My acquaintance with G&L came after I traded my strat for a pair of Telecaster guitars. One was a Fender, and the other was a "boutique" with a curly maple top and ebony fingerboard. I never did bond with those guitars and eventually sold them. But then, I had no electric guitar! It was at that point I found a sunburst George Fullerton signature Legacy. It had a very pronounced v-neck and a beautiful, classic, glassy strat tone. After I purchased that one, I found a red GF with a maple fingerboard, and that started by G&L collecting. I've owned about a dozen G&Ls in the past 15 or so years and am now down to just 2. I've got a mahogany bodied Legacy HB and a Leo Signature ASAT Classic. Both are very fine examples of what G&L brings to the table - great quality guitars at affordable price points.
Here are some of the G&Ls that I've owned:

G&L Food for thought:
I am amazed at the number of boutique guitar builders out there. They are putting out some truly phenomenal stuff. Some of it is of that vintage design that we know and love, but some of those guys are making stuff that is really out there. Personally, I think the stuff at G&L is equal or superior to a lot of the boutique stuff out there and given their size, I wonder why they don't market themselves as the "original" boutique guitar builder.
Lunch? I haven't decided yet but there several options. The cafeteria, boring and expensive....Quiznos, Smithfield's Chicken and BBQ, Red Dragon Chinese, Randy's New York Style Pizza, New York Deli, or the Morrisville Deli. I've got time to think about it.
That's my report for today. I was thinking I'd cover a little tone talk, amps, effects, and whatever else pops into my head. I'll save my gig story for Friday and it is entertaining. For now, funny things can happen over miscommunication. If you guys have any suggestions for topics, feel free to suggest them.
RickT