/12
Yes, that does look like it has the sanding sealer finish of a prototypical G&L instrument.Brock wrote:Just a thought: Don't the prototypes in Leo's office have a similar sort of finish and a lack of headstock decals? That might explain the rough routing and everything else. Just a thought.
In this case, it also looks to have been buffed smooth.
Here's a picture of the Innovator prototype for reference:
KenC, you might contact HLG and ask him if he could find out from Dale Hyatt if this
bass is listed in the G&L Logbook as a prototype.
I'd be interested in knowing if it is.
--Craig [co-webmaster of guitarsbyleo.com, since Oct. 16, 2000]
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Welcome! Read This First
Got a G&L question? Check out the: G&L Knowledgebase
Current G&L Specifications and Options