CLF RESEARCH CO
Are you a fan of Leo Fender? Follow the new CLF Research page. We'll share the story of what Clarence Leo Fender did after selling Fender to CBS, but there will also be Leo's photos and artifacts going back to the early Fender company days. CLF Research i
Date: 01/19/18
Are you a fan of Leo Fender? Follow the new CLF Research page. We'll share the story of what Clarence Leo Fender did after selling Fender to CBS, but there will also be Leo's photos and artifacts going back to the early Fender company days. CLF Research is the thread that connects all three of Leo's brands: Fender, Music Man and G&L. This should be fun.
Lease
On July 5th, 1966, Leo signed a lease for the Elm Avenue building. Soon after, Leo's office, lab and private workshop were moved from CBS/Fender to the Elm Avenue building, the new home of CLF Research.
Date: 01/19/18
On July 5th, 1966, Leo signed a lease for the Elm Avenue building. Soon after, Leo's office, lab and private workshop were moved from CBS/Fender to the Elm Avenue building, the new home of CLF Research.
Fender Electric XII development mule
Leo completed development of the Fender Electric XII after CBS had taken over Fender management in 1965. This development mule is among the examples of Leo's work for CBS/Fender at CLF Research.
Date: 01/19/18
Leo completed development of the Fender Electric XII after CBS had taken over Fender management in 1965. This development mule is among the examples of Leo's work for CBS/Fender at CLF Research.
3-bolt neck with micro tilt
Leo worked on a 3-bolt neck with micro tilt for Fender acoustics.
Date: 01/20/18
Leo worked on a 3-bolt neck with micro tilt for Fender acoustics.
rear view of Bandmaster Amp
The caption reads: "This is a rear view of Bandmaster Amp with back panels removed, showing terminal board construction.
Date: 01/21/18
The caption reads: "This is a rear view of Bandmaster Amp with back panels removed, showing terminal board construction.
1973 photo of Fender Avenue buildings under construction
Leo's circa 1973 photo shows a typical example of one of his Fender Avenue buildings under construction.
Date: 01/23/18
Leo's circa 1973 photo shows a typical example of one of his Fender Avenue buildings under construction.
GHS Strings supplied special strings CLFR
GHS Strings supplied special strings to CLF Research, including G&L "Hot Rounds" brand. This letter to Leo from GHS Sales Manager Dave Holcomb is regarding samples.
Date: 01/23/18
GHS Strings supplied special strings to CLF Research, including G&L "Hot Rounds" brand. This letter to Leo from GHS Sales Manager Dave Holcomb is regarding samples.
1967 Pickup
In 1967, Leo was still working as a consultant to CBS/Fender and carried out his development work from CLF Research, formed the prior year. This pickup was among a random lot in one of his drawers labeled "pickups".
Date: 01/24/18
In 1967, Leo was still working as a consultant to CBS/Fender and carried out his development work from CLF Research, formed the prior year. This pickup was among a random lot in one of his drawers labeled "pickups".
Music Man 112 RD amp in Leo's Lab
Now that we are coming in Leo's lab and office more, we decided we have to at least vacuum the floor. For 27 years these rooms have been closed, so the cleaners don't go in here.
Date: 01/24/18
Now that we are coming in Leo's lab and office more, we decided we have to at least vacuum the floor. For 27 years these rooms have been closed, so the cleaners don't go in here.
Leo in the process of inventing a new vibrato
Leo in the process of inventing a new vibrato which pivots on two posts. The completed design would be introduced later in the new G&L brand.
Date: 01/28/18
Leo in the process of inventing a new vibrato which pivots on two posts. The completed design would be introduced later in the new G&L brand.
Leo's circa 1968 Telecaster development
Leo's circa 1968 Telecaster development work for CBS/Fender. In future posts we will discuss its features.
Date: 01/28/18
Leo's circa 1968 Telecaster development work for CBS/Fender. In future posts we will discuss its features.
Leo Fender to Fender Salesmen on CBS:Fender letterhead
Leo Fender to Fender Salesmen on CBS/Fender letterhead and dated June 4, 1968. That the letter was not on CLF Research letterhead suggests a warmth and active participation with his former company.
Date: 01/28/18
Leo Fender to Fender Salesmen on CBS/Fender letterhead and dated June 4, 1968. That the letter was not on CLF Research letterhead suggests a warmth and active participation with his former company.
breadboard instruments
In Leo's lab, his "breadboard instruments" were used to quickly test new pickups and their position. In this case, a twin MFD single coil arrangement mounted on a wooden board, with pickup selector switch, series/parallel switch, volume and tone
Date: 01/30/18
In Leo's lab, his "breadboard instruments" were used to quickly test new pickups and their position. In this case, a twin MFD single coil arrangement mounted on a wooden board, with pickup selector switch, series/parallel switch, volume and tone pots on a separate plate.
This example seems to have been with him a long time, considering the Fender era bridge, Music Man era neck and G&L era MFD pickups. These "breadboard instruments" were workhorses, perhaps with neck swaps over the years. We suppose this one started out with a late '60s Fender neck.
This example seems to have been with him a long time, considering the Fender era bridge, Music Man era neck and G&L era MFD pickups. These "breadboard instruments" were workhorses, perhaps with neck swaps over the years. We suppose this one started out with a late '60s Fender neck.
1978 CLF Research envelope
Leo Fender's circa 1978 CLF Research envelope. The graphic features a Music Man Stingray guitar which he designed and manufactured at his CLF Research factory here on Fender Avenue.
Date: 01/30/18
Leo Fender's circa 1978 CLF Research envelope. The graphic features a Music Man Stingray guitar which he designed and manufactured at his CLF Research factory here on Fender Avenue.
CLF Research guitar humbucker
CLF Research guitar humbucker mounted in body section shows mounting and adjustability
Date: 01/31/18
CLF Research guitar humbucker mounted in body section shows mounting and adjustability
G&L L-1000 control plate drawing
G&L L-1000 control plate drawing by George Fullerton (GWF) and approved by Leo Fender (F).
Date: 02/01/18
G&L L-1000 control plate drawing by George Fullerton (GWF) and approved by Leo Fender (F).
CLF Research prototype Magnetic Field Design (MFD) bass humbucker
CLF Research prototype Magnetic Field Design (MFD) bass humbucker. We believe this is late 1978 to early 1979.
Date: 02/02/18
CLF Research prototype Magnetic Field Design (MFD) bass humbucker. We believe this is late 1978 to early 1979.
CLF prototype-AUG 21 1977
A CLF prototype which spent decades tucked away in one of our lofts. AUG 21 1977 is stamped in the neck pocket. It appears to be a Stingray with two roughly cut pockets for large humbuckers.
Date: 02/02/18
A CLF prototype which spent decades tucked away in one of our lofts. AUG 21 1977 is stamped in the neck pocket. It appears to be a Stingray with two roughly cut pockets for large humbuckers.
circa 1976 - neck sanding in the CLF factory
circa 1976 - neck sanding in the CLF factory.
Date: 02/05/18
circa 1976 - neck sanding in the CLF factory.
Leo's circa 1968 - 1969 Telecaster development work
Leo's circa 1968 - 1969 Telecaster development work for CBS/Fender. This experimental bridge has fixed saddle height relative to the plate but the plate can be raised and lowered on two machined posts. Note the saddles go through the plate. In a few minut
Date: 02/05/18
Leo's circa 1968 - 1969 Telecaster development work for CBS/Fender. This experimental bridge has fixed saddle height relative to the plate but the plate can be raised and lowered on two machined posts. Note the saddles go through the plate. In a few minutes we'll show the back side and talk about that.
Rear view of Leo's 1968 to 1969 Telecaster development concept
Rear view of Leo's 1968 to 1969 Telecaster development concept. Two main points here. First, the string pull makes the saddle act as a lever, forcing the bottom side of the saddle against the body end grain. About 10 years later he found a more efficient
Date: 02/05/18
Rear view of Leo's 1968 to 1969 Telecaster development concept. Two main points here. First, the string pull makes the saddle act as a lever, forcing the bottom side of the saddle against the body end grain. About 10 years later he found a more efficient way to transfer more string energy with his Saddle Lock bridge introduced on his G&L brand. Second, Leo was developing on-board active circuits powered by 9 volts (6 AAA batteries).
November 19, 1969 drawing shows string bender installation
November 19, 1969 drawing shows string bender installation.
Date: 02/06/18
November 19, 1969 drawing shows string bender installation.
STRAT-TYPE
Even Leo resorted to writing "STRAT-TYPE" when developing the MFD single coil pickup introduced on the original style S-500 in 1982. The proportions were Strat-like but the ends were rectangular with radiused corners.
Date: 02/08/18
Even Leo resorted to writing "STRAT-TYPE" when developing the MFD single coil pickup introduced on the original style S-500 in 1982. The proportions were Strat-like but the ends were rectangular with radiused corners.
Circa 1979 prototype Magnetic Field Design guitar humbucker
Circa 1979 prototype Magnetic Field Design guitar humbucker.
Date: 02/09/18
Circa 1979 prototype Magnetic Field Design guitar humbucker.
George Fullerton's sister, Shug Atkinson, was hired to wind pickups
George Fullerton's sister, Shug Atkinson, was hired to wind pickups.
Date: 02/10/18
George Fullerton's sister, Shug Atkinson, was hired to wind pickups.
December 31, 1962 receipt from Race & Olmsted
December 31, 1962 receipt from Race & Olmsted. Four sets of machined pickup winder parts included: block, pulleys and bearings. Leo likely needed to make more winders as the Fender business was growing. We will talk about Race & Olmsted more as we
Date: 02/17/18
December 31, 1962 receipt from Race & Olmsted. Four sets of machined pickup winder parts included: block, pulleys and bearings. Leo likely needed to make more winders as the Fender business was growing. We will talk about Race & Olmsted more as we go along.
Leo's mobile home
1976 photo of Leo's mobile home he lived in with his first wife, Esther, until she passed away in 1979. Though he was a wealthy man, he lived a modest lifestyle aside from his yachts. The Mercedes 450SE was a luxury gift for Esther.
For our followers Date: 02/17/18 1976 photo of Leo's mobile home he lived in with his first wife, Esther, until she passed away in 1979. Though he was a wealthy man, he lived a modest lifestyle aside from his yachts. The Mercedes 450SE was a luxury gift for Esther.
For our followers outside the US, a mobile home can be transported to a new location rather than selling the house and buying another. The space the home sits on was typically rented. This concept enjoyed some popularity, mostly in the 1950s and 1960s.
For our followers Date: 02/17/18 1976 photo of Leo's mobile home he lived in with his first wife, Esther, until she passed away in 1979. Though he was a wealthy man, he lived a modest lifestyle aside from his yachts. The Mercedes 450SE was a luxury gift for Esther.
For our followers outside the US, a mobile home can be transported to a new location rather than selling the house and buying another. The space the home sits on was typically rented. This concept enjoyed some popularity, mostly in the 1950s and 1960s.
Telecaster body shape
Telecaster body shape and control plate, Saddle Lock bridge, two slanted single coil pickups and pickguard concept sketch likely by George.
Date: 02/17/18
Telecaster body shape and control plate, Saddle Lock bridge, two slanted single coil pickups and pickguard concept sketch likely by George.
Leo's Lab door plaques
The Lab was the center of Leo's creativity. He moved it from Fender to CLF Research in 1966.
Date: 02/17/18
The Lab was the center of Leo's creativity. He moved it from Fender to CLF Research in 1966.
1982 - Leo Fender gives one of his new G&L guitars to the legendary Freddy Fender
1982 - Leo Fender gives one of his new G&L guitars to the legendary Freddy Fender. Freddy took the stage name "Fender" in part because he loved Leo's guitars.
Date: 02/17/18
1982 - Leo Fender gives one of his new G&L guitars to the legendary Freddy Fender. Freddy took the stage name "Fender" in part because he loved Leo's guitars.
CBS memo from Dave Gupton to Fender Salesmen
January 24, 1972 - CBS memo from Dave Gupton to Fender Salesmen introducing the new natural finish, which became known as Natural Ash.
Date: 02/17/18
January 24, 1972 - CBS memo from Dave Gupton to Fender Salesmen introducing the new natural finish, which became known as Natural Ash.
photo which accompanied the 1972 CBS memo
This is the photo which accompanied the 1972 CBS memo posted earlier today.
Date: 02/17/18
This is the photo which accompanied the 1972 CBS memo posted earlier today.
Strat pickup mounted on test board
Strat pickup mounted on test board. To see how Leo used his test boards, scroll down to the breadboard instrument we posted earlier.
Date: 02/17/18
Strat pickup mounted on test board. To see how Leo used his test boards, scroll down to the breadboard instrument we posted earlier.
1976 cutaway view shows truss rod action on early Stingray guitar
1976 cutaway view shows truss rod action on early Stingray guitar. "LC" is Lloyd Chewning, another ex-Fender man to join CLF Research. Lloyd continued as plant manager here until he passed away in 1992 if I remember correctly.
Date: 02/18/18
1976 cutaway view shows truss rod action on early Stingray guitar. "LC" is Lloyd Chewning, another ex-Fender man to join CLF Research. Lloyd continued as plant manager here until he passed away in 1992 if I remember correctly.
Leo kept connector cables handy
Leo kept connector cables handy, often with alligator clips on the ends. Some had a pot in the middle like these two.
Date: 02/19/18
Leo kept connector cables handy, often with alligator clips on the ends. Some had a pot in the middle like these two.
1980 F-100 headstock
The original G&L guitar headstock was developed at CLF Research in the late 1970s. I also happen to be playing this 1980 F-100 right now, so this is conveniently my subject matter tonight.
Date: 02/21/18
The original G&L guitar headstock was developed at CLF Research in the late 1970s. I also happen to be playing this 1980 F-100 right now, so this is conveniently my subject matter tonight.
1980 F-100 in G&L Vintage Collection
Another photo of the 1980 F-100 I posted earlier tonight. It is my favorite spec of the time: natural over mahogany, Saddle Lock bridge, ebony board. That finish has really aged beautifully, and there are a few nice bits of flame in the wood. I was also r
Date: 02/21/18
Another photo of the 1980 F-100 I posted earlier tonight. It is my favorite spec of the time: natural over mahogany, Saddle Lock bridge, ebony board. That finish has really aged beautifully, and there are a few nice bits of flame in the wood. I was also reminded tonight how wonderful the CLF Research knobs look and feel to the touch. They're exquisite.
January 6, 1965 issue of News Tribune
January 6, 1965 issue of News Tribune, a local newspaper here in Fullerton. The big story was that Leo Fender has sold his Fender company. Leo cut out this article and kept it in his office file cabinet.
Date: 02/21/18
January 6, 1965 issue of News Tribune, a local newspaper here in Fullerton. The big story was that Leo Fender has sold his Fender company. Leo cut out this article and kept it in his office file cabinet.
Clarence %22Monte%22 Fender
1951 photo of Leo's father, Clarence "Monte" Fender. Monte used to come to the Pomona building to help Leo in the early Fender days. He looks like a happy and proud dad in this photo.
Date: 02/22/18
1951 photo of Leo's father, Clarence "Monte" Fender. Monte used to come to the Pomona building to help Leo in the early Fender days. He looks like a happy and proud dad in this photo.
Johnny and Dave McLaren
Clarence Leo Fender: The Story of CLF Research
Have you ever heard of CLF Research? Probably not, but it’s time for its rich history to be shared. CLF Research is the company Leo Fender founded in 1966, where he continued to support CBS/Fender until 19 Date: 02/22/18 Clarence Leo Fender: The Story of CLF Research
Have you ever heard of CLF Research? Probably not, but it’s time for its rich history to be shared. CLF Research is the company Leo Fender founded in 1966, where he continued to support CBS/Fender until 1970, later developed and manufactured Music Man instruments and ultimately his G&L instruments.
Back in ‘66, Leo moved his private office, laboratory and workshop from the Fender factory to CLF Research, where today his 2548 Fender Avenue building contains a variety of historic artifacts from across his career and personal life. Now, brothers Johnny and Dave McLaren have created Facebook and Instagram pages to share these artifacts with Leo fans around the world. Dave McLaren adds:
“For many years Johnny and I have thought about writing a book, but we realize we are too busy with our work running G&L. Thanks to social media, however, we now have platforms to share these fascinating Leo Fender artifacts, insights and stories. We also feel a sense of obligation, because if we don’t do it, it’ll never be done with the perspective we can bring. We hope that fans of Leo will join us as we turn back time and, hopefully, have a lot of fun as we go.”
CLF Research pages are now live @clfresearch on Facebook and Instagram.
Have you ever heard of CLF Research? Probably not, but it’s time for its rich history to be shared. CLF Research is the company Leo Fender founded in 1966, where he continued to support CBS/Fender until 19 Date: 02/22/18 Clarence Leo Fender: The Story of CLF Research
Have you ever heard of CLF Research? Probably not, but it’s time for its rich history to be shared. CLF Research is the company Leo Fender founded in 1966, where he continued to support CBS/Fender until 1970, later developed and manufactured Music Man instruments and ultimately his G&L instruments.
Back in ‘66, Leo moved his private office, laboratory and workshop from the Fender factory to CLF Research, where today his 2548 Fender Avenue building contains a variety of historic artifacts from across his career and personal life. Now, brothers Johnny and Dave McLaren have created Facebook and Instagram pages to share these artifacts with Leo fans around the world. Dave McLaren adds:
“For many years Johnny and I have thought about writing a book, but we realize we are too busy with our work running G&L. Thanks to social media, however, we now have platforms to share these fascinating Leo Fender artifacts, insights and stories. We also feel a sense of obligation, because if we don’t do it, it’ll never be done with the perspective we can bring. We hope that fans of Leo will join us as we turn back time and, hopefully, have a lot of fun as we go.”
CLF Research pages are now live @clfresearch on Facebook and Instagram.
Sabre guitar breadboard notes
Leo made notes everywhere. On this breadboard instrument are his notes about pickups for the Sabre guitar.
Date: 02/24/18
Leo made notes everywhere. On this breadboard instrument are his notes about pickups for the Sabre guitar.
hand painted logo art on a prototype Stingray headstock.
This appears to be hand painted logo art on a prototype Stingray headstock. My guess is George did it. He was a painter, as in brushes and canvas.
Date: 02/25/18
This appears to be hand painted logo art on a prototype Stingray headstock. My guess is George did it. He was a painter, as in brushes and canvas.
Buddy played Electric Spanish Guitar.
Buddy played Electric Spanish Guitar.
Date: 02/25/18
Buddy played Electric Spanish Guitar.
Leo's CMA Country Music Association Card
I can't imagine what the CMA Country Music Association would have been like if "C. L. Fender" had not come along.
Date: 02/26/18
I can't imagine what the CMA Country Music Association would have been like if "C. L. Fender" had not come along.
George Fullerton, Leo Fender, Dale Hyatt
This photo is from around '82 to '83. Left to right: George Fullerton, Leo Fender, Dale Hyatt. Leo is holding the original version of the SC-3.
Date: 02/27/18
This photo is from around '82 to '83. Left to right: George Fullerton, Leo Fender, Dale Hyatt. Leo is holding the original version of the SC-3.
CLF Research knobs
Machinist Mike did a wonderful job in reproducing the CLF Research knobs. Mike machined them for Leo 38 years ago and he still machines parts for G&L instruments today. Left to right: first new proto, second proto with pointer milled in, and finished
Date: 03/04/18
Machinist Mike did a wonderful job in reproducing the CLF Research knobs. Mike machined them for Leo 38 years ago and he still machines parts for G&L instruments today. Left to right: first new proto, second proto with pointer milled in, and finished knob. Maybe we should call him Magic Mike.
Music Man RD-50 amp
Some of you wanted to see the Music Man RD-50 amp. The MM amps were not manufactured at CLF Research like the guitars and basses were. The amps were made in Anaheim, California. Any of you have a '70s MM amp? What do you think of it?
Date: 03/04/18
Some of you wanted to see the Music Man RD-50 amp. The MM amps were not manufactured at CLF Research like the guitars and basses were. The amps were made in Anaheim, California. Any of you have a '70s MM amp? What do you think of it?
1978 photo of visitors in Leo's lab
circa 1978 photo of visitors in Leo's lab trying Music Man instruments made here in the CLF Research factory. I believe these guys are from the Japan distributor Kanda Shokai. It would be cool to know their names and if they are still in the music busines
Date: 03/04/18
circa 1978 photo of visitors in Leo's lab trying Music Man instruments made here in the CLF Research factory. I believe these guys are from the Japan distributor Kanda Shokai. It would be cool to know their names and if they are still in the music business today.
June 30, 1965 - a heartwarming thanks and farewell letter from Fender Salesmen to Leo
June 30, 1965 - a heartwarming thanks and farewell letter from Fender Salesmen to Leo. I think many of you will recognize Tom Walker (later with Music Man) and Dale Hyatt (later with G&L).
Date: 03/04/18
June 30, 1965 - a heartwarming thanks and farewell letter from Fender Salesmen to Leo. I think many of you will recognize Tom Walker (later with Music Man) and Dale Hyatt (later with G&L).
G&L Cavalier
June 1983 - tune/test of a new model, the G&L Cavalier. This model featured angled MFD mini humbuckers. If you have a Cav, what do you think of the pickups?
Date: 03/05/18
June 1983 - tune/test of a new model, the G&L Cavalier. This model featured angled MFD mini humbuckers. If you have a Cav, what do you think of the pickups?
Aftermarket MFD
In the 1980s Leo was interested in selling parts for aftermarket use through dealers, including MFD pickups. His label on this sample tells that story clearly.
Date: 03/06/18
In the 1980s Leo was interested in selling parts for aftermarket use through dealers, including MFD pickups. His label on this sample tells that story clearly.
December 17, 1969 letter
December 17, 1969 letter from "an ardent Fender fan" named Gary Heidemann. It was received by Fender Director of Marketing Robert McFadden, who wrote a gracious reply saying that his letter would be forwarded to Leo Fender. Coming up, we will sh
Date: 03/07/18
December 17, 1969 letter from "an ardent Fender fan" named Gary Heidemann. It was received by Fender Director of Marketing Robert McFadden, who wrote a gracious reply saying that his letter would be forwarded to Leo Fender. Coming up, we will share Robert's reply.
January 6, 1970 reply
January 6, 1970 reply from Robert McFadden to Gary Heidemann. This is great stuff.
Date: 03/08/18
January 6, 1970 reply from Robert McFadden to Gary Heidemann. This is great stuff.
CLF Research bass knobs and colored mini toggle switch caps
CLF Research bass knobs and colored mini toggle switch caps are now in the online store at glguitars.com.
Date: 03/08/18
CLF Research bass knobs and colored mini toggle switch caps are now in the online store at glguitars.com.
colored switch tips
CLF Research bass knobs and colored mini toggle switch caps are now in the online store at glguitars.com.
Date: 03/08/18
CLF Research bass knobs and colored mini toggle switch caps are now in the online store at glguitars.com.
vintage knob
CLF Research bass knobs and colored mini toggle switch caps are now in the online store at glguitars.com.
Date: 03/08/18
CLF Research bass knobs and colored mini toggle switch caps are now in the online store at glguitars.com.
Fall 1979 - James Burton in the lab with Leo Fender and George Fullerton.
Fall 1979 - James Burton in the lab with Leo Fender and George Fullerton.
Date: 03/09/18
Fall 1979 - James Burton in the lab with Leo Fender and George Fullerton.
Forrest White's business card
Forrest White's business card
Date: 03/10/18
Forrest White's business card
G&L Broadcaster neck
In 1985, the G&L Broadcaster was introduced with Telecaster shaped body. It used the same style MFD single coil pickups and Saddle Lock bridge (a Kahler was optional) as the G&L SC-2. Fred Gretsch complained that he still used his Broadkaster trad
Date: 03/12/18
In 1985, the G&L Broadcaster was introduced with Telecaster shaped body. It used the same style MFD single coil pickups and Saddle Lock bridge (a Kahler was optional) as the G&L SC-2. Fred Gretsch complained that he still used his Broadkaster trademark so the G&L was renamed ASAT the following year. The name ASAT comes from A-SAT, US military shorthand for an anti-satellite missile.
1977 Stingray Bass body
1977 Stingray Bass body looks like it was modified to accept a prototype bridge for the Sabre Bass that would debut the following year. Kind of cool to think it has been four decades since this body saw the light of day. It was in a loft above our wood sh
Date: 03/13/18
1977 Stingray Bass body looks like it was modified to accept a prototype bridge for the Sabre Bass that would debut the following year. Kind of cool to think it has been four decades since this body saw the light of day. It was in a loft above our wood shop.
1957 photo in the Fender metal shop
circa 1957 photo in the Fender metal shop of the Raymond Avenue factory. The big machine here is a metal punch, used to form parts like control plates and Strat jack plates. The metal shop was the end unit of the building, closest to where the big CBS bui
Date: 03/16/18
circa 1957 photo in the Fender metal shop of the Raymond Avenue factory. The big machine here is a metal punch, used to form parts like control plates and Strat jack plates. The metal shop was the end unit of the building, closest to where the big CBS building was later built.
clock on Leo’s office wall
For some reason I find it fascinating that the clock on Leo’s office wall continues to work despite him being gone for many years. Hmmm. You know, maybe I should set the time. Or should I just leave it alone?
Date: 03/20/18
For some reason I find it fascinating that the clock on Leo’s office wall continues to work despite him being gone for many years. Hmmm. You know, maybe I should set the time. Or should I just leave it alone?
Stingray headstocks
October 1975 - George Fullerton’s early attempt at headstock design for the Music Man guitars. The first pic shows the early prototype shape on the left and a production neck from December 1976 on the right. Date: 03/20/18
October 1975 - George Fullerton’s early attempt at headstock design for the Music Man guitars. The first pic shows the early prototype shape on the left and a production neck from December 1976 on the right.
October 1975 - George Fullerton’s early attempt at headstock design for the Music Man guitars. The first pic shows the early prototype shape on the left and a production neck from December 1976 on the right. Date: 03/20/18
October 1975 - George Fullerton’s early attempt at headstock design for the Music Man guitars. The first pic shows the early prototype shape on the left and a production neck from December 1976 on the right.
Neck heel of #I neck G.W.F.
October 1975 - George Fullerton’s early attempt at headstock design for the Music Man guitars. The first pic shows the early prototype shape on the left and a production neck from December 1976 on the right. Date: 03/20/18
October 1975 - George Fullerton’s early attempt at headstock design for the Music Man guitars. The first pic shows the early prototype shape on the left and a production neck from December 1976 on the right.
October 1975 - George Fullerton’s early attempt at headstock design for the Music Man guitars. The first pic shows the early prototype shape on the left and a production neck from December 1976 on the right. Date: 03/20/18
October 1975 - George Fullerton’s early attempt at headstock design for the Music Man guitars. The first pic shows the early prototype shape on the left and a production neck from December 1976 on the right.
Back of headstock
October 1975 - George Fullerton’s early attempt at headstock design for the Music Man guitars. The first pic shows the early prototype shape on the left and a production neck from December 1976 on the right. Date: 03/20/18
October 1975 - George Fullerton’s early attempt at headstock design for the Music Man guitars. The first pic shows the early prototype shape on the left and a production neck from December 1976 on the right.
October 1975 - George Fullerton’s early attempt at headstock design for the Music Man guitars. The first pic shows the early prototype shape on the left and a production neck from December 1976 on the right. Date: 03/20/18
October 1975 - George Fullerton’s early attempt at headstock design for the Music Man guitars. The first pic shows the early prototype shape on the left and a production neck from December 1976 on the right.
George Fullerton
This is George Fullerton. He did quite a lot of the drawing work at CLF Research for G&L and Music Man brands. George worked for Leo at the dawn of Fender and later became the G in G&L. Date: 03/20/18
This is George Fullerton. He did quite a lot of the drawing work at CLF Research for G&L and Music Man brands. George worked for Leo at the dawn of Fender and later became the G in G&L.
This is George Fullerton. He did quite a lot of the drawing work at CLF Research for G&L and Music Man brands. George worked for Leo at the dawn of Fender and later became the G in G&L. Date: 03/20/18
This is George Fullerton. He did quite a lot of the drawing work at CLF Research for G&L and Music Man brands. George worked for Leo at the dawn of Fender and later became the G in G&L.
prototype MFD version of his earlier split coil pickup
The dusty pickup is a prototype MFD version of his earlier split coil pickup as installed in his 1975 prototype Sabre Bass. While he didn’t choose that Alnico split coil for the production Sabre in 1976, he continued with the concept of a powerful split c
Date: 03/22/18
The dusty pickup is a prototype MFD version of his earlier split coil pickup as installed in his 1975 prototype Sabre Bass. While he didn’t choose that Alnico split coil for the production Sabre in 1976, he continued with the concept of a powerful split coil with big pole pieces. The dusty prototype pickup shows Leo applying his Magnetic Field Design to that concept.
Forrest White
This is Forrest White. He was one of the founders of Music Man, so he’s part of the CLF Research story even though he didn’t work here at the factory. Earlier, Forrest worked from Fender between ‘54 and ‘66. I think those of you who knew him would agree Date: 03/23/18
This is Forrest White. He was one of the founders of Music Man, so he’s part of the CLF Research story even though he didn’t work here at the factory. Earlier, Forrest worked from Fender between ‘54 and ‘66. I think those of you who knew him would agree he was a very smart man but had some difficulty managing his temper. Occasionally he would get upset and yell, even at Leo. Later he would apologize to Leo, sometimes with a kind note and gift to try to smooth over any damage caused. You know what? I can relate.
This is Forrest White. He was one of the founders of Music Man, so he’s part of the CLF Research story even though he didn’t work here at the factory. Earlier, Forrest worked from Fender between ‘54 and ‘66. I think those of you who knew him would agree Date: 03/23/18
This is Forrest White. He was one of the founders of Music Man, so he’s part of the CLF Research story even though he didn’t work here at the factory. Earlier, Forrest worked from Fender between ‘54 and ‘66. I think those of you who knew him would agree he was a very smart man but had some difficulty managing his temper. Occasionally he would get upset and yell, even at Leo. Later he would apologize to Leo, sometimes with a kind note and gift to try to smooth over any damage caused. You know what? I can relate.
Tom Walker
This is Tom Walker. He was also a co-founder of Music Man. Having spent several years as a Fender sales rep, Tom had good experience to get dealers on board with the new Music Man brand amplifiers and later, Music Man instruments. In this photo, Tom was v
Date: 03/23/18
This is Tom Walker. He was also a co-founder of Music Man. Having spent several years as a Fender sales rep, Tom had good experience to get dealers on board with the new Music Man brand amplifiers and later, Music Man instruments. In this photo, Tom was visiting Leo Fender in Leo’s lab here at CLF Research.
headstock variety in the carts inside Leo’s lab
That’s some headstock variety in the carts inside Leo’s lab. Yeah, I arranged them a little so you can see them better, but all of these things have been in and out of these carts over the years, so it’s not sacrilege or anything.
Date: 03/23/18
That’s some headstock variety in the carts inside Leo’s lab. Yeah, I arranged them a little so you can see them better, but all of these things have been in and out of these carts over the years, so it’s not sacrilege or anything.
early 1987 that this oddly pointy concept was made1
Looks to be early 1987 that this oddly pointy concept was made. It’s just a rough milled, unsanded body showing pickup routes which appear to fit the cover of an early style S-500 pickup. Perhaps visualized as a hotter model than the less pointy 1987 Sk Date: 03/26/18
Looks to be early 1987 that this oddly pointy concept was made. It’s just a rough milled, unsanded body showing pickup routes which appear to fit the cover of an early style S-500 pickup. Perhaps visualized as a hotter model than the less pointy 1987 Skyhawk of the time. No idea really, just a guess. This serial number is left blank in the production log as it was’t even a real instrument, but more or less a mock-up.
Looks to be early 1987 that this oddly pointy concept was made. It’s just a rough milled, unsanded body showing pickup routes which appear to fit the cover of an early style S-500 pickup. Perhaps visualized as a hotter model than the less pointy 1987 Sk Date: 03/26/18
Looks to be early 1987 that this oddly pointy concept was made. It’s just a rough milled, unsanded body showing pickup routes which appear to fit the cover of an early style S-500 pickup. Perhaps visualized as a hotter model than the less pointy 1987 Skyhawk of the time. No idea really, just a guess. This serial number is left blank in the production log as it was’t even a real instrument, but more or less a mock-up.
early 1987 that this oddly pointy concept was made2
Looks to be early 1987 that this oddly pointy concept was made. It’s just a rough milled, unsanded body showing pickup routes which appear to fit the cover of an early style S-500 pickup. Perhaps visualized as a hotter model than the less pointy 1987 Sk Date: 03/26/18
Looks to be early 1987 that this oddly pointy concept was made. It’s just a rough milled, unsanded body showing pickup routes which appear to fit the cover of an early style S-500 pickup. Perhaps visualized as a hotter model than the less pointy 1987 Skyhawk of the time. No idea really, just a guess. This serial number is left blank in the production log as it was’t even a real instrument, but more or less a mock-up.
Looks to be early 1987 that this oddly pointy concept was made. It’s just a rough milled, unsanded body showing pickup routes which appear to fit the cover of an early style S-500 pickup. Perhaps visualized as a hotter model than the less pointy 1987 Sk Date: 03/26/18
Looks to be early 1987 that this oddly pointy concept was made. It’s just a rough milled, unsanded body showing pickup routes which appear to fit the cover of an early style S-500 pickup. Perhaps visualized as a hotter model than the less pointy 1987 Skyhawk of the time. No idea really, just a guess. This serial number is left blank in the production log as it was’t even a real instrument, but more or less a mock-up.
early 1987 that this oddly pointy concept was made3
Looks to be early 1987 that this oddly pointy concept was made. It’s just a rough milled, unsanded body showing pickup routes which appear to fit the cover of an early style S-500 pickup. Perhaps visualized as a hotter model than the less pointy 1987 Sk Date: 03/26/18
Looks to be early 1987 that this oddly pointy concept was made. It’s just a rough milled, unsanded body showing pickup routes which appear to fit the cover of an early style S-500 pickup. Perhaps visualized as a hotter model than the less pointy 1987 Skyhawk of the time. No idea really, just a guess. This serial number is left blank in the production log as it was’t even a real instrument, but more or less a mock-up.
Looks to be early 1987 that this oddly pointy concept was made. It’s just a rough milled, unsanded body showing pickup routes which appear to fit the cover of an early style S-500 pickup. Perhaps visualized as a hotter model than the less pointy 1987 Sk Date: 03/26/18
Looks to be early 1987 that this oddly pointy concept was made. It’s just a rough milled, unsanded body showing pickup routes which appear to fit the cover of an early style S-500 pickup. Perhaps visualized as a hotter model than the less pointy 1987 Skyhawk of the time. No idea really, just a guess. This serial number is left blank in the production log as it was’t even a real instrument, but more or less a mock-up.
early 1987 that this oddly pointy concept was made4
Looks to be early 1987 that this oddly pointy concept was made. It’s just a rough milled, unsanded body showing pickup routes which appear to fit the cover of an early style S-500 pickup. Perhaps visualized as a hotter model than the less pointy 1987 Sk Date: 03/26/18
Looks to be early 1987 that this oddly pointy concept was made. It’s just a rough milled, unsanded body showing pickup routes which appear to fit the cover of an early style S-500 pickup. Perhaps visualized as a hotter model than the less pointy 1987 Skyhawk of the time. No idea really, just a guess. This serial number is left blank in the production log as it was’t even a real instrument, but more or less a mock-up.
Looks to be early 1987 that this oddly pointy concept was made. It’s just a rough milled, unsanded body showing pickup routes which appear to fit the cover of an early style S-500 pickup. Perhaps visualized as a hotter model than the less pointy 1987 Sk Date: 03/26/18
Looks to be early 1987 that this oddly pointy concept was made. It’s just a rough milled, unsanded body showing pickup routes which appear to fit the cover of an early style S-500 pickup. Perhaps visualized as a hotter model than the less pointy 1987 Skyhawk of the time. No idea really, just a guess. This serial number is left blank in the production log as it was’t even a real instrument, but more or less a mock-up.
early 1987 that this oddly pointy concept was made5
Looks to be early 1987 that this oddly pointy concept was made. It’s just a rough milled, unsanded body showing pickup routes which appear to fit the cover of an early style S-500 pickup. Perhaps visualized as a hotter model than the less pointy 1987 Sk Date: 03/26/18
Looks to be early 1987 that this oddly pointy concept was made. It’s just a rough milled, unsanded body showing pickup routes which appear to fit the cover of an early style S-500 pickup. Perhaps visualized as a hotter model than the less pointy 1987 Skyhawk of the time. No idea really, just a guess. This serial number is left blank in the production log as it was’t even a real instrument, but more or less a mock-up.
Looks to be early 1987 that this oddly pointy concept was made. It’s just a rough milled, unsanded body showing pickup routes which appear to fit the cover of an early style S-500 pickup. Perhaps visualized as a hotter model than the less pointy 1987 Sk Date: 03/26/18
Looks to be early 1987 that this oddly pointy concept was made. It’s just a rough milled, unsanded body showing pickup routes which appear to fit the cover of an early style S-500 pickup. Perhaps visualized as a hotter model than the less pointy 1987 Skyhawk of the time. No idea really, just a guess. This serial number is left blank in the production log as it was’t even a real instrument, but more or less a mock-up.
mockup of CLF REASEARCH INC 70's shirt
I’m kind of surprised that we’ve been getting a bunch of requests for CLF Research T-shirts. Late ‘70s style or ‘60s style (underlined) logo ? Date: 03/27/18
I’m kind of surprised that we’ve been getting a bunch of requests for CLF Research T-shirts. Late ‘70s style or ‘60s style (underlined) logo ?
I’m kind of surprised that we’ve been getting a bunch of requests for CLF Research T-shirts. Late ‘70s style or ‘60s style (underlined) logo ? Date: 03/27/18
I’m kind of surprised that we’ve been getting a bunch of requests for CLF Research T-shirts. Late ‘70s style or ‘60s style (underlined) logo ?
Mockup of C.L.F. RESEARCH CO. 60's shirt
I’m kind of surprised that we’ve been getting a bunch of requests for CLF Research T-shirts. Late ‘70s style or ‘60s style (underlined) logo ? Date: 03/27/18
I’m kind of surprised that we’ve been getting a bunch of requests for CLF Research T-shirts. Late ‘70s style or ‘60s style (underlined) logo ?
I’m kind of surprised that we’ve been getting a bunch of requests for CLF Research T-shirts. Late ‘70s style or ‘60s style (underlined) logo ? Date: 03/27/18
I’m kind of surprised that we’ve been getting a bunch of requests for CLF Research T-shirts. Late ‘70s style or ‘60s style (underlined) logo ?
L-2000 Bass Ad Slick
The L-2000 appeared alongside the L-1000 in the 1980 catalog, but production of the L-2000 officially began in 1981 after changes were made.
The pre-production example in the 1980 catalog has the two pickups positioned as they were in the Sabre. The co Date: 03/27/18 The L-2000 appeared alongside the L-1000 in the 1980 catalog, but production of the L-2000 officially began in 1981 after changes were made.
The pre-production example in the 1980 catalog has the two pickups positioned as they were in the Sabre. The control plate was in the typical CLF “banana” shape but wider than the Sabre. A separate switch for treble boost was included. The production L-2000 in 1981 had the two pickups roughly bookend the position of the Stingray pickup. The control plate became the notched style. The treble boost switch was deleted in favor of the 3-position preamp mini toggle (off/on/on with treble boost).
Hope my memory is correct on the treble boost switch. Any fans out there dig into that?
The pre-production example in the 1980 catalog has the two pickups positioned as they were in the Sabre. The co Date: 03/27/18 The L-2000 appeared alongside the L-1000 in the 1980 catalog, but production of the L-2000 officially began in 1981 after changes were made.
The pre-production example in the 1980 catalog has the two pickups positioned as they were in the Sabre. The control plate was in the typical CLF “banana” shape but wider than the Sabre. A separate switch for treble boost was included. The production L-2000 in 1981 had the two pickups roughly bookend the position of the Stingray pickup. The control plate became the notched style. The treble boost switch was deleted in favor of the 3-position preamp mini toggle (off/on/on with treble boost).
Hope my memory is correct on the treble boost switch. Any fans out there dig into that?
Close up of body of L-2000 Bass
The L-2000 appeared alongside the L-1000 in the 1980 catalog, but production of the L-2000 officially began in 1981 after changes were made.
The pre-production example in the 1980 catalog has the two pickups positioned as they were in the Sabre. The co Date: 03/27/18 The L-2000 appeared alongside the L-1000 in the 1980 catalog, but production of the L-2000 officially began in 1981 after changes were made.
The pre-production example in the 1980 catalog has the two pickups positioned as they were in the Sabre. The control plate was in the typical CLF “banana” shape but wider than the Sabre. A separate switch for treble boost was included. The production L-2000 in 1981 had the two pickups roughly bookend the position of the Stingray pickup. The control plate became the notched style. The treble boost switch was deleted in favor of the 3-position preamp mini toggle (off/on/on with treble boost).
Hope my memory is correct on the treble boost switch. Any fans out there dig into that?
The pre-production example in the 1980 catalog has the two pickups positioned as they were in the Sabre. The co Date: 03/27/18 The L-2000 appeared alongside the L-1000 in the 1980 catalog, but production of the L-2000 officially began in 1981 after changes were made.
The pre-production example in the 1980 catalog has the two pickups positioned as they were in the Sabre. The control plate was in the typical CLF “banana” shape but wider than the Sabre. A separate switch for treble boost was included. The production L-2000 in 1981 had the two pickups roughly bookend the position of the Stingray pickup. The control plate became the notched style. The treble boost switch was deleted in favor of the 3-position preamp mini toggle (off/on/on with treble boost).
Hope my memory is correct on the treble boost switch. Any fans out there dig into that?
Control plate wiring diagram for Stingray Bass
July 16, 1979 wiring diagram for Stingray Bass. Drawn by George Fullerton.
Date: 03/27/18
July 16, 1979 wiring diagram for Stingray Bass. Drawn by George Fullerton.
This test mule has some interesting Leo concepts1
This test mule has some interesting Leo concepts.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from Date: 03/29/18 This test mule has some interesting Leo concepts.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from an HG-2R MFD guitar mini-humbucker.
The pickup is located approximately where he had put the pickup on the Stingray Bass. Maybe sometime I’ll put a neck on it and see what she does.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from Date: 03/29/18 This test mule has some interesting Leo concepts.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from an HG-2R MFD guitar mini-humbucker.
The pickup is located approximately where he had put the pickup on the Stingray Bass. Maybe sometime I’ll put a neck on it and see what she does.
This test mule has some interesting Leo concepts2
This test mule has some interesting Leo concepts.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from Date: 03/29/18 This test mule has some interesting Leo concepts.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from an HG-2R MFD guitar mini-humbucker.
The pickup is located approximately where he had put the pickup on the Stingray Bass. Maybe sometime I’ll put a neck on it and see what she does.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from Date: 03/29/18 This test mule has some interesting Leo concepts.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from an HG-2R MFD guitar mini-humbucker.
The pickup is located approximately where he had put the pickup on the Stingray Bass. Maybe sometime I’ll put a neck on it and see what she does.
This test mule has some interesting Leo concepts3
This test mule has some interesting Leo concepts.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from Date: 03/29/18 This test mule has some interesting Leo concepts.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from an HG-2R MFD guitar mini-humbucker.
The pickup is located approximately where he had put the pickup on the Stingray Bass. Maybe sometime I’ll put a neck on it and see what she does.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from Date: 03/29/18 This test mule has some interesting Leo concepts.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from an HG-2R MFD guitar mini-humbucker.
The pickup is located approximately where he had put the pickup on the Stingray Bass. Maybe sometime I’ll put a neck on it and see what she does.
This test mule has some interesting Leo concepts4
This test mule has some interesting Leo concepts.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from Date: 03/29/18 This test mule has some interesting Leo concepts.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from an HG-2R MFD guitar mini-humbucker.
The pickup is located approximately where he had put the pickup on the Stingray Bass. Maybe sometime I’ll put a neck on it and see what she does.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from Date: 03/29/18 This test mule has some interesting Leo concepts.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from an HG-2R MFD guitar mini-humbucker.
The pickup is located approximately where he had put the pickup on the Stingray Bass. Maybe sometime I’ll put a neck on it and see what she does.
This test mule has some interesting Leo concepts5
This test mule has some interesting Leo concepts.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from Date: 03/29/18 This test mule has some interesting Leo concepts.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from an HG-2R MFD guitar mini-humbucker.
The pickup is located approximately where he had put the pickup on the Stingray Bass. Maybe sometime I’ll put a neck on it and see what she does.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from Date: 03/29/18 This test mule has some interesting Leo concepts.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from an HG-2R MFD guitar mini-humbucker.
The pickup is located approximately where he had put the pickup on the Stingray Bass. Maybe sometime I’ll put a neck on it and see what she does.
Bass Bridge Plate with Fine Tuners-blueprint
This test mule has some interesting Leo concepts.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from Date: 03/29/18 This test mule has some interesting Leo concepts.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from an HG-2R MFD guitar mini-humbucker.
The pickup is located approximately where he had put the pickup on the Stingray Bass. Maybe sometime I’ll put a neck on it and see what she does.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from Date: 03/29/18 This test mule has some interesting Leo concepts.
First, it has a prototype 5-string bridge with fine tuners, probably intended to be labeled with the short-lived Guitar-Tech brand. Second, it has an MFD mini-humbucker made using a modified cover from an HG-2R MFD guitar mini-humbucker.
The pickup is located approximately where he had put the pickup on the Stingray Bass. Maybe sometime I’ll put a neck on it and see what she does.
Lloyd Chewning
This is Lloyd Chewning in June, 1983. Lloyd was our factory manager, and like many others who worked here, he was a Fender man years before. Lloyd was a tough guy with a kind heart.
I didn’t really know him, in fact the only words I ever said to him we Date: 03/30/18 This is Lloyd Chewning in June, 1983. Lloyd was our factory manager, and like many others who worked here, he was a Fender man years before. Lloyd was a tough guy with a kind heart.
I didn’t really know him, in fact the only words I ever said to him were “Nice to meet you, Lloyd.” Picture this. I walk into his office, my brother Johnny is there. Johnny says, “Hey Lloyd, I’d like you to meet my little brother, David.” I remember looking over to Lloyd as he sat behind his desk and he looked at me, kind of squinting and with an angry look. Then Lloyd barks out, “Why is he wearing a dress?” I was shocked. I looked at Johnny, and he tried to laugh it off like it was just Lloyd messing with me. Then we heard a thud and looked over at Lloyd. His head had fallen straight down to the desk, his hand still holding his lit cigarette.
Turns out Lloyd was suffering a massive stroke just as I walked in. The ambulance came, but it was too late for Lloyd.
I didn’t really know him, in fact the only words I ever said to him we Date: 03/30/18 This is Lloyd Chewning in June, 1983. Lloyd was our factory manager, and like many others who worked here, he was a Fender man years before. Lloyd was a tough guy with a kind heart.
I didn’t really know him, in fact the only words I ever said to him were “Nice to meet you, Lloyd.” Picture this. I walk into his office, my brother Johnny is there. Johnny says, “Hey Lloyd, I’d like you to meet my little brother, David.” I remember looking over to Lloyd as he sat behind his desk and he looked at me, kind of squinting and with an angry look. Then Lloyd barks out, “Why is he wearing a dress?” I was shocked. I looked at Johnny, and he tried to laugh it off like it was just Lloyd messing with me. Then we heard a thud and looked over at Lloyd. His head had fallen straight down to the desk, his hand still holding his lit cigarette.
Turns out Lloyd was suffering a massive stroke just as I walked in. The ambulance came, but it was too late for Lloyd.
Leo’s secretary in 1951
Leo’s secretary in 1951. This was in the little Pomona Avenue building. It’s long gone now, a parking structure occupies that space next to the Fullerton train station. I just parked there on Wednesday and it made me feel like posting something from tha Date: 03/30/18
Leo’s secretary in 1951. This was in the little Pomona Avenue building. It’s long gone now, a parking structure occupies that space next to the Fullerton train station. I just parked there on Wednesday and it made me feel like posting something from that magical era.
Leo’s secretary in 1951. This was in the little Pomona Avenue building. It’s long gone now, a parking structure occupies that space next to the Fullerton train station. I just parked there on Wednesday and it made me feel like posting something from tha Date: 03/30/18
Leo’s secretary in 1951. This was in the little Pomona Avenue building. It’s long gone now, a parking structure occupies that space next to the Fullerton train station. I just parked there on Wednesday and it made me feel like posting something from that magical era.
1980 L-1000-1
Our 1980 L-1000 represents the first G&L bass model, and it’s mission was clear: it would be Leo’s next gen p-bass. It featured all-new MFD pickup technology, innovative passive electronics and more all wrapped in a modern style that was elegant and Date: 03/31/18
Our 1980 L-1000 represents the first G&L bass model, and it’s mission was clear: it would be Leo’s next gen p-bass. It featured all-new MFD pickup technology, innovative passive electronics and more all wrapped in a modern style that was elegant and clean. This example has a mahogany body and 3-Tone Sunburst finish.
Our 1980 L-1000 represents the first G&L bass model, and it’s mission was clear: it would be Leo’s next gen p-bass. It featured all-new MFD pickup technology, innovative passive electronics and more all wrapped in a modern style that was elegant and Date: 03/31/18
Our 1980 L-1000 represents the first G&L bass model, and it’s mission was clear: it would be Leo’s next gen p-bass. It featured all-new MFD pickup technology, innovative passive electronics and more all wrapped in a modern style that was elegant and clean. This example has a mahogany body and 3-Tone Sunburst finish.
1980 L-1000-2
Our 1980 L-1000 represents the first G&L bass model, and it’s mission was clear: it would be Leo’s next gen p-bass. It featured all-new MFD pickup technology, innovative passive electronics and more all wrapped in a modern style that was elegant and Date: 03/31/18
Our 1980 L-1000 represents the first G&L bass model, and it’s mission was clear: it would be Leo’s next gen p-bass. It featured all-new MFD pickup technology, innovative passive electronics and more all wrapped in a modern style that was elegant and clean. This example has a mahogany body and 3-Tone Sunburst finish.
Our 1980 L-1000 represents the first G&L bass model, and it’s mission was clear: it would be Leo’s next gen p-bass. It featured all-new MFD pickup technology, innovative passive electronics and more all wrapped in a modern style that was elegant and Date: 03/31/18
Our 1980 L-1000 represents the first G&L bass model, and it’s mission was clear: it would be Leo’s next gen p-bass. It featured all-new MFD pickup technology, innovative passive electronics and more all wrapped in a modern style that was elegant and clean. This example has a mahogany body and 3-Tone Sunburst finish.
1980 L-1000-3
Our 1980 L-1000 represents the first G&L bass model, and it’s mission was clear: it would be Leo’s next gen p-bass. It featured all-new MFD pickup technology, innovative passive electronics and more all wrapped in a modern style that was elegant and Date: 03/31/18
Our 1980 L-1000 represents the first G&L bass model, and it’s mission was clear: it would be Leo’s next gen p-bass. It featured all-new MFD pickup technology, innovative passive electronics and more all wrapped in a modern style that was elegant and clean. This example has a mahogany body and 3-Tone Sunburst finish.
Our 1980 L-1000 represents the first G&L bass model, and it’s mission was clear: it would be Leo’s next gen p-bass. It featured all-new MFD pickup technology, innovative passive electronics and more all wrapped in a modern style that was elegant and Date: 03/31/18
Our 1980 L-1000 represents the first G&L bass model, and it’s mission was clear: it would be Leo’s next gen p-bass. It featured all-new MFD pickup technology, innovative passive electronics and more all wrapped in a modern style that was elegant and clean. This example has a mahogany body and 3-Tone Sunburst finish.
1980 L-1000-4
Our 1980 L-1000 represents the first G&L bass model, and it’s mission was clear: it would be Leo’s next gen p-bass. It featured all-new MFD pickup technology, innovative passive electronics and more all wrapped in a modern style that was elegant and Date: 03/31/18
Our 1980 L-1000 represents the first G&L bass model, and it’s mission was clear: it would be Leo’s next gen p-bass. It featured all-new MFD pickup technology, innovative passive electronics and more all wrapped in a modern style that was elegant and clean. This example has a mahogany body and 3-Tone Sunburst finish.
Our 1980 L-1000 represents the first G&L bass model, and it’s mission was clear: it would be Leo’s next gen p-bass. It featured all-new MFD pickup technology, innovative passive electronics and more all wrapped in a modern style that was elegant and Date: 03/31/18
Our 1980 L-1000 represents the first G&L bass model, and it’s mission was clear: it would be Leo’s next gen p-bass. It featured all-new MFD pickup technology, innovative passive electronics and more all wrapped in a modern style that was elegant and clean. This example has a mahogany body and 3-Tone Sunburst finish.
MM amp emblems
People ask me why I didn’t have these MM amp emblems removed from a bench in our final assembly department. I explain that making the early MM instruments is part of our heritage and history as CLF Research. Date: 04/02/18
People ask me why I didn’t have these MM amp emblems removed from a bench in our final assembly department. I explain that making the early MM instruments is part of our heritage and history as CLF Research.
People ask me why I didn’t have these MM amp emblems removed from a bench in our final assembly department. I explain that making the early MM instruments is part of our heritage and history as CLF Research. Date: 04/02/18
People ask me why I didn’t have these MM amp emblems removed from a bench in our final assembly department. I explain that making the early MM instruments is part of our heritage and history as CLF Research.
October 19, 1971 bass bridge drawing
October 19, 1971 bass bridge drawing by Forrest White. I like to note the focus on capturing string energy and transmitting the maximum amount to the body. In the late ‘60s Leo began to favor using strong machined posts screwed into brass bushings pressed
Date: 04/03/18
October 19, 1971 bass bridge drawing by Forrest White. I like to note the focus on capturing string energy and transmitting the maximum amount to the body. In the late ‘60s Leo began to favor using strong machined posts screwed into brass bushings pressed into the body. Also note the twin intonation screws per saddle. More work to set up, but twin screws may transmit more energy into the bridge plate. That focus remained constant well through the ‘70s to ‘80s here at CLF Research.
headstock design1
Found at the bottom of the drawer at Leo’s drafting table. Early concept drawings for what would become the G&L brand. Some sort of hand grip? No idea. The first one is weird, the second has pointier hooks (worse), and the third is just like...scrap t
Date: 04/03/18
Found at the bottom of the drawer at Leo’s drafting table. Early concept drawings for what would become the G&L brand. Some sort of hand grip? No idea. The first one is weird, the second has pointier hooks (worse), and the third is just like...scrap this idea. George didn’t give up on the hook idea, it just took years to make it elegant.
headstock design2
Found at the bottom of the drawer at Leo’s drafting table. Early concept drawings for what would become the G&L brand. Some sort of hand grip? No idea. The first one is weird, the second has pointier hooks (worse), and the third is just like...scrap Date: 04/03/18
Found at the bottom of the drawer at Leo’s drafting table. Early concept drawings for what would become the G&L brand. Some sort of hand grip? No idea. The first one is weird, the second has pointier hooks (worse), and the third is just like...scrap this idea. George didn’t give up on the hook idea, it just took years to make it elegant.
Found at the bottom of the drawer at Leo’s drafting table. Early concept drawings for what would become the G&L brand. Some sort of hand grip? No idea. The first one is weird, the second has pointier hooks (worse), and the third is just like...scrap Date: 04/03/18
Found at the bottom of the drawer at Leo’s drafting table. Early concept drawings for what would become the G&L brand. Some sort of hand grip? No idea. The first one is weird, the second has pointier hooks (worse), and the third is just like...scrap this idea. George didn’t give up on the hook idea, it just took years to make it elegant.
headstock design3
Found at the bottom of the drawer at Leo’s drafting table. Early concept drawings for what would become the G&L brand. Some sort of hand grip? No idea. The first one is weird, the second has pointier hooks (worse), and the third is just like...scrap Date: 04/03/18
Found at the bottom of the drawer at Leo’s drafting table. Early concept drawings for what would become the G&L brand. Some sort of hand grip? No idea. The first one is weird, the second has pointier hooks (worse), and the third is just like...scrap this idea. George didn’t give up on the hook idea, it just took years to make it elegant.
Found at the bottom of the drawer at Leo’s drafting table. Early concept drawings for what would become the G&L brand. Some sort of hand grip? No idea. The first one is weird, the second has pointier hooks (worse), and the third is just like...scrap Date: 04/03/18
Found at the bottom of the drawer at Leo’s drafting table. Early concept drawings for what would become the G&L brand. Some sort of hand grip? No idea. The first one is weird, the second has pointier hooks (worse), and the third is just like...scrap this idea. George didn’t give up on the hook idea, it just took years to make it elegant.
Dee Murray L-1000
Ah...missed this yesterday, but my friend Mel Dugas gave me a heads up that it was the late, great Dee Murray’s birthday. As Mel noted, “Dee was one of the earliest G&L endorsers and played an L-1000 from 1980 until his death in 1992.” Date: 04/04/18
Ah...missed this yesterday, but my friend Mel Dugas gave me a heads up that it was the late, great Dee Murray’s birthday. As Mel noted, “Dee was one of the earliest G&L endorsers and played an L-1000 from 1980 until his death in 1992.”
Ah...missed this yesterday, but my friend Mel Dugas gave me a heads up that it was the late, great Dee Murray’s birthday. As Mel noted, “Dee was one of the earliest G&L endorsers and played an L-1000 from 1980 until his death in 1992.” Date: 04/04/18
Ah...missed this yesterday, but my friend Mel Dugas gave me a heads up that it was the late, great Dee Murray’s birthday. As Mel noted, “Dee was one of the earliest G&L endorsers and played an L-1000 from 1980 until his death in 1992.”
Leo Fender in front of the CLF Research factory
December 1979 - Leo Fender in front of the CLF Research factory. I don’t know the guy with him, but his name “Andrerjo Rosts” is written on the back. Any of you know him? Date: 04/05/18
December 1979 - Leo Fender in front of the CLF Research factory. I don’t know the guy with him, but his name “Andrerjo Rosts” is written on the back. Any of you know him?
December 1979 - Leo Fender in front of the CLF Research factory. I don’t know the guy with him, but his name “Andrerjo Rosts” is written on the back. Any of you know him? Date: 04/05/18
December 1979 - Leo Fender in front of the CLF Research factory. I don’t know the guy with him, but his name “Andrerjo Rosts” is written on the back. Any of you know him?
Circa 1977 Final Assembly Dept
Circa 1977 Final Assembly Department - installing the control plate on a white Stingray Bass. Date: 04/05/18
Circa 1977 Final Assembly Department - installing the control plate on a white Stingray Bass.
Circa 1977 Final Assembly Department - installing the control plate on a white Stingray Bass. Date: 04/05/18
Circa 1977 Final Assembly Department - installing the control plate on a white Stingray Bass.
'81 Headstocks
I pulled out the ‘81 F-100 which hasn’t seen use in a while. Tony’s ‘81 L-2000 is alway close at hand, so I thought I’d line up the headstocks. I used to be so sure I liked the bass version much more than the guitar version. I thought the proportions were
Date: 04/05/18
I pulled out the ‘81 F-100 which hasn’t seen use in a while. Tony’s ‘81 L-2000 is alway close at hand, so I thought I’d line up the headstocks. I used to be so sure I liked the bass version much more than the guitar version. I thought the proportions weren’t as nice on the guitar, like it seemed too fat. But I took this pic and clearly the guitar headstock looks every bit as elegant as the bass. Lazily conceived opinion: shattered.
1982 first gen SB-2 body
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these? Date: 04/06/18
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these?
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these? Date: 04/06/18
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these?
1982 first gen SB-2 full
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these? Date: 04/06/18
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these?
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these? Date: 04/06/18
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these?
1982 first gen SB-2 body closeup
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these? Date: 04/06/18
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these?
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these? Date: 04/06/18
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these?
1982 first gen SB-2 headstock
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these? Date: 04/06/18
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these?
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these? Date: 04/06/18
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these?
1982 first gen SB-2 headstock back
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these? Date: 04/06/18
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these?
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these? Date: 04/06/18
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these?
1982 first gen SB-2 body back
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these? Date: 04/06/18
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these?
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these? Date: 04/06/18
I’ve had this 1982 first gen SB-2 at home for years collecting dust. This morning I decided to bring it in here where it can get some love. Any of you have one of these?
1980 master template for L-1000 and L-2000
1980 master template for L-1000 and L-2000. This was used to make the working templates used in the wood shop.
Date: 04/08/18
1980 master template for L-1000 and L-2000. This was used to make the working templates used in the wood shop.
mystry pickguard
I went poking around a dusty attic and stumbled onto this. It has a G&L neck heel cut and kind of rough cut pickup holes. Maybe I need more coffee, but I don’t see pickup covers that will fit those holes. And if that control cutaway was for a plate, l
Date: 04/09/18
I went poking around a dusty attic and stumbled onto this. It has a G&L neck heel cut and kind of rough cut pickup holes. Maybe I need more coffee, but I don’t see pickup covers that will fit those holes. And if that control cutaway was for a plate, looks like it would have been a big one. No markings on this pickguard but I may find a drawing that provides a clue.
October 20, 1977 drawing by George Fullerton1
October 20, 1977 drawing by George Fullerton during development of the Sabre guitar. Note the additional concept work drawn on top of the print. This was typical of the design process at CLF Research and Fender, where a print was made then additional conc
Date: 04/09/18
October 20, 1977 drawing by George Fullerton during development of the Sabre guitar. Note the additional concept work drawn on top of the print. This was typical of the design process at CLF Research and Fender, where a print was made then additional concept work was drawn on top.
October 20, 1977 drawing by George Fullerton2
October 20, 1977 drawing by George Fullerton during development of the Sabre guitar. Note the additional concept work drawn on top of the print. This was typical of the design process at CLF Research and Fender, where a print was made then additional co Date: 04/09/18
October 20, 1977 drawing by George Fullerton during development of the Sabre guitar. Note the additional concept work drawn on top of the print. This was typical of the design process at CLF Research and Fender, where a print was made then additional concept work was drawn on top.
October 20, 1977 drawing by George Fullerton during development of the Sabre guitar. Note the additional concept work drawn on top of the print. This was typical of the design process at CLF Research and Fender, where a print was made then additional co Date: 04/09/18
October 20, 1977 drawing by George Fullerton during development of the Sabre guitar. Note the additional concept work drawn on top of the print. This was typical of the design process at CLF Research and Fender, where a print was made then additional concept work was drawn on top.
October 20, 1977 drawing by George Fullerton3
October 20, 1977 drawing by George Fullerton during development of the Sabre guitar. Note the additional concept work drawn on top of the print. This was typical of the design process at CLF Research and Fender, where a print was made then additional co Date: 04/09/18
October 20, 1977 drawing by George Fullerton during development of the Sabre guitar. Note the additional concept work drawn on top of the print. This was typical of the design process at CLF Research and Fender, where a print was made then additional concept work was drawn on top.
October 20, 1977 drawing by George Fullerton during development of the Sabre guitar. Note the additional concept work drawn on top of the print. This was typical of the design process at CLF Research and Fender, where a print was made then additional co Date: 04/09/18
October 20, 1977 drawing by George Fullerton during development of the Sabre guitar. Note the additional concept work drawn on top of the print. This was typical of the design process at CLF Research and Fender, where a print was made then additional concept work was drawn on top.
October 20, 1977 drawing by George Fullerton4
October 20, 1977 drawing by George Fullerton during development of the Sabre guitar. Note the additional concept work drawn on top of the print. This was typical of the design process at CLF Research and Fender, where a print was made then additional co Date: 04/09/18
October 20, 1977 drawing by George Fullerton during development of the Sabre guitar. Note the additional concept work drawn on top of the print. This was typical of the design process at CLF Research and Fender, where a print was made then additional concept work was drawn on top.
October 20, 1977 drawing by George Fullerton during development of the Sabre guitar. Note the additional concept work drawn on top of the print. This was typical of the design process at CLF Research and Fender, where a print was made then additional co Date: 04/09/18
October 20, 1977 drawing by George Fullerton during development of the Sabre guitar. Note the additional concept work drawn on top of the print. This was typical of the design process at CLF Research and Fender, where a print was made then additional concept work was drawn on top.
October 20, 1977 drawing by George Fullerton5
October 20, 1977 drawing by George Fullerton during development of the Sabre guitar. Note the additional concept work drawn on top of the print. This was typical of the design process at CLF Research and Fender, where a print was made then additional co Date: 04/09/18
October 20, 1977 drawing by George Fullerton during development of the Sabre guitar. Note the additional concept work drawn on top of the print. This was typical of the design process at CLF Research and Fender, where a print was made then additional concept work was drawn on top.
October 20, 1977 drawing by George Fullerton during development of the Sabre guitar. Note the additional concept work drawn on top of the print. This was typical of the design process at CLF Research and Fender, where a print was made then additional co Date: 04/09/18
October 20, 1977 drawing by George Fullerton during development of the Sabre guitar. Note the additional concept work drawn on top of the print. This was typical of the design process at CLF Research and Fender, where a print was made then additional concept work was drawn on top.
CLF bass headstock1
This sketch has no date or name, but appears to be as the CLF bass headstock with a tiny hook added.
Date: 04/09/18
This sketch has no date or name, but appears to be as the CLF bass headstock with a tiny hook added.
CLF bass headstock2
This sketch has no date or name, but appears to be as the CLF bass headstock with a tiny hook added.
Date: 04/09/18
This sketch has no date or name, but appears to be as the CLF bass headstock with a tiny hook added.
CLF bass headstock3
This sketch has no date or name, but appears to be as the CLF bass headstock with a tiny hook added.
Date: 04/09/18
This sketch has no date or name, but appears to be as the CLF bass headstock with a tiny hook added.
January 1989 - a simplified twin humbucker passive concept with pickguard1
January 1989 - a simplified twin humbucker passive concept with pickguard, based on the sleek SB body. Drawn by George Fullerton. Date: 04/10/18
January 1989 - a simplified twin humbucker passive concept with pickguard, based on the sleek SB body. Drawn by George Fullerton.
January 1989 - a simplified twin humbucker passive concept with pickguard, based on the sleek SB body. Drawn by George Fullerton. Date: 04/10/18
January 1989 - a simplified twin humbucker passive concept with pickguard, based on the sleek SB body. Drawn by George Fullerton.
January 1989 - a simplified twin humbucker passive concept with pickguard2
January 1989 - a simplified twin humbucker passive concept with pickguard, based on the sleek SB body. Drawn by George Fullerton.
Date: 04/10/18
January 1989 - a simplified twin humbucker passive concept with pickguard, based on the sleek SB body. Drawn by George Fullerton.
January 1989 - a simplified twin humbucker passive concept with pickguard3
January 1989 - a simplified twin humbucker passive concept with pickguard, based on the sleek SB body. Drawn by George Fullerton.
Date: 04/10/18
January 1989 - a simplified twin humbucker passive concept with pickguard, based on the sleek SB body. Drawn by George Fullerton.
framed photo of Dale Hyatt, Rob Joly Jim's Music Center and Leo Fender
Beautifully framed photo of Dale Hyatt, Rob Joly Jim's Music Center and Leo Fender. Out to dinner at the Black Angus Steakhouse on Tustin Avenue near 17th Street on the edge of Santa Ana. 1980 I recall. This is one of the coolest things anyone’s ever gi Date: 04/11/18
Beautifully framed photo of Dale Hyatt, Rob Joly Jim's Music Center and Leo Fender. Out to dinner at the Black Angus Steakhouse on Tustin Avenue near 17th Street on the edge of Santa Ana. 1980 I recall. This is one of the coolest things anyone’s ever given to me. Thanks, Rob.
Beautifully framed photo of Dale Hyatt, Rob Joly Jim's Music Center and Leo Fender. Out to dinner at the Black Angus Steakhouse on Tustin Avenue near 17th Street on the edge of Santa Ana. 1980 I recall. This is one of the coolest things anyone’s ever gi Date: 04/11/18
Beautifully framed photo of Dale Hyatt, Rob Joly Jim's Music Center and Leo Fender. Out to dinner at the Black Angus Steakhouse on Tustin Avenue near 17th Street on the edge of Santa Ana. 1980 I recall. This is one of the coolest things anyone’s ever given to me. Thanks, Rob.
October 16, 1960 letter from Speedy West to Leo Fender1
October 16, 1960 letter from Speedy West to Leo Fender. Well, it’s just the envelope for today. I’ll have to transcribe the handwritten letter as it’s difficult to read, and I think I can get that done by tomorrow. Anyway, looks like Speedy was opening Date: 04/11/18
October 16, 1960 letter from Speedy West to Leo Fender. Well, it’s just the envelope for today. I’ll have to transcribe the handwritten letter as it’s difficult to read, and I think I can get that done by tomorrow. Anyway, looks like Speedy was opening up a music shop in Tulsa, Oklahoma and Leo had given him the Fender line. It’s a warm, friendly letter that made me smile.
October 16, 1960 letter from Speedy West to Leo Fender. Well, it’s just the envelope for today. I’ll have to transcribe the handwritten letter as it’s difficult to read, and I think I can get that done by tomorrow. Anyway, looks like Speedy was opening Date: 04/11/18
October 16, 1960 letter from Speedy West to Leo Fender. Well, it’s just the envelope for today. I’ll have to transcribe the handwritten letter as it’s difficult to read, and I think I can get that done by tomorrow. Anyway, looks like Speedy was opening up a music shop in Tulsa, Oklahoma and Leo had given him the Fender line. It’s a warm, friendly letter that made me smile.
October 16, 1960 letter from Speedy West to Leo Fender2
October 16, 1960 letter from Speedy West to Leo Fender. Well, it’s just the envelope for today. I’ll have to transcribe the handwritten letter as it’s difficult to read, and I think I can get that done by tomorrow. Anyway, looks like Speedy was opening Date: 04/11/18
October 16, 1960 letter from Speedy West to Leo Fender. Well, it’s just the envelope for today. I’ll have to transcribe the handwritten letter as it’s difficult to read, and I think I can get that done by tomorrow. Anyway, looks like Speedy was opening up a music shop in Tulsa, Oklahoma and Leo had given him the Fender line. It’s a warm, friendly letter that made me smile.
October 16, 1960 letter from Speedy West to Leo Fender. Well, it’s just the envelope for today. I’ll have to transcribe the handwritten letter as it’s difficult to read, and I think I can get that done by tomorrow. Anyway, looks like Speedy was opening Date: 04/11/18
October 16, 1960 letter from Speedy West to Leo Fender. Well, it’s just the envelope for today. I’ll have to transcribe the handwritten letter as it’s difficult to read, and I think I can get that done by tomorrow. Anyway, looks like Speedy was opening up a music shop in Tulsa, Oklahoma and Leo had given him the Fender line. It’s a warm, friendly letter that made me smile.
October 16, 1960 letter from Speedy West to Leo Fender3
October 16, 1960 letter from Speedy West to Leo Fender. Well, it’s just the envelope for today. I’ll have to transcribe the handwritten letter as it’s difficult to read, and I think I can get that done by tomorrow. Anyway, looks like Speedy was opening Date: 04/11/18
October 16, 1960 letter from Speedy West to Leo Fender. Well, it’s just the envelope for today. I’ll have to transcribe the handwritten letter as it’s difficult to read, and I think I can get that done by tomorrow. Anyway, looks like Speedy was opening up a music shop in Tulsa, Oklahoma and Leo had given him the Fender line. It’s a warm, friendly letter that made me smile.
October 16, 1960 letter from Speedy West to Leo Fender. Well, it’s just the envelope for today. I’ll have to transcribe the handwritten letter as it’s difficult to read, and I think I can get that done by tomorrow. Anyway, looks like Speedy was opening Date: 04/11/18
October 16, 1960 letter from Speedy West to Leo Fender. Well, it’s just the envelope for today. I’ll have to transcribe the handwritten letter as it’s difficult to read, and I think I can get that done by tomorrow. Anyway, looks like Speedy was opening up a music shop in Tulsa, Oklahoma and Leo had given him the Fender line. It’s a warm, friendly letter that made me smile.
post card from The Rio Hotel where Speedy was staying1
A post card from The Rio Hotel where Speedy was staying. On the back side Speedy wrote, “Warehouse sets about 300 feet to the right of this motel.” The warehouse means the music shop he was preparing to open.
Date: 04/11/18
A post card from The Rio Hotel where Speedy was staying. On the back side Speedy wrote, “Warehouse sets about 300 feet to the right of this motel.” The warehouse means the music shop he was preparing to open.
post card from The Rio Hotel where Speedy was staying2
A post card from The Rio Hotel where Speedy was staying. On the back side Speedy wrote, “Warehouse sets about 300 feet to the right of this motel.” The warehouse means the music shop he was preparing to open.
Date: 04/11/18
A post card from The Rio Hotel where Speedy was staying. On the back side Speedy wrote, “Warehouse sets about 300 feet to the right of this motel.” The warehouse means the music shop he was preparing to open.
Speedy's letter
I typed out Speedy’s letter below. First let me thank Terry Foster for his contribution. Apparently I misunderstood what my brother was telling me about this letter when he handed it to me yesterday. Terry chimed in with the story that matches the letter.
Date: 04/12/18
I typed out Speedy’s letter below. First let me thank Terry Foster for his contribution. Apparently I misunderstood what my brother was telling me about this letter when he handed it to me yesterday. Terry chimed in with the story that matches the letter. Thanks, Terry!
. . .
October 16 – 60
Hi – Leo – Forrest & George
Just a line to say, I sure like it here everyone here is so friendly and the town is just beautiful. The warehouse is awfully nice and all seems to be working out real good. We have sure been busy setting it up. Stan done a real good job and we just got along swell. Enclosed are some snap shots not too good as it was late in the day when they were taken. The Fender signs should be up before long and all the paving done in the parking lot out in front. We got a real good boy 21 years old to work with me and also a real sharp gal in the office. The other photo is my home I bought. Just 1 ½ miles from the plant up on the Mt. Has 4 bedrooms and 3 baths, living room, kitchen, dining room and family room also a post card from the Rio Motel next door to warehouse and a photo of downtown. Looking forward to seeing you next month.
Speedy
. . .
. . .
October 16 – 60
Hi – Leo – Forrest & George
Just a line to say, I sure like it here everyone here is so friendly and the town is just beautiful. The warehouse is awfully nice and all seems to be working out real good. We have sure been busy setting it up. Stan done a real good job and we just got along swell. Enclosed are some snap shots not too good as it was late in the day when they were taken. The Fender signs should be up before long and all the paving done in the parking lot out in front. We got a real good boy 21 years old to work with me and also a real sharp gal in the office. The other photo is my home I bought. Just 1 ½ miles from the plant up on the Mt. Has 4 bedrooms and 3 baths, living room, kitchen, dining room and family room also a post card from the Rio Motel next door to warehouse and a photo of downtown. Looking forward to seeing you next month.
Speedy
. . .
January 18, 1980 drawing shows routing and bushing holes for the DF vibrato on a Sabre body1
You know that Leo’s Dual Fulcrum vibrato is a core feature of G&L brand, but did you know he briefly considered offering it to Music Man? This January 18, 1980 drawing shows routing and bushing holes for the DF vibrato on a Sabre body.
Date: 04/14/18
You know that Leo’s Dual Fulcrum vibrato is a core feature of G&L brand, but did you know he briefly considered offering it to Music Man? This January 18, 1980 drawing shows routing and bushing holes for the DF vibrato on a Sabre body.
January 18, 1980 drawing shows routing and bushing holes for the DF vibrato on a Sabre body2
You know that Leo’s Dual Fulcrum vibrato is a core feature of G&L brand, but did you know he briefly considered offering it to Music Man? This January 18, 1980 drawing shows routing and bushing holes for the DF vibrato on a Sabre body.
Date: 04/14/18
You know that Leo’s Dual Fulcrum vibrato is a core feature of G&L brand, but did you know he briefly considered offering it to Music Man? This January 18, 1980 drawing shows routing and bushing holes for the DF vibrato on a Sabre body.
January 18, 1980 drawing shows routing and bushing holes for the DF vibrato on a Sabre body3
You know that Leo’s Dual Fulcrum vibrato is a core feature of G&L brand, but did you know he briefly considered offering it to Music Man? This January 18, 1980 drawing shows routing and bushing holes for the DF vibrato on a Sabre body.
Date: 04/14/18
You know that Leo’s Dual Fulcrum vibrato is a core feature of G&L brand, but did you know he briefly considered offering it to Music Man? This January 18, 1980 drawing shows routing and bushing holes for the DF vibrato on a Sabre body.
January 18, 1980 drawing shows routing and bushing holes for the DF vibrato on a Sabre body4
You know that Leo’s Dual Fulcrum vibrato is a core feature of G&L brand, but did you know he briefly considered offering it to Music Man? This January 18, 1980 drawing shows routing and bushing holes for the DF vibrato on a Sabre body.
Date: 04/14/18
You know that Leo’s Dual Fulcrum vibrato is a core feature of G&L brand, but did you know he briefly considered offering it to Music Man? This January 18, 1980 drawing shows routing and bushing holes for the DF vibrato on a Sabre body.
Speed's house photo front
This is the house Speedy bought in Tulsa. Speedy wrote on the back:. . .“Leo - This home sits in a circle like yours and Forrest’s home does. It’s sure a pretty area.”. . .
Date: 04/14/18
This is the house Speedy bought in Tulsa. Speedy wrote on the back:
. . .
“Leo - This home sits in a circle like yours and Forrest’s home does. It’s sure a pretty area.”
. . .
. . .
“Leo - This home sits in a circle like yours and Forrest’s home does. It’s sure a pretty area.”
. . .
Speedy's house photo back
This is the house Speedy bought in Tulsa. Speedy wrote on the back:. . .“Leo - This home sits in a circle like yours and Forrest’s home does. It’s sure a pretty area.”. . .
Date: 04/14/18
This is the house Speedy bought in Tulsa. Speedy wrote on the back:
. . .
“Leo - This home sits in a circle like yours and Forrest’s home does. It’s sure a pretty area.”
. . .
. . .
“Leo - This home sits in a circle like yours and Forrest’s home does. It’s sure a pretty area.”
. . .
Fender warehouse being prepared in Tulsa photo front
This is the Fender warehouse being prepared in Tulsa. Speedy wrote on the back:
. . .
“The solid wall in front is a room about 20x30 for display room all air-conditioned and will be real pretty as soon as it’s stocked and furniture and all in.”
. . . Date: 04/14/18 This is the Fender warehouse being prepared in Tulsa. Speedy wrote on the back:
. . .
“The solid wall in front is a room about 20x30 for display room all air-conditioned and will be real pretty as soon as it’s stocked and furniture and all in.”
. . .
. . .
“The solid wall in front is a room about 20x30 for display room all air-conditioned and will be real pretty as soon as it’s stocked and furniture and all in.”
. . . Date: 04/14/18 This is the Fender warehouse being prepared in Tulsa. Speedy wrote on the back:
. . .
“The solid wall in front is a room about 20x30 for display room all air-conditioned and will be real pretty as soon as it’s stocked and furniture and all in.”
. . .
Fender warehouse being prepared in Tulsa photo back
This is the Fender warehouse being prepared in Tulsa. Speedy wrote on the back:
. . .
“The solid wall in front is a room about 20x30 for display room all air-conditioned and will be real pretty as soon as it’s stocked and furniture and all in.”
. . . Date: 04/14/18 This is the Fender warehouse being prepared in Tulsa. Speedy wrote on the back:
. . .
“The solid wall in front is a room about 20x30 for display room all air-conditioned and will be real pretty as soon as it’s stocked and furniture and all in.”
. . .
. . .
“The solid wall in front is a room about 20x30 for display room all air-conditioned and will be real pretty as soon as it’s stocked and furniture and all in.”
. . . Date: 04/14/18 This is the Fender warehouse being prepared in Tulsa. Speedy wrote on the back:
. . .
“The solid wall in front is a room about 20x30 for display room all air-conditioned and will be real pretty as soon as it’s stocked and furniture and all in.”
. . .
CBS:Fender ad. I believe it was from 1973
CBS/Fender ad. I believe it was from 1973.
Date: 04/17/18
CBS/Fender ad. I believe it was from 1973.
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods1
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, ea Date: 04/17/18
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, each pickup will have 4+1 leads like an L-2000 with SCM (single coil mode, aka K-mod) and all new pots, preamp and switches for L-2000 functionality. Check out that tinfoil held on with Scotch tape...yikes! One coil needs rewinding and my brother Johnny is doing that right now. Carmen already soldered up the control assembly. She started here in ‘85 so this Sabre missed her by a few years. Memo has the other pickup’s coil leads done and next will be the pickup grounding.
I think this will sound way better than it did back in ‘79. I can’t wait to play it!
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, ea Date: 04/17/18
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, each pickup will have 4+1 leads like an L-2000 with SCM (single coil mode, aka K-mod) and all new pots, preamp and switches for L-2000 functionality. Check out that tinfoil held on with Scotch tape...yikes! One coil needs rewinding and my brother Johnny is doing that right now. Carmen already soldered up the control assembly. She started here in ‘85 so this Sabre missed her by a few years. Memo has the other pickup’s coil leads done and next will be the pickup grounding.
I think this will sound way better than it did back in ‘79. I can’t wait to play it!
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods2
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, ea Date: 04/17/18
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, each pickup will have 4+1 leads like an L-2000 with SCM (single coil mode, aka K-mod) and all new pots, preamp and switches for L-2000 functionality. Check out that tinfoil held on with Scotch tape...yikes! One coil needs rewinding and my brother Johnny is doing that right now. Carmen already soldered up the control assembly. She started here in ‘85 so this Sabre missed her by a few years. Memo has the other pickup’s coil leads done and next will be the pickup grounding.
I think this will sound way better than it did back in ‘79. I can’t wait to play it!
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, ea Date: 04/17/18
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, each pickup will have 4+1 leads like an L-2000 with SCM (single coil mode, aka K-mod) and all new pots, preamp and switches for L-2000 functionality. Check out that tinfoil held on with Scotch tape...yikes! One coil needs rewinding and my brother Johnny is doing that right now. Carmen already soldered up the control assembly. She started here in ‘85 so this Sabre missed her by a few years. Memo has the other pickup’s coil leads done and next will be the pickup grounding.
I think this will sound way better than it did back in ‘79. I can’t wait to play it!
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods3
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, ea Date: 04/17/18
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, each pickup will have 4+1 leads like an L-2000 with SCM (single coil mode, aka K-mod) and all new pots, preamp and switches for L-2000 functionality. Check out that tinfoil held on with Scotch tape...yikes! One coil needs rewinding and my brother Johnny is doing that right now. Carmen already soldered up the control assembly. She started here in ‘85 so this Sabre missed her by a few years. Memo has the other pickup’s coil leads done and next will be the pickup grounding.
I think this will sound way better than it did back in ‘79. I can’t wait to play it!
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, ea Date: 04/17/18
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, each pickup will have 4+1 leads like an L-2000 with SCM (single coil mode, aka K-mod) and all new pots, preamp and switches for L-2000 functionality. Check out that tinfoil held on with Scotch tape...yikes! One coil needs rewinding and my brother Johnny is doing that right now. Carmen already soldered up the control assembly. She started here in ‘85 so this Sabre missed her by a few years. Memo has the other pickup’s coil leads done and next will be the pickup grounding.
I think this will sound way better than it did back in ‘79. I can’t wait to play it!
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods4
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, ea Date: 04/17/18
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, each pickup will have 4+1 leads like an L-2000 with SCM (single coil mode, aka K-mod) and all new pots, preamp and switches for L-2000 functionality. Check out that tinfoil held on with Scotch tape...yikes! One coil needs rewinding and my brother Johnny is doing that right now. Carmen already soldered up the control assembly. She started here in ‘85 so this Sabre missed her by a few years. Memo has the other pickup’s coil leads done and next will be the pickup grounding.
I think this will sound way better than it did back in ‘79. I can’t wait to play it!
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, ea Date: 04/17/18
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, each pickup will have 4+1 leads like an L-2000 with SCM (single coil mode, aka K-mod) and all new pots, preamp and switches for L-2000 functionality. Check out that tinfoil held on with Scotch tape...yikes! One coil needs rewinding and my brother Johnny is doing that right now. Carmen already soldered up the control assembly. She started here in ‘85 so this Sabre missed her by a few years. Memo has the other pickup’s coil leads done and next will be the pickup grounding.
I think this will sound way better than it did back in ‘79. I can’t wait to play it!
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods5
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, ea Date: 04/17/18
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, each pickup will have 4+1 leads like an L-2000 with SCM (single coil mode, aka K-mod) and all new pots, preamp and switches for L-2000 functionality. Check out that tinfoil held on with Scotch tape...yikes! One coil needs rewinding and my brother Johnny is doing that right now. Carmen already soldered up the control assembly. She started here in ‘85 so this Sabre missed her by a few years. Memo has the other pickup’s coil leads done and next will be the pickup grounding.
I think this will sound way better than it did back in ‘79. I can’t wait to play it!
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, ea Date: 04/17/18
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, each pickup will have 4+1 leads like an L-2000 with SCM (single coil mode, aka K-mod) and all new pots, preamp and switches for L-2000 functionality. Check out that tinfoil held on with Scotch tape...yikes! One coil needs rewinding and my brother Johnny is doing that right now. Carmen already soldered up the control assembly. She started here in ‘85 so this Sabre missed her by a few years. Memo has the other pickup’s coil leads done and next will be the pickup grounding.
I think this will sound way better than it did back in ‘79. I can’t wait to play it!
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods6
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, ea Date: 04/17/18
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, each pickup will have 4+1 leads like an L-2000 with SCM (single coil mode, aka K-mod) and all new pots, preamp and switches for L-2000 functionality. Check out that tinfoil held on with Scotch tape...yikes! One coil needs rewinding and my brother Johnny is doing that right now. Carmen already soldered up the control assembly. She started here in ‘85 so this Sabre missed her by a few years. Memo has the other pickup’s coil leads done and next will be the pickup grounding.
I think this will sound way better than it did back in ‘79. I can’t wait to play it!
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, ea Date: 04/17/18
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, each pickup will have 4+1 leads like an L-2000 with SCM (single coil mode, aka K-mod) and all new pots, preamp and switches for L-2000 functionality. Check out that tinfoil held on with Scotch tape...yikes! One coil needs rewinding and my brother Johnny is doing that right now. Carmen already soldered up the control assembly. She started here in ‘85 so this Sabre missed her by a few years. Memo has the other pickup’s coil leads done and next will be the pickup grounding.
I think this will sound way better than it did back in ‘79. I can’t wait to play it!
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods7
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, ea Date: 04/17/18
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, each pickup will have 4+1 leads like an L-2000 with SCM (single coil mode, aka K-mod) and all new pots, preamp and switches for L-2000 functionality. Check out that tinfoil held on with Scotch tape...yikes! One coil needs rewinding and my brother Johnny is doing that right now. Carmen already soldered up the control assembly. She started here in ‘85 so this Sabre missed her by a few years. Memo has the other pickup’s coil leads done and next will be the pickup grounding.
I think this will sound way better than it did back in ‘79. I can’t wait to play it!
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, ea Date: 04/17/18
Our ‘79 Sabre is getting an electronic rehab with full L-2000 mods. I think I’m gonna call it El Sable (“sah-blay” is Spanish for Sabre). El is the play on words like El Toro was to an L-2000. You G&L bass geeks know what that’s about.
Anyway, each pickup will have 4+1 leads like an L-2000 with SCM (single coil mode, aka K-mod) and all new pots, preamp and switches for L-2000 functionality. Check out that tinfoil held on with Scotch tape...yikes! One coil needs rewinding and my brother Johnny is doing that right now. Carmen already soldered up the control assembly. She started here in ‘85 so this Sabre missed her by a few years. Memo has the other pickup’s coil leads done and next will be the pickup grounding.
I think this will sound way better than it did back in ‘79. I can’t wait to play it!
rewound coil fresh out of the wax pot
Johnny just walked in with the rewound coil fresh out of the wax pot. I’m so pumped I immediately reached out to hold it to take a pic. Ouch!! It’s still hot!
Date: 04/17/18
Johnny just walked in with the rewound coil fresh out of the wax pot. I’m so pumped I immediately reached out to hold it to take a pic. Ouch!! It’s still hot!
We’re going with black, RED and white switch tips on El Sable because it has L-2000 functions
We’re going with black, RED and white switch tips on El Sable because it has L-2000 functions.
Date: 04/17/18
We’re going with black, RED and white switch tips on El Sable because it has L-2000 functions.
Ron’s verdict: “It’s way better, that’s for damn sure.”
Ron’s verdict: “It’s way better, that’s for damn sure.”
Date: 04/17/18
Ron’s verdict: “It’s way better, that’s for damn sure.”
February 1957 Fender Music Sales price list-cover
February 1957 Fender Music Sales price list.
Date: 04/18/18
February 1957 Fender Music Sales price list.
February 1957 Fender Music Sales price list-page 1
February 1957 Fender Music Sales price list.
Date: 04/18/18
February 1957 Fender Music Sales price list.
February 1957 Fender Music Sales price list-page 2
February 1957 Fender Music Sales price list.
Date: 04/18/18
February 1957 Fender Music Sales price list.
February 1957 Fender Music Sales price list-page 3
February 1957 Fender Music Sales price list.
Date: 04/18/18
February 1957 Fender Music Sales price list.
Magnetic Field Design pickup promotion
Magnetic Field Design pickup promotion. I believe this was in 1983.
Date: 04/19/18
Magnetic Field Design pickup promotion. I believe this was in 1983.
New models for 1983: SC-1, SC-2 and SC-3-Front
New models for 1983: SC-1, SC-2 and SC-3. Two years later the SC-2’s pickups were the core of the new G&L Broadcaster, renamed ASAT in ‘86 (a story for another day).
I always loved this body shape. It’s compact kind of like a Mustang but the prop Date: 04/19/18
New models for 1983: SC-1, SC-2 and SC-3. Two years later the SC-2’s pickups were the core of the new G&L Broadcaster, renamed ASAT in ‘86 (a story for another day).
I always loved this body shape. It’s compact kind of like a Mustang but the proportions are prettier in my opinion. I still think it would have been cooler with a pickguard of some sort as on the Fallout for example. Anyway, I think George did a nice job on the body shape. What do you think?
New models for 1983: SC-1, SC-2 and SC-3. Two years later the SC-2’s pickups were the core of the new G&L Broadcaster, renamed ASAT in ‘86 (a story for another day).
I always loved this body shape. It’s compact kind of like a Mustang but the prop Date: 04/19/18
New models for 1983: SC-1, SC-2 and SC-3. Two years later the SC-2’s pickups were the core of the new G&L Broadcaster, renamed ASAT in ‘86 (a story for another day).
I always loved this body shape. It’s compact kind of like a Mustang but the proportions are prettier in my opinion. I still think it would have been cooler with a pickguard of some sort as on the Fallout for example. Anyway, I think George did a nice job on the body shape. What do you think?
New models for 1983: SC-1, SC-2 and SC-3-Back
New models for 1983: SC-1, SC-2 and SC-3. Two years later the SC-2’s pickups were the core of the new G&L Broadcaster, renamed ASAT in ‘86 (a story for another day).
I always loved this body shape. It’s compact kind of like a Mustang but the prop Date: 04/19/18
New models for 1983: SC-1, SC-2 and SC-3. Two years later the SC-2’s pickups were the core of the new G&L Broadcaster, renamed ASAT in ‘86 (a story for another day).
I always loved this body shape. It’s compact kind of like a Mustang but the proportions are prettier in my opinion. I still think it would have been cooler with a pickguard of some sort as on the Fallout for example. Anyway, I think George did a nice job on the body shape. What do you think?
New models for 1983: SC-1, SC-2 and SC-3. Two years later the SC-2’s pickups were the core of the new G&L Broadcaster, renamed ASAT in ‘86 (a story for another day).
I always loved this body shape. It’s compact kind of like a Mustang but the prop Date: 04/19/18
New models for 1983: SC-1, SC-2 and SC-3. Two years later the SC-2’s pickups were the core of the new G&L Broadcaster, renamed ASAT in ‘86 (a story for another day).
I always loved this body shape. It’s compact kind of like a Mustang but the proportions are prettier in my opinion. I still think it would have been cooler with a pickguard of some sort as on the Fallout for example. Anyway, I think George did a nice job on the body shape. What do you think?
Leo Fender’s receipt
Random stuff: Leo Fender’s receipt for getting his car filled up and washed on May 7, 1983. The number 1959 is the year he first got a Union 76 credit card. Mine says 1993.
Date: 04/20/18
Random stuff: Leo Fender’s receipt for getting his car filled up and washed on May 7, 1983. The number 1959 is the year he first got a Union 76 credit card. Mine says 1993.
Leo Fender’s receipt
Random stuff: Leo Fender’s receipt for getting his car filled up and washed on May 7, 1983. The number 1959 is the year he first got a Union 76 credit card. Mine says 1993.
Date: 04/20/18
Random stuff: Leo Fender’s receipt for getting his car filled up and washed on May 7, 1983. The number 1959 is the year he first got a Union 76 credit card. Mine says 1993.
Tri-Sonix1
You want some cool history? Here you go. Before the Music Man brand existed, first there was Tri-Sonix.
Date: 04/20/18
You want some cool history? Here you go. Before the Music Man brand existed, first there was Tri-Sonix.
Tri-Sonix2
You want some cool history? Here you go. Before the Music Man brand existed, first there was Tri-Sonix.
Date: 04/20/18
You want some cool history? Here you go. Before the Music Man brand existed, first there was Tri-Sonix.
Tri-Sonix3
You want some cool history? Here you go. Before the Music Man brand existed, first there was Tri-Sonix.
Date: 04/20/18
You want some cool history? Here you go. Before the Music Man brand existed, first there was Tri-Sonix.
Fender promo shot of tweed cases
Fender promo shot of tweed cases like the ones made by G & G Quality Case today. Gerry Germain keeps the tradition alive at G&G. Still made in Los Angeles. We go back a long time.
Date: 04/28/18
Fender promo shot of tweed cases like the ones made by G & G Quality Case today. Gerry Germain keeps the tradition alive at G&G. Still made in Los Angeles. We go back a long time.
CLF Research guitar knobs on the 1984 Cavalier-1
I just put some CLF Research guitar knobs on the 1984 Cavalier. Those are the original knurled knobs sitting on top. I borrowed these CLF knobs from our 1980 natural hog F-100, but Johnny has Machinist Mike making more of the CLF guitar knobs now. When Date: 04/28/18
I just put some CLF Research guitar knobs on the 1984 Cavalier. Those are the original knurled knobs sitting on top. I borrowed these CLF knobs from our 1980 natural hog F-100, but Johnny has Machinist Mike making more of the CLF guitar knobs now. When those are ready I’ll swap the oldies back on the F-100.
I just put some CLF Research guitar knobs on the 1984 Cavalier. Those are the original knurled knobs sitting on top. I borrowed these CLF knobs from our 1980 natural hog F-100, but Johnny has Machinist Mike making more of the CLF guitar knobs now. When Date: 04/28/18
I just put some CLF Research guitar knobs on the 1984 Cavalier. Those are the original knurled knobs sitting on top. I borrowed these CLF knobs from our 1980 natural hog F-100, but Johnny has Machinist Mike making more of the CLF guitar knobs now. When those are ready I’ll swap the oldies back on the F-100.
CLF Research guitar knobs on the 1984 Cavalier-2
I just put some CLF Research guitar knobs on the 1984 Cavalier. Those are the original knurled knobs sitting on top. I borrowed these CLF knobs from our 1980 natural hog F-100, but Johnny has Machinist Mike making more of the CLF guitar knobs now. When Date: 04/28/18
I just put some CLF Research guitar knobs on the 1984 Cavalier. Those are the original knurled knobs sitting on top. I borrowed these CLF knobs from our 1980 natural hog F-100, but Johnny has Machinist Mike making more of the CLF guitar knobs now. When those are ready I’ll swap the oldies back on the F-100.
I just put some CLF Research guitar knobs on the 1984 Cavalier. Those are the original knurled knobs sitting on top. I borrowed these CLF knobs from our 1980 natural hog F-100, but Johnny has Machinist Mike making more of the CLF guitar knobs now. When Date: 04/28/18
I just put some CLF Research guitar knobs on the 1984 Cavalier. Those are the original knurled knobs sitting on top. I borrowed these CLF knobs from our 1980 natural hog F-100, but Johnny has Machinist Mike making more of the CLF guitar knobs now. When those are ready I’ll swap the oldies back on the F-100.
CLF Research guitar knobs on the 1984 Cavalier-3
I just put some CLF Research guitar knobs on the 1984 Cavalier. Those are the original knurled knobs sitting on top. I borrowed these CLF knobs from our 1980 natural hog F-100, but Johnny has Machinist Mike making more of the CLF guitar knobs now. When Date: 04/28/18
I just put some CLF Research guitar knobs on the 1984 Cavalier. Those are the original knurled knobs sitting on top. I borrowed these CLF knobs from our 1980 natural hog F-100, but Johnny has Machinist Mike making more of the CLF guitar knobs now. When those are ready I’ll swap the oldies back on the F-100.
I just put some CLF Research guitar knobs on the 1984 Cavalier. Those are the original knurled knobs sitting on top. I borrowed these CLF knobs from our 1980 natural hog F-100, but Johnny has Machinist Mike making more of the CLF guitar knobs now. When Date: 04/28/18
I just put some CLF Research guitar knobs on the 1984 Cavalier. Those are the original knurled knobs sitting on top. I borrowed these CLF knobs from our 1980 natural hog F-100, but Johnny has Machinist Mike making more of the CLF guitar knobs now. When those are ready I’ll swap the oldies back on the F-100.
After at least 27 years, this Bactine spray is still good-1
Just got a little tool slice on my finger. After at least 27 years, this Bactine spray is still good. Thanks, Leo!
Date: 04/28/18
Just got a little tool slice on my finger. After at least 27 years, this Bactine spray is still good. Thanks, Leo!
After at least 27 years, this Bactine spray is still good-2
Just got a little tool slice on my finger. After at least 27 years, this Bactine spray is still good. Thanks, Leo!
Date: 04/28/18
Just got a little tool slice on my finger. After at least 27 years, this Bactine spray is still good. Thanks, Leo!
After at least 27 years, this Bactine spray is still good-3
Just got a little tool slice on my finger. After at least 27 years, this Bactine spray is still good. Thanks, Leo!
Date: 04/28/18
Just got a little tool slice on my finger. After at least 27 years, this Bactine spray is still good. Thanks, Leo!
True Colors - SC-3 slick-front
circa 1987 ad slick for the 2nd gen SC-3. You could rock a hot pink body with full matching neck and ebony board. G&L did the ‘80s well. Date: 04/28/18
circa 1987 ad slick for the 2nd gen SC-3. You could rock a hot pink body with full matching neck and ebony board. G&L did the ‘80s well.
circa 1987 ad slick for the 2nd gen SC-3. You could rock a hot pink body with full matching neck and ebony board. G&L did the ‘80s well. Date: 04/28/18
circa 1987 ad slick for the 2nd gen SC-3. You could rock a hot pink body with full matching neck and ebony board. G&L did the ‘80s well.
True Colors - SC-3 slick-back
circa 1987 ad slick for the 2nd gen SC-3. You could rock a hot pink body with full matching neck and ebony board. G&L did the ‘80s well. Date: 04/28/18
circa 1987 ad slick for the 2nd gen SC-3. You could rock a hot pink body with full matching neck and ebony board. G&L did the ‘80s well.
circa 1987 ad slick for the 2nd gen SC-3. You could rock a hot pink body with full matching neck and ebony board. G&L did the ‘80s well. Date: 04/28/18
circa 1987 ad slick for the 2nd gen SC-3. You could rock a hot pink body with full matching neck and ebony board. G&L did the ‘80s well.
Front cover of the 1980 catalog
Front and back covers of the 1980 catalog.
Date: 04/28/18
Front and back covers of the 1980 catalog.
Back cover of the 1980 catalog
Front and back covers of the 1980 catalog.
Date: 04/28/18
Front and back covers of the 1980 catalog.
1984 CLF Research employment agreement for George
1984 CLF Research employment agreement for George.
Date: 04/30/18
1984 CLF Research employment agreement for George.
1984 CLF Research employment agreement for George-page 2
1984 CLF Research employment agreement for George.
Date: 04/30/18
1984 CLF Research employment agreement for George.
CLF Research sisters: 1978 Sabre II and 1984 Cavalier
CLF Research sisters: 1978 Sabre II and 1984 Cavalier.
Date: 04/30/18
CLF Research sisters: 1978 Sabre II and 1984 Cavalier.
Generations of Leo’s tech and George’s style
Generations of Leo’s tech and George’s style, each model was bold and forward looking when new.
Date: 04/30/18
Generations of Leo’s tech and George’s style, each model was bold and forward looking when new.
Robert Poss and his modded SCs-1
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experi Date: 05/06/18
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experience has faded its vibrant G&L Viking Blue to a muted greenish hue. It’s so killer I can hardly stand it.
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experi Date: 05/06/18
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experience has faded its vibrant G&L Viking Blue to a muted greenish hue. It’s so killer I can hardly stand it.
Robert Poss and his modded SCs-2
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life exper Date: 05/06/18
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experience has faded its vibrant G&L Viking Blue to a muted greenish hue. It’s so killer I can hardly stand it.
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life exper Date: 05/06/18
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experience has faded its vibrant G&L Viking Blue to a muted greenish hue. It’s so killer I can hardly stand it.
Robert Poss and his modded SCs-3
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experi Date: 05/06/18
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experience has faded its vibrant G&L Viking Blue to a muted greenish hue. It’s so killer I can hardly stand it.
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experi Date: 05/06/18
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experience has faded its vibrant G&L Viking Blue to a muted greenish hue. It’s so killer I can hardly stand it.
Robert Poss and his modded SCs-4
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experi Date: 05/06/18
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experience has faded its vibrant G&L Viking Blue to a muted greenish hue. It’s so killer I can hardly stand it.
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experi Date: 05/06/18
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experience has faded its vibrant G&L Viking Blue to a muted greenish hue. It’s so killer I can hardly stand it.
Robert Poss and his modded SCs-5
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experi Date: 05/06/18
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experience has faded its vibrant G&L Viking Blue to a muted greenish hue. It’s so killer I can hardly stand it.
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experi Date: 05/06/18
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experience has faded its vibrant G&L Viking Blue to a muted greenish hue. It’s so killer I can hardly stand it.
Robert Poss and his modded SCs-6
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experi Date: 05/06/18
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experience has faded its vibrant G&L Viking Blue to a muted greenish hue. It’s so killer I can hardly stand it.
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experi Date: 05/06/18
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experience has faded its vibrant G&L Viking Blue to a muted greenish hue. It’s so killer I can hardly stand it.
Robert Poss and his modded SCs-7
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experi Date: 05/06/18
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experience has faded its vibrant G&L Viking Blue to a muted greenish hue. It’s so killer I can hardly stand it.
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experi Date: 05/06/18
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experience has faded its vibrant G&L Viking Blue to a muted greenish hue. It’s so killer I can hardly stand it.
Robert Poss and his modded SCs-8
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experi Date: 05/06/18
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experience has faded its vibrant G&L Viking Blue to a muted greenish hue. It’s so killer I can hardly stand it.
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experi Date: 05/06/18
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experience has faded its vibrant G&L Viking Blue to a muted greenish hue. It’s so killer I can hardly stand it.
Robert Poss and his modded SCs-9
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experi Date: 05/06/18
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experience has faded its vibrant G&L Viking Blue to a muted greenish hue. It’s so killer I can hardly stand it.
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experi Date: 05/06/18
Posted this to the G&L page on Friday. Robert Poss and his modded SCs were inspirational to us when we developed the Fallout. Just look at his SC-1 here. It’s so damn cool. His pickguard transformed the look and this guitar’s 35 years of life experience has faded its vibrant G&L Viking Blue to a muted greenish hue. It’s so killer I can hardly stand it.
1982 F-100 E-1
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle co Date: 05/08/18
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle controls the preamp off/on/on with treble boost. Hope I got that right.
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle co Date: 05/08/18
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle controls the preamp off/on/on with treble boost. Hope I got that right.
1982 F-100 E-2
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle co Date: 05/08/18
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle controls the preamp off/on/on with treble boost. Hope I got that right.
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle co Date: 05/08/18
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle controls the preamp off/on/on with treble boost. Hope I got that right.
1982 F-100 E-3
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle co Date: 05/08/18
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle controls the preamp off/on/on with treble boost. Hope I got that right.
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle co Date: 05/08/18
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle controls the preamp off/on/on with treble boost. Hope I got that right.
1982 F-100 E-4
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle co Date: 05/08/18
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle controls the preamp off/on/on with treble boost. Hope I got that right.
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle co Date: 05/08/18
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle controls the preamp off/on/on with treble boost. Hope I got that right.
1982 F-100 E-5
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle co Date: 05/08/18
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle controls the preamp off/on/on with treble boost. Hope I got that right.
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle co Date: 05/08/18
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle controls the preamp off/on/on with treble boost. Hope I got that right.
1982 F-100 E-6
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle co Date: 05/08/18
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle controls the preamp off/on/on with treble boost. Hope I got that right.
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle co Date: 05/08/18
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle controls the preamp off/on/on with treble boost. Hope I got that right.
1982 F-100 E-7
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle co Date: 05/08/18
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle controls the preamp off/on/on with treble boost. Hope I got that right.
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle co Date: 05/08/18
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle controls the preamp off/on/on with treble boost. Hope I got that right.
1982 F-100 E-8
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle co Date: 05/08/18
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle controls the preamp off/on/on with treble boost. Hope I got that right.
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle co Date: 05/08/18
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle controls the preamp off/on/on with treble boost. Hope I got that right.
1982 F-100 E-9
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle co Date: 05/08/18
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle controls the preamp off/on/on with treble boost. Hope I got that right.
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle co Date: 05/08/18
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle controls the preamp off/on/on with treble boost. Hope I got that right.
1982 F-100 E-10
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle co Date: 05/08/18
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle controls the preamp off/on/on with treble boost. Hope I got that right.
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle co Date: 05/08/18
Our 1982 F-100 E is originally equipped with an active preamp. Bassists who understand the functions of the L-2000 bass will get this. The LP style toggle is the pickup selector. The red 3-way mini toggle controlled coils. The black 3-way mini toggle controls the preamp off/on/on with treble boost. Hope I got that right.
Photo1
Photo 1: This building used to be Race & Olmsted, the tool and die company that made and maintained the stamping dies for Fender’s metal shop. Photo 2: taken in 1997, a view down the alley next to what was the old Fender building (similar to the CLF Date: 05/09/18
Photo 1: This building used to be Race & Olmsted, the tool and die company that made and maintained the stamping dies for Fender’s metal shop. Photo 2: taken in 1997, a view down the alley next to what was the old Fender building (similar to the CLF Research building). At the end of the alley is the big CBS building. The covered area is where the train cars delivered wood at CBS/Fender. The CBS building was demolished about twelve years ago.
Photo 1: This building used to be Race & Olmsted, the tool and die company that made and maintained the stamping dies for Fender’s metal shop. Photo 2: taken in 1997, a view down the alley next to what was the old Fender building (similar to the CLF Date: 05/09/18
Photo 1: This building used to be Race & Olmsted, the tool and die company that made and maintained the stamping dies for Fender’s metal shop. Photo 2: taken in 1997, a view down the alley next to what was the old Fender building (similar to the CLF Research building). At the end of the alley is the big CBS building. The covered area is where the train cars delivered wood at CBS/Fender. The CBS building was demolished about twelve years ago.
Photo2
Photo 1: This building used to be Race & Olmsted, the tool and die company that made and maintained the stamping dies for Fender’s metal shop. Photo 2: taken in 1997, a view down the alley next to what was the old Fender building (similar to the CLF Date: 05/09/18
Photo 1: This building used to be Race & Olmsted, the tool and die company that made and maintained the stamping dies for Fender’s metal shop. Photo 2: taken in 1997, a view down the alley next to what was the old Fender building (similar to the CLF Research building). At the end of the alley is the big CBS building. The covered area is where the train cars delivered wood at CBS/Fender. The CBS building was demolished about twelve years ago.
Photo 1: This building used to be Race & Olmsted, the tool and die company that made and maintained the stamping dies for Fender’s metal shop. Photo 2: taken in 1997, a view down the alley next to what was the old Fender building (similar to the CLF Date: 05/09/18
Photo 1: This building used to be Race & Olmsted, the tool and die company that made and maintained the stamping dies for Fender’s metal shop. Photo 2: taken in 1997, a view down the alley next to what was the old Fender building (similar to the CLF Research building). At the end of the alley is the big CBS building. The covered area is where the train cars delivered wood at CBS/Fender. The CBS building was demolished about twelve years ago.
“Five New Fenders” CBS:Fender brochure1
“Five New Fenders” CBS/Fender brochure. I believe it was 1972.
Date: 05/12/18
“Five New Fenders” CBS/Fender brochure. I believe it was 1972.
“Five New Fenders” CBS:Fender brochure2
“Five New Fenders” CBS/Fender brochure. I believe it was 1972.
Date: 05/12/18
“Five New Fenders” CBS/Fender brochure. I believe it was 1972.
“Five New Fenders” CBS:Fender brochure3
“Five New Fenders” CBS/Fender brochure. I believe it was 1972.
Date: 05/12/18
“Five New Fenders” CBS/Fender brochure. I believe it was 1972.
“Five New Fenders” CBS:Fender brochure4
“Five New Fenders” CBS/Fender brochure. I believe it was 1972.
Date: 05/12/18
“Five New Fenders” CBS/Fender brochure. I believe it was 1972.
“Five New Fenders” CBS:Fender brochure5
“Five New Fenders” CBS/Fender brochure. I believe it was 1972.
Date: 05/12/18
“Five New Fenders” CBS/Fender brochure. I believe it was 1972.
1957 String-Master 4 neck?
Such an appealing photo. I couldn’t play a decent note with it but I want it anyway. Edit: anyone know if this is a 1957 String-Master 4 neck?
Date: 05/14/18
Such an appealing photo. I couldn’t play a decent note with it but I want it anyway. Edit: anyone know if this is a 1957 String-Master 4 neck?
F-100-1
Our F-100 is looking nice tonight. On here I’ve called it a 1980, another time a 1981, but the truth is I don’t remember. Now, I keep the preamp switch on when playing our black F-100. That’s really how these pickups were intended to be used. My guess is
Date: 05/16/18
Our F-100 is looking nice tonight. On here I’ve called it a 1980, another time a 1981, but the truth is I don’t remember. Now, I keep the preamp switch on when playing our black F-100. That’s really how these pickups were intended to be used. My guess is Dale Hyatt, running sales, would get too much pushback from dealers with an active-only setup in a guitar. That was a lesson learned from the Music Man days. But damn, it’s super cool with that preamp on. This F-100 has no preamp at all.
F-100-2
Our F-100 is looking nice tonight. On here I’ve called it a 1980, another time a 1981, but the truth is I don’t remember. Now, I keep the preamp switch on when playing our black F-100. That’s really how these pickups were intended to be used. My guess is
Date: 05/16/18
Our F-100 is looking nice tonight. On here I’ve called it a 1980, another time a 1981, but the truth is I don’t remember. Now, I keep the preamp switch on when playing our black F-100. That’s really how these pickups were intended to be used. My guess is Dale Hyatt, running sales, would get too much pushback from dealers with an active-only setup in a guitar. That was a lesson learned from the Music Man days. But damn, it’s super cool with that preamp on. This F-100 has no preamp at all.
F-100-3
Our F-100 is looking nice tonight. On here I’ve called it a 1980, another time a 1981, but the truth is I don’t remember. Now, I keep the preamp switch on when playing our black F-100. That’s really how these pickups were intended to be used. My guess is
Date: 05/16/18
Our F-100 is looking nice tonight. On here I’ve called it a 1980, another time a 1981, but the truth is I don’t remember. Now, I keep the preamp switch on when playing our black F-100. That’s really how these pickups were intended to be used. My guess is Dale Hyatt, running sales, would get too much pushback from dealers with an active-only setup in a guitar. That was a lesson learned from the Music Man days. But damn, it’s super cool with that preamp on. This F-100 has no preamp at all.
F-100-4
Our F-100 is looking nice tonight. On here I’ve called it a 1980, another time a 1981, but the truth is I don’t remember. Now, I keep the preamp switch on when playing our black F-100. That’s really how these pickups were intended to be used. My guess is
Date: 05/16/18
Our F-100 is looking nice tonight. On here I’ve called it a 1980, another time a 1981, but the truth is I don’t remember. Now, I keep the preamp switch on when playing our black F-100. That’s really how these pickups were intended to be used. My guess is Dale Hyatt, running sales, would get too much pushback from dealers with an active-only setup in a guitar. That was a lesson learned from the Music Man days. But damn, it’s super cool with that preamp on. This F-100 has no preamp at all.
F-100-5
Our F-100 is looking nice tonight. On here I’ve called it a 1980, another time a 1981, but the truth is I don’t remember. Now, I keep the preamp switch on when playing our black F-100. That’s really how these pickups were intended to be used. My guess is
Date: 05/16/18
Our F-100 is looking nice tonight. On here I’ve called it a 1980, another time a 1981, but the truth is I don’t remember. Now, I keep the preamp switch on when playing our black F-100. That’s really how these pickups were intended to be used. My guess is Dale Hyatt, running sales, would get too much pushback from dealers with an active-only setup in a guitar. That was a lesson learned from the Music Man days. But damn, it’s super cool with that preamp on. This F-100 has no preamp at all.
F-100-6
Our F-100 is looking nice tonight. On here I’ve called it a 1980, another time a 1981, but the truth is I don’t remember. Now, I keep the preamp switch on when playing our black F-100. That’s really how these pickups were intended to be used. My guess is
Date: 05/16/18
Our F-100 is looking nice tonight. On here I’ve called it a 1980, another time a 1981, but the truth is I don’t remember. Now, I keep the preamp switch on when playing our black F-100. That’s really how these pickups were intended to be used. My guess is Dale Hyatt, running sales, would get too much pushback from dealers with an active-only setup in a guitar. That was a lesson learned from the Music Man days. But damn, it’s super cool with that preamp on. This F-100 has no preamp at all.
F-100-7
Our F-100 is looking nice tonight. On here I’ve called it a 1980, another time a 1981, but the truth is I don’t remember. Now, I keep the preamp switch on when playing our black F-100. That’s really how these pickups were intended to be used. My guess is
Date: 05/16/18
Our F-100 is looking nice tonight. On here I’ve called it a 1980, another time a 1981, but the truth is I don’t remember. Now, I keep the preamp switch on when playing our black F-100. That’s really how these pickups were intended to be used. My guess is Dale Hyatt, running sales, would get too much pushback from dealers with an active-only setup in a guitar. That was a lesson learned from the Music Man days. But damn, it’s super cool with that preamp on. This F-100 has no preamp at all.
F-100-8
Our F-100 is looking nice tonight. On here I’ve called it a 1980, another time a 1981, but the truth is I don’t remember. Now, I keep the preamp switch on when playing our black F-100. That’s really how these pickups were intended to be used. My guess is
Date: 05/16/18
Our F-100 is looking nice tonight. On here I’ve called it a 1980, another time a 1981, but the truth is I don’t remember. Now, I keep the preamp switch on when playing our black F-100. That’s really how these pickups were intended to be used. My guess is Dale Hyatt, running sales, would get too much pushback from dealers with an active-only setup in a guitar. That was a lesson learned from the Music Man days. But damn, it’s super cool with that preamp on. This F-100 has no preamp at all.
July 1, 1976 - Music Man price list-cover
July 1, 1976 - Music Man price list with the new Stingray Guitar and Stingray Bass made in Leo’s new CLF Research factory on Fender Avenue. Date: 05/16/18
July 1, 1976 - Music Man price list with the new Stingray Guitar and Stingray Bass made in Leo’s new CLF Research factory on Fender Avenue.
July 1, 1976 - Music Man price list with the new Stingray Guitar and Stingray Bass made in Leo’s new CLF Research factory on Fender Avenue. Date: 05/16/18
July 1, 1976 - Music Man price list with the new Stingray Guitar and Stingray Bass made in Leo’s new CLF Research factory on Fender Avenue.
July 1, 1976 - Music Man price list
July 1, 1976 - Music Man price list with the new Stingray Guitar and Stingray Bass made in Leo’s new CLF Research factory on Fender Avenue. Date: 05/16/18
July 1, 1976 - Music Man price list with the new Stingray Guitar and Stingray Bass made in Leo’s new CLF Research factory on Fender Avenue.
July 1, 1976 - Music Man price list with the new Stingray Guitar and Stingray Bass made in Leo’s new CLF Research factory on Fender Avenue. Date: 05/16/18
July 1, 1976 - Music Man price list with the new Stingray Guitar and Stingray Bass made in Leo’s new CLF Research factory on Fender Avenue.
July 1, 1976 - Music Man price list-back cover
July 1, 1976 - Music Man price list with the new Stingray Guitar and Stingray Bass made in Leo’s new CLF Research factory on Fender Avenue. Date: 05/16/18
July 1, 1976 - Music Man price list with the new Stingray Guitar and Stingray Bass made in Leo’s new CLF Research factory on Fender Avenue.
July 1, 1976 - Music Man price list with the new Stingray Guitar and Stingray Bass made in Leo’s new CLF Research factory on Fender Avenue. Date: 05/16/18
July 1, 1976 - Music Man price list with the new Stingray Guitar and Stingray Bass made in Leo’s new CLF Research factory on Fender Avenue.
1983 promo sheet for the new Nighthawk-front
circa 1983 promo sheet for the new Nighthawk. The name was changed to Skyhawk the following year. Date: 05/17/18
circa 1983 promo sheet for the new Nighthawk. The name was changed to Skyhawk the following year.
circa 1983 promo sheet for the new Nighthawk. The name was changed to Skyhawk the following year. Date: 05/17/18
circa 1983 promo sheet for the new Nighthawk. The name was changed to Skyhawk the following year.
1983 promo sheet for the new Nighthawk-back
circa 1983 promo sheet for the new Nighthawk. The name was changed to Skyhawk the following year.
Date: 05/17/18
circa 1983 promo sheet for the new Nighthawk. The name was changed to Skyhawk the following year.
32850419_591Tony’s ‘81 L-2000-1
The grande dame of our collection is Tony’s ‘81 L-2000.
Date: 05/17/18
The grande dame of our collection is Tony’s ‘81 L-2000.
Tony’s ‘81 L-2000-2
The grande dame of our collection is Tony’s ‘81 L-2000.
Date: 05/17/18
The grande dame of our collection is Tony’s ‘81 L-2000.
Tony’s ‘81 L-2000-3
The grande dame of our collection is Tony’s ‘81 L-2000.
Date: 05/17/18
The grande dame of our collection is Tony’s ‘81 L-2000.
Tony’s ‘81 L-2000-4
The grande dame of our collection is Tony’s ‘81 L-2000.
Date: 05/17/18
The grande dame of our collection is Tony’s ‘81 L-2000.
Tony’s ‘81 L-2000-5
The grande dame of our collection is Tony’s ‘81 L-2000.
Date: 05/17/18
The grande dame of our collection is Tony’s ‘81 L-2000.
May 12, 1980 invoice for instruments produced and shipped to Music Man, Inc
May 12, 1980 invoice for instruments produced and shipped to Music Man, Inc Date: 05/18/18
May 12, 1980 invoice for instruments produced and shipped to Music Man, Inc
May 12, 1980 invoice for instruments produced and shipped to Music Man, Inc Date: 05/18/18
May 12, 1980 invoice for instruments produced and shipped to Music Man, Inc
May 5, 1981 - Red Wootten wrote to Leo and George-1
May 5, 1981 - Red Wootten wrote to Leo and George to say how great his new L-2000 was. Over his storied career, Red won the Academy of Country Music (ACA) Award for Best Bassist in 1982. Date: 05/21/18
May 5, 1981 - Red Wootten wrote to Leo and George to say how great his new L-2000 was. Over his storied career, Red won the Academy of Country Music (ACA) Award for Best Bassist in 1982.
May 5, 1981 - Red Wootten wrote to Leo and George to say how great his new L-2000 was. Over his storied career, Red won the Academy of Country Music (ACA) Award for Best Bassist in 1982. Date: 05/21/18
May 5, 1981 - Red Wootten wrote to Leo and George to say how great his new L-2000 was. Over his storied career, Red won the Academy of Country Music (ACA) Award for Best Bassist in 1982.
May 5, 1981 - Red Wootten wrote to Leo and George-2
May 5, 1981 - Red Wootten wrote to Leo and George to say how great his new L-2000 was. Over his storied career, Red won the Academy of Country Music (ACA) Award for Best Bassist in 1982. Date: 05/21/18
May 5, 1981 - Red Wootten wrote to Leo and George to say how great his new L-2000 was. Over his storied career, Red won the Academy of Country Music (ACA) Award for Best Bassist in 1982.
May 5, 1981 - Red Wootten wrote to Leo and George to say how great his new L-2000 was. Over his storied career, Red won the Academy of Country Music (ACA) Award for Best Bassist in 1982. Date: 05/21/18
May 5, 1981 - Red Wootten wrote to Leo and George to say how great his new L-2000 was. Over his storied career, Red won the Academy of Country Music (ACA) Award for Best Bassist in 1982.
May 5, 1981 - Red Wootten wrote to Leo and George-3
May 5, 1981 - Red Wootten wrote to Leo and George to say how great his new L-2000 was. Over his storied career, Red won the Academy of Country Music (ACA) Award for Best Bassist in 1982. Date: 05/21/18
May 5, 1981 - Red Wootten wrote to Leo and George to say how great his new L-2000 was. Over his storied career, Red won the Academy of Country Music (ACA) Award for Best Bassist in 1982.
May 5, 1981 - Red Wootten wrote to Leo and George to say how great his new L-2000 was. Over his storied career, Red won the Academy of Country Music (ACA) Award for Best Bassist in 1982. Date: 05/21/18
May 5, 1981 - Red Wootten wrote to Leo and George to say how great his new L-2000 was. Over his storied career, Red won the Academy of Country Music (ACA) Award for Best Bassist in 1982.
circa 1983 neck features sheet by G&L Music Sales, Inc
circa 1983 neck features sheet by G&L Music Sales, Inc. Date: 05/28/18
circa 1983 neck features sheet by G&L Music Sales, Inc.
circa 1983 neck features sheet by G&L Music Sales, Inc. Date: 05/28/18
circa 1983 neck features sheet by G&L Music Sales, Inc.
June 4, 1981. It's my birthday and I'm holding my new Tele dad got for me
June 4, 1981. It's my birthday and I'm holding my new Tele dad got for me. I wanted a Strat, but that's another story and not as good as this one.
It was afternoon, and mom called dad to remind him to bring home a guitar for my birthday. As some of you Date: 05/28/18 June 4, 1981. It's my birthday and I'm holding my new Tele dad got for me. I wanted a Strat, but that's another story and not as good as this one.
It was afternoon, and mom called dad to remind him to bring home a guitar for my birthday. As some of you know, my dad John was recruited by CBS away from Yamaha to become president of the CBS Musical Instruments Division, and hopefully sort out the bugs. Maybe we'll get into some of those stories from back in the day, but moving on....
Dad had hired Bill Schultz and some other guys from Yamaha. Bill really, really, REALLY wanted to come over to CBS from Yamaha, and dad hired him and installed Bill as president of the Fender/Rodgers/Rhodes unit within the Division.
On my birthday, dad calls Bill into his office and told him to get David (me) a guitar, whatever the latest thing is. Bill called Roger Cox, head of R&D, into his office and he tells him to get one of the prototype '52 Teles and bring it to his office. Roger went to Scott Zimmerman and John Page told them to get one ready for John McLaren by the end of the day. Scott said the neck is warped so they need to replace it, and Roger replied to just get one out of the factory because they've run the first ten.
My brother Johnny walked with Scott into the big CBS factory, went right to the polish department where they had a few of the new '52 Tele necks. Scott selected the best one and then the guys walked back to R&D in the the old building. Scott and either Steve Bolinger or John Page put the guitar together and into a prototype tweed case. Johnny was instructed to take it to Bill's office, not knowing anything about it being a guitar for me.
Trouble was, that they had put this Tele together for Chrissie Hynde of the Pretenders, and had planned to put another neck on it before she came to pick it up in a few days. Didn't matter, Bill had given the order.
When Johnny brought the Tele to Bill's office, a new Super Champ was sitting there, one of the first to come off the line. Turns out, that amp was for me. Later that afternoon, Bill dropped by our house to bring the Tele and Super Champ.
So that night, I'm pumped because I knew I would getting the new guitar. It wasn't the Candy Apple Red "The Strat" I wanted, but hey, it was cool. So, I open my birthday present and Johnny realized that's the same guitar he'd been shuttling around the factory!
As for that Tele, Johnny has in his office. In Leo's lab Johnny found an old grey box labeled "old Tele pickups" and installed them in the guitar.
It was afternoon, and mom called dad to remind him to bring home a guitar for my birthday. As some of you Date: 05/28/18 June 4, 1981. It's my birthday and I'm holding my new Tele dad got for me. I wanted a Strat, but that's another story and not as good as this one.
It was afternoon, and mom called dad to remind him to bring home a guitar for my birthday. As some of you know, my dad John was recruited by CBS away from Yamaha to become president of the CBS Musical Instruments Division, and hopefully sort out the bugs. Maybe we'll get into some of those stories from back in the day, but moving on....
Dad had hired Bill Schultz and some other guys from Yamaha. Bill really, really, REALLY wanted to come over to CBS from Yamaha, and dad hired him and installed Bill as president of the Fender/Rodgers/Rhodes unit within the Division.
On my birthday, dad calls Bill into his office and told him to get David (me) a guitar, whatever the latest thing is. Bill called Roger Cox, head of R&D, into his office and he tells him to get one of the prototype '52 Teles and bring it to his office. Roger went to Scott Zimmerman and John Page told them to get one ready for John McLaren by the end of the day. Scott said the neck is warped so they need to replace it, and Roger replied to just get one out of the factory because they've run the first ten.
My brother Johnny walked with Scott into the big CBS factory, went right to the polish department where they had a few of the new '52 Tele necks. Scott selected the best one and then the guys walked back to R&D in the the old building. Scott and either Steve Bolinger or John Page put the guitar together and into a prototype tweed case. Johnny was instructed to take it to Bill's office, not knowing anything about it being a guitar for me.
Trouble was, that they had put this Tele together for Chrissie Hynde of the Pretenders, and had planned to put another neck on it before she came to pick it up in a few days. Didn't matter, Bill had given the order.
When Johnny brought the Tele to Bill's office, a new Super Champ was sitting there, one of the first to come off the line. Turns out, that amp was for me. Later that afternoon, Bill dropped by our house to bring the Tele and Super Champ.
So that night, I'm pumped because I knew I would getting the new guitar. It wasn't the Candy Apple Red "The Strat" I wanted, but hey, it was cool. So, I open my birthday present and Johnny realized that's the same guitar he'd been shuttling around the factory!
As for that Tele, Johnny has in his office. In Leo's lab Johnny found an old grey box labeled "old Tele pickups" and installed them in the guitar.
here’s the Tele today-1
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now. Date: 05/28/18
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now.
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now. Date: 05/28/18
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now.
here’s the Tele today-2
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now. Date: 05/28/18
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now.
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now. Date: 05/28/18
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now.
here’s the Tele today-3
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now. Date: 05/28/18
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now.
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now. Date: 05/28/18
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now.
here’s the Tele today-4
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now. Date: 05/28/18
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now.
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now. Date: 05/28/18
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now.
here’s the Tele today-5
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now. Date: 05/28/18
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now.
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now. Date: 05/28/18
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now.
here’s the Tele today-6
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now. Date: 05/28/18
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now.
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now. Date: 05/28/18
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now.
here’s the Tele today-7
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now. Date: 05/28/18
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now.
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now. Date: 05/28/18
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now.
here’s the Tele today-8
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now. Date: 05/28/18
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now.
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now. Date: 05/28/18
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now.
here’s the Tele today-9
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now. Date: 05/28/18
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now.
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now. Date: 05/28/18
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now.
here’s the Tele today-10
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now. Date: 05/28/18
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now.
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now. Date: 05/28/18
So here’s the Tele today. The thought just never occurs to me to take it out for a spin for old times sake. I think I’m gonna plug it in for a bit right now.
A prototype in Leo’s lab-1
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab-2
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab-3
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab-4
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab-5
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab-6
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab-7
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab-8
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab-9
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab-10
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab-11
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer a Date: 05/28/18
A prototype in Leo’s lab, perhaps 1983. We can see that he was developing MFD angled mini-humbuckers made with modified SC-2 pickup covers. The neck and middle pickups are both the same size as the SC-2 neck pickup, so just the bridge pickup is longer as it is on the SC-2. 5-way selector, volume, treble, bass (PTB). We also see the control plate is in raw prototype form, which leads me to believe this was built during the concept stage of the sister models Nighthawk (3SC like S-500) and Cavalier. The Cavalier has just two angled mini-humbuckers. The bridge was probably unceremoniously taken for some other project happening. I think I’ll bring this one back to life and take it for a spin.
1984 Cavalier-1
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups. Date: 05/28/18
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups.
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups. Date: 05/28/18
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups.
1984 Cavalier-2
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups. Date: 05/28/18
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups.
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups. Date: 05/28/18
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups.
1984 Cavalier-3
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups. Date: 05/28/18
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups.
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups. Date: 05/28/18
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups.
1984 Cavalier-4
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups. Date: 05/28/18
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups.
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups. Date: 05/28/18
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups.
1984 Cavalier-5
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups. Date: 05/28/18
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups.
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups. Date: 05/28/18
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups.
1984 Cavalier-6
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups. Date: 05/28/18
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups.
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups. Date: 05/28/18
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups.
1984 Cavalier-7
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups. Date: 05/28/18
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups.
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups. Date: 05/28/18
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups.
1984 Cavalier-8
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups. Date: 05/28/18
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups.
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups. Date: 05/28/18
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups.
1984 Cavalier-9
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups. Date: 05/28/18
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups.
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups. Date: 05/28/18
Apropos of yesterday’s post with the prototype angled mini-humbuckers, check out our 1984 Cavalier which has the production version of those pickups.
test mule-1
That’s a lot of of dust from a long time in Leo’s lab. For the million times I bumble across it, I don’t recall ever plugging it in. Anyway, the interesting thing going on here is the slug pole pieces in the bridge pickup. I believe the G&L Dual Fulcr
Date: 05/28/18
That’s a lot of of dust from a long time in Leo’s lab. For the million times I bumble across it, I don’t recall ever plugging it in. Anyway, the interesting thing going on here is the slug pole pieces in the bridge pickup. I believe the G&L Dual Fulcrum Vibrato with Fine Tuners was already in production at the time of this test mule.
test mule-2
That’s a lot of of dust from a long time in Leo’s lab. For the million times I bumble across it, I don’t recall ever plugging it in. Anyway, the interesting thing going on here is the slug pole pieces in the bridge pickup. I believe the G&L Dual Fulcr
Date: 05/28/18
That’s a lot of of dust from a long time in Leo’s lab. For the million times I bumble across it, I don’t recall ever plugging it in. Anyway, the interesting thing going on here is the slug pole pieces in the bridge pickup. I believe the G&L Dual Fulcrum Vibrato with Fine Tuners was already in production at the time of this test mule.
test mule-3
That’s a lot of of dust from a long time in Leo’s lab. For the million times I bumble across it, I don’t recall ever plugging it in. Anyway, the interesting thing going on here is the slug pole pieces in the bridge pickup. I believe the G&L Dual Fulcr
Date: 05/28/18
That’s a lot of of dust from a long time in Leo’s lab. For the million times I bumble across it, I don’t recall ever plugging it in. Anyway, the interesting thing going on here is the slug pole pieces in the bridge pickup. I believe the G&L Dual Fulcrum Vibrato with Fine Tuners was already in production at the time of this test mule.
black F-100 E with active preamp versus the aged natural F-100-1
Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which yo Date: 05/29/18 Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which you might notice takes a bit of effort to process. That said, there is an impressive range of cool tones to be dialed in.
Occasionally I might get confused and have to check the old instruction sheet, which yo Date: 05/29/18 Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which you might notice takes a bit of effort to process. That said, there is an impressive range of cool tones to be dialed in.
black F-100 E with active preamp versus the aged natural F-100-2
Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which yo Date: 05/29/18 Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which you might notice takes a bit of effort to process. That said, there is an impressive range of cool tones to be dialed in.
Occasionally I might get confused and have to check the old instruction sheet, which yo Date: 05/29/18 Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which you might notice takes a bit of effort to process. That said, there is an impressive range of cool tones to be dialed in.
black F-100 E with active preamp versus the aged natural F-100-3
Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which yo Date: 05/29/18 Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which you might notice takes a bit of effort to process. That said, there is an impressive range of cool tones to be dialed in.
Occasionally I might get confused and have to check the old instruction sheet, which yo Date: 05/29/18 Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which you might notice takes a bit of effort to process. That said, there is an impressive range of cool tones to be dialed in.
black F-100 E with active preamp versus the aged natural F-100-4
Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which yo Date: 05/29/18 Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which you might notice takes a bit of effort to process. That said, there is an impressive range of cool tones to be dialed in.
Occasionally I might get confused and have to check the old instruction sheet, which yo Date: 05/29/18 Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which you might notice takes a bit of effort to process. That said, there is an impressive range of cool tones to be dialed in.
black F-100 E with active preamp versus the aged natural F-100-5
Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which yo Date: 05/29/18 Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which you might notice takes a bit of effort to process. That said, there is an impressive range of cool tones to be dialed in.
Occasionally I might get confused and have to check the old instruction sheet, which yo Date: 05/29/18 Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which you might notice takes a bit of effort to process. That said, there is an impressive range of cool tones to be dialed in.
black F-100 E with active preamp versus the aged natural F-100-6
Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which yo Date: 05/29/18 Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which you might notice takes a bit of effort to process. That said, there is an impressive range of cool tones to be dialed in.
Occasionally I might get confused and have to check the old instruction sheet, which yo Date: 05/29/18 Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which you might notice takes a bit of effort to process. That said, there is an impressive range of cool tones to be dialed in.
black F-100 E with active preamp versus the aged natural F-100-7
Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which yo Date: 05/29/18 Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which you might notice takes a bit of effort to process. That said, there is an impressive range of cool tones to be dialed in.
Occasionally I might get confused and have to check the old instruction sheet, which yo Date: 05/29/18 Dealers had some trouble distinguishing between examples like our black F-100 E with active preamp versus the aged natural F-100 which was passive only (no preamp).
Occasionally I might get confused and have to check the old instruction sheet, which you might notice takes a bit of effort to process. That said, there is an impressive range of cool tones to be dialed in.
member of The Doobie Brothers John McFee and session and touring bassist Pancho Tomaselli
Guitarist, producer and long time member of The Doobie Brothers John McFee and session and touring bassist Pancho Tomaselli hanging out in Leo’s office. The guys are holding our 1975 CLF Research Music Man prototypes. Date: 05/30/18
Guitarist, producer and long time member of The Doobie Brothers John McFee and session and touring bassist Pancho Tomaselli hanging out in Leo’s office. The guys are holding our 1975 CLF Research Music Man prototypes.
Guitarist, producer and long time member of The Doobie Brothers John McFee and session and touring bassist Pancho Tomaselli hanging out in Leo’s office. The guys are holding our 1975 CLF Research Music Man prototypes. Date: 05/30/18
Guitarist, producer and long time member of The Doobie Brothers John McFee and session and touring bassist Pancho Tomaselli hanging out in Leo’s office. The guys are holding our 1975 CLF Research Music Man prototypes.
1982 S-500-1
1982 S-500. The original version. Clear blue over swamp ash, rosewood fingerboard. The original MFD guitar single coil pickup, clearly an evolution of a Strat pickup and showcasing his new technology. Now excuse me while I go play it for a while.
Date: 06/02/18
1982 S-500. The original version. Clear blue over swamp ash, rosewood fingerboard. The original MFD guitar single coil pickup, clearly an evolution of a Strat pickup and showcasing his new technology. Now excuse me while I go play it for a while.
1982 S-500-2
1982 S-500. The original version. Clear blue over swamp ash, rosewood fingerboard. The original MFD guitar single coil pickup, clearly an evolution of a Strat pickup and showcasing his new technology. Now excuse me while I go play it for a while.
Date: 06/02/18
1982 S-500. The original version. Clear blue over swamp ash, rosewood fingerboard. The original MFD guitar single coil pickup, clearly an evolution of a Strat pickup and showcasing his new technology. Now excuse me while I go play it for a while.
1982 S-500-3
1982 S-500. The original version. Clear blue over swamp ash, rosewood fingerboard. The original MFD guitar single coil pickup, clearly an evolution of a Strat pickup and showcasing his new technology. Now excuse me while I go play it for a while.
Date: 06/02/18
1982 S-500. The original version. Clear blue over swamp ash, rosewood fingerboard. The original MFD guitar single coil pickup, clearly an evolution of a Strat pickup and showcasing his new technology. Now excuse me while I go play it for a while.
1982 S-500-4
1982 S-500. The original version. Clear blue over swamp ash, rosewood fingerboard. The original MFD guitar single coil pickup, clearly an evolution of a Strat pickup and showcasing his new technology. Now excuse me while I go play it for a while.
Date: 06/02/18
1982 S-500. The original version. Clear blue over swamp ash, rosewood fingerboard. The original MFD guitar single coil pickup, clearly an evolution of a Strat pickup and showcasing his new technology. Now excuse me while I go play it for a while.
1982 S-500=5
1982 S-500. The original version. Clear blue over swamp ash, rosewood fingerboard. The original MFD guitar single coil pickup, clearly an evolution of a Strat pickup and showcasing his new technology. Now excuse me while I go play it for a while.
Date: 06/02/18
1982 S-500. The original version. Clear blue over swamp ash, rosewood fingerboard. The original MFD guitar single coil pickup, clearly an evolution of a Strat pickup and showcasing his new technology. Now excuse me while I go play it for a while.
1982 S-500-6
1982 S-500. The original version. Clear blue over swamp ash, rosewood fingerboard. The original MFD guitar single coil pickup, clearly an evolution of a Strat pickup and showcasing his new technology. Now excuse me while I go play it for a while.
Date: 06/02/18
1982 S-500. The original version. Clear blue over swamp ash, rosewood fingerboard. The original MFD guitar single coil pickup, clearly an evolution of a Strat pickup and showcasing his new technology. Now excuse me while I go play it for a while.
1982 S-500-7
1982 S-500. The original version. Clear blue over swamp ash, rosewood fingerboard. The original MFD guitar single coil pickup, clearly an evolution of a Strat pickup and showcasing his new technology. Now excuse me while I go play it for a while.
Date: 06/02/18
1982 S-500. The original version. Clear blue over swamp ash, rosewood fingerboard. The original MFD guitar single coil pickup, clearly an evolution of a Strat pickup and showcasing his new technology. Now excuse me while I go play it for a while.
1982 S-500-8
1982 S-500. The original version. Clear blue over swamp ash, rosewood fingerboard. The original MFD guitar single coil pickup, clearly an evolution of a Strat pickup and showcasing his new technology. Now excuse me while I go play it for a while.
Date: 06/02/18
1982 S-500. The original version. Clear blue over swamp ash, rosewood fingerboard. The original MFD guitar single coil pickup, clearly an evolution of a Strat pickup and showcasing his new technology. Now excuse me while I go play it for a while.
1982 S-500-9
1982 S-500. The original version. Clear blue over swamp ash, rosewood fingerboard. The original MFD guitar single coil pickup, clearly an evolution of a Strat pickup and showcasing his new technology. Now excuse me while I go play it for a while.
Date: 06/02/18
1982 S-500. The original version. Clear blue over swamp ash, rosewood fingerboard. The original MFD guitar single coil pickup, clearly an evolution of a Strat pickup and showcasing his new technology. Now excuse me while I go play it for a while.
1982 S-500-10
1982 S-500. The original version. Clear blue over swamp ash, rosewood fingerboard. The original MFD guitar single coil pickup, clearly an evolution of a Strat pickup and showcasing his new technology. Now excuse me while I go play it for a while.
Date: 06/02/18
1982 S-500. The original version. Clear blue over swamp ash, rosewood fingerboard. The original MFD guitar single coil pickup, clearly an evolution of a Strat pickup and showcasing his new technology. Now excuse me while I go play it for a while.
1982 S-500 G011241
Here’s a peek under the pickguard of the 1982 S-500. It looks much like the whole body did 36 years ago, while clear coat on the rest of the body has aged making the color look more like teal. Date: 06/04/18
Here’s a peek under the pickguard of the 1982 S-500. It looks much like the whole body did 36 years ago, while clear coat on the rest of the body has aged making the color look more like teal.
Here’s a peek under the pickguard of the 1982 S-500. It looks much like the whole body did 36 years ago, while clear coat on the rest of the body has aged making the color look more like teal. Date: 06/04/18
Here’s a peek under the pickguard of the 1982 S-500. It looks much like the whole body did 36 years ago, while clear coat on the rest of the body has aged making the color look more like teal.
Quincy Snodgrass
“To Leo Fender: Thanks for favors years ago - Best Always, Quincy Snodgrass.” Date: 06/06/18
“To Leo Fender: Thanks for favors years ago - Best Always, Quincy Snodgrass.”
“To Leo Fender: Thanks for favors years ago - Best Always, Quincy Snodgrass.” Date: 06/06/18
“To Leo Fender: Thanks for favors years ago - Best Always, Quincy Snodgrass.”
box of defective Stingray control plates in the lab
A box of defective Stingray control plates in the lab. Leo liked to analyze what went wrong so he could make improvements. Date: 06/06/18
A box of defective Stingray control plates in the lab. Leo liked to analyze what went wrong so he could make improvements.
A box of defective Stingray control plates in the lab. Leo liked to analyze what went wrong so he could make improvements. Date: 06/06/18
A box of defective Stingray control plates in the lab. Leo liked to analyze what went wrong so he could make improvements.
cobbling something together to test one thing
I’ve just been cheese-grating my forearm on this rough-sanded mahogany. Well, not quite that bad, but kind of a rash. This afternoon we were cobbling something together to test one thing, then later I remembered it’s a totally playable guitar. Sounded l Date: 06/06/18
I’ve just been cheese-grating my forearm on this rough-sanded mahogany. Well, not quite that bad, but kind of a rash. This afternoon we were cobbling something together to test one thing, then later I remembered it’s a totally playable guitar. Sounded like a good time to make some noise.
I’ve just been cheese-grating my forearm on this rough-sanded mahogany. Well, not quite that bad, but kind of a rash. This afternoon we were cobbling something together to test one thing, then later I remembered it’s a totally playable guitar. Sounded l Date: 06/06/18
I’ve just been cheese-grating my forearm on this rough-sanded mahogany. Well, not quite that bad, but kind of a rash. This afternoon we were cobbling something together to test one thing, then later I remembered it’s a totally playable guitar. Sounded like a good time to make some noise.
1986 Skyhawk-1
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced
Date: 06/07/18
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced on the 1980 G&L F-100.
1986 Skyhawk-2
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced Date: 06/07/18
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced on the 1980 G&L F-100.
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced Date: 06/07/18
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced on the 1980 G&L F-100.
1986 Skyhawk-3
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced Date: 06/07/18
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced on the 1980 G&L F-100.
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced Date: 06/07/18
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced on the 1980 G&L F-100.
1986 Skyhawk-4
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced Date: 06/07/18
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced on the 1980 G&L F-100.
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced Date: 06/07/18
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced on the 1980 G&L F-100.
1986 Skyhawk-5
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced Date: 06/07/18
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced on the 1980 G&L F-100.
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced Date: 06/07/18
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced on the 1980 G&L F-100.
1986 Skyhawk-6
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced Date: 06/07/18
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced on the 1980 G&L F-100.
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced Date: 06/07/18
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced on the 1980 G&L F-100.
1986 Skyhawk-7
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced Date: 06/07/18
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced on the 1980 G&L F-100.
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced Date: 06/07/18
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced on the 1980 G&L F-100.
1986 Skyhawk-8
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced Date: 06/07/18
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced on the 1980 G&L F-100.
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced Date: 06/07/18
Here is our 1986 Skyhawk in 3-Tone Sunburst over mahogany, ebony board and matching headstock. Imagine an S-500 of today looking like this and that’s pretty much the experience. I think George really nailed the aesthetics for this body shape, introduced on the 1980 G&L F-100.
1980 L-1000
Man, oh man, do I love our 1980 L-1000. Sunburst on mahogany with maple neck. You wunkay fans know that “OMG mode” punch is sweet. Date: 06/07/18
Man, oh man, do I love our 1980 L-1000. Sunburst on mahogany with maple neck. You wunkay fans know that “OMG mode” punch is sweet.
Man, oh man, do I love our 1980 L-1000. Sunburst on mahogany with maple neck. You wunkay fans know that “OMG mode” punch is sweet. Date: 06/07/18
Man, oh man, do I love our 1980 L-1000. Sunburst on mahogany with maple neck. You wunkay fans know that “OMG mode” punch is sweet.
early MFD pickup prototypes1
In the darkest, dustiest corner of the lab I just found a pair of these. Now, I may need more coffee but I think these are very early MFD pickup prototypes. Solid poles in Sabre covers makes me think these may be 1978. Date: 06/12/18
In the darkest, dustiest corner of the lab I just found a pair of these. Now, I may need more coffee but I think these are very early MFD pickup prototypes. Solid poles in Sabre covers makes me think these may be 1978.
In the darkest, dustiest corner of the lab I just found a pair of these. Now, I may need more coffee but I think these are very early MFD pickup prototypes. Solid poles in Sabre covers makes me think these may be 1978. Date: 06/12/18
In the darkest, dustiest corner of the lab I just found a pair of these. Now, I may need more coffee but I think these are very early MFD pickup prototypes. Solid poles in Sabre covers makes me think these may be 1978.
early MFD pickup prototypes2
In the darkest, dustiest corner of the lab I just found a pair of these. Now, I may need more coffee but I think these are very early MFD pickup prototypes. Solid poles in Sabre covers makes me think these may be 1978. Date: 06/12/18
In the darkest, dustiest corner of the lab I just found a pair of these. Now, I may need more coffee but I think these are very early MFD pickup prototypes. Solid poles in Sabre covers makes me think these may be 1978.
In the darkest, dustiest corner of the lab I just found a pair of these. Now, I may need more coffee but I think these are very early MFD pickup prototypes. Solid poles in Sabre covers makes me think these may be 1978. Date: 06/12/18
In the darkest, dustiest corner of the lab I just found a pair of these. Now, I may need more coffee but I think these are very early MFD pickup prototypes. Solid poles in Sabre covers makes me think these may be 1978.
early MFD pickup prototypes3
In the darkest, dustiest corner of the lab I just found a pair of these. Now, I may need more coffee but I think these are very early MFD pickup prototypes. Solid poles in Sabre covers makes me think these may be 1978. Date: 06/12/18
In the darkest, dustiest corner of the lab I just found a pair of these. Now, I may need more coffee but I think these are very early MFD pickup prototypes. Solid poles in Sabre covers makes me think these may be 1978.
In the darkest, dustiest corner of the lab I just found a pair of these. Now, I may need more coffee but I think these are very early MFD pickup prototypes. Solid poles in Sabre covers makes me think these may be 1978. Date: 06/12/18
In the darkest, dustiest corner of the lab I just found a pair of these. Now, I may need more coffee but I think these are very early MFD pickup prototypes. Solid poles in Sabre covers makes me think these may be 1978.
early MFD pickup prototypes4
In the darkest, dustiest corner of the lab I just found a pair of these. Now, I may need more coffee but I think these are very early MFD pickup prototypes. Solid poles in Sabre covers makes me think these may be 1978. Date: 06/12/18
In the darkest, dustiest corner of the lab I just found a pair of these. Now, I may need more coffee but I think these are very early MFD pickup prototypes. Solid poles in Sabre covers makes me think these may be 1978.
In the darkest, dustiest corner of the lab I just found a pair of these. Now, I may need more coffee but I think these are very early MFD pickup prototypes. Solid poles in Sabre covers makes me think these may be 1978. Date: 06/12/18
In the darkest, dustiest corner of the lab I just found a pair of these. Now, I may need more coffee but I think these are very early MFD pickup prototypes. Solid poles in Sabre covers makes me think these may be 1978.
‘86 Skyhawk
CLFR styling evolution. ‘86 Skyhawk, ‘82 S-500, ‘81 F-100, ‘78 Sabre. Date: 06/12/18
CLFR styling evolution. ‘86 Skyhawk, ‘82 S-500, ‘81 F-100, ‘78 Sabre.
CLFR styling evolution. ‘86 Skyhawk, ‘82 S-500, ‘81 F-100, ‘78 Sabre. Date: 06/12/18
CLFR styling evolution. ‘86 Skyhawk, ‘82 S-500, ‘81 F-100, ‘78 Sabre.
‘82 S-500
CLFR styling evolution. ‘86 Skyhawk, ‘82 S-500, ‘81 F-100, ‘78 Sabre. Date: 06/12/18
CLFR styling evolution. ‘86 Skyhawk, ‘82 S-500, ‘81 F-100, ‘78 Sabre.
CLFR styling evolution. ‘86 Skyhawk, ‘82 S-500, ‘81 F-100, ‘78 Sabre. Date: 06/12/18
CLFR styling evolution. ‘86 Skyhawk, ‘82 S-500, ‘81 F-100, ‘78 Sabre.
‘81 F-100
CLFR styling evolution. ‘86 Skyhawk, ‘82 S-500, ‘81 F-100, ‘78 Sabre. Date: 06/12/18
CLFR styling evolution. ‘86 Skyhawk, ‘82 S-500, ‘81 F-100, ‘78 Sabre.
CLFR styling evolution. ‘86 Skyhawk, ‘82 S-500, ‘81 F-100, ‘78 Sabre. Date: 06/12/18
CLFR styling evolution. ‘86 Skyhawk, ‘82 S-500, ‘81 F-100, ‘78 Sabre.
‘78 Sabre
CLFR styling evolution. ‘86 Skyhawk, ‘82 S-500, ‘81 F-100, ‘78 Sabre. Date: 06/12/18
CLFR styling evolution. ‘86 Skyhawk, ‘82 S-500, ‘81 F-100, ‘78 Sabre.
CLFR styling evolution. ‘86 Skyhawk, ‘82 S-500, ‘81 F-100, ‘78 Sabre. Date: 06/12/18
CLFR styling evolution. ‘86 Skyhawk, ‘82 S-500, ‘81 F-100, ‘78 Sabre.
SC-2-1
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this Date: 06/13/18
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this hot, deep metallic which Cadillac called “Pharaoh Gold Firemist” in their 1973 and 1974 brochures.
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this Date: 06/13/18
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this hot, deep metallic which Cadillac called “Pharaoh Gold Firemist” in their 1973 and 1974 brochures.
SC-2-2
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this Date: 06/13/18
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this hot, deep metallic which Cadillac called “Pharaoh Gold Firemist” in their 1973 and 1974 brochures.
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this Date: 06/13/18
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this hot, deep metallic which Cadillac called “Pharaoh Gold Firemist” in their 1973 and 1974 brochures.
SC-2-3
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this Date: 06/13/18
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this hot, deep metallic which Cadillac called “Pharaoh Gold Firemist” in their 1973 and 1974 brochures.
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this Date: 06/13/18
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this hot, deep metallic which Cadillac called “Pharaoh Gold Firemist” in their 1973 and 1974 brochures.
SC-2-4
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this Date: 06/13/18
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this hot, deep metallic which Cadillac called “Pharaoh Gold Firemist” in their 1973 and 1974 brochures.
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this Date: 06/13/18
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this hot, deep metallic which Cadillac called “Pharaoh Gold Firemist” in their 1973 and 1974 brochures.
SC-2-5
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this Date: 06/13/18
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this hot, deep metallic which Cadillac called “Pharaoh Gold Firemist” in their 1973 and 1974 brochures.
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this Date: 06/13/18
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this hot, deep metallic which Cadillac called “Pharaoh Gold Firemist” in their 1973 and 1974 brochures.
SC-2-6
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this Date: 06/13/18
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this hot, deep metallic which Cadillac called “Pharaoh Gold Firemist” in their 1973 and 1974 brochures.
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this Date: 06/13/18
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this hot, deep metallic which Cadillac called “Pharaoh Gold Firemist” in their 1973 and 1974 brochures.
SC-2-7
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this Date: 06/13/18
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this hot, deep metallic which Cadillac called “Pharaoh Gold Firemist” in their 1973 and 1974 brochures.
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this Date: 06/13/18
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this hot, deep metallic which Cadillac called “Pharaoh Gold Firemist” in their 1973 and 1974 brochures.
SC-2-8
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this Date: 06/13/18
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this hot, deep metallic which Cadillac called “Pharaoh Gold Firemist” in their 1973 and 1974 brochures.
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this Date: 06/13/18
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this hot, deep metallic which Cadillac called “Pharaoh Gold Firemist” in their 1973 and 1974 brochures.
SC-2-9
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this Date: 06/13/18
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this hot, deep metallic which Cadillac called “Pharaoh Gold Firemist” in their 1973 and 1974 brochures.
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this Date: 06/13/18
I just scored this nice old SC-2 from a cool guy on Reverb. The guitar is in really great shape, though it had an unfortunate body refin. That’s not a problem for me, as you might imagine. Kinda thinking about this new gold color we have here. It’s this hot, deep metallic which Cadillac called “Pharaoh Gold Firemist” in their 1973 and 1974 brochures.
Johnny’s Mustang-1
This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for Date: 06/20/18 This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for slide. Not surprisingly the dots had fallen out, what was left of them long gone. I think Ed fixed it up by re-radiusing it on the old swing arm sander, refreshed slots, new frets, pearl dots as used in production. Belair Green was still a pretty new color for us then and Johnny liked it. I think Malcolm painted it and Ed got it together into a decent player somehow.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for Date: 06/20/18 This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for slide. Not surprisingly the dots had fallen out, what was left of them long gone. I think Ed fixed it up by re-radiusing it on the old swing arm sander, refreshed slots, new frets, pearl dots as used in production. Belair Green was still a pretty new color for us then and Johnny liked it. I think Malcolm painted it and Ed got it together into a decent player somehow.
Johnny’s Mustang-2
This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for Date: 06/20/18 This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for slide. Not surprisingly the dots had fallen out, what was left of them long gone. I think Ed fixed it up by re-radiusing it on the old swing arm sander, refreshed slots, new frets, pearl dots as used in production. Belair Green was still a pretty new color for us then and Johnny liked it. I think Malcolm painted it and Ed got it together into a decent player somehow.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for Date: 06/20/18 This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for slide. Not surprisingly the dots had fallen out, what was left of them long gone. I think Ed fixed it up by re-radiusing it on the old swing arm sander, refreshed slots, new frets, pearl dots as used in production. Belair Green was still a pretty new color for us then and Johnny liked it. I think Malcolm painted it and Ed got it together into a decent player somehow.
Johnny’s Mustang-3
This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for Date: 06/20/18 This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for slide. Not surprisingly the dots had fallen out, what was left of them long gone. I think Ed fixed it up by re-radiusing it on the old swing arm sander, refreshed slots, new frets, pearl dots as used in production. Belair Green was still a pretty new color for us then and Johnny liked it. I think Malcolm painted it and Ed got it together into a decent player somehow.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for Date: 06/20/18 This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for slide. Not surprisingly the dots had fallen out, what was left of them long gone. I think Ed fixed it up by re-radiusing it on the old swing arm sander, refreshed slots, new frets, pearl dots as used in production. Belair Green was still a pretty new color for us then and Johnny liked it. I think Malcolm painted it and Ed got it together into a decent player somehow.
Johnny’s Mustang-4
This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for Date: 06/20/18 This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for slide. Not surprisingly the dots had fallen out, what was left of them long gone. I think Ed fixed it up by re-radiusing it on the old swing arm sander, refreshed slots, new frets, pearl dots as used in production. Belair Green was still a pretty new color for us then and Johnny liked it. I think Malcolm painted it and Ed got it together into a decent player somehow.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for Date: 06/20/18 This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for slide. Not surprisingly the dots had fallen out, what was left of them long gone. I think Ed fixed it up by re-radiusing it on the old swing arm sander, refreshed slots, new frets, pearl dots as used in production. Belair Green was still a pretty new color for us then and Johnny liked it. I think Malcolm painted it and Ed got it together into a decent player somehow.
Johnny’s Mustang-5
This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for Date: 06/20/18 This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for slide. Not surprisingly the dots had fallen out, what was left of them long gone. I think Ed fixed it up by re-radiusing it on the old swing arm sander, refreshed slots, new frets, pearl dots as used in production. Belair Green was still a pretty new color for us then and Johnny liked it. I think Malcolm painted it and Ed got it together into a decent player somehow.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for Date: 06/20/18 This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for slide. Not surprisingly the dots had fallen out, what was left of them long gone. I think Ed fixed it up by re-radiusing it on the old swing arm sander, refreshed slots, new frets, pearl dots as used in production. Belair Green was still a pretty new color for us then and Johnny liked it. I think Malcolm painted it and Ed got it together into a decent player somehow.
Johnny’s Mustang-6
This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for Date: 06/20/18 This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for slide. Not surprisingly the dots had fallen out, what was left of them long gone. I think Ed fixed it up by re-radiusing it on the old swing arm sander, refreshed slots, new frets, pearl dots as used in production. Belair Green was still a pretty new color for us then and Johnny liked it. I think Malcolm painted it and Ed got it together into a decent player somehow.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for Date: 06/20/18 This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for slide. Not surprisingly the dots had fallen out, what was left of them long gone. I think Ed fixed it up by re-radiusing it on the old swing arm sander, refreshed slots, new frets, pearl dots as used in production. Belair Green was still a pretty new color for us then and Johnny liked it. I think Malcolm painted it and Ed got it together into a decent player somehow.
Johnny’s Mustang-7
This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for Date: 06/20/18 This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for slide. Not surprisingly the dots had fallen out, what was left of them long gone. I think Ed fixed it up by re-radiusing it on the old swing arm sander, refreshed slots, new frets, pearl dots as used in production. Belair Green was still a pretty new color for us then and Johnny liked it. I think Malcolm painted it and Ed got it together into a decent player somehow.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for Date: 06/20/18 This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for slide. Not surprisingly the dots had fallen out, what was left of them long gone. I think Ed fixed it up by re-radiusing it on the old swing arm sander, refreshed slots, new frets, pearl dots as used in production. Belair Green was still a pretty new color for us then and Johnny liked it. I think Malcolm painted it and Ed got it together into a decent player somehow.
Johnny’s Mustang-8
This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for Date: 06/20/18 This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for slide. Not surprisingly the dots had fallen out, what was left of them long gone. I think Ed fixed it up by re-radiusing it on the old swing arm sander, refreshed slots, new frets, pearl dots as used in production. Belair Green was still a pretty new color for us then and Johnny liked it. I think Malcolm painted it and Ed got it together into a decent player somehow.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for Date: 06/20/18 This is Johnny’s Mustang. I think it’s a ‘64 or ‘65. He got it around ‘95 from an employee here named Chris who had the guitar since he was a kid and his dad bought it for him.
Anyway, Chris had pulled the frets and flattened the fingerboard to use for slide. Not surprisingly the dots had fallen out, what was left of them long gone. I think Ed fixed it up by re-radiusing it on the old swing arm sander, refreshed slots, new frets, pearl dots as used in production. Belair Green was still a pretty new color for us then and Johnny liked it. I think Malcolm painted it and Ed got it together into a decent player somehow.
C.LK.F. RESEARCH CO. tee-shirt1
The first run of CLF Research tees has arrived! We have the brown on beige ‘70s logo and the ‘60s logo on black. Go to glguitars.com
click on store then apparel. Use coupon code CLF25 to get 25% off through Friday. Date: 06/20/18 The first run of CLF Research tees has arrived! We have the brown on beige ‘70s logo and the ‘60s logo on black. Go to glguitars.com
click on store then apparel. Use coupon code CLF25 to get 25% off through Friday.
click on store then apparel. Use coupon code CLF25 to get 25% off through Friday. Date: 06/20/18 The first run of CLF Research tees has arrived! We have the brown on beige ‘70s logo and the ‘60s logo on black. Go to glguitars.com
click on store then apparel. Use coupon code CLF25 to get 25% off through Friday.
C.L.F. RESEARCH CO. Tee-shirt2
The first run of CLF Research tees has arrived! We have the brown on beige ‘70s logo and the ‘60s logo on black. Go to glguitars.com
click on store then apparel. Use coupon code CLF25 to get 25% off through Friday. Date: 06/20/18 The first run of CLF Research tees has arrived! We have the brown on beige ‘70s logo and the ‘60s logo on black. Go to glguitars.com
click on store then apparel. Use coupon code CLF25 to get 25% off through Friday.
click on store then apparel. Use coupon code CLF25 to get 25% off through Friday. Date: 06/20/18 The first run of CLF Research tees has arrived! We have the brown on beige ‘70s logo and the ‘60s logo on black. Go to glguitars.com
click on store then apparel. Use coupon code CLF25 to get 25% off through Friday.
C.L.F. RESEARCH CO. Tee-shirt3
The first run of CLF Research tees has arrived! We have the brown on beige ‘70s logo and the ‘60s logo on black. Go to glguitars.com
click on store then apparel. Use coupon code CLF25 to get 25% off through Friday. Date: 06/20/18 The first run of CLF Research tees has arrived! We have the brown on beige ‘70s logo and the ‘60s logo on black. Go to glguitars.com
click on store then apparel. Use coupon code CLF25 to get 25% off through Friday.
click on store then apparel. Use coupon code CLF25 to get 25% off through Friday. Date: 06/20/18 The first run of CLF Research tees has arrived! We have the brown on beige ‘70s logo and the ‘60s logo on black. Go to glguitars.com
click on store then apparel. Use coupon code CLF25 to get 25% off through Friday.
C.L.F. RESEARCH INC. Tee-shirt
The first run of CLF Research tees has arrived! We have the brown on beige ‘70s logo and the ‘60s logo on black. Go to glguitars.com
click on store then apparel. Use coupon code CLF25 to get 25% off through Friday. Date: 06/20/18 The first run of CLF Research tees has arrived! We have the brown on beige ‘70s logo and the ‘60s logo on black. Go to glguitars.com
click on store then apparel. Use coupon code CLF25 to get 25% off through Friday.
click on store then apparel. Use coupon code CLF25 to get 25% off through Friday. Date: 06/20/18 The first run of CLF Research tees has arrived! We have the brown on beige ‘70s logo and the ‘60s logo on black. Go to glguitars.com
click on store then apparel. Use coupon code CLF25 to get 25% off through Friday.
Our ‘78 Stingray is getting CLF mods
Our ‘78 Stingray is getting CLF mods. First thing is to solder independent leads for each coil, so we now have four leads coming from the pickup which originally had two leads. You know what that means: mini-toggles! The original control plate assembly Date: 06/20/18
Our ‘78 Stingray is getting CLF mods. First thing is to solder independent leads for each coil, so we now have four leads coming from the pickup which originally had two leads. You know what that means: mini-toggles! The original control plate assembly on this bass has beautiful patina so we’ll keep that original. Instead, we will use a NOS control plate assembly from Leo’s lab, epoxy coated preamp and all.
Our ‘78 Stingray is getting CLF mods. First thing is to solder independent leads for each coil, so we now have four leads coming from the pickup which originally had two leads. You know what that means: mini-toggles! The original control plate assembly Date: 06/20/18
Our ‘78 Stingray is getting CLF mods. First thing is to solder independent leads for each coil, so we now have four leads coming from the pickup which originally had two leads. You know what that means: mini-toggles! The original control plate assembly on this bass has beautiful patina so we’ll keep that original. Instead, we will use a NOS control plate assembly from Leo’s lab, epoxy coated preamp and all.
Memo is in the middle of surgery
Memo is in the middle of surgery. A CLF mod from way back is one mini-toggle for series/parallel with independent leads for each coil. On this one we’re using a 3-way mini-toggle for series/single/parallel. We will have another mini-toggle to kick in OM Date: 06/20/18
Memo is in the middle of surgery. A CLF mod from way back is one mini-toggle for series/parallel with independent leads for each coil. On this one we’re using a 3-way mini-toggle for series/single/parallel. We will have another mini-toggle to kick in OMG mode from the L-1000 when the other toggle is in series.
Memo is in the middle of surgery. A CLF mod from way back is one mini-toggle for series/parallel with independent leads for each coil. On this one we’re using a 3-way mini-toggle for series/single/parallel. We will have another mini-toggle to kick in OM Date: 06/20/18
Memo is in the middle of surgery. A CLF mod from way back is one mini-toggle for series/parallel with independent leads for each coil. On this one we’re using a 3-way mini-toggle for series/single/parallel. We will have another mini-toggle to kick in OMG mode from the L-1000 when the other toggle is in series.
We used a preamp we thought worked. It didn’t
We used a preamp we thought worked. It didn’t. We’ll sort that out tomorrow. The mini-toggles are black for parallel/split/series, red adds OMG cap for series mode, white not hooked up. Already drilled three holes this morning, so a white switch to nowh Date: 06/20/18
We used a preamp we thought worked. It didn’t. We’ll sort that out tomorrow. The mini-toggles are black for parallel/split/series, red adds OMG cap for series mode, white not hooked up. Already drilled three holes this morning, so a white switch to nowhere is better than a hole.
We used a preamp we thought worked. It didn’t. We’ll sort that out tomorrow. The mini-toggles are black for parallel/split/series, red adds OMG cap for series mode, white not hooked up. Already drilled three holes this morning, so a white switch to nowh Date: 06/20/18
We used a preamp we thought worked. It didn’t. We’ll sort that out tomorrow. The mini-toggles are black for parallel/split/series, red adds OMG cap for series mode, white not hooked up. Already drilled three holes this morning, so a white switch to nowhere is better than a hole.
old SC-2-1
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet. Date: 06/26/18
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet.
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet. Date: 06/26/18
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet.
old SC-2-2
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet. Date: 06/26/18
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet.
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet. Date: 06/26/18
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet.
old SC-2-3
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet. Date: 06/26/18
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet.
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet. Date: 06/26/18
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet.
old SC-2-4
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet. Date: 06/26/18
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet.
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet. Date: 06/26/18
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet.
old SC-2-5
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet. Date: 06/26/18
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet.
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet. Date: 06/26/18
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet.
old SC-2-6
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet. Date: 06/26/18
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet.
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet. Date: 06/26/18
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet.
new finish - Pharoah Gold Firemist
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet. Date: 06/26/18
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet.
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet. Date: 06/26/18
I just disassembled the old SC-2 so the body can be sanded and repainted in Pharaoh Gold Firemist, a Cadillac color option for 1973-1974. It’s sweet.
Goodbye turquoise crappy paint
Goodbye turquoise crappy paint
Date: 06/26/18
Goodbye turquoise crappy paint
sanding top
Have a bit of housekeeping in the pockets then it gets undercoated. Date: 06/27/18
Have a bit of housekeeping in the pockets then it gets undercoated.
Have a bit of housekeeping in the pockets then it gets undercoated. Date: 06/27/18
Have a bit of housekeeping in the pockets then it gets undercoated.
more sanding work
Have a bit of housekeeping in the pockets then it gets undercoated. Date: 06/27/18
Have a bit of housekeeping in the pockets then it gets undercoated.
Have a bit of housekeeping in the pockets then it gets undercoated. Date: 06/27/18
Have a bit of housekeeping in the pockets then it gets undercoated.
closeup of sanding
Have a bit of housekeeping in the pockets then it gets undercoated. Date: 06/27/18
Have a bit of housekeeping in the pockets then it gets undercoated.
Have a bit of housekeeping in the pockets then it gets undercoated. Date: 06/27/18
Have a bit of housekeeping in the pockets then it gets undercoated.
SC-2 back to bare wood
Have a bit of housekeeping in the pockets then it gets undercoated. Date: 06/27/18
Have a bit of housekeeping in the pockets then it gets undercoated.
Have a bit of housekeeping in the pockets then it gets undercoated. Date: 06/27/18
Have a bit of housekeeping in the pockets then it gets undercoated.
reissue CLF Research guitar knob
That’s a sample reissue CLF Research guitar knob. Looks awesome, so we’re gonna do a production run of them and they should be in the online store in July. I just love these things.
Date: 06/28/18
That’s a sample reissue CLF Research guitar knob. Looks awesome, so we’re gonna do a production run of them and they should be in the online store in July. I just love these things.
December 1978 - Leo in front of Jolly Roger restaurant in Fullerton
December 1978 - Leo in front of Jolly Roger restaurant in Fullerton. I believe he used to go there often.
Date: 06/30/18
December 1978 - Leo in front of Jolly Roger restaurant in Fullerton. I believe he used to go there often.
Student Set, List price...$119.50
Student Set, List price...$119.50
Date: 07/08/18
Student Set, List price...$119.50
May 6, 1976 letter from Forrest White to Tom Walker with copy to Leo-1
May 6, 1976 letter from Forrest White to Tom Walker with copy to Leo. At that time, Music Man had been producing only amps but the Sting Ray guitar and bass were being developed at Leo’s new CLF Research building at 2548 Fender Avenue in Fullerton.
Date: 07/13/18
May 6, 1976 letter from Forrest White to Tom Walker with copy to Leo. At that time, Music Man had been producing only amps but the Sting Ray guitar and bass were being developed at Leo’s new CLF Research building at 2548 Fender Avenue in Fullerton.
May 6, 1976 letter from Forrest White to Tom Walker with copy to Leo. At that time, Music Man had been producing only amps but the Sting Ray guitar and bass were being developed at Leo’s new CLF Research building at 2548 Fender Avenue in Fullerton.
Date: 07/13/18
May 6, 1976 letter from Forrest White to Tom Walker with copy to Leo. At that time, Music Man had been producing only amps but the Sting Ray guitar and bass were being developed at Leo’s new CLF Research building at 2548 Fender Avenue in Fullerton.
May 6, 1976 letter from Forrest White to Tom Walker with copy to Leo-2
May 6, 1976 letter from Forrest White to Tom Walker with copy to Leo. At that time, Music Man had been producing only amps but the Sting Ray guitar and bass were being developed at Leo’s new CLF Research building at 2548 Fender Avenue in Fullerton.
Date: 07/13/18
May 6, 1976 letter from Forrest White to Tom Walker with copy to Leo. At that time, Music Man had been producing only amps but the Sting Ray guitar and bass were being developed at Leo’s new CLF Research building at 2548 Fender Avenue in Fullerton.
May 6, 1976 letter from Forrest White to Tom Walker with copy to Leo. At that time, Music Man had been producing only amps but the Sting Ray guitar and bass were being developed at Leo’s new CLF Research building at 2548 Fender Avenue in Fullerton.
Date: 07/13/18
May 6, 1976 letter from Forrest White to Tom Walker with copy to Leo. At that time, Music Man had been producing only amps but the Sting Ray guitar and bass were being developed at Leo’s new CLF Research building at 2548 Fender Avenue in Fullerton.
Got the urethane undercoat done on the old SC-2
Got the urethane undercoat done on the old SC-2. We’re going thin urethane base/color/clear and the color will be Pharaoh Gold Firemist. This is gonna look so sweet.
Date: 07/13/18
Got the urethane undercoat done on the old SC-2. We’re going thin urethane base/color/clear and the color will be Pharaoh Gold Firemist. This is gonna look so sweet.
The CLF guitar knobs are in stock at the online store-1
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.The coupon also works on shirts in case you still need to score a CLF Research tee.Anyway, check ou
Date: 07/13/18
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check out the CLF knobs on an ASAT Special and Doheny. I’m kinda liking the look on the ASAT. What do you think?...
https://g-l-online-store.myshopify.com/collections/knobs/products/knob-clf-research-guitar
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check out the CLF knobs on an ASAT Special and Doheny. I’m kinda liking the look on the ASAT. What do you think?...
https://g-l-online-store.myshopify.com/collections/knobs/products/knob-clf-research-guitar
The CLF guitar knobs are in stock at the online store-2
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check ou Date: 07/13/18
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check out the CLF knobs on an ASAT Special and Doheny. I’m kinda liking the look on the ASAT. What do you think?
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check ou Date: 07/13/18
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check out the CLF knobs on an ASAT Special and Doheny. I’m kinda liking the look on the ASAT. What do you think?
The CLF guitar knobs are in stock at the online store=3
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check ou Date: 07/13/18
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check out the CLF knobs on an ASAT Special and Doheny. I’m kinda liking the look on the ASAT. What do you think?
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check ou Date: 07/13/18
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check out the CLF knobs on an ASAT Special and Doheny. I’m kinda liking the look on the ASAT. What do you think?
The CLF guitar knobs are in stock at the online store-4
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check ou Date: 07/13/18
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check out the CLF knobs on an ASAT Special and Doheny. I’m kinda liking the look on the ASAT. What do you think?
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check ou Date: 07/13/18
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check out the CLF knobs on an ASAT Special and Doheny. I’m kinda liking the look on the ASAT. What do you think?
The CLF guitar knobs are in stock at the online store-5
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check ou Date: 07/13/18
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check out the CLF knobs on an ASAT Special and Doheny. I’m kinda liking the look on the ASAT. What do you think?
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check ou Date: 07/13/18
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check out the CLF knobs on an ASAT Special and Doheny. I’m kinda liking the look on the ASAT. What do you think?
The CLF guitar knobs are in stock at the online store-6
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check ou Date: 07/13/18
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check out the CLF knobs on an ASAT Special and Doheny. I’m kinda liking the look on the ASAT. What do you think?
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check ou Date: 07/13/18
The CLF guitar knobs are in stock at the online store, so if you were waiting for this run use coupon code CLF20 for 20% off knobs through Friday.
The coupon also works on shirts in case you still need to score a CLF Research tee.
Anyway, check out the CLF knobs on an ASAT Special and Doheny. I’m kinda liking the look on the ASAT. What do you think?
early 1980s prototype MFD split coil guitar pickup-1
Leo’s early 1980s prototype MFD split coil guitar pickup. Note the covers appear to be fabricated from early style S-500 units. Date: 07/14/18
Leo’s early 1980s prototype MFD split coil guitar pickup. Note the covers appear to be fabricated from early style S-500 units.
Leo’s early 1980s prototype MFD split coil guitar pickup. Note the covers appear to be fabricated from early style S-500 units. Date: 07/14/18
Leo’s early 1980s prototype MFD split coil guitar pickup. Note the covers appear to be fabricated from early style S-500 units.
early 1980s prototype MFD split coil guitar pickup-2
Leo’s early 1980s prototype MFD split coil guitar pickup. Note the covers appear to be fabricated from early style S-500 units. Date: 07/14/18
Leo’s early 1980s prototype MFD split coil guitar pickup. Note the covers appear to be fabricated from early style S-500 units.
Leo’s early 1980s prototype MFD split coil guitar pickup. Note the covers appear to be fabricated from early style S-500 units. Date: 07/14/18
Leo’s early 1980s prototype MFD split coil guitar pickup. Note the covers appear to be fabricated from early style S-500 units.
early 1980s prototype MFD split coil guitar pickup-3
Leo’s early 1980s prototype MFD split coil guitar pickup. Note the covers appear to be fabricated from early style S-500 units. Date: 07/14/18
Leo’s early 1980s prototype MFD split coil guitar pickup. Note the covers appear to be fabricated from early style S-500 units.
Leo’s early 1980s prototype MFD split coil guitar pickup. Note the covers appear to be fabricated from early style S-500 units. Date: 07/14/18
Leo’s early 1980s prototype MFD split coil guitar pickup. Note the covers appear to be fabricated from early style S-500 units.
early 1980s prototype MFD split coil guitar pickup-4
Leo’s early 1980s prototype MFD split coil guitar pickup. Note the covers appear to be fabricated from early style S-500 units. Date: 07/14/18
Leo’s early 1980s prototype MFD split coil guitar pickup. Note the covers appear to be fabricated from early style S-500 units.
Leo’s early 1980s prototype MFD split coil guitar pickup. Note the covers appear to be fabricated from early style S-500 units. Date: 07/14/18
Leo’s early 1980s prototype MFD split coil guitar pickup. Note the covers appear to be fabricated from early style S-500 units.
Rhino Records LP press release
Rhino Records LP press release. I guessed the year was 1982, googled it and was right.
Date: 07/25/18
Rhino Records LP press release. I guessed the year was 1982, googled it and was right.
A pickup form for Leo Fender signature decals
A pickup form for Leo Fender signature decals.
Date: 07/25/18
A pickup form for Leo Fender signature decals.
A new CLF 2k next to Tony’s ‘81 2k
A new CLF 2k next to Tony’s ‘81 2k. You’ve heard me blather about how much I love the ‘81, but man, this new one seriously has it goin on. I feel really good about making these.
Date: 07/25/18
A new CLF 2k next to Tony’s ‘81 2k. You’ve heard me blather about how much I love the ‘81, but man, this new one seriously has it goin on. I feel really good about making these.
Engineering in the 1970s
Engineering in the 1970s. You make one miscalculation or just want a change, you get to do this.
Date: 07/25/18
Engineering in the 1970s. You make one miscalculation or just want a change, you get to do this.
The old SC-2 is now wearing Pharaoh Gold Firemist
The old SC-2 is now wearing Pharaoh Gold Firemist.
Date: 07/25/18
The old SC-2 is now wearing Pharaoh Gold Firemist.
The old SC-2 is now wearing Pharaoh Gold Firemist
The old SC-2 is now wearing Pharaoh Gold Firemist.
Date: 07/25/18
The old SC-2 is now wearing Pharaoh Gold Firemist.
Photo by Leo Fender of a man in a park feeding birds
Photo by Leo Fender of a man in a park feeding birds. Or whatever that is going on. October, 1982 Date: 07/25/18
Photo by Leo Fender of a man in a park feeding birds. Or whatever that is going on. October, 1982
Photo by Leo Fender of a man in a park feeding birds. Or whatever that is going on. October, 1982 Date: 07/25/18
Photo by Leo Fender of a man in a park feeding birds. Or whatever that is going on. October, 1982
July 24, 1977 letter from Guitar Player Magazine editor, Tom Wheeler-1
July 24, 1977 letter from Guitar Player Magazine editor, Tom Wheeler, to Leo. On the following page Tom has questions for a GP cover story and for his upcoming 1978 book, The Guitar Book. We lost our old friend Tom earlier this year.
Date: 07/25/18
July 24, 1977 letter from Guitar Player Magazine editor, Tom Wheeler, to Leo. On the following page Tom has questions for a GP cover story and for his upcoming 1978 book, The Guitar Book. We lost our old friend Tom earlier this year.
July 24, 1977 letter from Guitar Player Magazine editor, Tom Wheeler-2
July 24, 1977 letter from Guitar Player Magazine editor, Tom Wheeler, to Leo. On the following page Tom has questions for a GP cover story and for his upcoming 1978 book, The Guitar Book. We lost our old friend Tom earlier this year.
Date: 07/25/18
July 24, 1977 letter from Guitar Player Magazine editor, Tom Wheeler, to Leo. On the following page Tom has questions for a GP cover story and for his upcoming 1978 book, The Guitar Book. We lost our old friend Tom earlier this year.
July 24, 1977 letter from Guitar Player Magazine editor, Tom Wheeler-3
July 24, 1977 letter from Guitar Player Magazine editor, Tom Wheeler, to Leo. On the following page Tom has questions for a GP cover story and for his upcoming 1978 book, The Guitar Book. We lost our old friend Tom earlier this year.
Date: 07/25/18
July 24, 1977 letter from Guitar Player Magazine editor, Tom Wheeler, to Leo. On the following page Tom has questions for a GP cover story and for his upcoming 1978 book, The Guitar Book. We lost our old friend Tom earlier this year.
July 24, 1977 letter from Guitar Player Magazine editor, Tom Wheeler-4
July 24, 1977 letter from Guitar Player Magazine editor, Tom Wheeler, to Leo. On the following page Tom has questions for a GP cover story and for his upcoming 1978 book, The Guitar Book. We lost our old friend Tom earlier this year.
Date: 07/25/18
July 24, 1977 letter from Guitar Player Magazine editor, Tom Wheeler, to Leo. On the following page Tom has questions for a GP cover story and for his upcoming 1978 book, The Guitar Book. We lost our old friend Tom earlier this year.
July 24, 1977 letter from Guitar Player Magazine editor, Tom Wheeler-5
July 24, 1977 letter from Guitar Player Magazine editor, Tom Wheeler, to Leo. On the following page Tom has questions for a GP cover story and for his upcoming 1978 book, The Guitar Book. We lost our old friend Tom earlier this year.
Date: 07/25/18
July 24, 1977 letter from Guitar Player Magazine editor, Tom Wheeler, to Leo. On the following page Tom has questions for a GP cover story and for his upcoming 1978 book, The Guitar Book. We lost our old friend Tom earlier this year.
Our ‘86 Skyhawk
Our ‘86 Skyhawk is fine as can be in Sunburst over mahogany.
One thing it needs is an S-500 expander switch. Fortunately, a sister model to Skyhawk, called the Cavalier, used this same control plate but with an added hole for a mini-toggle.
So out c Date: 07/28/18 Our ‘86 Skyhawk is fine as can be in Sunburst over mahogany.
One thing it needs is an S-500 expander switch. Fortunately, a sister model to Skyhawk, called the Cavalier, used this same control plate but with an added hole for a mini-toggle.
So out comes this original plate for preservation, and in goes another plate with the mini-toggle for expander function. An incredibly useful mod with these MFD single coil pickups.
One thing it needs is an S-500 expander switch. Fortunately, a sister model to Skyhawk, called the Cavalier, used this same control plate but with an added hole for a mini-toggle.
So out c Date: 07/28/18 Our ‘86 Skyhawk is fine as can be in Sunburst over mahogany.
One thing it needs is an S-500 expander switch. Fortunately, a sister model to Skyhawk, called the Cavalier, used this same control plate but with an added hole for a mini-toggle.
So out comes this original plate for preservation, and in goes another plate with the mini-toggle for expander function. An incredibly useful mod with these MFD single coil pickups.
SC-2 is back together-1
The old SC-2 is back together and looks great with its fresh coat of Pharaoh Gold Firemist.
Date: 07/30/18
The old SC-2 is back together and looks great with its fresh coat of Pharaoh Gold Firemist.
SC-2 is back together-2
The old SC-2 is back together and looks great with its fresh coat of Pharaoh Gold Firemist.
Date: 07/30/18
The old SC-2 is back together and looks great with its fresh coat of Pharaoh Gold Firemist.
SC-2 is back together-3
The old SC-2 is back together and looks great with its fresh coat of Pharaoh Gold Firemist.
Date: 07/30/18
The old SC-2 is back together and looks great with its fresh coat of Pharaoh Gold Firemist.
SC-2 is back together-4
The old SC-2 is back together and looks great with its fresh coat of Pharaoh Gold Firemist.
Date: 07/30/18
The old SC-2 is back together and looks great with its fresh coat of Pharaoh Gold Firemist.
SC-2 is back together-5
The old SC-2 is back together and looks great with its fresh coat of Pharaoh Gold Firemist.
Date: 07/30/18
The old SC-2 is back together and looks great with its fresh coat of Pharaoh Gold Firemist.
SC-2 is back together-6
The old SC-2 is back together and looks great with its fresh coat of Pharaoh Gold Firemist.
Date: 07/30/18
The old SC-2 is back together and looks great with its fresh coat of Pharaoh Gold Firemist.
SC-2 is back together-7
The old SC-2 is back together and looks great with its fresh coat of Pharaoh Gold Firemist.
Date: 07/30/18
The old SC-2 is back together and looks great with its fresh coat of Pharaoh Gold Firemist.
January 25, 1984 date stamped neck for a model in development named Innovator-1
January 25, 1984 date stamped neck for a model in development named Innovator. The Innovator body, control plate and pickguard are basically the same as Nighthawk/Skyhawk/Cavalier, but Innovator explored different pickup and switch configurations. You can
Date: 07/30/18
January 25, 1984 date stamped neck for a model in development named Innovator. The Innovator body, control plate and pickguard are basically the same as Nighthawk/Skyhawk/Cavalier, but Innovator explored different pickup and switch configurations. You can see examples at guitarsbyleo.com at http://guitarsbyleo.com/FORUM/viewtopic.php?f=36&t=6015.
January 25, 1984 date stamped neck for a model in development named Innovator-2
January 25, 1984 date stamped neck for a model in development named Innovator.
Date: 07/30/18
January 25, 1984 date stamped neck for a model in development named Innovator.
January 25, 1984 date stamped neck for a model in development named Innovator-3
January 25, 1984 date stamped neck for a model in development named Innovator.
Date: 07/30/18
January 25, 1984 date stamped neck for a model in development named Innovator.
The SC-2 is back in Leo’s Lounge
The SC-2 is back in Leo’s Lounge. Now, the second image shows my inspiration for trying out Pharaoh Gold Firemist. Not the couple, that’s a life goals deal though they appear to be living the dream. But the car, that deep rich gold is all about that 1974
Date: 08/04/18
The SC-2 is back in Leo’s Lounge. Now, the second image shows my inspiration for trying out Pharaoh Gold Firemist. Not the couple, that’s a life goals deal though they appear to be living the dream. But the car, that deep rich gold is all about that 1974 luxury life, baby. That period mojo just makes me like this color more.
1974 luxury life
The SC-2 is back in Leo’s Lounge. Now, the second image shows my inspiration for trying out Pharaoh Gold Firemist. Not the couple, that’s a life goals deal though they appear to be living the dream. But the car, that deep rich gold is all about that 1974
Date: 08/04/18
The SC-2 is back in Leo’s Lounge. Now, the second image shows my inspiration for trying out Pharaoh Gold Firemist. Not the couple, that’s a life goals deal though they appear to be living the dream. But the car, that deep rich gold is all about that 1974 luxury life, baby. That period mojo just makes me like this color more.
Vintage trem bar and socket in OnLine Store-1
Now that the CLF Research Skyhawk launched this morning over on the G&L Musical Instruments page, I can tell you that the vintage style CLF 3/16” press-in arm is available in the online store.
You can also get the matching CLF 3/16” arm socket to r Date: 08/06/18 Now that the CLF Research Skyhawk launched this morning over on the G&L Musical Instruments page, I can tell you that the vintage style CLF 3/16” press-in arm is available in the online store.
You can also get the matching CLF 3/16” arm socket to retrofit to a later Dual Fulcrum as on this Legacy. Yes, it works on Tribute models too.
Use coupon code CLF20 for 20% off now through Friday. Works on these and all bridge parts, CLF and other knobs, and CLF tees and other apparel.
You can also get the matching CLF 3/16” arm socket to r Date: 08/06/18 Now that the CLF Research Skyhawk launched this morning over on the G&L Musical Instruments page, I can tell you that the vintage style CLF 3/16” press-in arm is available in the online store.
You can also get the matching CLF 3/16” arm socket to retrofit to a later Dual Fulcrum as on this Legacy. Yes, it works on Tribute models too.
Use coupon code CLF20 for 20% off now through Friday. Works on these and all bridge parts, CLF and other knobs, and CLF tees and other apparel.
Vintage trem bar and socket in OnLine Store-2
Now that the CLF Research Skyhawk launched this morning over on the G&L Musical Instruments page, I can tell you that the vintage style CLF 3/16” press-in arm is available in the online store.
You can also get the matching CLF 3/16” arm socket to r Date: 08/06/18 Now that the CLF Research Skyhawk launched this morning over on the G&L Musical Instruments page, I can tell you that the vintage style CLF 3/16” press-in arm is available in the online store.
You can also get the matching CLF 3/16” arm socket to retrofit to a later Dual Fulcrum as on this Legacy. Yes, it works on Tribute models too.
Use coupon code CLF20 for 20% off now through Friday. Works on these and all bridge parts, CLF and other knobs, and CLF tees and other apparel.
You can also get the matching CLF 3/16” arm socket to r Date: 08/06/18 Now that the CLF Research Skyhawk launched this morning over on the G&L Musical Instruments page, I can tell you that the vintage style CLF 3/16” press-in arm is available in the online store.
You can also get the matching CLF 3/16” arm socket to retrofit to a later Dual Fulcrum as on this Legacy. Yes, it works on Tribute models too.
Use coupon code CLF20 for 20% off now through Friday. Works on these and all bridge parts, CLF and other knobs, and CLF tees and other apparel.
Vintage trem bar and socket in OnLine Store-3
Now that the CLF Research Skyhawk launched this morning over on the G&L Musical Instruments page, I can tell you that the vintage style CLF 3/16” press-in arm is available in the online store.
You can also get the matching CLF 3/16” arm socket to r Date: 08/06/18 Now that the CLF Research Skyhawk launched this morning over on the G&L Musical Instruments page, I can tell you that the vintage style CLF 3/16” press-in arm is available in the online store.
You can also get the matching CLF 3/16” arm socket to retrofit to a later Dual Fulcrum as on this Legacy. Yes, it works on Tribute models too.
Use coupon code CLF20 for 20% off now through Friday. Works on these and all bridge parts, CLF and other knobs, and CLF tees and other apparel.
You can also get the matching CLF 3/16” arm socket to r Date: 08/06/18 Now that the CLF Research Skyhawk launched this morning over on the G&L Musical Instruments page, I can tell you that the vintage style CLF 3/16” press-in arm is available in the online store.
You can also get the matching CLF 3/16” arm socket to retrofit to a later Dual Fulcrum as on this Legacy. Yes, it works on Tribute models too.
Use coupon code CLF20 for 20% off now through Friday. Works on these and all bridge parts, CLF and other knobs, and CLF tees and other apparel.
Vintage trem bar and socket in OnLine Store-4
Now that the CLF Research Skyhawk launched this morning over on the G&L Musical Instruments page, I can tell you that the vintage style CLF 3/16” press-in arm is available in the online store.
You can also get the matching CLF 3/16” arm socket to r Date: 08/06/18 Now that the CLF Research Skyhawk launched this morning over on the G&L Musical Instruments page, I can tell you that the vintage style CLF 3/16” press-in arm is available in the online store.
You can also get the matching CLF 3/16” arm socket to retrofit to a later Dual Fulcrum as on this Legacy. Yes, it works on Tribute models too.
Use coupon code CLF20 for 20% off now through Friday. Works on these and all bridge parts, CLF and other knobs, and CLF tees and other apparel.
You can also get the matching CLF 3/16” arm socket to r Date: 08/06/18 Now that the CLF Research Skyhawk launched this morning over on the G&L Musical Instruments page, I can tell you that the vintage style CLF 3/16” press-in arm is available in the online store.
You can also get the matching CLF 3/16” arm socket to retrofit to a later Dual Fulcrum as on this Legacy. Yes, it works on Tribute models too.
Use coupon code CLF20 for 20% off now through Friday. Works on these and all bridge parts, CLF and other knobs, and CLF tees and other apparel.
SC-2 seems happy
I think the SC-2 seems happy to look so nice in its new finish. This guitar sounds fantastic. I’m digging the maple body, and the weight isn’t bad at all, maybe 7.25 lbs. Date: 08/06/18
I think the SC-2 seems happy to look so nice in its new finish. This guitar sounds fantastic. I’m digging the maple body, and the weight isn’t bad at all, maybe 7.25 lbs.
I think the SC-2 seems happy to look so nice in its new finish. This guitar sounds fantastic. I’m digging the maple body, and the weight isn’t bad at all, maybe 7.25 lbs. Date: 08/06/18
I think the SC-2 seems happy to look so nice in its new finish. This guitar sounds fantastic. I’m digging the maple body, and the weight isn’t bad at all, maybe 7.25 lbs.
1984 Cavalier E-1
This is our 1984 Cavalier E, a sister model to the Skyhawk at the time. Cavalier features Leo’s Angled Offset humbuckers where the MFD pole pieces align to the strings quite well. This version has a preamp which is engaged with the mini-toggle. That’s the
Date: 08/09/18
This is our 1984 Cavalier E, a sister model to the Skyhawk at the time. Cavalier features Leo’s Angled Offset humbuckers where the MFD pole pieces align to the strings quite well. This version has a preamp which is engaged with the mini-toggle. That’s the battery compartment on the back of the body.
1984 Cavalier E-2
This is our 1984 Cavalier E, a sister model to the Skyhawk at the time. Cavalier features Leo’s Angled Offset humbuckers where the MFD pole pieces align to the strings quite well. This version has a preamp which is engaged with the mini-toggle. That’s the
Date: 08/09/18
This is our 1984 Cavalier E, a sister model to the Skyhawk at the time. Cavalier features Leo’s Angled Offset humbuckers where the MFD pole pieces align to the strings quite well. This version has a preamp which is engaged with the mini-toggle. That’s the battery compartment on the back of the body.
1984 Cavalier E-3
This is our 1984 Cavalier E, a sister model to the Skyhawk at the time. Cavalier features Leo’s Angled Offset humbuckers where the MFD pole pieces align to the strings quite well. This version has a preamp which is engaged with the mini-toggle. That’s the
Date: 08/09/18
This is our 1984 Cavalier E, a sister model to the Skyhawk at the time. Cavalier features Leo’s Angled Offset humbuckers where the MFD pole pieces align to the strings quite well. This version has a preamp which is engaged with the mini-toggle. That’s the battery compartment on the back of the body.
CLF Research Skyhawk in Clear Blue
This Skyhawk came back from photos. No arm on it at the moment but anyway, I’m gassing hard for it. That Clear Blue and black combo was killer on these back in the day.
Date: 08/12/18
This Skyhawk came back from photos. No arm on it at the moment but anyway, I’m gassing hard for it. That Clear Blue and black combo was killer on these back in the day.
1981 L-1000 in Natural Ash-1
NBD here and I’m pretty stoked about this 1981 L-1000 in Natural Ash with ebony fingerboard. This road warrior comes home to Fender Avenue 37 years later, and for some reason I dig the hell out of that.
Date: 08/17/18
NBD here and I’m pretty stoked about this 1981 L-1000 in Natural Ash with ebony fingerboard. This road warrior comes home to Fender Avenue 37 years later, and for some reason I dig the hell out of that.
1981 L-1000 in Natural Ash-2
NBD here and I’m pretty stoked about this 1981 L-1000 in Natural Ash with ebony fingerboard. This road warrior comes home to Fender Avenue 37 years later, and for some reason I dig the hell out of that.
Date: 08/17/18
NBD here and I’m pretty stoked about this 1981 L-1000 in Natural Ash with ebony fingerboard. This road warrior comes home to Fender Avenue 37 years later, and for some reason I dig the hell out of that.
1981 L-1000 in Natural Ash-3
NBD here and I’m pretty stoked about this 1981 L-1000 in Natural Ash with ebony fingerboard. This road warrior comes home to Fender Avenue 37 years later, and for some reason I dig the hell out of that.
Date: 08/17/18
NBD here and I’m pretty stoked about this 1981 L-1000 in Natural Ash with ebony fingerboard. This road warrior comes home to Fender Avenue 37 years later, and for some reason I dig the hell out of that.
1981 L-1000 in Natural Ash-4
NBD here and I’m pretty stoked about this 1981 L-1000 in Natural Ash with ebony fingerboard. This road warrior comes home to Fender Avenue 37 years later, and for some reason I dig the hell out of that.
Date: 08/17/18
NBD here and I’m pretty stoked about this 1981 L-1000 in Natural Ash with ebony fingerboard. This road warrior comes home to Fender Avenue 37 years later, and for some reason I dig the hell out of that.
1981 L-1000 in Natural Ash-5
NBD here and I’m pretty stoked about this 1981 L-1000 in Natural Ash with ebony fingerboard. This road warrior comes home to Fender Avenue 37 years later, and for some reason I dig the hell out of that.
Date: 08/17/18
NBD here and I’m pretty stoked about this 1981 L-1000 in Natural Ash with ebony fingerboard. This road warrior comes home to Fender Avenue 37 years later, and for some reason I dig the hell out of that.
1986 Invader-1
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine com Date: 08/17/18
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine coming home after a hard life and immediately getting some extra mojo at the stroke of a sharpie. Anyway, some of you will note the rare Leo Fender Dual Fulcrum bridge with fine tuners and the Leo Fender Guitar-Tech string lock behind the nut.
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine com Date: 08/17/18
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine coming home after a hard life and immediately getting some extra mojo at the stroke of a sharpie. Anyway, some of you will note the rare Leo Fender Dual Fulcrum bridge with fine tuners and the Leo Fender Guitar-Tech string lock behind the nut.
1986 Invader-2
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine com Date: 08/17/18
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine coming home after a hard life and immediately getting some extra mojo at the stroke of a sharpie. Anyway, some of you will note the rare Leo Fender Dual Fulcrum bridge with fine tuners and the Leo Fender Guitar-Tech string lock behind the nut.
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine com Date: 08/17/18
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine coming home after a hard life and immediately getting some extra mojo at the stroke of a sharpie. Anyway, some of you will note the rare Leo Fender Dual Fulcrum bridge with fine tuners and the Leo Fender Guitar-Tech string lock behind the nut.
1986 Invader-3
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine com Date: 08/17/18
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine coming home after a hard life and immediately getting some extra mojo at the stroke of a sharpie. Anyway, some of you will note the rare Leo Fender Dual Fulcrum bridge with fine tuners and the Leo Fender Guitar-Tech string lock behind the nut.
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine com Date: 08/17/18
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine coming home after a hard life and immediately getting some extra mojo at the stroke of a sharpie. Anyway, some of you will note the rare Leo Fender Dual Fulcrum bridge with fine tuners and the Leo Fender Guitar-Tech string lock behind the nut.
1986 Invader-4
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine com Date: 08/17/18
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine coming home after a hard life and immediately getting some extra mojo at the stroke of a sharpie. Anyway, some of you will note the rare Leo Fender Dual Fulcrum bridge with fine tuners and the Leo Fender Guitar-Tech string lock behind the nut.
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine com Date: 08/17/18
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine coming home after a hard life and immediately getting some extra mojo at the stroke of a sharpie. Anyway, some of you will note the rare Leo Fender Dual Fulcrum bridge with fine tuners and the Leo Fender Guitar-Tech string lock behind the nut.
1986 Invader-5
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine com Date: 08/17/18
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine coming home after a hard life and immediately getting some extra mojo at the stroke of a sharpie. Anyway, some of you will note the rare Leo Fender Dual Fulcrum bridge with fine tuners and the Leo Fender Guitar-Tech string lock behind the nut.
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine com Date: 08/17/18
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine coming home after a hard life and immediately getting some extra mojo at the stroke of a sharpie. Anyway, some of you will note the rare Leo Fender Dual Fulcrum bridge with fine tuners and the Leo Fender Guitar-Tech string lock behind the nut.
1986 Invader-6
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine com Date: 08/17/18
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine coming home after a hard life and immediately getting some extra mojo at the stroke of a sharpie. Anyway, some of you will note the rare Leo Fender Dual Fulcrum bridge with fine tuners and the Leo Fender Guitar-Tech string lock behind the nut.
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine com Date: 08/17/18
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine coming home after a hard life and immediately getting some extra mojo at the stroke of a sharpie. Anyway, some of you will note the rare Leo Fender Dual Fulcrum bridge with fine tuners and the Leo Fender Guitar-Tech string lock behind the nut.
1986 Invader-7
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine com Date: 08/17/18
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine coming home after a hard life and immediately getting some extra mojo at the stroke of a sharpie. Anyway, some of you will note the rare Leo Fender Dual Fulcrum bridge with fine tuners and the Leo Fender Guitar-Tech string lock behind the nut.
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine com Date: 08/17/18
Almost NGD: This 1986 Invader arrived a couple of days ago but I’ve been busy. Had a visit with Jerry Cantrell and I asked him to sign it. I never ask people to sign stuff for me personally, but I dig the the thought of this 32-year-old rock machine coming home after a hard life and immediately getting some extra mojo at the stroke of a sharpie. Anyway, some of you will note the rare Leo Fender Dual Fulcrum bridge with fine tuners and the Leo Fender Guitar-Tech string lock behind the nut.
L-1000 bodies
At the end of the day I like to walk around and check all doors, but also I like that it gets me a different view when things are quiet. I notice things. As I walked through the paint and polish shops, I saw racks of beautiful Skyhawk and L-1000 bodies. W
Date: 08/21/18
At the end of the day I like to walk around and check all doors, but also I like that it gets me a different view when things are quiet. I notice things. As I walked through the paint and polish shops, I saw racks of beautiful Skyhawk and L-1000 bodies. Wait, what year is it again?
Skyhawk bodies
At the end of the day I like to walk around and check all doors, but also I like that it gets me a different view when things are quiet. I notice things. As I walked through the paint and polish shops, I saw racks of beautiful Skyhawk and L-1000 bodies. W
Date: 08/21/18
At the end of the day I like to walk around and check all doors, but also I like that it gets me a different view when things are quiet. I notice things. As I walked through the paint and polish shops, I saw racks of beautiful Skyhawk and L-1000 bodies. Wait, what year is it again?
L-2000 got a black powder coated control plate and bridge plate
I believe it was ‘83 that the L-2000 got a black powder coated control plate and bridge plate, while its headstock changed to the current hook style. I would love to have the one in this old G&L Music Sales ad slick. It’s got me bad. Date: 08/22/18
I believe it was ‘83 that the L-2000 got a black powder coated control plate and bridge plate, while its headstock changed to the current hook style. I would love to have the one in this old G&L Music Sales ad slick. It’s got me bad.
I believe it was ‘83 that the L-2000 got a black powder coated control plate and bridge plate, while its headstock changed to the current hook style. I would love to have the one in this old G&L Music Sales ad slick. It’s got me bad. Date: 08/22/18
I believe it was ‘83 that the L-2000 got a black powder coated control plate and bridge plate, while its headstock changed to the current hook style. I would love to have the one in this old G&L Music Sales ad slick. It’s got me bad.
L-2000 got a black powder coated control plate and bridge plate-2
I believe it was ‘83 that the L-2000 got a black powder coated control plate and bridge plate, while its headstock changed to the current hook style. I would love to have the one in this old G&L Music Sales ad slick. It’s got me bad.
Date: 08/22/18
I believe it was ‘83 that the L-2000 got a black powder coated control plate and bridge plate, while its headstock changed to the current hook style. I would love to have the one in this old G&L Music Sales ad slick. It’s got me bad.
L-2000 got a black powder coated control plate and bridge plate-3
I believe it was ‘83 that the L-2000 got a black powder coated control plate and bridge plate, while its headstock changed to the current hook style. I would love to have the one in this old G&L Music Sales ad slick. It’s got me bad.
Date: 08/22/18
I believe it was ‘83 that the L-2000 got a black powder coated control plate and bridge plate, while its headstock changed to the current hook style. I would love to have the one in this old G&L Music Sales ad slick. It’s got me bad.
G&L El Toro-1
This is a G&L El Toro, the passive version. However, the text on the back of this ad slick does describe the active version called the El Toro E. I want one of those, just sayin.
Date: 08/23/18
This is a G&L El Toro, the passive version. However, the text on the back of this ad slick does describe the active version called the El Toro E. I want one of those, just sayin.
G&L El Toro-2
This is a G&L El Toro, the passive version. However, the text on the back of this ad slick does describe the active version called the El Toro E. I want one of those, just sayin.
Date: 08/23/18
This is a G&L El Toro, the passive version. However, the text on the back of this ad slick does describe the active version called the El Toro E. I want one of those, just sayin.
G&L El Toro-3
This is a G&L El Toro, the passive version. However, the text on the back of this ad slick does describe the active version called the El Toro E. I want one of those, just sayin.
Date: 08/23/18
This is a G&L El Toro, the passive version. However, the text on the back of this ad slick does describe the active version called the El Toro E. I want one of those, just sayin.
one of the most beautiful early L-1000s-1
This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and th Date: 08/24/18 This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and that slick ebony board. Some of you know exactly what’s up with that. Anyway, sad story was that original neck went south a while ago.
I guess the owner heard the factory is making L-1000s again in the early style. That’s what lead to me taking these pics of the bass with a replacement neck made with (I believe) Caribbean Rosewood fingerboard and vintage tint satin finish. Yes, it was made for the original 3-bolt and the fit is super clean to the original neck pocket.
So one hand, there’s a sad story of a beautiful L-1000 with a dead neck and out of the game. No matter that sucks. But as a consolation, it just got a beautiful new neck, bringing it back to life at the place it’s life began 37 years ago. I just completely dig that this repair job came about because of the existence of the new CLFR L-1000s. If the customer sees this, thank you for the opportunity. : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and th Date: 08/24/18 This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and that slick ebony board. Some of you know exactly what’s up with that. Anyway, sad story was that original neck went south a while ago.
I guess the owner heard the factory is making L-1000s again in the early style. That’s what lead to me taking these pics of the bass with a replacement neck made with (I believe) Caribbean Rosewood fingerboard and vintage tint satin finish. Yes, it was made for the original 3-bolt and the fit is super clean to the original neck pocket.
So one hand, there’s a sad story of a beautiful L-1000 with a dead neck and out of the game. No matter that sucks. But as a consolation, it just got a beautiful new neck, bringing it back to life at the place it’s life began 37 years ago. I just completely dig that this repair job came about because of the existence of the new CLFR L-1000s. If the customer sees this, thank you for the opportunity. : )
one of the most beautiful early L-1000s-2
This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and th Date: 08/24/18 This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and that slick ebony board. Some of you know exactly what’s up with that. Anyway, sad story was that original neck went south a while ago.
I guess the owner heard the factory is making L-1000s again in the early style. That’s what lead to me taking these pics of the bass with a replacement neck made with (I believe) Caribbean Rosewood fingerboard and vintage tint satin finish. Yes, it was made for the original 3-bolt and the fit is super clean to the original neck pocket.
So one hand, there’s a sad story of a beautiful L-1000 with a dead neck and out of the game. No matter that sucks. But as a consolation, it just got a beautiful new neck, bringing it back to life at the place it’s life began 37 years ago. I just completely dig that this repair job came about because of the existence of the new CLFR L-1000s. If the customer sees this, thank you for the opportunity. : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and th Date: 08/24/18 This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and that slick ebony board. Some of you know exactly what’s up with that. Anyway, sad story was that original neck went south a while ago.
I guess the owner heard the factory is making L-1000s again in the early style. That’s what lead to me taking these pics of the bass with a replacement neck made with (I believe) Caribbean Rosewood fingerboard and vintage tint satin finish. Yes, it was made for the original 3-bolt and the fit is super clean to the original neck pocket.
So one hand, there’s a sad story of a beautiful L-1000 with a dead neck and out of the game. No matter that sucks. But as a consolation, it just got a beautiful new neck, bringing it back to life at the place it’s life began 37 years ago. I just completely dig that this repair job came about because of the existence of the new CLFR L-1000s. If the customer sees this, thank you for the opportunity. : )
one of the most beautiful early L-1000s-3
This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and th Date: 08/24/18 This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and that slick ebony board. Some of you know exactly what’s up with that. Anyway, sad story was that original neck went south a while ago.
I guess the owner heard the factory is making L-1000s again in the early style. That’s what lead to me taking these pics of the bass with a replacement neck made with (I believe) Caribbean Rosewood fingerboard and vintage tint satin finish. Yes, it was made for the original 3-bolt and the fit is super clean to the original neck pocket.
So one hand, there’s a sad story of a beautiful L-1000 with a dead neck and out of the game. No matter that sucks. But as a consolation, it just got a beautiful new neck, bringing it back to life at the place it’s life began 37 years ago. I just completely dig that this repair job came about because of the existence of the new CLFR L-1000s. If the customer sees this, thank you for the opportunity. : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and th Date: 08/24/18 This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and that slick ebony board. Some of you know exactly what’s up with that. Anyway, sad story was that original neck went south a while ago.
I guess the owner heard the factory is making L-1000s again in the early style. That’s what lead to me taking these pics of the bass with a replacement neck made with (I believe) Caribbean Rosewood fingerboard and vintage tint satin finish. Yes, it was made for the original 3-bolt and the fit is super clean to the original neck pocket.
So one hand, there’s a sad story of a beautiful L-1000 with a dead neck and out of the game. No matter that sucks. But as a consolation, it just got a beautiful new neck, bringing it back to life at the place it’s life began 37 years ago. I just completely dig that this repair job came about because of the existence of the new CLFR L-1000s. If the customer sees this, thank you for the opportunity. : )
one of the most beautiful early L-1000s-4
This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and th Date: 08/24/18 This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and that slick ebony board. Some of you know exactly what’s up with that. Anyway, sad story was that original neck went south a while ago.
I guess the owner heard the factory is making L-1000s again in the early style. That’s what lead to me taking these pics of the bass with a replacement neck made with (I believe) Caribbean Rosewood fingerboard and vintage tint satin finish. Yes, it was made for the original 3-bolt and the fit is super clean to the original neck pocket.
So one hand, there’s a sad story of a beautiful L-1000 with a dead neck and out of the game. No matter that sucks. But as a consolation, it just got a beautiful new neck, bringing it back to life at the place it’s life began 37 years ago. I just completely dig that this repair job came about because of the existence of the new CLFR L-1000s. If the customer sees this, thank you for the opportunity. : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and th Date: 08/24/18 This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and that slick ebony board. Some of you know exactly what’s up with that. Anyway, sad story was that original neck went south a while ago.
I guess the owner heard the factory is making L-1000s again in the early style. That’s what lead to me taking these pics of the bass with a replacement neck made with (I believe) Caribbean Rosewood fingerboard and vintage tint satin finish. Yes, it was made for the original 3-bolt and the fit is super clean to the original neck pocket.
So one hand, there’s a sad story of a beautiful L-1000 with a dead neck and out of the game. No matter that sucks. But as a consolation, it just got a beautiful new neck, bringing it back to life at the place it’s life began 37 years ago. I just completely dig that this repair job came about because of the existence of the new CLFR L-1000s. If the customer sees this, thank you for the opportunity. : )
one of the most beautiful early L-1000s-5
This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and th Date: 08/24/18 This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and that slick ebony board. Some of you know exactly what’s up with that. Anyway, sad story was that original neck went south a while ago.
I guess the owner heard the factory is making L-1000s again in the early style. That’s what lead to me taking these pics of the bass with a replacement neck made with (I believe) Caribbean Rosewood fingerboard and vintage tint satin finish. Yes, it was made for the original 3-bolt and the fit is super clean to the original neck pocket.
So one hand, there’s a sad story of a beautiful L-1000 with a dead neck and out of the game. No matter that sucks. But as a consolation, it just got a beautiful new neck, bringing it back to life at the place it’s life began 37 years ago. I just completely dig that this repair job came about because of the existence of the new CLFR L-1000s. If the customer sees this, thank you for the opportunity. : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and th Date: 08/24/18 This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and that slick ebony board. Some of you know exactly what’s up with that. Anyway, sad story was that original neck went south a while ago.
I guess the owner heard the factory is making L-1000s again in the early style. That’s what lead to me taking these pics of the bass with a replacement neck made with (I believe) Caribbean Rosewood fingerboard and vintage tint satin finish. Yes, it was made for the original 3-bolt and the fit is super clean to the original neck pocket.
So one hand, there’s a sad story of a beautiful L-1000 with a dead neck and out of the game. No matter that sucks. But as a consolation, it just got a beautiful new neck, bringing it back to life at the place it’s life began 37 years ago. I just completely dig that this repair job came about because of the existence of the new CLFR L-1000s. If the customer sees this, thank you for the opportunity. : )
one of the most beautiful early L-1000s-6
This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and th Date: 08/24/18 This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and that slick ebony board. Some of you know exactly what’s up with that. Anyway, sad story was that original neck went south a while ago.
I guess the owner heard the factory is making L-1000s again in the early style. That’s what lead to me taking these pics of the bass with a replacement neck made with (I believe) Caribbean Rosewood fingerboard and vintage tint satin finish. Yes, it was made for the original 3-bolt and the fit is super clean to the original neck pocket.
So one hand, there’s a sad story of a beautiful L-1000 with a dead neck and out of the game. No matter that sucks. But as a consolation, it just got a beautiful new neck, bringing it back to life at the place it’s life began 37 years ago. I just completely dig that this repair job came about because of the existence of the new CLFR L-1000s. If the customer sees this, thank you for the opportunity. : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and th Date: 08/24/18 This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and that slick ebony board. Some of you know exactly what’s up with that. Anyway, sad story was that original neck went south a while ago.
I guess the owner heard the factory is making L-1000s again in the early style. That’s what lead to me taking these pics of the bass with a replacement neck made with (I believe) Caribbean Rosewood fingerboard and vintage tint satin finish. Yes, it was made for the original 3-bolt and the fit is super clean to the original neck pocket.
So one hand, there’s a sad story of a beautiful L-1000 with a dead neck and out of the game. No matter that sucks. But as a consolation, it just got a beautiful new neck, bringing it back to life at the place it’s life began 37 years ago. I just completely dig that this repair job came about because of the existence of the new CLFR L-1000s. If the customer sees this, thank you for the opportunity. : )
one of the most beautiful early L-1000s-7
This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and th Date: 08/24/18 This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and that slick ebony board. Some of you know exactly what’s up with that. Anyway, sad story was that original neck went south a while ago.
I guess the owner heard the factory is making L-1000s again in the early style. That’s what lead to me taking these pics of the bass with a replacement neck made with (I believe) Caribbean Rosewood fingerboard and vintage tint satin finish. Yes, it was made for the original 3-bolt and the fit is super clean to the original neck pocket.
So one hand, there’s a sad story of a beautiful L-1000 with a dead neck and out of the game. No matter that sucks. But as a consolation, it just got a beautiful new neck, bringing it back to life at the place it’s life began 37 years ago. I just completely dig that this repair job came about because of the existence of the new CLFR L-1000s. If the customer sees this, thank you for the opportunity. : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and th Date: 08/24/18 This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and that slick ebony board. Some of you know exactly what’s up with that. Anyway, sad story was that original neck went south a while ago.
I guess the owner heard the factory is making L-1000s again in the early style. That’s what lead to me taking these pics of the bass with a replacement neck made with (I believe) Caribbean Rosewood fingerboard and vintage tint satin finish. Yes, it was made for the original 3-bolt and the fit is super clean to the original neck pocket.
So one hand, there’s a sad story of a beautiful L-1000 with a dead neck and out of the game. No matter that sucks. But as a consolation, it just got a beautiful new neck, bringing it back to life at the place it’s life began 37 years ago. I just completely dig that this repair job came about because of the existence of the new CLFR L-1000s. If the customer sees this, thank you for the opportunity. : )
one of the most beautiful early L-1000s-8
This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and th Date: 08/24/18 This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and that slick ebony board. Some of you know exactly what’s up with that. Anyway, sad story was that original neck went south a while ago.
I guess the owner heard the factory is making L-1000s again in the early style. That’s what lead to me taking these pics of the bass with a replacement neck made with (I believe) Caribbean Rosewood fingerboard and vintage tint satin finish. Yes, it was made for the original 3-bolt and the fit is super clean to the original neck pocket.
So one hand, there’s a sad story of a beautiful L-1000 with a dead neck and out of the game. No matter that sucks. But as a consolation, it just got a beautiful new neck, bringing it back to life at the place it’s life began 37 years ago. I just completely dig that this repair job came about because of the existence of the new CLFR L-1000s. If the customer sees this, thank you for the opportunity. : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and th Date: 08/24/18 This is one of the most beautiful early L-1000s I’ve seen in a while. It’s a customer bass in for repair, so I’m taking liberties posting : )
This wunkay was born here in the factory on April 8, 1981, in my favorite combo of Sunburst on mahogany and that slick ebony board. Some of you know exactly what’s up with that. Anyway, sad story was that original neck went south a while ago.
I guess the owner heard the factory is making L-1000s again in the early style. That’s what lead to me taking these pics of the bass with a replacement neck made with (I believe) Caribbean Rosewood fingerboard and vintage tint satin finish. Yes, it was made for the original 3-bolt and the fit is super clean to the original neck pocket.
So one hand, there’s a sad story of a beautiful L-1000 with a dead neck and out of the game. No matter that sucks. But as a consolation, it just got a beautiful new neck, bringing it back to life at the place it’s life began 37 years ago. I just completely dig that this repair job came about because of the existence of the new CLFR L-1000s. If the customer sees this, thank you for the opportunity. : )
El Toro E bass-1
I forgot to mention I took this rejected body from up in the polish department loft. Can’t see a month in the stamp but the year is 1984 and I think it’s an El Toro E bass (battery pocket on rear). Need to confirm that and I’m away right now, so if any Date: 08/28/18
I forgot to mention I took this rejected body from up in the polish department loft. Can’t see a month in the stamp but the year is 1984 and I think it’s an El Toro E bass (battery pocket on rear). Need to confirm that and I’m away right now, so if any of you want to chime in please do.
Anyway. “So I got to thinkin” as George used to say. Seems to me that we have all the electronics to make an El Toro E in the lab, plus the other bits and bobs.
What if we make a new neck, try to use a crusty old El Toro headstock decal, cross our fingers and build this thing out?
I forgot to mention I took this rejected body from up in the polish department loft. Can’t see a month in the stamp but the year is 1984 and I think it’s an El Toro E bass (battery pocket on rear). Need to confirm that and I’m away right now, so if any Date: 08/28/18
I forgot to mention I took this rejected body from up in the polish department loft. Can’t see a month in the stamp but the year is 1984 and I think it’s an El Toro E bass (battery pocket on rear). Need to confirm that and I’m away right now, so if any of you want to chime in please do.
Anyway. “So I got to thinkin” as George used to say. Seems to me that we have all the electronics to make an El Toro E in the lab, plus the other bits and bobs.
What if we make a new neck, try to use a crusty old El Toro headstock decal, cross our fingers and build this thing out?
El Toro E bass-2
I forgot to mention I took this rejected body from up in the polish department loft. Can’t see a month in the stamp but the year is 1984 and I think it’s an El Toro E bass (battery pocket on rear). Need to confirm that and I’m away right now, so if any Date: 08/28/18
I forgot to mention I took this rejected body from up in the polish department loft. Can’t see a month in the stamp but the year is 1984 and I think it’s an El Toro E bass (battery pocket on rear). Need to confirm that and I’m away right now, so if any of you want to chime in please do.
Anyway. “So I got to thinkin” as George used to say. Seems to me that we have all the electronics to make an El Toro E in the lab, plus the other bits and bobs.
What if we make a new neck, try to use a crusty old El Toro headstock decal, cross our fingers and build this thing out?
I forgot to mention I took this rejected body from up in the polish department loft. Can’t see a month in the stamp but the year is 1984 and I think it’s an El Toro E bass (battery pocket on rear). Need to confirm that and I’m away right now, so if any Date: 08/28/18
I forgot to mention I took this rejected body from up in the polish department loft. Can’t see a month in the stamp but the year is 1984 and I think it’s an El Toro E bass (battery pocket on rear). Need to confirm that and I’m away right now, so if any of you want to chime in please do.
Anyway. “So I got to thinkin” as George used to say. Seems to me that we have all the electronics to make an El Toro E in the lab, plus the other bits and bobs.
What if we make a new neck, try to use a crusty old El Toro headstock decal, cross our fingers and build this thing out?
El Toro E bass-3
I forgot to mention I took this rejected body from up in the polish department loft. Can’t see a month in the stamp but the year is 1984 and I think it’s an El Toro E bass (battery pocket on rear). Need to confirm that and I’m away right now, so if any Date: 08/28/18
I forgot to mention I took this rejected body from up in the polish department loft. Can’t see a month in the stamp but the year is 1984 and I think it’s an El Toro E bass (battery pocket on rear). Need to confirm that and I’m away right now, so if any of you want to chime in please do.
Anyway. “So I got to thinkin” as George used to say. Seems to me that we have all the electronics to make an El Toro E in the lab, plus the other bits and bobs.
What if we make a new neck, try to use a crusty old El Toro headstock decal, cross our fingers and build this thing out?
I forgot to mention I took this rejected body from up in the polish department loft. Can’t see a month in the stamp but the year is 1984 and I think it’s an El Toro E bass (battery pocket on rear). Need to confirm that and I’m away right now, so if any Date: 08/28/18
I forgot to mention I took this rejected body from up in the polish department loft. Can’t see a month in the stamp but the year is 1984 and I think it’s an El Toro E bass (battery pocket on rear). Need to confirm that and I’m away right now, so if any of you want to chime in please do.
Anyway. “So I got to thinkin” as George used to say. Seems to me that we have all the electronics to make an El Toro E in the lab, plus the other bits and bobs.
What if we make a new neck, try to use a crusty old El Toro headstock decal, cross our fingers and build this thing out?
El Toro E build-1
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hu Date: 08/29/18
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hunting in the lab I found some El Toro pickup covers and one bobbin fiber. There’s a whole pickup on Leo’s test board but I’m not going to take that and anyway, I need two.
Then I told my brother Johnny about my screw up and he just took control of the situation. He already showed me some new El Toro bobbin fibers lasered out and he’s sorting out the fixtures to assemble the bobbins and wind them. This project will probably take a little longer to complete because we have to actually make the pickups.
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hu Date: 08/29/18
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hunting in the lab I found some El Toro pickup covers and one bobbin fiber. There’s a whole pickup on Leo’s test board but I’m not going to take that and anyway, I need two.
Then I told my brother Johnny about my screw up and he just took control of the situation. He already showed me some new El Toro bobbin fibers lasered out and he’s sorting out the fixtures to assemble the bobbins and wind them. This project will probably take a little longer to complete because we have to actually make the pickups.
El Toro E build-2
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hu Date: 08/29/18
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hunting in the lab I found some El Toro pickup covers and one bobbin fiber. There’s a whole pickup on Leo’s test board but I’m not going to take that and anyway, I need two.
Then I told my brother Johnny about my screw up and he just took control of the situation. He already showed me some new El Toro bobbin fibers lasered out and he’s sorting out the fixtures to assemble the bobbins and wind them. This project will probably take a little longer to complete because we have to actually make the pickups.
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hu Date: 08/29/18
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hunting in the lab I found some El Toro pickup covers and one bobbin fiber. There’s a whole pickup on Leo’s test board but I’m not going to take that and anyway, I need two.
Then I told my brother Johnny about my screw up and he just took control of the situation. He already showed me some new El Toro bobbin fibers lasered out and he’s sorting out the fixtures to assemble the bobbins and wind them. This project will probably take a little longer to complete because we have to actually make the pickups.
El Toro E build-3
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hu Date: 08/29/18
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hunting in the lab I found some El Toro pickup covers and one bobbin fiber. There’s a whole pickup on Leo’s test board but I’m not going to take that and anyway, I need two.
Then I told my brother Johnny about my screw up and he just took control of the situation. He already showed me some new El Toro bobbin fibers lasered out and he’s sorting out the fixtures to assemble the bobbins and wind them. This project will probably take a little longer to complete because we have to actually make the pickups.
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hu Date: 08/29/18
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hunting in the lab I found some El Toro pickup covers and one bobbin fiber. There’s a whole pickup on Leo’s test board but I’m not going to take that and anyway, I need two.
Then I told my brother Johnny about my screw up and he just took control of the situation. He already showed me some new El Toro bobbin fibers lasered out and he’s sorting out the fixtures to assemble the bobbins and wind them. This project will probably take a little longer to complete because we have to actually make the pickups.
El Toro E build-4
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hu Date: 08/29/18
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hunting in the lab I found some El Toro pickup covers and one bobbin fiber. There’s a whole pickup on Leo’s test board but I’m not going to take that and anyway, I need two.
Then I told my brother Johnny about my screw up and he just took control of the situation. He already showed me some new El Toro bobbin fibers lasered out and he’s sorting out the fixtures to assemble the bobbins and wind them. This project will probably take a little longer to complete because we have to actually make the pickups.
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hu Date: 08/29/18
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hunting in the lab I found some El Toro pickup covers and one bobbin fiber. There’s a whole pickup on Leo’s test board but I’m not going to take that and anyway, I need two.
Then I told my brother Johnny about my screw up and he just took control of the situation. He already showed me some new El Toro bobbin fibers lasered out and he’s sorting out the fixtures to assemble the bobbins and wind them. This project will probably take a little longer to complete because we have to actually make the pickups.
El Toro E build-5
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hu Date: 08/29/18
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hunting in the lab I found some El Toro pickup covers and one bobbin fiber. There’s a whole pickup on Leo’s test board but I’m not going to take that and anyway, I need two.
Then I told my brother Johnny about my screw up and he just took control of the situation. He already showed me some new El Toro bobbin fibers lasered out and he’s sorting out the fixtures to assemble the bobbins and wind them. This project will probably take a little longer to complete because we have to actually make the pickups.
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hu Date: 08/29/18
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hunting in the lab I found some El Toro pickup covers and one bobbin fiber. There’s a whole pickup on Leo’s test board but I’m not going to take that and anyway, I need two.
Then I told my brother Johnny about my screw up and he just took control of the situation. He already showed me some new El Toro bobbin fibers lasered out and he’s sorting out the fixtures to assemble the bobbins and wind them. This project will probably take a little longer to complete because we have to actually make the pickups.
El Toro E build-6
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hu Date: 08/29/18
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hunting in the lab I found some El Toro pickup covers and one bobbin fiber. There’s a whole pickup on Leo’s test board but I’m not going to take that and anyway, I need two.
Then I told my brother Johnny about my screw up and he just took control of the situation. He already showed me some new El Toro bobbin fibers lasered out and he’s sorting out the fixtures to assemble the bobbins and wind them. This project will probably take a little longer to complete because we have to actually make the pickups.
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hu Date: 08/29/18
I started collecting parts for the El Toro E build and... yeah, I kinda messed up.
I was sure there was a pair of these pickups in Leo’s lab but it turns out they are HG-2 guitar pickups which look sort of like El Toro pickups. After an hour or so hunting in the lab I found some El Toro pickup covers and one bobbin fiber. There’s a whole pickup on Leo’s test board but I’m not going to take that and anyway, I need two.
Then I told my brother Johnny about my screw up and he just took control of the situation. He already showed me some new El Toro bobbin fibers lasered out and he’s sorting out the fixtures to assemble the bobbins and wind them. This project will probably take a little longer to complete because we have to actually make the pickups.
El Toro pickup bobbins-1
Johnny is on fire! He sent me some pics as he worked on the El Toro pickup bobbins today with Norma. 1) cleanup of laser cut fibers. 2) brass connection eyelets are pressed in with the old Stimpson machine. 3) hammer down the eyelets a bit so they’re more
Date: 08/29/18
Johnny is on fire! He sent me some pics as he worked on the El Toro pickup bobbins today with Norma. 1) cleanup of laser cut fibers. 2) brass connection eyelets are pressed in with the old Stimpson machine. 3) hammer down the eyelets a bit so they’re more flush with the fiber surface 4) the SB-2 bridge pickup jig lines up. Nice. 5) some DIY creativity to set the width between the bobbin fibers to match original El Toro spec. 6) completed bobbins are lacquer dipped and hanging dry just as they would have in the 1980s.
El Toro pickup bobbins-2
Johnny is on fire! He sent me some pics as he worked on the El Toro pickup bobbins today with Norma. 1) cleanup of laser cut fibers. 2) brass connection eyelets are pressed in with the old Stimpson machine. 3) hammer down the eyelets a bit so they’re more
Date: 08/29/18
Johnny is on fire! He sent me some pics as he worked on the El Toro pickup bobbins today with Norma. 1) cleanup of laser cut fibers. 2) brass connection eyelets are pressed in with the old Stimpson machine. 3) hammer down the eyelets a bit so they’re more flush with the fiber surface 4) the SB-2 bridge pickup jig lines up. Nice. 5) some DIY creativity to set the width between the bobbin fibers to match original El Toro spec. 6) completed bobbins are lacquer dipped and hanging dry just as they would have in the 1980s.
El Toro pickup bobbins-3
Johnny is on fire! He sent me some pics as he worked on the El Toro pickup bobbins today with Norma. 1) cleanup of laser cut fibers. 2) brass connection eyelets are pressed in with the old Stimpson machine. 3) hammer down the eyelets a bit so they’re more
Date: 08/29/18
Johnny is on fire! He sent me some pics as he worked on the El Toro pickup bobbins today with Norma. 1) cleanup of laser cut fibers. 2) brass connection eyelets are pressed in with the old Stimpson machine. 3) hammer down the eyelets a bit so they’re more flush with the fiber surface 4) the SB-2 bridge pickup jig lines up. Nice. 5) some DIY creativity to set the width between the bobbin fibers to match original El Toro spec. 6) completed bobbins are lacquer dipped and hanging dry just as they would have in the 1980s.
El Toro pickup bobbins-4
Johnny is on fire! He sent me some pics as he worked on the El Toro pickup bobbins today with Norma. 1) cleanup of laser cut fibers. 2) brass connection eyelets are pressed in with the old Stimpson machine. 3) hammer down the eyelets a bit so they’re more
Date: 08/29/18
Johnny is on fire! He sent me some pics as he worked on the El Toro pickup bobbins today with Norma. 1) cleanup of laser cut fibers. 2) brass connection eyelets are pressed in with the old Stimpson machine. 3) hammer down the eyelets a bit so they’re more flush with the fiber surface 4) the SB-2 bridge pickup jig lines up. Nice. 5) some DIY creativity to set the width between the bobbin fibers to match original El Toro spec. 6) completed bobbins are lacquer dipped and hanging dry just as they would have in the 1980s.
El Toro pickup bobbins-5
Johnny is on fire! He sent me some pics as he worked on the El Toro pickup bobbins today with Norma. 1) cleanup of laser cut fibers. 2) brass connection eyelets are pressed in with the old Stimpson machine. 3) hammer down the eyelets a bit so they’re more
Date: 08/29/18
Johnny is on fire! He sent me some pics as he worked on the El Toro pickup bobbins today with Norma. 1) cleanup of laser cut fibers. 2) brass connection eyelets are pressed in with the old Stimpson machine. 3) hammer down the eyelets a bit so they’re more flush with the fiber surface 4) the SB-2 bridge pickup jig lines up. Nice. 5) some DIY creativity to set the width between the bobbin fibers to match original El Toro spec. 6) completed bobbins are lacquer dipped and hanging dry just as they would have in the 1980s.
El Toro pickup bobbins-6
Johnny is on fire! He sent me some pics as he worked on the El Toro pickup bobbins today with Norma. 1) cleanup of laser cut fibers. 2) brass connection eyelets are pressed in with the old Stimpson machine. 3) hammer down the eyelets a bit so they’re more
Date: 08/29/18
Johnny is on fire! He sent me some pics as he worked on the El Toro pickup bobbins today with Norma. 1) cleanup of laser cut fibers. 2) brass connection eyelets are pressed in with the old Stimpson machine. 3) hammer down the eyelets a bit so they’re more flush with the fiber surface 4) the SB-2 bridge pickup jig lines up. Nice. 5) some DIY creativity to set the width between the bobbin fibers to match original El Toro spec. 6) completed bobbins are lacquer dipped and hanging dry just as they would have in the 1980s.
new sample El Toro pickups-1
Johnny showed us his new sample El Toro pickups that have the old covers I found in the lab. That was fast! Date: 08/30/18
Johnny showed us his new sample El Toro pickups that have the old covers I found in the lab. That was fast!
Johnny showed us his new sample El Toro pickups that have the old covers I found in the lab. That was fast! Date: 08/30/18
Johnny showed us his new sample El Toro pickups that have the old covers I found in the lab. That was fast!
new sample El Toro pickups-2
Johnny showed us his new sample El Toro pickups that have the old covers I found in the lab. That was fast! Date: 08/30/18
Johnny showed us his new sample El Toro pickups that have the old covers I found in the lab. That was fast!
Johnny showed us his new sample El Toro pickups that have the old covers I found in the lab. That was fast! Date: 08/30/18
Johnny showed us his new sample El Toro pickups that have the old covers I found in the lab. That was fast!
80s powdercoated plate from the lab
Memo took the ‘80s powdercoated plate from the lab and loaded it with new forged brass saddles. Johnny had some Rhodes springs handy which we’ll use for pickup mounting with a bit of damping material in them. I forgot what these do on a Rhodes, but I thin
Date: 08/31/18
Memo took the ‘80s powdercoated plate from the lab and loaded it with new forged brass saddles. Johnny had some Rhodes springs handy which we’ll use for pickup mounting with a bit of damping material in them. I forgot what these do on a Rhodes, but I think he said there are four levels of rigidity and these are the softest ones. Seem to be similar size and tension as the CLF factory springs, which likely came from the same supplier.
MFD humbucker Doheny concept-1
I know I haven’t posted anything for a while about the MFD humbucker Doheny concept, but behind the scenes it has made huge progress. The white mini toggle is for series/split/parallel of the neck pickup, while the red mini toggle does the same for the br
Date: 09/01/18
I know I haven’t posted anything for a while about the MFD humbucker Doheny concept, but behind the scenes it has made huge progress. The white mini toggle is for series/split/parallel of the neck pickup, while the red mini toggle does the same for the bridge pickup. CLF knobs add a bit of space so it doesn’t feel so crowded with the toggles between the knobs, and besides, I feel like the vibe is totally CLF. Here we have MFD humbuckers designed to offer the player more control of their coils, and if you’re willing and imaginative, there are far more sonic capabilities on tap. But there’s one requirement I have: it has to deliver a kick ass rock sound, no excuses. That means bridge humbucker in series, making that Marshall sing right in its happy zone. I think we’ve got that going really well, too. Now, imagine this thing with a black powdercoated aluminum pickguard. Working on that next. I must have it!!!
MFD humbucker Doheny concept-2
I know I haven’t posted anything for a while about the MFD humbucker Doheny concept, but behind the scenes it has made huge progress. The white mini toggle is for series/split/parallel of the neck pickup, while the red mini toggle does the same for the br
Date: 09/01/18
I know I haven’t posted anything for a while about the MFD humbucker Doheny concept, but behind the scenes it has made huge progress. The white mini toggle is for series/split/parallel of the neck pickup, while the red mini toggle does the same for the bridge pickup. CLF knobs add a bit of space so it doesn’t feel so crowded with the toggles between the knobs, and besides, I feel like the vibe is totally CLF. Here we have MFD humbuckers designed to offer the player more control of their coils, and if you’re willing and imaginative, there are far more sonic capabilities on tap. But there’s one requirement I have: it has to deliver a kick ass rock sound, no excuses. That means bridge humbucker in series, making that Marshall sing right in its happy zone. I think we’ve got that going really well, too. Now, imagine this thing with a black powdercoated aluminum pickguard. Working on that next. I must have it!!!
MFD humbucker Doheny concept-3
I know I haven’t posted anything for a while about the MFD humbucker Doheny concept, but behind the scenes it has made huge progress. The white mini toggle is for series/split/parallel of the neck pickup, while the red mini toggle does the same for the br
Date: 09/01/18
I know I haven’t posted anything for a while about the MFD humbucker Doheny concept, but behind the scenes it has made huge progress. The white mini toggle is for series/split/parallel of the neck pickup, while the red mini toggle does the same for the bridge pickup. CLF knobs add a bit of space so it doesn’t feel so crowded with the toggles between the knobs, and besides, I feel like the vibe is totally CLF. Here we have MFD humbuckers designed to offer the player more control of their coils, and if you’re willing and imaginative, there are far more sonic capabilities on tap. But there’s one requirement I have: it has to deliver a kick ass rock sound, no excuses. That means bridge humbucker in series, making that Marshall sing right in its happy zone. I think we’ve got that going really well, too. Now, imagine this thing with a black powdercoated aluminum pickguard. Working on that next. I must have it!!!
1985 El Toro E-1
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on Date: 09/01/18
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on the bay. I grabbed it seconds after I saw his message. : )
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on Date: 09/01/18
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on the bay. I grabbed it seconds after I saw his message. : )
1985 El Toro E-2
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on Date: 09/01/18
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on the bay. I grabbed it seconds after I saw his message. : )
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on Date: 09/01/18
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on the bay. I grabbed it seconds after I saw his message. : )
1985 El Toro E-3
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on Date: 09/01/18
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on the bay. I grabbed it seconds after I saw his message. : )
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on Date: 09/01/18
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on the bay. I grabbed it seconds after I saw his message. : )
1985 El Toro E-4
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on Date: 09/01/18
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on the bay. I grabbed it seconds after I saw his message. : )
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on Date: 09/01/18
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on the bay. I grabbed it seconds after I saw his message. : )
1985 El Toro E-5
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on Date: 09/01/18
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on the bay. I grabbed it seconds after I saw his message. : )
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on Date: 09/01/18
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on the bay. I grabbed it seconds after I saw his message. : )
1985 El Toro E-6
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on Date: 09/01/18
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on the bay. I grabbed it seconds after I saw his message. : )
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on Date: 09/01/18
This 1985 El Toro E arrived and looks to be in nice condition. Clear Red on swamp ash, rosewood board, matching headstock. It’s just had a light cleanup, new strings and some screws turned. Thanks to Chip Schumann for tipping me about a fresh listing on the bay. I grabbed it seconds after I saw his message. : )
We edited the Doheny pickguard CNC program to add the two holes
We edited the Doheny pickguard CNC program to add the two holes for the mini-toggles, then we made a quick test pickguard using pickup fiber cut with a laser machine.
Date: 09/04/18
We edited the Doheny pickguard CNC program to add the two holes for the mini-toggles, then we made a quick test pickguard using pickup fiber cut with a laser machine.
MFD “S-type” pickup Ad-1
I always liked this exploded view of an MFD “S-type” pickup in this ad going for aftermarket business: “The Ultimate in Replacement Pickups” Date: 09/04/18
I always liked this exploded view of an MFD “S-type” pickup in this ad going for aftermarket business: “The Ultimate in Replacement Pickups”
I always liked this exploded view of an MFD “S-type” pickup in this ad going for aftermarket business: “The Ultimate in Replacement Pickups” Date: 09/04/18
I always liked this exploded view of an MFD “S-type” pickup in this ad going for aftermarket business: “The Ultimate in Replacement Pickups”
MFD “S-type” pickup Ad-2
I always liked this exploded view of an MFD “S-type” pickup in this ad going for aftermarket business: “The Ultimate in Replacement Pickups” Date: 09/04/18
I always liked this exploded view of an MFD “S-type” pickup in this ad going for aftermarket business: “The Ultimate in Replacement Pickups”
I always liked this exploded view of an MFD “S-type” pickup in this ad going for aftermarket business: “The Ultimate in Replacement Pickups” Date: 09/04/18
I always liked this exploded view of an MFD “S-type” pickup in this ad going for aftermarket business: “The Ultimate in Replacement Pickups”
‘84 L-2000-1
Ron’s friend just stopped by with his ‘84 L-2000 and I had a major GAS attack. This period had the black crinkle control plate and bridge plate, hook headstock and those amp knobs do look kinda hot on there. It’s not for sale, which of course makes me w Date: 09/09/18
Ron’s friend just stopped by with his ‘84 L-2000 and I had a major GAS attack. This period had the black crinkle control plate and bridge plate, hook headstock and those amp knobs do look kinda hot on there. It’s not for sale, which of course makes me want it more. Makes me think of that knuckle biting meme with Leonardo DiCaprio.
Ron’s friend just stopped by with his ‘84 L-2000 and I had a major GAS attack. This period had the black crinkle control plate and bridge plate, hook headstock and those amp knobs do look kinda hot on there. It’s not for sale, which of course makes me w Date: 09/09/18
Ron’s friend just stopped by with his ‘84 L-2000 and I had a major GAS attack. This period had the black crinkle control plate and bridge plate, hook headstock and those amp knobs do look kinda hot on there. It’s not for sale, which of course makes me want it more. Makes me think of that knuckle biting meme with Leonardo DiCaprio.
‘84 L-2000-2
Ron’s friend just stopped by with his ‘84 L-2000 and I had a major GAS attack. This period had the black crinkle control plate and bridge plate, hook headstock and those amp knobs do look kinda hot on there. It’s not for sale, which of course makes me w Date: 09/09/18
Ron’s friend just stopped by with his ‘84 L-2000 and I had a major GAS attack. This period had the black crinkle control plate and bridge plate, hook headstock and those amp knobs do look kinda hot on there. It’s not for sale, which of course makes me want it more. Makes me think of that knuckle biting meme with Leonardo DiCaprio.
Ron’s friend just stopped by with his ‘84 L-2000 and I had a major GAS attack. This period had the black crinkle control plate and bridge plate, hook headstock and those amp knobs do look kinda hot on there. It’s not for sale, which of course makes me w Date: 09/09/18
Ron’s friend just stopped by with his ‘84 L-2000 and I had a major GAS attack. This period had the black crinkle control plate and bridge plate, hook headstock and those amp knobs do look kinda hot on there. It’s not for sale, which of course makes me want it more. Makes me think of that knuckle biting meme with Leonardo DiCaprio.
‘84 L-2000-3
Ron’s friend just stopped by with his ‘84 L-2000 and I had a major GAS attack. This period had the black crinkle control plate and bridge plate, hook headstock and those amp knobs do look kinda hot on there. It’s not for sale, which of course makes me w Date: 09/09/18
Ron’s friend just stopped by with his ‘84 L-2000 and I had a major GAS attack. This period had the black crinkle control plate and bridge plate, hook headstock and those amp knobs do look kinda hot on there. It’s not for sale, which of course makes me want it more. Makes me think of that knuckle biting meme with Leonardo DiCaprio.
Ron’s friend just stopped by with his ‘84 L-2000 and I had a major GAS attack. This period had the black crinkle control plate and bridge plate, hook headstock and those amp knobs do look kinda hot on there. It’s not for sale, which of course makes me w Date: 09/09/18
Ron’s friend just stopped by with his ‘84 L-2000 and I had a major GAS attack. This period had the black crinkle control plate and bridge plate, hook headstock and those amp knobs do look kinda hot on there. It’s not for sale, which of course makes me want it more. Makes me think of that knuckle biting meme with Leonardo DiCaprio.
‘84 L-2000-4
Ron’s friend just stopped by with his ‘84 L-2000 and I had a major GAS attack. This period had the black crinkle control plate and bridge plate, hook headstock and those amp knobs do look kinda hot on there. It’s not for sale, which of course makes me w Date: 09/09/18
Ron’s friend just stopped by with his ‘84 L-2000 and I had a major GAS attack. This period had the black crinkle control plate and bridge plate, hook headstock and those amp knobs do look kinda hot on there. It’s not for sale, which of course makes me want it more. Makes me think of that knuckle biting meme with Leonardo DiCaprio.
Ron’s friend just stopped by with his ‘84 L-2000 and I had a major GAS attack. This period had the black crinkle control plate and bridge plate, hook headstock and those amp knobs do look kinda hot on there. It’s not for sale, which of course makes me w Date: 09/09/18
Ron’s friend just stopped by with his ‘84 L-2000 and I had a major GAS attack. This period had the black crinkle control plate and bridge plate, hook headstock and those amp knobs do look kinda hot on there. It’s not for sale, which of course makes me want it more. Makes me think of that knuckle biting meme with Leonardo DiCaprio.
‘84 L-2000-5
Ron’s friend just stopped by with his ‘84 L-2000 and I had a major GAS attack. This period had the black crinkle control plate and bridge plate, hook headstock and those amp knobs do look kinda hot on there. It’s not for sale, which of course makes me w Date: 09/09/18
Ron’s friend just stopped by with his ‘84 L-2000 and I had a major GAS attack. This period had the black crinkle control plate and bridge plate, hook headstock and those amp knobs do look kinda hot on there. It’s not for sale, which of course makes me want it more. Makes me think of that knuckle biting meme with Leonardo DiCaprio.
Ron’s friend just stopped by with his ‘84 L-2000 and I had a major GAS attack. This period had the black crinkle control plate and bridge plate, hook headstock and those amp knobs do look kinda hot on there. It’s not for sale, which of course makes me w Date: 09/09/18
Ron’s friend just stopped by with his ‘84 L-2000 and I had a major GAS attack. This period had the black crinkle control plate and bridge plate, hook headstock and those amp knobs do look kinda hot on there. It’s not for sale, which of course makes me want it more. Makes me think of that knuckle biting meme with Leonardo DiCaprio.
1987 ASAT-1
Got this 1987 ASAT coming up to show you, but first I want to get these strap locks off. For some reason, I just need them gone like right now. I could put brand new G&L ones on but a little patina would be perfect, so I hit up Dave Brown at G&L Date: 09/09/18
Got this 1987 ASAT coming up to show you, but first I want to get these strap locks off. For some reason, I just need them gone like right now. I could put brand new G&L ones on but a little patina would be perfect, so I hit up Dave Brown at G&L Custom Shop and he hooked me up with some aged strap buttons and screws, plus a couple felt washers.
In the second pic you can see I brushed the strap button and screw on the right until I thought they would vibe with other the other old sorta shiny bits on the guitar.
Got this 1987 ASAT coming up to show you, but first I want to get these strap locks off. For some reason, I just need them gone like right now. I could put brand new G&L ones on but a little patina would be perfect, so I hit up Dave Brown at G&L Date: 09/09/18
Got this 1987 ASAT coming up to show you, but first I want to get these strap locks off. For some reason, I just need them gone like right now. I could put brand new G&L ones on but a little patina would be perfect, so I hit up Dave Brown at G&L Custom Shop and he hooked me up with some aged strap buttons and screws, plus a couple felt washers.
In the second pic you can see I brushed the strap button and screw on the right until I thought they would vibe with other the other old sorta shiny bits on the guitar.
1987 ASAT-2
Got this 1987 ASAT coming up to show you, but first I want to get these strap locks off. For some reason, I just need them gone like right now. I could put brand new G&L ones on but a little patina would be perfect, so I hit up Dave Brown at G&L Date: 09/09/18
Got this 1987 ASAT coming up to show you, but first I want to get these strap locks off. For some reason, I just need them gone like right now. I could put brand new G&L ones on but a little patina would be perfect, so I hit up Dave Brown at G&L Custom Shop and he hooked me up with some aged strap buttons and screws, plus a couple felt washers.
In the second pic you can see I brushed the strap button and screw on the right until I thought they would vibe with other the other old sorta shiny bits on the guitar.
Got this 1987 ASAT coming up to show you, but first I want to get these strap locks off. For some reason, I just need them gone like right now. I could put brand new G&L ones on but a little patina would be perfect, so I hit up Dave Brown at G&L Date: 09/09/18
Got this 1987 ASAT coming up to show you, but first I want to get these strap locks off. For some reason, I just need them gone like right now. I could put brand new G&L ones on but a little patina would be perfect, so I hit up Dave Brown at G&L Custom Shop and he hooked me up with some aged strap buttons and screws, plus a couple felt washers.
In the second pic you can see I brushed the strap button and screw on the right until I thought they would vibe with other the other old sorta shiny bits on the guitar.
1987 ASAT-3
Got this 1987 ASAT coming up to show you, but first I want to get these strap locks off. For some reason, I just need them gone like right now. I could put brand new G&L ones on but a little patina would be perfect, so I hit up Dave Brown at G&L Date: 09/09/18
Got this 1987 ASAT coming up to show you, but first I want to get these strap locks off. For some reason, I just need them gone like right now. I could put brand new G&L ones on but a little patina would be perfect, so I hit up Dave Brown at G&L Custom Shop and he hooked me up with some aged strap buttons and screws, plus a couple felt washers.
In the second pic you can see I brushed the strap button and screw on the right until I thought they would vibe with other the other old sorta shiny bits on the guitar.
Got this 1987 ASAT coming up to show you, but first I want to get these strap locks off. For some reason, I just need them gone like right now. I could put brand new G&L ones on but a little patina would be perfect, so I hit up Dave Brown at G&L Date: 09/09/18
Got this 1987 ASAT coming up to show you, but first I want to get these strap locks off. For some reason, I just need them gone like right now. I could put brand new G&L ones on but a little patina would be perfect, so I hit up Dave Brown at G&L Custom Shop and he hooked me up with some aged strap buttons and screws, plus a couple felt washers.
In the second pic you can see I brushed the strap button and screw on the right until I thought they would vibe with other the other old sorta shiny bits on the guitar.
1987 ASAT-4
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood exa Date: 09/09/18
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood example was the hot stuff on the menu here.
Yes, it’s heavy and built like a tank, but it sure handles with finesse. Can’t wait to get this thing pulled apart and gone through. See that crack repair? Seems pretty solid but I’m thinking about doing some surgery and lacquer blend. Anyway, I’m pretty stoked about this acquisition. Great vibes in this one.
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood exa Date: 09/09/18
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood example was the hot stuff on the menu here.
Yes, it’s heavy and built like a tank, but it sure handles with finesse. Can’t wait to get this thing pulled apart and gone through. See that crack repair? Seems pretty solid but I’m thinking about doing some surgery and lacquer blend. Anyway, I’m pretty stoked about this acquisition. Great vibes in this one.
1987 ASAT-5
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood exa Date: 09/09/18
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood example was the hot stuff on the menu here.
Yes, it’s heavy and built like a tank, but it sure handles with finesse. Can’t wait to get this thing pulled apart and gone through. See that crack repair? Seems pretty solid but I’m thinking about doing some surgery and lacquer blend. Anyway, I’m pretty stoked about this acquisition. Great vibes in this one.
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood exa Date: 09/09/18
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood example was the hot stuff on the menu here.
Yes, it’s heavy and built like a tank, but it sure handles with finesse. Can’t wait to get this thing pulled apart and gone through. See that crack repair? Seems pretty solid but I’m thinking about doing some surgery and lacquer blend. Anyway, I’m pretty stoked about this acquisition. Great vibes in this one.
1987 ASAT-6
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood exa Date: 09/09/18
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood example was the hot stuff on the menu here.
Yes, it’s heavy and built like a tank, but it sure handles with finesse. Can’t wait to get this thing pulled apart and gone through. See that crack repair? Seems pretty solid but I’m thinking about doing some surgery and lacquer blend. Anyway, I’m pretty stoked about this acquisition. Great vibes in this one.
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood exa Date: 09/09/18
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood example was the hot stuff on the menu here.
Yes, it’s heavy and built like a tank, but it sure handles with finesse. Can’t wait to get this thing pulled apart and gone through. See that crack repair? Seems pretty solid but I’m thinking about doing some surgery and lacquer blend. Anyway, I’m pretty stoked about this acquisition. Great vibes in this one.
1987 ASAT-7
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood exa Date: 09/09/18
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood example was the hot stuff on the menu here.
Yes, it’s heavy and built like a tank, but it sure handles with finesse. Can’t wait to get this thing pulled apart and gone through. See that crack repair? Seems pretty solid but I’m thinking about doing some surgery and lacquer blend. Anyway, I’m pretty stoked about this acquisition. Great vibes in this one.
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood exa Date: 09/09/18
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood example was the hot stuff on the menu here.
Yes, it’s heavy and built like a tank, but it sure handles with finesse. Can’t wait to get this thing pulled apart and gone through. See that crack repair? Seems pretty solid but I’m thinking about doing some surgery and lacquer blend. Anyway, I’m pretty stoked about this acquisition. Great vibes in this one.
1987 ASAT-8
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood exa Date: 09/09/18
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood example was the hot stuff on the menu here.
Yes, it’s heavy and built like a tank, but it sure handles with finesse. Can’t wait to get this thing pulled apart and gone through. See that crack repair? Seems pretty solid but I’m thinking about doing some surgery and lacquer blend. Anyway, I’m pretty stoked about this acquisition. Great vibes in this one.
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood exa Date: 09/09/18
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood example was the hot stuff on the menu here.
Yes, it’s heavy and built like a tank, but it sure handles with finesse. Can’t wait to get this thing pulled apart and gone through. See that crack repair? Seems pretty solid but I’m thinking about doing some surgery and lacquer blend. Anyway, I’m pretty stoked about this acquisition. Great vibes in this one.
1987 ASAT-9
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood exa Date: 09/09/18
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood example was the hot stuff on the menu here.
Yes, it’s heavy and built like a tank, but it sure handles with finesse. Can’t wait to get this thing pulled apart and gone through. See that crack repair? Seems pretty solid but I’m thinking about doing some surgery and lacquer blend. Anyway, I’m pretty stoked about this acquisition. Great vibes in this one.
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood exa Date: 09/09/18
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood example was the hot stuff on the menu here.
Yes, it’s heavy and built like a tank, but it sure handles with finesse. Can’t wait to get this thing pulled apart and gone through. See that crack repair? Seems pretty solid but I’m thinking about doing some surgery and lacquer blend. Anyway, I’m pretty stoked about this acquisition. Great vibes in this one.
1987 ASAT-10
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood exa Date: 09/09/18
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood example was the hot stuff on the menu here.
Yes, it’s heavy and built like a tank, but it sure handles with finesse. Can’t wait to get this thing pulled apart and gone through. See that crack repair? Seems pretty solid but I’m thinking about doing some surgery and lacquer blend. Anyway, I’m pretty stoked about this acquisition. Great vibes in this one.
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood exa Date: 09/09/18
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood example was the hot stuff on the menu here.
Yes, it’s heavy and built like a tank, but it sure handles with finesse. Can’t wait to get this thing pulled apart and gone through. See that crack repair? Seems pretty solid but I’m thinking about doing some surgery and lacquer blend. Anyway, I’m pretty stoked about this acquisition. Great vibes in this one.
1987 ASAT-11
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood exa Date: 09/09/18
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood example was the hot stuff on the menu here.
Yes, it’s heavy and built like a tank, but it sure handles with finesse. Can’t wait to get this thing pulled apart and gone through. See that crack repair? Seems pretty solid but I’m thinking about doing some surgery and lacquer blend. Anyway, I’m pretty stoked about this acquisition. Great vibes in this one.
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood exa Date: 09/09/18
Ok I didn’t clean it up first. This guitar is what I call original formula ASAT, from a time when could you just say ASAT and didn’t need to clarify (classic? Special? Bluesboy 90 Semi-Hollow?). It was November of 1987, and this natural ash rosewood example was the hot stuff on the menu here.
Yes, it’s heavy and built like a tank, but it sure handles with finesse. Can’t wait to get this thing pulled apart and gone through. See that crack repair? Seems pretty solid but I’m thinking about doing some surgery and lacquer blend. Anyway, I’m pretty stoked about this acquisition. Great vibes in this one.
Leo’s personal 1960s winder-1
Since I’m here messing around in G&L Custom Shop I want you to see what Leo’s personal 1960s winder looks like today.
Johnny restored it and added the swamp ash base with a Leo Fender decal. I tell you, he’s so next level on this stuff it blows my Date: 09/09/18 Since I’m here messing around in G&L Custom Shop I want you to see what Leo’s personal 1960s winder looks like today.
Johnny restored it and added the swamp ash base with a Leo Fender decal. I tell you, he’s so next level on this stuff it blows my mind.
Anyway, imagine the customer who orders their G&L CS guitar with hand wound pickups. Sure, lots of people can do that. But what a trip it is to consider that your pickups were wound on Leo’s personal winder, in his building, on his street, in the town where he made it all happen. Of course (?) it doesn’t make it any better, but it is frickin’ cool.
But wait, there’s more! Check out Leo’s 1940s-ish desk lamp there. So your pickup is wound under the glow of Leo’s old lamp and never mind the bulb is new because you’ll kill the flow. ; ). I can geek out so hard on this lol
Johnny restored it and added the swamp ash base with a Leo Fender decal. I tell you, he’s so next level on this stuff it blows my Date: 09/09/18 Since I’m here messing around in G&L Custom Shop I want you to see what Leo’s personal 1960s winder looks like today.
Johnny restored it and added the swamp ash base with a Leo Fender decal. I tell you, he’s so next level on this stuff it blows my mind.
Anyway, imagine the customer who orders their G&L CS guitar with hand wound pickups. Sure, lots of people can do that. But what a trip it is to consider that your pickups were wound on Leo’s personal winder, in his building, on his street, in the town where he made it all happen. Of course (?) it doesn’t make it any better, but it is frickin’ cool.
But wait, there’s more! Check out Leo’s 1940s-ish desk lamp there. So your pickup is wound under the glow of Leo’s old lamp and never mind the bulb is new because you’ll kill the flow. ; ). I can geek out so hard on this lol
Leo’s personal 1960s winder-1a
Since I’m here messing around in G&L Custom Shop I want you to see what Leo’s personal 1960s winder looks like today.Johnny restored it and added the swamp ash base with a Leo Fender decal. I tell you, he’s so next level on this stuff it blows my
Date: 09/09/18
Since I’m here messing around in G&L Custom Shop I want you to see what Leo’s personal 1960s winder looks like today.
Johnny restored it and added the swamp ash base with a Leo Fender decal. I tell you, he’s so next level on this stuff it blows my mind.
Anyway, imagine the customer who orders their G&L CS guitar with hand wound pickups. Sure, lots of people can do that. But what a trip it is to consider that your pickups were wound on Leo’s personal winder, in his building, on his street, in the town where he made it all happen. Of course (?) it doesn’t make it any better, but it is frickin’ cool.
But wait, there’s more! Check out Leo’s 1940s-ish desk lamp there. So your pickup is wound under the glow of Leo’s old lamp and never mind the bulb is new because you’ll kill the flow. ; ). I can geek out so hard on this lol
Johnny restored it and added the swamp ash base with a Leo Fender decal. I tell you, he’s so next level on this stuff it blows my mind.
Anyway, imagine the customer who orders their G&L CS guitar with hand wound pickups. Sure, lots of people can do that. But what a trip it is to consider that your pickups were wound on Leo’s personal winder, in his building, on his street, in the town where he made it all happen. Of course (?) it doesn’t make it any better, but it is frickin’ cool.
But wait, there’s more! Check out Leo’s 1940s-ish desk lamp there. So your pickup is wound under the glow of Leo’s old lamp and never mind the bulb is new because you’ll kill the flow. ; ). I can geek out so hard on this lol
Leo’s personal 1960s winder-3
Since I’m here messing around in G&L Custom Shop I want you to see what Leo’s personal 1960s winder looks like today.
Johnny restored it and added the swamp ash base with a Leo Fender decal. I tell you, he’s so next level on this stuff it blows my Date: 09/09/18 Since I’m here messing around in G&L Custom Shop I want you to see what Leo’s personal 1960s winder looks like today.
Johnny restored it and added the swamp ash base with a Leo Fender decal. I tell you, he’s so next level on this stuff it blows my mind.
Anyway, imagine the customer who orders their G&L CS guitar with hand wound pickups. Sure, lots of people can do that. But what a trip it is to consider that your pickups were wound on Leo’s personal winder, in his building, on his street, in the town where he made it all happen. Of course (?) it doesn’t make it any better, but it is frickin’ cool.
But wait, there’s more! Check out Leo’s 1940s-ish desk lamp there. So your pickup is wound under the glow of Leo’s old lamp and never mind the bulb is new because you’ll kill the flow. ; ). I can geek out so hard on this lol
Johnny restored it and added the swamp ash base with a Leo Fender decal. I tell you, he’s so next level on this stuff it blows my Date: 09/09/18 Since I’m here messing around in G&L Custom Shop I want you to see what Leo’s personal 1960s winder looks like today.
Johnny restored it and added the swamp ash base with a Leo Fender decal. I tell you, he’s so next level on this stuff it blows my mind.
Anyway, imagine the customer who orders their G&L CS guitar with hand wound pickups. Sure, lots of people can do that. But what a trip it is to consider that your pickups were wound on Leo’s personal winder, in his building, on his street, in the town where he made it all happen. Of course (?) it doesn’t make it any better, but it is frickin’ cool.
But wait, there’s more! Check out Leo’s 1940s-ish desk lamp there. So your pickup is wound under the glow of Leo’s old lamp and never mind the bulb is new because you’ll kill the flow. ; ). I can geek out so hard on this lol
late 1950s design study for the Fender Sales, Inc. headquarters
I believe this is a mid to late 1950s design study for the Fender Sales, Inc. headquarters. Looks straight out of an old Sunset Magazine and I love it.
Date: 09/09/18
I believe this is a mid to late 1950s design study for the Fender Sales, Inc. headquarters. Looks straight out of an old Sunset Magazine and I love it.
S-500 HSH prototype-1
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Date: 09/09/18
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Did a lot of stuff though, I think 19 possible selections. The neck and bridge humbuckers are made from paired S-500 single coils. So each humbucker is like a pairing of a standard issue S-500 neck/bridge pickup and an S-500 middle pickup which has reverse polarity and winding (RWRP).
Used as normal series humbuckers, they were way too hot. We kinda figured that would happen, but we just did this one just for kicks. Could be refined though.
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Date: 09/09/18
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Did a lot of stuff though, I think 19 possible selections. The neck and bridge humbuckers are made from paired S-500 single coils. So each humbucker is like a pairing of a standard issue S-500 neck/bridge pickup and an S-500 middle pickup which has reverse polarity and winding (RWRP).
Used as normal series humbuckers, they were way too hot. We kinda figured that would happen, but we just did this one just for kicks. Could be refined though.
S-500 HSH prototype-2
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Date: 09/09/18
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Did a lot of stuff though, I think 19 possible selections. The neck and bridge humbuckers are made from paired S-500 single coils. So each humbucker is like a pairing of a standard issue S-500 neck/bridge pickup and an S-500 middle pickup which has reverse polarity and winding (RWRP).
Used as normal series humbuckers, they were way too hot. We kinda figured that would happen, but we just did this one just for kicks. Could be refined though.
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Date: 09/09/18
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Did a lot of stuff though, I think 19 possible selections. The neck and bridge humbuckers are made from paired S-500 single coils. So each humbucker is like a pairing of a standard issue S-500 neck/bridge pickup and an S-500 middle pickup which has reverse polarity and winding (RWRP).
Used as normal series humbuckers, they were way too hot. We kinda figured that would happen, but we just did this one just for kicks. Could be refined though.
S-500 HSH prototype-3
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Date: 09/09/18
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Did a lot of stuff though, I think 19 possible selections. The neck and bridge humbuckers are made from paired S-500 single coils. So each humbucker is like a pairing of a standard issue S-500 neck/bridge pickup and an S-500 middle pickup which has reverse polarity and winding (RWRP).
Used as normal series humbuckers, they were way too hot. We kinda figured that would happen, but we just did this one just for kicks. Could be refined though.
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Date: 09/09/18
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Did a lot of stuff though, I think 19 possible selections. The neck and bridge humbuckers are made from paired S-500 single coils. So each humbucker is like a pairing of a standard issue S-500 neck/bridge pickup and an S-500 middle pickup which has reverse polarity and winding (RWRP).
Used as normal series humbuckers, they were way too hot. We kinda figured that would happen, but we just did this one just for kicks. Could be refined though.
S-500 HSH prototype-4
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Date: 09/09/18
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Did a lot of stuff though, I think 19 possible selections. The neck and bridge humbuckers are made from paired S-500 single coils. So each humbucker is like a pairing of a standard issue S-500 neck/bridge pickup and an S-500 middle pickup which has reverse polarity and winding (RWRP).
Used as normal series humbuckers, they were way too hot. We kinda figured that would happen, but we just did this one just for kicks. Could be refined though.
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Date: 09/09/18
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Did a lot of stuff though, I think 19 possible selections. The neck and bridge humbuckers are made from paired S-500 single coils. So each humbucker is like a pairing of a standard issue S-500 neck/bridge pickup and an S-500 middle pickup which has reverse polarity and winding (RWRP).
Used as normal series humbuckers, they were way too hot. We kinda figured that would happen, but we just did this one just for kicks. Could be refined though.
S-500 HSH prototype-5
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Date: 09/09/18
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Did a lot of stuff though, I think 19 possible selections. The neck and bridge humbuckers are made from paired S-500 single coils. So each humbucker is like a pairing of a standard issue S-500 neck/bridge pickup and an S-500 middle pickup which has reverse polarity and winding (RWRP).
Used as normal series humbuckers, they were way too hot. We kinda figured that would happen, but we just did this one just for kicks. Could be refined though.
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Date: 09/09/18
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Did a lot of stuff though, I think 19 possible selections. The neck and bridge humbuckers are made from paired S-500 single coils. So each humbucker is like a pairing of a standard issue S-500 neck/bridge pickup and an S-500 middle pickup which has reverse polarity and winding (RWRP).
Used as normal series humbuckers, they were way too hot. We kinda figured that would happen, but we just did this one just for kicks. Could be refined though.
S-500 HSH prototype-6
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Date: 09/09/18
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Did a lot of stuff though, I think 19 possible selections. The neck and bridge humbuckers are made from paired S-500 single coils. So each humbucker is like a pairing of a standard issue S-500 neck/bridge pickup and an S-500 middle pickup which has reverse polarity and winding (RWRP).
Used as normal series humbuckers, they were way too hot. We kinda figured that would happen, but we just did this one just for kicks. Could be refined though.
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Date: 09/09/18
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Did a lot of stuff though, I think 19 possible selections. The neck and bridge humbuckers are made from paired S-500 single coils. So each humbucker is like a pairing of a standard issue S-500 neck/bridge pickup and an S-500 middle pickup which has reverse polarity and winding (RWRP).
Used as normal series humbuckers, they were way too hot. We kinda figured that would happen, but we just did this one just for kicks. Could be refined though.
S-500 HSH prototype-7
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Date: 09/09/18
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Did a lot of stuff though, I think 19 possible selections. The neck and bridge humbuckers are made from paired S-500 single coils. So each humbucker is like a pairing of a standard issue S-500 neck/bridge pickup and an S-500 middle pickup which has reverse polarity and winding (RWRP).
Used as normal series humbuckers, they were way too hot. We kinda figured that would happen, but we just did this one just for kicks. Could be refined though.
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Date: 09/09/18
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Did a lot of stuff though, I think 19 possible selections. The neck and bridge humbuckers are made from paired S-500 single coils. So each humbucker is like a pairing of a standard issue S-500 neck/bridge pickup and an S-500 middle pickup which has reverse polarity and winding (RWRP).
Used as normal series humbuckers, they were way too hot. We kinda figured that would happen, but we just did this one just for kicks. Could be refined though.
S-500 HSH prototype-8
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Date: 09/09/18
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Did a lot of stuff though, I think 19 possible selections. The neck and bridge humbuckers are made from paired S-500 single coils. So each humbucker is like a pairing of a standard issue S-500 neck/bridge pickup and an S-500 middle pickup which has reverse polarity and winding (RWRP).
Used as normal series humbuckers, they were way too hot. We kinda figured that would happen, but we just did this one just for kicks. Could be refined though.
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Date: 09/09/18
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Did a lot of stuff though, I think 19 possible selections. The neck and bridge humbuckers are made from paired S-500 single coils. So each humbucker is like a pairing of a standard issue S-500 neck/bridge pickup and an S-500 middle pickup which has reverse polarity and winding (RWRP).
Used as normal series humbuckers, they were way too hot. We kinda figured that would happen, but we just did this one just for kicks. Could be refined though.
S-500 HSH prototype-9
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Date: 09/09/18
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Did a lot of stuff though, I think 19 possible selections. The neck and bridge humbuckers are made from paired S-500 single coils. So each humbucker is like a pairing of a standard issue S-500 neck/bridge pickup and an S-500 middle pickup which has reverse polarity and winding (RWRP).
Used as normal series humbuckers, they were way too hot. We kinda figured that would happen, but we just did this one just for kicks. Could be refined though.
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Date: 09/09/18
All this messing around with the Doheny MFD humbuckers reminds me of this idea we didn’t sort out. It’s been hanging in my office for a year? Two years? No idea.
I do remember Spencer Brown wiring up this beast and trying to run through what it does. Did a lot of stuff though, I think 19 possible selections. The neck and bridge humbuckers are made from paired S-500 single coils. So each humbucker is like a pairing of a standard issue S-500 neck/bridge pickup and an S-500 middle pickup which has reverse polarity and winding (RWRP).
Used as normal series humbuckers, they were way too hot. We kinda figured that would happen, but we just did this one just for kicks. Could be refined though.
Skyhawk control assemblies ready to get soldered up-1
Skyhawk control assemblies ready to get soldered up. Date: 09/10/18
Skyhawk control assemblies ready to get soldered up.
Skyhawk control assemblies ready to get soldered up. Date: 09/10/18
Skyhawk control assemblies ready to get soldered up.
Skyhawk control assemblies ready to get soldered up-2
Skyhawk control assemblies ready to get soldered up. Date: 09/10/18
Skyhawk control assemblies ready to get soldered up.
Skyhawk control assemblies ready to get soldered up. Date: 09/10/18
Skyhawk control assemblies ready to get soldered up.
2018 SB-1
This 2018 SB-1 was in Ron’s office and I just snaked it. That’s a swamp ash body and the bass weighs maybe 9 pounds. Just a great zone for bringin’ the thunder and man, this thing sounds massive. Full points in feel and looks departments, too. It’s a welc
Date: 09/12/18
This 2018 SB-1 was in Ron’s office and I just snaked it. That’s a swamp ash body and the bass weighs maybe 9 pounds. Just a great zone for bringin’ the thunder and man, this thing sounds massive. Full points in feel and looks departments, too. It’s a welcome reminder of how nice the instruments are made today and that *really* feels good to me.
1982 S-500-1
Took the 1982 S-500 out for a ride and despite a crackly jack, this thing is in full effect. The first 3SC G&L model, the original style S-500 was super modern for the time, maybe too modern. But that’s so rad in retrospect, you know what I mean?
Date: 09/12/18
Took the 1982 S-500 out for a ride and despite a crackly jack, this thing is in full effect. The first 3SC G&L model, the original style S-500 was super modern for the time, maybe too modern. But that’s so rad in retrospect, you know what I mean?
1982 S-500-2
Took the 1982 S-500 out for a ride and despite a crackly jack, this thing is in full effect. The first 3SC G&L model, the original style S-500 was super modern for the time, maybe too modern. But that’s so rad in retrospect, you know what I mean?
Date: 09/12/18
Took the 1982 S-500 out for a ride and despite a crackly jack, this thing is in full effect. The first 3SC G&L model, the original style S-500 was super modern for the time, maybe too modern. But that’s so rad in retrospect, you know what I mean?
Don’t these two look nice together.
Don’t these two look nice together.
Date: 09/12/18
Don’t these two look nice together.
El Toro build-1
Got an update on the El Toro build. First pickups didn’t have enough turns. Sure, Johnny matched the pickup on Leo’s test board, but clearly that wasn’t the actual production spec. Johnny had to add a couple hundred turns per coil and we’re good.
To ke Date: 09/14/18 Got an update on the El Toro build. First pickups didn’t have enough turns. Sure, Johnny matched the pickup on Leo’s test board, but clearly that wasn’t the actual production spec. Johnny had to add a couple hundred turns per coil and we’re good.
To keep this moving, I borrowed the neck off the old red SB-2. Well, we have a working bass so now we’ll make neck for this thing. My plan is to try to match the headstock to the aged body but I keep thinking a black headstock might be sweet. What do you think?
To ke Date: 09/14/18 Got an update on the El Toro build. First pickups didn’t have enough turns. Sure, Johnny matched the pickup on Leo’s test board, but clearly that wasn’t the actual production spec. Johnny had to add a couple hundred turns per coil and we’re good.
To keep this moving, I borrowed the neck off the old red SB-2. Well, we have a working bass so now we’ll make neck for this thing. My plan is to try to match the headstock to the aged body but I keep thinking a black headstock might be sweet. What do you think?
El Toro build-2
Got an update on the El Toro build. First pickups didn’t have enough turns. Sure, Johnny matched the pickup on Leo’s test board, but clearly that wasn’t the actual production spec. Johnny had to add a couple hundred turns per coil and we’re good.
To ke Date: 09/14/18 Got an update on the El Toro build. First pickups didn’t have enough turns. Sure, Johnny matched the pickup on Leo’s test board, but clearly that wasn’t the actual production spec. Johnny had to add a couple hundred turns per coil and we’re good.
To keep this moving, I borrowed the neck off the old red SB-2. Well, we have a working bass so now we’ll make neck for this thing. My plan is to try to match the headstock to the aged body but I keep thinking a black headstock might be sweet. What do you think?
To ke Date: 09/14/18 Got an update on the El Toro build. First pickups didn’t have enough turns. Sure, Johnny matched the pickup on Leo’s test board, but clearly that wasn’t the actual production spec. Johnny had to add a couple hundred turns per coil and we’re good.
To keep this moving, I borrowed the neck off the old red SB-2. Well, we have a working bass so now we’ll make neck for this thing. My plan is to try to match the headstock to the aged body but I keep thinking a black headstock might be sweet. What do you think?
El Toro build-3
Got an update on the El Toro build. First pickups didn’t have enough turns. Sure, Johnny matched the pickup on Leo’s test board, but clearly that wasn’t the actual production spec. Johnny had to add a couple hundred turns per coil and we’re good.
To ke Date: 09/14/18 Got an update on the El Toro build. First pickups didn’t have enough turns. Sure, Johnny matched the pickup on Leo’s test board, but clearly that wasn’t the actual production spec. Johnny had to add a couple hundred turns per coil and we’re good.
To keep this moving, I borrowed the neck off the old red SB-2. Well, we have a working bass so now we’ll make neck for this thing. My plan is to try to match the headstock to the aged body but I keep thinking a black headstock might be sweet. What do you think?
To ke Date: 09/14/18 Got an update on the El Toro build. First pickups didn’t have enough turns. Sure, Johnny matched the pickup on Leo’s test board, but clearly that wasn’t the actual production spec. Johnny had to add a couple hundred turns per coil and we’re good.
To keep this moving, I borrowed the neck off the old red SB-2. Well, we have a working bass so now we’ll make neck for this thing. My plan is to try to match the headstock to the aged body but I keep thinking a black headstock might be sweet. What do you think?
ancient decals-1
’ve been going through the bin of ancient decals and came up with two. And that’s a bummer because if one fails, I don’t have a backup of the same kind. The top one is good for natural or light colors, the bottom gold does dark colors best.
The gold on Date: 09/14/18 ’ve been going through the bin of ancient decals and came up with two. And that’s a bummer because if one fails, I don’t have a backup of the same kind. The top one is good for natural or light colors, the bottom gold does dark colors best.
The gold one looks to be in better condition, so less risky. Anyway, even if we do a black headstock and the gold logo fails, the black can be sanded down and we take another shot with the other decal on a natural or white headstock.
The gold on Date: 09/14/18 ’ve been going through the bin of ancient decals and came up with two. And that’s a bummer because if one fails, I don’t have a backup of the same kind. The top one is good for natural or light colors, the bottom gold does dark colors best.
The gold one looks to be in better condition, so less risky. Anyway, even if we do a black headstock and the gold logo fails, the black can be sanded down and we take another shot with the other decal on a natural or white headstock.
master template
This is a master template, which is a machine shop template used to cut out the working steel templates used on the woodshop production floor.
This particular template is a wonderful artifact that has some stories to tell.
More in a few minutes... Date: 09/14/18 This is a master template, which is a machine shop template used to cut out the working steel templates used on the woodshop production floor.
This particular template is a wonderful artifact that has some stories to tell.
More in a few minutes...
This particular template is a wonderful artifact that has some stories to tell.
More in a few minutes... Date: 09/14/18 This is a master template, which is a machine shop template used to cut out the working steel templates used on the woodshop production floor.
This particular template is a wonderful artifact that has some stories to tell.
More in a few minutes...
HG-2 GUITAR SERIES MASTER
The die-stamped text reads: “HG-2 GUITAR SERIES MASTER SEVERAL MODELS IN THIS SHAPE BODY 3-24-83 G-W-F This template is milled using the blueprint glued onto the steel. G-W-F is George William Fullerton, the G in G&L.
Now there was an HG-2 model, b Date: 09/14/18 The die-stamped text reads: “HG-2 GUITAR SERIES MASTER SEVERAL MODELS IN THIS SHAPE BODY 3-24-83 G-W-F This template is milled using the blueprint glued onto the steel. G-W-F is George William Fullerton, the G in G&L.
Now there was an HG-2 model, but none of the pickup cutouts here could be used for those pickups. More in a few minutes...
Now there was an HG-2 model, b Date: 09/14/18 The die-stamped text reads: “HG-2 GUITAR SERIES MASTER SEVERAL MODELS IN THIS SHAPE BODY 3-24-83 G-W-F This template is milled using the blueprint glued onto the steel. G-W-F is George William Fullerton, the G in G&L.
Now there was an HG-2 model, but none of the pickup cutouts here could be used for those pickups. More in a few minutes...
prototype with all three of the intended pickups
Here’s a prototype with all three of the intended pickups. These are MFD angled mini humbuckers, the same pickups used in the production Cavalier guitar which had two of them (no middle pickup).
And yes, I showed you this prototype before and told you Date: 09/14/18 Here’s a prototype with all three of the intended pickups. These are MFD angled mini humbuckers, the same pickups used in the production Cavalier guitar which had two of them (no middle pickup).
And yes, I showed you this prototype before and told you I would put a bridge on it and whatever to get it running. And I will so just leave me alone, mom! More in a little bit...
And yes, I showed you this prototype before and told you Date: 09/14/18 Here’s a prototype with all three of the intended pickups. These are MFD angled mini humbuckers, the same pickups used in the production Cavalier guitar which had two of them (no middle pickup).
And yes, I showed you this prototype before and told you I would put a bridge on it and whatever to get it running. And I will so just leave me alone, mom! More in a little bit...
G&L ARTISTE GUITAR WITH HUMBUCKING PICKUPS-1
The printed text reads: “G&L ARTISTE GUITAR WITH HUMBUCKING PICKUPS - OFFSET 25 1/2 SCALE 2-19-83 GWF G&L MUSICAL PRODUCTS INC and that lower text was added to the revised blueprint. REVISED ON MAR 7 - 83 TO SHOW CONTROL PLATE FOR SINGLE PICKUP AL
Date: 09/15/18
The printed text reads: “G&L ARTISTE GUITAR WITH HUMBUCKING PICKUPS - OFFSET 25 1/2 SCALE 2-19-83 GWF G&L MUSICAL PRODUCTS INC and that lower text was added to the revised blueprint. REVISED ON MAR 7 - 83 TO SHOW CONTROL PLATE FOR SINGLE PICKUP ALSO TO ADD THE SWITCH TO MAKE ACTIVE ELECTRONICS THE NEW 2 PICKUP MODEL WILL BE CALLED [crossed out] we can see written in ink pen CAVALIER. What I can’t make out is what is scribbled out. It’s not ARTISTE as you see crossed out earlier.
Anyway, this is old school development where they made decisions and altered blueprints and master templates and so on as they went along. It was the normal course of things and still sort of is. Now we have technology to greatly aid in the process, which is wonderful, but artifacts like this remind me of the manual and mental effort that went into doing things the old school way.
Anyway, this is old school development where they made decisions and altered blueprints and master templates and so on as they went along. It was the normal course of things and still sort of is. Now we have technology to greatly aid in the process, which is wonderful, but artifacts like this remind me of the manual and mental effort that went into doing things the old school way.
G&L ARTISTE GUITAR WITH HUMBUCKING PICKUPS-2
The printed text reads: “G&L ARTISTE GUITAR WITH HUMBUCKING PICKUPS - OFFSET 25 1/2 SCALE 2-19-83 GWF G&L MUSICAL PRODUCTS INC and that lower text was added to the revised blueprint. REVISED ON MAR 7 - 83 TO SHOW CONTROL PLATE FOR SINGLE PICKUP AL
Date: 09/15/18
The printed text reads: “G&L ARTISTE GUITAR WITH HUMBUCKING PICKUPS - OFFSET 25 1/2 SCALE 2-19-83 GWF G&L MUSICAL PRODUCTS INC and that lower text was added to the revised blueprint. REVISED ON MAR 7 - 83 TO SHOW CONTROL PLATE FOR SINGLE PICKUP ALSO TO ADD THE SWITCH TO MAKE ACTIVE ELECTRONICS THE NEW 2 PICKUP MODEL WILL BE CALLED [crossed out] we can see written in ink pen CAVALIER. What I can’t make out is what is scribbled out. It’s not ARTISTE as you see crossed out earlier.
Anyway, this is old school development where they made decisions and altered blueprints and master templates and so on as they went along. It was the normal course of things and still sort of is. Now we have technology to greatly aid in the process, which is wonderful, but artifacts like this remind me of the manual and mental effort that went into doing things the old school way.
Anyway, this is old school development where they made decisions and altered blueprints and master templates and so on as they went along. It was the normal course of things and still sort of is. Now we have technology to greatly aid in the process, which is wonderful, but artifacts like this remind me of the manual and mental effort that went into doing things the old school way.
letter from Tommy to Leo dated May 6, 1980-1
I’ve been thinking about sharing some letters illustrating the decline of the relationship between CLF Research and Music Man. Please keep in mind that all of those guys, Tommy, Forrest, Leo and George, they were real people, just like you and me, and n Date: 09/17/18
I’ve been thinking about sharing some letters illustrating the decline of the relationship between CLF Research and Music Man. Please keep in mind that all of those guys, Tommy, Forrest, Leo and George, they were real people, just like you and me, and nobody’s perfect.
And none of this has anything to do with the good folks at Ernie Ball, as all this happened years before they bought the Music Man brand.
That said, here’s a letter from Tommy to Leo dated May 6, 1980.
I’ve been thinking about sharing some letters illustrating the decline of the relationship between CLF Research and Music Man. Please keep in mind that all of those guys, Tommy, Forrest, Leo and George, they were real people, just like you and me, and n Date: 09/17/18
I’ve been thinking about sharing some letters illustrating the decline of the relationship between CLF Research and Music Man. Please keep in mind that all of those guys, Tommy, Forrest, Leo and George, they were real people, just like you and me, and nobody’s perfect.
And none of this has anything to do with the good folks at Ernie Ball, as all this happened years before they bought the Music Man brand.
That said, here’s a letter from Tommy to Leo dated May 6, 1980.
letter from Tommy to Leo dated May 6, 1980-2
I’ve been thinking about sharing some letters illustrating the decline of the relationship between CLF Research and Music Man. Please keep in mind that all of those guys, Tommy, Forrest, Leo and George, they were real people, just like you and me, and n Date: 09/17/18
I’ve been thinking about sharing some letters illustrating the decline of the relationship between CLF Research and Music Man. Please keep in mind that all of those guys, Tommy, Forrest, Leo and George, they were real people, just like you and me, and nobody’s perfect.
And none of this has anything to do with the good folks at Ernie Ball, as all this happened years before they bought the Music Man brand.
That said, here’s a letter from Tommy to Leo dated May 6, 1980.
I’ve been thinking about sharing some letters illustrating the decline of the relationship between CLF Research and Music Man. Please keep in mind that all of those guys, Tommy, Forrest, Leo and George, they were real people, just like you and me, and n Date: 09/17/18
I’ve been thinking about sharing some letters illustrating the decline of the relationship between CLF Research and Music Man. Please keep in mind that all of those guys, Tommy, Forrest, Leo and George, they were real people, just like you and me, and nobody’s perfect.
And none of this has anything to do with the good folks at Ernie Ball, as all this happened years before they bought the Music Man brand.
That said, here’s a letter from Tommy to Leo dated May 6, 1980.
CLF-75 prototype guitar-1
Let’s rewind five years from 1980 to 1975. The 2548 Fender Avenue building is complete and R&D is continuing while the factory floor is being outfitted for production. What we have here, I believe, is the oldest complete CLF Research guitar prototype,
Date: 09/18/18
Let’s rewind five years from 1980 to 1975. The 2548 Fender Avenue building is complete and R&D is continuing while the factory floor is being outfitted for production. What we have here, I believe, is the oldest complete CLF Research guitar prototype, finished in spring of 1975.
We’ll study the tech together later but just take a look first. To my eyes George’s styling was fresh, hip and fun for the time. There was a sense of roundness to nearly everything. Now, look at the G&L Skyhawk, like the new CLFR ones. Do you see similarities? I do. George used to revisit his styling elements just like Leo would with his technical elements.
Anyway, the CLF-75 prototype guitar has active electronics and I can’t remember the last time it worked, so I’ve just changed the battery and now we’ll see if it’s alive! Probably not, but...
We’ll study the tech together later but just take a look first. To my eyes George’s styling was fresh, hip and fun for the time. There was a sense of roundness to nearly everything. Now, look at the G&L Skyhawk, like the new CLFR ones. Do you see similarities? I do. George used to revisit his styling elements just like Leo would with his technical elements.
Anyway, the CLF-75 prototype guitar has active electronics and I can’t remember the last time it worked, so I’ve just changed the battery and now we’ll see if it’s alive! Probably not, but...
CLF-75 prototype guitar-2
Let’s rewind five years from 1980 to 1975. The 2548 Fender Avenue building is complete and R&D is continuing while the factory floor is being outfitted for production. What we have here, I believe, is the oldest complete CLF Research guitar prototype,
Date: 09/18/18
Let’s rewind five years from 1980 to 1975. The 2548 Fender Avenue building is complete and R&D is continuing while the factory floor is being outfitted for production. What we have here, I believe, is the oldest complete CLF Research guitar prototype, finished in spring of 1975.
We’ll study the tech together later but just take a look first. To my eyes George’s styling was fresh, hip and fun for the time. There was a sense of roundness to nearly everything. Now, look at the G&L Skyhawk, like the new CLFR ones. Do you see similarities? I do. George used to revisit his styling elements just like Leo would with his technical elements.
Anyway, the CLF-75 prototype guitar has active electronics and I can’t remember the last time it worked, so I’ve just changed the battery and now we’ll see if it’s alive! Probably not, but...
We’ll study the tech together later but just take a look first. To my eyes George’s styling was fresh, hip and fun for the time. There was a sense of roundness to nearly everything. Now, look at the G&L Skyhawk, like the new CLFR ones. Do you see similarities? I do. George used to revisit his styling elements just like Leo would with his technical elements.
Anyway, the CLF-75 prototype guitar has active electronics and I can’t remember the last time it worked, so I’ve just changed the battery and now we’ll see if it’s alive! Probably not, but...
CLF-75 prototype guitar-3
Let’s rewind five years from 1980 to 1975. The 2548 Fender Avenue building is complete and R&D is continuing while the factory floor is being outfitted for production. What we have here, I believe, is the oldest complete CLF Research guitar prototype,
Date: 09/18/18
Let’s rewind five years from 1980 to 1975. The 2548 Fender Avenue building is complete and R&D is continuing while the factory floor is being outfitted for production. What we have here, I believe, is the oldest complete CLF Research guitar prototype, finished in spring of 1975.
We’ll study the tech together later but just take a look first. To my eyes George’s styling was fresh, hip and fun for the time. There was a sense of roundness to nearly everything. Now, look at the G&L Skyhawk, like the new CLFR ones. Do you see similarities? I do. George used to revisit his styling elements just like Leo would with his technical elements.
Anyway, the CLF-75 prototype guitar has active electronics and I can’t remember the last time it worked, so I’ve just changed the battery and now we’ll see if it’s alive! Probably not, but...
We’ll study the tech together later but just take a look first. To my eyes George’s styling was fresh, hip and fun for the time. There was a sense of roundness to nearly everything. Now, look at the G&L Skyhawk, like the new CLFR ones. Do you see similarities? I do. George used to revisit his styling elements just like Leo would with his technical elements.
Anyway, the CLF-75 prototype guitar has active electronics and I can’t remember the last time it worked, so I’ve just changed the battery and now we’ll see if it’s alive! Probably not, but...
CLF-75 prototype guitar-4
Let’s rewind five years from 1980 to 1975. The 2548 Fender Avenue building is complete and R&D is continuing while the factory floor is being outfitted for production. What we have here, I believe, is the oldest complete CLF Research guitar prototype,
Date: 09/18/18
Let’s rewind five years from 1980 to 1975. The 2548 Fender Avenue building is complete and R&D is continuing while the factory floor is being outfitted for production. What we have here, I believe, is the oldest complete CLF Research guitar prototype, finished in spring of 1975.
We’ll study the tech together later but just take a look first. To my eyes George’s styling was fresh, hip and fun for the time. There was a sense of roundness to nearly everything. Now, look at the G&L Skyhawk, like the new CLFR ones. Do you see similarities? I do. George used to revisit his styling elements just like Leo would with his technical elements.
Anyway, the CLF-75 prototype guitar has active electronics and I can’t remember the last time it worked, so I’ve just changed the battery and now we’ll see if it’s alive! Probably not, but...
We’ll study the tech together later but just take a look first. To my eyes George’s styling was fresh, hip and fun for the time. There was a sense of roundness to nearly everything. Now, look at the G&L Skyhawk, like the new CLFR ones. Do you see similarities? I do. George used to revisit his styling elements just like Leo would with his technical elements.
Anyway, the CLF-75 prototype guitar has active electronics and I can’t remember the last time it worked, so I’ve just changed the battery and now we’ll see if it’s alive! Probably not, but...
headstocks-1
Left to right: CLF-75 prototype guitar with nearly production shape Music Man headstock, 1981 F-100, 1982 S-500 (hook added to headstock) and a 2018 CLFR Skyhawk standing in for ‘84-‘86 Skyhawk.
I admit I’m not a big fan of the early S-500 headstock, Date: 09/18/18
Left to right: CLF-75 prototype guitar with nearly production shape Music Man headstock, 1981 F-100, 1982 S-500 (hook added to headstock) and a 2018 CLFR Skyhawk standing in for ‘84-‘86 Skyhawk.
I admit I’m not a big fan of the early S-500 headstock, as George’s rework for the Skyhawk/Nighthawk/Rampage et cetera is much better proportioned to my eye.
Left to right: CLF-75 prototype guitar with nearly production shape Music Man headstock, 1981 F-100, 1982 S-500 (hook added to headstock) and a 2018 CLFR Skyhawk standing in for ‘84-‘86 Skyhawk.
I admit I’m not a big fan of the early S-500 headstock, Date: 09/18/18
Left to right: CLF-75 prototype guitar with nearly production shape Music Man headstock, 1981 F-100, 1982 S-500 (hook added to headstock) and a 2018 CLFR Skyhawk standing in for ‘84-‘86 Skyhawk.
I admit I’m not a big fan of the early S-500 headstock, as George’s rework for the Skyhawk/Nighthawk/Rampage et cetera is much better proportioned to my eye.
bodies-1
Left to right: CLF-75 prototype guitar with nearly production shape Music Man headstock, 1981 F-100, 1982 S-500 (hook added to headstock) and a 2018 CLFR Skyhawk standing in for ‘84-‘86 Skyhawk.
I admit I’m not a big fan of the early S-500 headstock, Date: 09/18/18
Left to right: CLF-75 prototype guitar with nearly production shape Music Man headstock, 1981 F-100, 1982 S-500 (hook added to headstock) and a 2018 CLFR Skyhawk standing in for ‘84-‘86 Skyhawk.
I admit I’m not a big fan of the early S-500 headstock, as George’s rework for the Skyhawk/Nighthawk/Rampage et cetera is much better proportioned to my eye.
Left to right: CLF-75 prototype guitar with nearly production shape Music Man headstock, 1981 F-100, 1982 S-500 (hook added to headstock) and a 2018 CLFR Skyhawk standing in for ‘84-‘86 Skyhawk.
I admit I’m not a big fan of the early S-500 headstock, Date: 09/18/18
Left to right: CLF-75 prototype guitar with nearly production shape Music Man headstock, 1981 F-100, 1982 S-500 (hook added to headstock) and a 2018 CLFR Skyhawk standing in for ‘84-‘86 Skyhawk.
I admit I’m not a big fan of the early S-500 headstock, as George’s rework for the Skyhawk/Nighthawk/Rampage et cetera is much better proportioned to my eye.
early style SB-1 bass
This is the early style SB-1 bass, and I think this one is a 1984. Simple, honest, badass. Just arrived, actually, so we’ll give it at at least a little love before we have a better look at it here.
Date: 09/20/18
This is the early style SB-1 bass, and I think this one is a 1984. Simple, honest, badass. Just arrived, actually, so we’ll give it at at least a little love before we have a better look at it here.
1968 new concept development for the Telecaster-1
Circa late 1967 to early 1968 new concept development for the Telecaster. It has two split coil pickups and active electronics. Truly next level stuff at the time.
Tonight I’m going to focus on the technology in his bridge design. While i imagine it Date: 09/20/18
Circa late 1967 to early 1968 new concept development for the Telecaster. It has two split coil pickups and active electronics. Truly next level stuff at the time.
Tonight I’m going to focus on the technology in his bridge design. While i imagine it would be impractical to execute in production (I wouldn’t want to sign up for this), the amazing thing to me is seeing him explore technical concepts that I understand influenced his bridge designs of the ‘70s and ‘80s.
Note the saddles are barrels with intonation screws approaching from the opposite direction. Already a little weird. Now see how the strings go down metal bars that are not part of the plate itself. I’ll post a look underneath shortly so we can understand Leo’s CLFR future tech of the late ‘60s.
Circa late 1967 to early 1968 new concept development for the Telecaster. It has two split coil pickups and active electronics. Truly next level stuff at the time.
Tonight I’m going to focus on the technology in his bridge design. While i imagine it Date: 09/20/18
Circa late 1967 to early 1968 new concept development for the Telecaster. It has two split coil pickups and active electronics. Truly next level stuff at the time.
Tonight I’m going to focus on the technology in his bridge design. While i imagine it would be impractical to execute in production (I wouldn’t want to sign up for this), the amazing thing to me is seeing him explore technical concepts that I understand influenced his bridge designs of the ‘70s and ‘80s.
Note the saddles are barrels with intonation screws approaching from the opposite direction. Already a little weird. Now see how the strings go down metal bars that are not part of the plate itself. I’ll post a look underneath shortly so we can understand Leo’s CLFR future tech of the late ‘60s.
1968 new concept development for the Telecaster-2
Circa late 1967 to early 1968 new concept development for the Telecaster. It has two split coil pickups and active electronics. Truly next level stuff at the time.
Tonight I’m going to focus on the technology in his bridge design. While i imagine it Date: 09/20/18
Circa late 1967 to early 1968 new concept development for the Telecaster. It has two split coil pickups and active electronics. Truly next level stuff at the time.
Tonight I’m going to focus on the technology in his bridge design. While i imagine it would be impractical to execute in production (I wouldn’t want to sign up for this), the amazing thing to me is seeing him explore technical concepts that I understand influenced his bridge designs of the ‘70s and ‘80s.
Note the saddles are barrels with intonation screws approaching from the opposite direction. Already a little weird. Now see how the strings go down metal bars that are not part of the plate itself. I’ll post a look underneath shortly so we can understand Leo’s CLFR future tech of the late ‘60s.
Circa late 1967 to early 1968 new concept development for the Telecaster. It has two split coil pickups and active electronics. Truly next level stuff at the time.
Tonight I’m going to focus on the technology in his bridge design. While i imagine it Date: 09/20/18
Circa late 1967 to early 1968 new concept development for the Telecaster. It has two split coil pickups and active electronics. Truly next level stuff at the time.
Tonight I’m going to focus on the technology in his bridge design. While i imagine it would be impractical to execute in production (I wouldn’t want to sign up for this), the amazing thing to me is seeing him explore technical concepts that I understand influenced his bridge designs of the ‘70s and ‘80s.
Note the saddles are barrels with intonation screws approaching from the opposite direction. Already a little weird. Now see how the strings go down metal bars that are not part of the plate itself. I’ll post a look underneath shortly so we can understand Leo’s CLFR future tech of the late ‘60s.
1968 new concept development for the Telecaster-3
Circa late 1967 to early 1968 new concept development for the Telecaster. It has two split coil pickups and active electronics. Truly next level stuff at the time.
Tonight I’m going to focus on the technology in his bridge design. While i imagine it Date: 09/20/18
Circa late 1967 to early 1968 new concept development for the Telecaster. It has two split coil pickups and active electronics. Truly next level stuff at the time.
Tonight I’m going to focus on the technology in his bridge design. While i imagine it would be impractical to execute in production (I wouldn’t want to sign up for this), the amazing thing to me is seeing him explore technical concepts that I understand influenced his bridge designs of the ‘70s and ‘80s.
Note the saddles are barrels with intonation screws approaching from the opposite direction. Already a little weird. Now see how the strings go down metal bars that are not part of the plate itself. I’ll post a look underneath shortly so we can understand Leo’s CLFR future tech of the late ‘60s.
Circa late 1967 to early 1968 new concept development for the Telecaster. It has two split coil pickups and active electronics. Truly next level stuff at the time.
Tonight I’m going to focus on the technology in his bridge design. While i imagine it Date: 09/20/18
Circa late 1967 to early 1968 new concept development for the Telecaster. It has two split coil pickups and active electronics. Truly next level stuff at the time.
Tonight I’m going to focus on the technology in his bridge design. While i imagine it would be impractical to execute in production (I wouldn’t want to sign up for this), the amazing thing to me is seeing him explore technical concepts that I understand influenced his bridge designs of the ‘70s and ‘80s.
Note the saddles are barrels with intonation screws approaching from the opposite direction. Already a little weird. Now see how the strings go down metal bars that are not part of the plate itself. I’ll post a look underneath shortly so we can understand Leo’s CLFR future tech of the late ‘60s.
1968 new concept development for the Telecaster-4
Circa late 1967 to early 1968 new concept development for the Telecaster. It has two split coil pickups and active electronics. Truly next level stuff at the time.
Tonight I’m going to focus on the technology in his bridge design. While i imagine it Date: 09/20/18
Circa late 1967 to early 1968 new concept development for the Telecaster. It has two split coil pickups and active electronics. Truly next level stuff at the time.
Tonight I’m going to focus on the technology in his bridge design. While i imagine it would be impractical to execute in production (I wouldn’t want to sign up for this), the amazing thing to me is seeing him explore technical concepts that I understand influenced his bridge designs of the ‘70s and ‘80s.
Note the saddles are barrels with intonation screws approaching from the opposite direction. Already a little weird. Now see how the strings go down metal bars that are not part of the plate itself. I’ll post a look underneath shortly so we can understand Leo’s CLFR future tech of the late ‘60s.
Circa late 1967 to early 1968 new concept development for the Telecaster. It has two split coil pickups and active electronics. Truly next level stuff at the time.
Tonight I’m going to focus on the technology in his bridge design. While i imagine it Date: 09/20/18
Circa late 1967 to early 1968 new concept development for the Telecaster. It has two split coil pickups and active electronics. Truly next level stuff at the time.
Tonight I’m going to focus on the technology in his bridge design. While i imagine it would be impractical to execute in production (I wouldn’t want to sign up for this), the amazing thing to me is seeing him explore technical concepts that I understand influenced his bridge designs of the ‘70s and ‘80s.
Note the saddles are barrels with intonation screws approaching from the opposite direction. Already a little weird. Now see how the strings go down metal bars that are not part of the plate itself. I’ll post a look underneath shortly so we can understand Leo’s CLFR future tech of the late ‘60s.
back of the body-1
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like the Date: 09/21/18
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like there must be one for each string. Now as you flip through the pics you’ll see how those long rectangular metal bars fit into them.
Under tension, a string is pulling tight against the drum saddle, so that string is pulling on whatever that bar thing is it goes into. Look at the last pic and you see the metal bar has a notch, which makes the bar act as a lever under the tension of the string, and that forces the other side of the bar hard against the end grain of the wood at the core of body.
The bridge plate sits atop the two hex head posts, and they are threaded into the body wood to allow to bridge plate to be raised or lowered.
Seems to me we’re looking at Leo exploring how to get more string energy into end grain, and that was a huge focus with his later Music Man and G&L designs. All of those were far more robust and effective than this prototype. But that’s what what R&D is about, and that’s why Leo named his business CLF Research, Co.
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like the Date: 09/21/18
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like there must be one for each string. Now as you flip through the pics you’ll see how those long rectangular metal bars fit into them.
Under tension, a string is pulling tight against the drum saddle, so that string is pulling on whatever that bar thing is it goes into. Look at the last pic and you see the metal bar has a notch, which makes the bar act as a lever under the tension of the string, and that forces the other side of the bar hard against the end grain of the wood at the core of body.
The bridge plate sits atop the two hex head posts, and they are threaded into the body wood to allow to bridge plate to be raised or lowered.
Seems to me we’re looking at Leo exploring how to get more string energy into end grain, and that was a huge focus with his later Music Man and G&L designs. All of those were far more robust and effective than this prototype. But that’s what what R&D is about, and that’s why Leo named his business CLF Research, Co.
back of the body-2
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like the Date: 09/21/18
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like there must be one for each string. Now as you flip through the pics you’ll see how those long rectangular metal bars fit into them.
Under tension, a string is pulling tight against the drum saddle, so that string is pulling on whatever that bar thing is it goes into. Look at the last pic and you see the metal bar has a notch, which makes the bar act as a lever under the tension of the string, and that forces the other side of the bar hard against the end grain of the wood at the core of body.
The bridge plate sits atop the two hex head posts, and they are threaded into the body wood to allow to bridge plate to be raised or lowered.
Seems to me we’re looking at Leo exploring how to get more string energy into end grain, and that was a huge focus with his later Music Man and G&L designs. All of those were far more robust and effective than this prototype. But that’s what what R&D is about, and that’s why Leo named his business CLF Research, Co.
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like the Date: 09/21/18
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like there must be one for each string. Now as you flip through the pics you’ll see how those long rectangular metal bars fit into them.
Under tension, a string is pulling tight against the drum saddle, so that string is pulling on whatever that bar thing is it goes into. Look at the last pic and you see the metal bar has a notch, which makes the bar act as a lever under the tension of the string, and that forces the other side of the bar hard against the end grain of the wood at the core of body.
The bridge plate sits atop the two hex head posts, and they are threaded into the body wood to allow to bridge plate to be raised or lowered.
Seems to me we’re looking at Leo exploring how to get more string energy into end grain, and that was a huge focus with his later Music Man and G&L designs. All of those were far more robust and effective than this prototype. But that’s what what R&D is about, and that’s why Leo named his business CLF Research, Co.
back of the body-3
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like the Date: 09/21/18
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like there must be one for each string. Now as you flip through the pics you’ll see how those long rectangular metal bars fit into them.
Under tension, a string is pulling tight against the drum saddle, so that string is pulling on whatever that bar thing is it goes into. Look at the last pic and you see the metal bar has a notch, which makes the bar act as a lever under the tension of the string, and that forces the other side of the bar hard against the end grain of the wood at the core of body.
The bridge plate sits atop the two hex head posts, and they are threaded into the body wood to allow to bridge plate to be raised or lowered.
Seems to me we’re looking at Leo exploring how to get more string energy into end grain, and that was a huge focus with his later Music Man and G&L designs. All of those were far more robust and effective than this prototype. But that’s what what R&D is about, and that’s why Leo named his business CLF Research, Co.
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like the Date: 09/21/18
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like there must be one for each string. Now as you flip through the pics you’ll see how those long rectangular metal bars fit into them.
Under tension, a string is pulling tight against the drum saddle, so that string is pulling on whatever that bar thing is it goes into. Look at the last pic and you see the metal bar has a notch, which makes the bar act as a lever under the tension of the string, and that forces the other side of the bar hard against the end grain of the wood at the core of body.
The bridge plate sits atop the two hex head posts, and they are threaded into the body wood to allow to bridge plate to be raised or lowered.
Seems to me we’re looking at Leo exploring how to get more string energy into end grain, and that was a huge focus with his later Music Man and G&L designs. All of those were far more robust and effective than this prototype. But that’s what what R&D is about, and that’s why Leo named his business CLF Research, Co.
back of the body-4
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like the Date: 09/21/18
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like there must be one for each string. Now as you flip through the pics you’ll see how those long rectangular metal bars fit into them.
Under tension, a string is pulling tight against the drum saddle, so that string is pulling on whatever that bar thing is it goes into. Look at the last pic and you see the metal bar has a notch, which makes the bar act as a lever under the tension of the string, and that forces the other side of the bar hard against the end grain of the wood at the core of body.
The bridge plate sits atop the two hex head posts, and they are threaded into the body wood to allow to bridge plate to be raised or lowered.
Seems to me we’re looking at Leo exploring how to get more string energy into end grain, and that was a huge focus with his later Music Man and G&L designs. All of those were far more robust and effective than this prototype. But that’s what what R&D is about, and that’s why Leo named his business CLF Research, Co.
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like the Date: 09/21/18
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like there must be one for each string. Now as you flip through the pics you’ll see how those long rectangular metal bars fit into them.
Under tension, a string is pulling tight against the drum saddle, so that string is pulling on whatever that bar thing is it goes into. Look at the last pic and you see the metal bar has a notch, which makes the bar act as a lever under the tension of the string, and that forces the other side of the bar hard against the end grain of the wood at the core of body.
The bridge plate sits atop the two hex head posts, and they are threaded into the body wood to allow to bridge plate to be raised or lowered.
Seems to me we’re looking at Leo exploring how to get more string energy into end grain, and that was a huge focus with his later Music Man and G&L designs. All of those were far more robust and effective than this prototype. But that’s what what R&D is about, and that’s why Leo named his business CLF Research, Co.
back of the body-5
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like the Date: 09/21/18
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like there must be one for each string. Now as you flip through the pics you’ll see how those long rectangular metal bars fit into them.
Under tension, a string is pulling tight against the drum saddle, so that string is pulling on whatever that bar thing is it goes into. Look at the last pic and you see the metal bar has a notch, which makes the bar act as a lever under the tension of the string, and that forces the other side of the bar hard against the end grain of the wood at the core of body.
The bridge plate sits atop the two hex head posts, and they are threaded into the body wood to allow to bridge plate to be raised or lowered.
Seems to me we’re looking at Leo exploring how to get more string energy into end grain, and that was a huge focus with his later Music Man and G&L designs. All of those were far more robust and effective than this prototype. But that’s what what R&D is about, and that’s why Leo named his business CLF Research, Co.
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like the Date: 09/21/18
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like there must be one for each string. Now as you flip through the pics you’ll see how those long rectangular metal bars fit into them.
Under tension, a string is pulling tight against the drum saddle, so that string is pulling on whatever that bar thing is it goes into. Look at the last pic and you see the metal bar has a notch, which makes the bar act as a lever under the tension of the string, and that forces the other side of the bar hard against the end grain of the wood at the core of body.
The bridge plate sits atop the two hex head posts, and they are threaded into the body wood to allow to bridge plate to be raised or lowered.
Seems to me we’re looking at Leo exploring how to get more string energy into end grain, and that was a huge focus with his later Music Man and G&L designs. All of those were far more robust and effective than this prototype. But that’s what what R&D is about, and that’s why Leo named his business CLF Research, Co.
back of the body-6
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like the Date: 09/21/18
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like there must be one for each string. Now as you flip through the pics you’ll see how those long rectangular metal bars fit into them.
Under tension, a string is pulling tight against the drum saddle, so that string is pulling on whatever that bar thing is it goes into. Look at the last pic and you see the metal bar has a notch, which makes the bar act as a lever under the tension of the string, and that forces the other side of the bar hard against the end grain of the wood at the core of body.
The bridge plate sits atop the two hex head posts, and they are threaded into the body wood to allow to bridge plate to be raised or lowered.
Seems to me we’re looking at Leo exploring how to get more string energy into end grain, and that was a huge focus with his later Music Man and G&L designs. All of those were far more robust and effective than this prototype. But that’s what what R&D is about, and that’s why Leo named his business CLF Research, Co.
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like the Date: 09/21/18
First let’s look at the back of the body and of course the first thing you notice is the battery box with 6 AA batteries to supply the active circuit. Anyway, back to the bridge. Notice those nicely chiseled rectangular slots in the body, seems like there must be one for each string. Now as you flip through the pics you’ll see how those long rectangular metal bars fit into them.
Under tension, a string is pulling tight against the drum saddle, so that string is pulling on whatever that bar thing is it goes into. Look at the last pic and you see the metal bar has a notch, which makes the bar act as a lever under the tension of the string, and that forces the other side of the bar hard against the end grain of the wood at the core of body.
The bridge plate sits atop the two hex head posts, and they are threaded into the body wood to allow to bridge plate to be raised or lowered.
Seems to me we’re looking at Leo exploring how to get more string energy into end grain, and that was a huge focus with his later Music Man and G&L designs. All of those were far more robust and effective than this prototype. But that’s what what R&D is about, and that’s why Leo named his business CLF Research, Co.
prototype angled MFD mini humbuckers-1
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun. Date: 09/21/18
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun.
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun. Date: 09/21/18
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun.
prototype angled MFD mini humbuckers-2
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun. Date: 09/21/18
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun.
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun. Date: 09/21/18
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun.
prototype angled MFD mini humbuckers-3
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun. Date: 09/21/18
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun.
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun. Date: 09/21/18
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun.
prototype angled MFD mini humbuckers-4
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun. Date: 09/21/18
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun.
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun. Date: 09/21/18
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun.
prototype angled MFD mini humbuckers-5
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun. Date: 09/21/18
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun.
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun. Date: 09/21/18
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun.
prototype angled MFD mini humbuckers-6
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun. Date: 09/21/18
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun.
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun. Date: 09/21/18
I told you a while ago that I would put a bridge on this proto and I’m finally doing it.
The pickups are prototype angled MFD mini humbuckers with offset pole pieces to maintain string alignment. This thing has three of ‘em so this should be fun.
prototype neck
Those frets sure looked like they had sat in a bedroom for 35 years. Can’t deal with that so I just gave them a little love. Date: 09/21/18
Those frets sure looked like they had sat in a bedroom for 35 years. Can’t deal with that so I just gave them a little love.
Those frets sure looked like they had sat in a bedroom for 35 years. Can’t deal with that so I just gave them a little love. Date: 09/21/18
Those frets sure looked like they had sat in a bedroom for 35 years. Can’t deal with that so I just gave them a little love.
Cav prototype-1
Wouldn’t it be too convenient for me to come back and tell you this is the greatest thing ever. I’m not gonna BS you guys like that. But damn this thing is amazing.
Maybe these prototype pickups are different than those in the Cavalier. Maybe they just Date: 09/21/18 Wouldn’t it be too convenient for me to come back and tell you this is the greatest thing ever. I’m not gonna BS you guys like that. But damn this thing is amazing.
Maybe these prototype pickups are different than those in the Cavalier. Maybe they just work better in a 3SC arrangement. Maybe when you see these 3 pickups, you approach it from a different perspective, you just ask it to do that Strat® (a registered trademark of my friends at FMIC you guys know that so just leave it alone in the comments ok) stuff and it has its own style on that job.
I don’t know, but in the first 30 seconds after I finished setting it up I discovered the most amazing chimey compressed jangle, so funky it hurts, and that was enough to blow my mind.
Now its the bridge pickup grinding the Marshall shockingly well. It’s crisp, defined, nice chunk, but it comes from a single coil place. It’s not humbucker lite, that’s for sure.
Anyway, everyone is gone now so I need to crank this the hell up. I don’t know if we’re going to make this or anything at all right now. I just know I put the thing together and - so far - I’m stunned. Yes we will get some clips.
Maybe these prototype pickups are different than those in the Cavalier. Maybe they just Date: 09/21/18 Wouldn’t it be too convenient for me to come back and tell you this is the greatest thing ever. I’m not gonna BS you guys like that. But damn this thing is amazing.
Maybe these prototype pickups are different than those in the Cavalier. Maybe they just work better in a 3SC arrangement. Maybe when you see these 3 pickups, you approach it from a different perspective, you just ask it to do that Strat® (a registered trademark of my friends at FMIC you guys know that so just leave it alone in the comments ok) stuff and it has its own style on that job.
I don’t know, but in the first 30 seconds after I finished setting it up I discovered the most amazing chimey compressed jangle, so funky it hurts, and that was enough to blow my mind.
Now its the bridge pickup grinding the Marshall shockingly well. It’s crisp, defined, nice chunk, but it comes from a single coil place. It’s not humbucker lite, that’s for sure.
Anyway, everyone is gone now so I need to crank this the hell up. I don’t know if we’re going to make this or anything at all right now. I just know I put the thing together and - so far - I’m stunned. Yes we will get some clips.
ASAT Signature Series, a guitar we completed here back on August 23rd, 1990-1
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powd Date: 10/03/18
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powder coated aluminum pickguard and other matching black hardware. The ASAT Signature had a more trad vibe, with the clean look of chrome hardware and white pickguard.
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powd Date: 10/03/18
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powder coated aluminum pickguard and other matching black hardware. The ASAT Signature had a more trad vibe, with the clean look of chrome hardware and white pickguard.
ASAT Signature Series, a guitar we completed here back on August 23rd, 1990-2
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powd Date: 10/03/18
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powder coated aluminum pickguard and other matching black hardware. The ASAT Signature had a more trad vibe, with the clean look of chrome hardware and white pickguard.
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powd Date: 10/03/18
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powder coated aluminum pickguard and other matching black hardware. The ASAT Signature had a more trad vibe, with the clean look of chrome hardware and white pickguard.
ASAT Signature Series, a guitar we completed here back on August 23rd, 1990-3
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powd Date: 10/03/18
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powder coated aluminum pickguard and other matching black hardware. The ASAT Signature had a more trad vibe, with the clean look of chrome hardware and white pickguard.
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powd Date: 10/03/18
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powder coated aluminum pickguard and other matching black hardware. The ASAT Signature had a more trad vibe, with the clean look of chrome hardware and white pickguard.
ASAT Signature Series, a guitar we completed here back on August 23rd, 1990-4
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powd Date: 10/03/18
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powder coated aluminum pickguard and other matching black hardware. The ASAT Signature had a more trad vibe, with the clean look of chrome hardware and white pickguard.
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powd Date: 10/03/18
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powder coated aluminum pickguard and other matching black hardware. The ASAT Signature had a more trad vibe, with the clean look of chrome hardware and white pickguard.
ASAT Signature Series, a guitar we completed here back on August 23rd, 1990-5
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powd Date: 10/03/18
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powder coated aluminum pickguard and other matching black hardware. The ASAT Signature had a more trad vibe, with the clean look of chrome hardware and white pickguard.
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powd Date: 10/03/18
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powder coated aluminum pickguard and other matching black hardware. The ASAT Signature had a more trad vibe, with the clean look of chrome hardware and white pickguard.
ASAT Signature Series, a guitar we completed here back on August 23rd, 1990-6
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powd Date: 10/03/18
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powder coated aluminum pickguard and other matching black hardware. The ASAT Signature had a more trad vibe, with the clean look of chrome hardware and white pickguard.
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powd Date: 10/03/18
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powder coated aluminum pickguard and other matching black hardware. The ASAT Signature had a more trad vibe, with the clean look of chrome hardware and white pickguard.
ASAT Signature Series, a guitar we completed here back on August 23rd, 1990-7
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powd Date: 10/03/18
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powder coated aluminum pickguard and other matching black hardware. The ASAT Signature had a more trad vibe, with the clean look of chrome hardware and white pickguard.
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powd Date: 10/03/18
I’d like to thank our friends at Dave's Guitar Shop for this cool ASAT Signature Series, a guitar we completed here back on August 23rd, 1990. That white pickguard is powder coated aluminum, not plastic. Back then the regular ASAT had black crinkle powder coated aluminum pickguard and other matching black hardware. The ASAT Signature had a more trad vibe, with the clean look of chrome hardware and white pickguard.
smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s-1
L
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an Date: 10/03/18 L
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an expansive 70’ deep space, equipped with two fully tiled bathrooms plus utility sink. This actual unit was first available for lease in 1974.
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an Date: 10/03/18 L
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an expansive 70’ deep space, equipped with two fully tiled bathrooms plus utility sink. This actual unit was first available for lease in 1974.
smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s-2
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an Date: 10/03/18
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an expansive 70’ deep space, equipped with two fully tiled bathrooms plus utility sink. This actual unit was first available for lease in 1974.
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an Date: 10/03/18
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an expansive 70’ deep space, equipped with two fully tiled bathrooms plus utility sink. This actual unit was first available for lease in 1974.
smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s-3
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an Date: 10/03/18
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an expansive 70’ deep space, equipped with two fully tiled bathrooms plus utility sink. This actual unit was first available for lease in 1974.
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an Date: 10/03/18
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an expansive 70’ deep space, equipped with two fully tiled bathrooms plus utility sink. This actual unit was first available for lease in 1974.
smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s-4
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an Date: 10/03/18
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an expansive 70’ deep space, equipped with two fully tiled bathrooms plus utility sink. This actual unit was first available for lease in 1974.
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an Date: 10/03/18
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an expansive 70’ deep space, equipped with two fully tiled bathrooms plus utility sink. This actual unit was first available for lease in 1974.
smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s-5
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an Date: 10/03/18
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an expansive 70’ deep space, equipped with two fully tiled bathrooms plus utility sink. This actual unit was first available for lease in 1974.
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an Date: 10/03/18
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an expansive 70’ deep space, equipped with two fully tiled bathrooms plus utility sink. This actual unit was first available for lease in 1974.
smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s-6
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an Date: 10/03/18
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an expansive 70’ deep space, equipped with two fully tiled bathrooms plus utility sink. This actual unit was first available for lease in 1974.
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an Date: 10/03/18
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an expansive 70’ deep space, equipped with two fully tiled bathrooms plus utility sink. This actual unit was first available for lease in 1974.
smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s-7
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an Date: 10/03/18
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an expansive 70’ deep space, equipped with two fully tiled bathrooms plus utility sink. This actual unit was first available for lease in 1974.
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an Date: 10/03/18
Let’s have a look at the smallest rental unit we have here at the Fender Avenue industrial park created by Leo Fender in the early 1970s.
This 20’ wide unit has a spacious front office featuring central air conditioning and heating. Step out into an expansive 70’ deep space, equipped with two fully tiled bathrooms plus utility sink. This actual unit was first available for lease in 1974.
next size Fender Avenue unit is 24’ wide-1
The next size Fender Avenue unit is 24’ wide and the front office space is divided into two rooms, each having its own window to the front of the building. The other features are same as the narrower 20’ unit.
I’m thinking about adding this unit and th Date: 10/03/18 The next size Fender Avenue unit is 24’ wide and the front office space is divided into two rooms, each having its own window to the front of the building. The other features are same as the narrower 20’ unit.
I’m thinking about adding this unit and the other one I posted tonight to the CLFR business space. They’re right nearby our main factory building and we’re lucky we can keep making these little expansions. It’s also how Leo planned it, so if things are going well he could expand CLFR into more units in his Fender Avenue development. If the music business got tough, he could get rid of some units from CLFR. Let me tell you, the former is a hell of a lot more fun than the latter.
I’m thinking about adding this unit and th Date: 10/03/18 The next size Fender Avenue unit is 24’ wide and the front office space is divided into two rooms, each having its own window to the front of the building. The other features are same as the narrower 20’ unit.
I’m thinking about adding this unit and the other one I posted tonight to the CLFR business space. They’re right nearby our main factory building and we’re lucky we can keep making these little expansions. It’s also how Leo planned it, so if things are going well he could expand CLFR into more units in his Fender Avenue development. If the music business got tough, he could get rid of some units from CLFR. Let me tell you, the former is a hell of a lot more fun than the latter.
next size Fender Avenue unit is 24’ wide-2
The next size Fender Avenue unit is 24’ wide and the front office space is divided into two rooms, each having its own window to the front of the building. The other features are same as the narrower 20’ unit.
I’m thinking about adding this unit and th Date: 10/03/18 The next size Fender Avenue unit is 24’ wide and the front office space is divided into two rooms, each having its own window to the front of the building. The other features are same as the narrower 20’ unit.
I’m thinking about adding this unit and the other one I posted tonight to the CLFR business space. They’re right nearby our main factory building and we’re lucky we can keep making these little expansions. It’s also how Leo planned it, so if things are going well he could expand CLFR into more units in his Fender Avenue development. If the music business got tough, he could get rid of some units from CLFR. Let me tell you, the former is a hell of a lot more fun than the latter.
I’m thinking about adding this unit and th Date: 10/03/18 The next size Fender Avenue unit is 24’ wide and the front office space is divided into two rooms, each having its own window to the front of the building. The other features are same as the narrower 20’ unit.
I’m thinking about adding this unit and the other one I posted tonight to the CLFR business space. They’re right nearby our main factory building and we’re lucky we can keep making these little expansions. It’s also how Leo planned it, so if things are going well he could expand CLFR into more units in his Fender Avenue development. If the music business got tough, he could get rid of some units from CLFR. Let me tell you, the former is a hell of a lot more fun than the latter.
next size Fender Avenue unit is 24’ wide-3
The next size Fender Avenue unit is 24’ wide and the front office space is divided into two rooms, each having its own window to the front of the building. The other features are same as the narrower 20’ unit.
I’m thinking about adding this unit and th Date: 10/03/18 The next size Fender Avenue unit is 24’ wide and the front office space is divided into two rooms, each having its own window to the front of the building. The other features are same as the narrower 20’ unit.
I’m thinking about adding this unit and the other one I posted tonight to the CLFR business space. They’re right nearby our main factory building and we’re lucky we can keep making these little expansions. It’s also how Leo planned it, so if things are going well he could expand CLFR into more units in his Fender Avenue development. If the music business got tough, he could get rid of some units from CLFR. Let me tell you, the former is a hell of a lot more fun than the latter.
I’m thinking about adding this unit and th Date: 10/03/18 The next size Fender Avenue unit is 24’ wide and the front office space is divided into two rooms, each having its own window to the front of the building. The other features are same as the narrower 20’ unit.
I’m thinking about adding this unit and the other one I posted tonight to the CLFR business space. They’re right nearby our main factory building and we’re lucky we can keep making these little expansions. It’s also how Leo planned it, so if things are going well he could expand CLFR into more units in his Fender Avenue development. If the music business got tough, he could get rid of some units from CLFR. Let me tell you, the former is a hell of a lot more fun than the latter.
next size Fender Avenue unit is 24’ wide-10
The next size Fender Avenue unit is 24’ wide and the front office space is divided into two rooms, each having its own window to the front of the building. The other features are same as the narrower 20’ unit.
I’m thinking about adding this unit and th Date: 10/03/18 The next size Fender Avenue unit is 24’ wide and the front office space is divided into two rooms, each having its own window to the front of the building. The other features are same as the narrower 20’ unit.
I’m thinking about adding this unit and the other one I posted tonight to the CLFR business space. They’re right nearby our main factory building and we’re lucky we can keep making these little expansions. It’s also how Leo planned it, so if things are going well he could expand CLFR into more units in his Fender Avenue development. If the music business got tough, he could get rid of some units from CLFR. Let me tell you, the former is a hell of a lot more fun than the latter.
I’m thinking about adding this unit and th Date: 10/03/18 The next size Fender Avenue unit is 24’ wide and the front office space is divided into two rooms, each having its own window to the front of the building. The other features are same as the narrower 20’ unit.
I’m thinking about adding this unit and the other one I posted tonight to the CLFR business space. They’re right nearby our main factory building and we’re lucky we can keep making these little expansions. It’s also how Leo planned it, so if things are going well he could expand CLFR into more units in his Fender Avenue development. If the music business got tough, he could get rid of some units from CLFR. Let me tell you, the former is a hell of a lot more fun than the latter.
A beautiful evening outside the historic 2548 building
A beautiful evening outside the historic 2548 building.
Date: 10/03/18
A beautiful evening outside the historic 2548 building.
‘70s and ‘80s game is looking pretty strong here
‘70s and ‘80s game is looking pretty strong here.
Date: 10/06/18
‘70s and ‘80s game is looking pretty strong here.
warehouse that has guitar boxes, tape, a forklift and stuff
Here’s a warehouse that has guitar boxes, tape, a forklift and stuff. Pretty awesome, I know, but it gets better. See, this warehouse is right behind Leo’s Lounge and, you know, this whole lounge thing is really fun but it could use more space. A lot more
Date: 10/06/18
Here’s a warehouse that has guitar boxes, tape, a forklift and stuff. Pretty awesome, I know, but it gets better. See, this warehouse is right behind Leo’s Lounge and, you know, this whole lounge thing is really fun but it could use more space. A lot more would be nice. Like, maybe a stage over there and sofas and club chairs around there, you know, a much more spacious scene to hang out in. For our guests, of course.
We deemed that a rock solid business case, so today we agreed to move this warehouse into the 2536 building and that’s why I’m in here geeking out with a tape measure. Hmmm...the place has potential. I’ll take it!!!
We deemed that a rock solid business case, so today we agreed to move this warehouse into the 2536 building and that’s why I’m in here geeking out with a tape measure. Hmmm...the place has potential. I’ll take it!!!
box from CTS Corporation
Inside Leo’s lab is this box from CTS Corporation, which I imagine once held sample pots received, as noted by George Fullerton, on March 1, 1982. It’s just an empty box, but little old things like this are special to me. Date: 10/11/18
Inside Leo’s lab is this box from CTS Corporation, which I imagine once held sample pots received, as noted by George Fullerton, on March 1, 1982. It’s just an empty box, but little old things like this are special to me.
Inside Leo’s lab is this box from CTS Corporation, which I imagine once held sample pots received, as noted by George Fullerton, on March 1, 1982. It’s just an empty box, but little old things like this are special to me. Date: 10/11/18
Inside Leo’s lab is this box from CTS Corporation, which I imagine once held sample pots received, as noted by George Fullerton, on March 1, 1982. It’s just an empty box, but little old things like this are special to me.
Leo Fender’s concept schematic for a guitar-1
Leo Fender’s concept schematic for a guitar that would have the new split coil MFD guitar pickups, which would become known as the G&L Z-coil pickups. These pickups were introduced with the new Comanche guitar in 1988.
On the third pic, you can s Date: 10/12/18
Leo Fender’s concept schematic for a guitar that would have the new split coil MFD guitar pickups, which would become known as the G&L Z-coil pickups. These pickups were introduced with the new Comanche guitar in 1988.
On the third pic, you can see Leo’s complete Z-coil pickup and some of his other MFD split coil prototypes.
The last pic is of the CLF Research prototype of 1968, and by then Leo was really into using split coil pickups on guitars. Though he didn’t make them stick in the ‘70s, he ended the ‘80s with some great ones in the Comanche’s Z-coil pickups.
Leo Fender’s concept schematic for a guitar that would have the new split coil MFD guitar pickups, which would become known as the G&L Z-coil pickups. These pickups were introduced with the new Comanche guitar in 1988.
On the third pic, you can s Date: 10/12/18
Leo Fender’s concept schematic for a guitar that would have the new split coil MFD guitar pickups, which would become known as the G&L Z-coil pickups. These pickups were introduced with the new Comanche guitar in 1988.
On the third pic, you can see Leo’s complete Z-coil pickup and some of his other MFD split coil prototypes.
The last pic is of the CLF Research prototype of 1968, and by then Leo was really into using split coil pickups on guitars. Though he didn’t make them stick in the ‘70s, he ended the ‘80s with some great ones in the Comanche’s Z-coil pickups.
Leo Fender’s concept schematic for a guitar-2
Leo Fender’s concept schematic for a guitar that would have the new split coil MFD guitar pickups, which would become known as the G&L Z-coil pickups. These pickups were introduced with the new Comanche guitar in 1988.
On the third pic, you can s Date: 10/12/18
Leo Fender’s concept schematic for a guitar that would have the new split coil MFD guitar pickups, which would become known as the G&L Z-coil pickups. These pickups were introduced with the new Comanche guitar in 1988.
On the third pic, you can see Leo’s complete Z-coil pickup and some of his other MFD split coil prototypes.
The last pic is of the CLF Research prototype of 1968, and by then Leo was really into using split coil pickups on guitars. Though he didn’t make them stick in the ‘70s, he ended the ‘80s with some great ones in the Comanche’s Z-coil pickups.
Leo Fender’s concept schematic for a guitar that would have the new split coil MFD guitar pickups, which would become known as the G&L Z-coil pickups. These pickups were introduced with the new Comanche guitar in 1988.
On the third pic, you can s Date: 10/12/18
Leo Fender’s concept schematic for a guitar that would have the new split coil MFD guitar pickups, which would become known as the G&L Z-coil pickups. These pickups were introduced with the new Comanche guitar in 1988.
On the third pic, you can see Leo’s complete Z-coil pickup and some of his other MFD split coil prototypes.
The last pic is of the CLF Research prototype of 1968, and by then Leo was really into using split coil pickups on guitars. Though he didn’t make them stick in the ‘70s, he ended the ‘80s with some great ones in the Comanche’s Z-coil pickups.
Leo Fender’s concept schematic for a guitar-3
Leo Fender’s concept schematic for a guitar that would have the new split coil MFD guitar pickups, which would become known as the G&L Z-coil pickups. These pickups were introduced with the new Comanche guitar in 1988.
On the third pic, you can s Date: 10/12/18
Leo Fender’s concept schematic for a guitar that would have the new split coil MFD guitar pickups, which would become known as the G&L Z-coil pickups. These pickups were introduced with the new Comanche guitar in 1988.
On the third pic, you can see Leo’s complete Z-coil pickup and some of his other MFD split coil prototypes.
The last pic is of the CLF Research prototype of 1968, and by then Leo was really into using split coil pickups on guitars. Though he didn’t make them stick in the ‘70s, he ended the ‘80s with some great ones in the Comanche’s Z-coil pickups.
Leo Fender’s concept schematic for a guitar that would have the new split coil MFD guitar pickups, which would become known as the G&L Z-coil pickups. These pickups were introduced with the new Comanche guitar in 1988.
On the third pic, you can s Date: 10/12/18
Leo Fender’s concept schematic for a guitar that would have the new split coil MFD guitar pickups, which would become known as the G&L Z-coil pickups. These pickups were introduced with the new Comanche guitar in 1988.
On the third pic, you can see Leo’s complete Z-coil pickup and some of his other MFD split coil prototypes.
The last pic is of the CLF Research prototype of 1968, and by then Leo was really into using split coil pickups on guitars. Though he didn’t make them stick in the ‘70s, he ended the ‘80s with some great ones in the Comanche’s Z-coil pickups.
Leo Fender’s concept schematic for a guitar-4
Leo Fender’s concept schematic for a guitar that would have the new split coil MFD guitar pickups, which would become known as the G&L Z-coil pickups. These pickups were introduced with the new Comanche guitar in 1988.
On the third pic, you can s Date: 10/12/18
Leo Fender’s concept schematic for a guitar that would have the new split coil MFD guitar pickups, which would become known as the G&L Z-coil pickups. These pickups were introduced with the new Comanche guitar in 1988.
On the third pic, you can see Leo’s complete Z-coil pickup and some of his other MFD split coil prototypes.
The last pic is of the CLF Research prototype of 1968, and by then Leo was really into using split coil pickups on guitars. Though he didn’t make them stick in the ‘70s, he ended the ‘80s with some great ones in the Comanche’s Z-coil pickups.
Leo Fender’s concept schematic for a guitar that would have the new split coil MFD guitar pickups, which would become known as the G&L Z-coil pickups. These pickups were introduced with the new Comanche guitar in 1988.
On the third pic, you can s Date: 10/12/18
Leo Fender’s concept schematic for a guitar that would have the new split coil MFD guitar pickups, which would become known as the G&L Z-coil pickups. These pickups were introduced with the new Comanche guitar in 1988.
On the third pic, you can see Leo’s complete Z-coil pickup and some of his other MFD split coil prototypes.
The last pic is of the CLF Research prototype of 1968, and by then Leo was really into using split coil pickups on guitars. Though he didn’t make them stick in the ‘70s, he ended the ‘80s with some great ones in the Comanche’s Z-coil pickups.
Leo Fender’s concept schematic for a guitar-5
Leo Fender’s concept schematic for a guitar that would have the new split coil MFD guitar pickups, which would become known as the G&L Z-coil pickups. These pickups were introduced with the new Comanche guitar in 1988.
On the third pic, you can s Date: 10/12/18
Leo Fender’s concept schematic for a guitar that would have the new split coil MFD guitar pickups, which would become known as the G&L Z-coil pickups. These pickups were introduced with the new Comanche guitar in 1988.
On the third pic, you can see Leo’s complete Z-coil pickup and some of his other MFD split coil prototypes.
The last pic is of the CLF Research prototype of 1968, and by then Leo was really into using split coil pickups on guitars. Though he didn’t make them stick in the ‘70s, he ended the ‘80s with some great ones in the Comanche’s Z-coil pickups.
Leo Fender’s concept schematic for a guitar that would have the new split coil MFD guitar pickups, which would become known as the G&L Z-coil pickups. These pickups were introduced with the new Comanche guitar in 1988.
On the third pic, you can s Date: 10/12/18
Leo Fender’s concept schematic for a guitar that would have the new split coil MFD guitar pickups, which would become known as the G&L Z-coil pickups. These pickups were introduced with the new Comanche guitar in 1988.
On the third pic, you can see Leo’s complete Z-coil pickup and some of his other MFD split coil prototypes.
The last pic is of the CLF Research prototype of 1968, and by then Leo was really into using split coil pickups on guitars. Though he didn’t make them stick in the ‘70s, he ended the ‘80s with some great ones in the Comanche’s Z-coil pickups.
Broadcaster parts-1
Fake Broadcaster alert! Well, not yet but I just realized these two are here. They were in different parts of the 2548 building and I didn’t notice until literally 10 minutes ago when I moved some things.
This Broadcaster neck was rejected in 1986, b Date: 10/12/18
Fake Broadcaster alert! Well, not yet but I just realized these two are here. They were in different parts of the 2548 building and I didn’t notice until literally 10 minutes ago when I moved some things.
This Broadcaster neck was rejected in 1986, but it was never strung up so maybe it was a cosmetic blem. Hard to tell now as it was knocked around over 32 years. I have some old bits I can build it with, maybe hand wind some pickups on Leo’s winder.
As if I needed another project instrument right now but yeah, the ancient artifacts have spoken and the ritual must begin before the harvest moon does, like, whatever and this doesn’t happen. Gon make me a Broadcaster just like Carl Perkins ripped up. Yeeeeeeah!
Fake Broadcaster alert! Well, not yet but I just realized these two are here. They were in different parts of the 2548 building and I didn’t notice until literally 10 minutes ago when I moved some things.
This Broadcaster neck was rejected in 1986, b Date: 10/12/18
Fake Broadcaster alert! Well, not yet but I just realized these two are here. They were in different parts of the 2548 building and I didn’t notice until literally 10 minutes ago when I moved some things.
This Broadcaster neck was rejected in 1986, but it was never strung up so maybe it was a cosmetic blem. Hard to tell now as it was knocked around over 32 years. I have some old bits I can build it with, maybe hand wind some pickups on Leo’s winder.
As if I needed another project instrument right now but yeah, the ancient artifacts have spoken and the ritual must begin before the harvest moon does, like, whatever and this doesn’t happen. Gon make me a Broadcaster just like Carl Perkins ripped up. Yeeeeeeah!
Braodcaster parts-2
Fake Broadcaster alert! Well, not yet but I just realized these two are here. They were in different parts of the 2548 building and I didn’t notice until literally 10 minutes ago when I moved some things.
This Broadcaster neck was rejected in 1986, b Date: 10/12/18
Fake Broadcaster alert! Well, not yet but I just realized these two are here. They were in different parts of the 2548 building and I didn’t notice until literally 10 minutes ago when I moved some things.
This Broadcaster neck was rejected in 1986, but it was never strung up so maybe it was a cosmetic blem. Hard to tell now as it was knocked around over 32 years. I have some old bits I can build it with, maybe hand wind some pickups on Leo’s winder.
As if I needed another project instrument right now but yeah, the ancient artifacts have spoken and the ritual must begin before the harvest moon does, like, whatever and this doesn’t happen. Gon make me a Broadcaster just like Carl Perkins ripped up. Yeeeeeeah!
Fake Broadcaster alert! Well, not yet but I just realized these two are here. They were in different parts of the 2548 building and I didn’t notice until literally 10 minutes ago when I moved some things.
This Broadcaster neck was rejected in 1986, b Date: 10/12/18
Fake Broadcaster alert! Well, not yet but I just realized these two are here. They were in different parts of the 2548 building and I didn’t notice until literally 10 minutes ago when I moved some things.
This Broadcaster neck was rejected in 1986, but it was never strung up so maybe it was a cosmetic blem. Hard to tell now as it was knocked around over 32 years. I have some old bits I can build it with, maybe hand wind some pickups on Leo’s winder.
As if I needed another project instrument right now but yeah, the ancient artifacts have spoken and the ritual must begin before the harvest moon does, like, whatever and this doesn’t happen. Gon make me a Broadcaster just like Carl Perkins ripped up. Yeeeeeeah!
Broadcaster parts-3
Fake Broadcaster alert! Well, not yet but I just realized these two are here. They were in different parts of the 2548 building and I didn’t notice until literally 10 minutes ago when I moved some things.
This Broadcaster neck was rejected in 1986, b Date: 10/12/18
Fake Broadcaster alert! Well, not yet but I just realized these two are here. They were in different parts of the 2548 building and I didn’t notice until literally 10 minutes ago when I moved some things.
This Broadcaster neck was rejected in 1986, but it was never strung up so maybe it was a cosmetic blem. Hard to tell now as it was knocked around over 32 years. I have some old bits I can build it with, maybe hand wind some pickups on Leo’s winder.
As if I needed another project instrument right now but yeah, the ancient artifacts have spoken and the ritual must begin before the harvest moon does, like, whatever and this doesn’t happen. Gon make me a Broadcaster just like Carl Perkins ripped up. Yeeeeeeah!
Fake Broadcaster alert! Well, not yet but I just realized these two are here. They were in different parts of the 2548 building and I didn’t notice until literally 10 minutes ago when I moved some things.
This Broadcaster neck was rejected in 1986, b Date: 10/12/18
Fake Broadcaster alert! Well, not yet but I just realized these two are here. They were in different parts of the 2548 building and I didn’t notice until literally 10 minutes ago when I moved some things.
This Broadcaster neck was rejected in 1986, but it was never strung up so maybe it was a cosmetic blem. Hard to tell now as it was knocked around over 32 years. I have some old bits I can build it with, maybe hand wind some pickups on Leo’s winder.
As if I needed another project instrument right now but yeah, the ancient artifacts have spoken and the ritual must begin before the harvest moon does, like, whatever and this doesn’t happen. Gon make me a Broadcaster just like Carl Perkins ripped up. Yeeeeeeah!
...and the old SB-2 is back in action. I really missed it!-1
...and the old SB-2 is back in action. I really missed it Date: 10/18/18
...and the old SB-2 is back in action. I really missed it
...and the old SB-2 is back in action. I really missed it Date: 10/18/18
...and the old SB-2 is back in action. I really missed it
...and the old SB-2 is back in action. I really missed it!-2
...and the old SB-2 is back in action. I really missed it Date: 10/18/18
...and the old SB-2 is back in action. I really missed it
...and the old SB-2 is back in action. I really missed it Date: 10/18/18
...and the old SB-2 is back in action. I really missed it
...and the old SB-2 is back in action. I really missed it!-3
...and the old SB-2 is back in action. I really missed it Date: 10/18/18
...and the old SB-2 is back in action. I really missed it
...and the old SB-2 is back in action. I really missed it Date: 10/18/18
...and the old SB-2 is back in action. I really missed it
...and the old SB-2 is back in action. I really missed it!-4
...and the old SB-2 is back in action. I really missed it Date: 10/18/18
...and the old SB-2 is back in action. I really missed it
...and the old SB-2 is back in action. I really missed it Date: 10/18/18
...and the old SB-2 is back in action. I really missed it
...and the old SB-2 is back in action. I really missed it!-5
...and the old SB-2 is back in action. I really missed it Date: 10/18/18
...and the old SB-2 is back in action. I really missed it
...and the old SB-2 is back in action. I really missed it Date: 10/18/18
...and the old SB-2 is back in action. I really missed it
...and the old SB-2 is back in action. I really missed it!-6
...and the old SB-2 is back in action. I really missed it Date: 10/18/18
...and the old SB-2 is back in action. I really missed it
...and the old SB-2 is back in action. I really missed it Date: 10/18/18
...and the old SB-2 is back in action. I really missed it
...and the old SB-2 is back in action. I really missed it!-7
...and the old SB-2 is back in action. I really missed it Date: 10/18/18
...and the old SB-2 is back in action. I really missed it
...and the old SB-2 is back in action. I really missed it Date: 10/18/18
...and the old SB-2 is back in action. I really missed it
‘81 L-2000-1
Aye!!! Here I was having fun thumping hard on our friend Tony Hill’s ‘81 L-2000 when the amp rack fell off and crashed face down on the carpet. Scared the living crap out of me. I guess the cab was jumping! Anyway, a few rack screws popped but our trust Date: 10/18/18
Aye!!! Here I was having fun thumping hard on our friend Tony Hill’s ‘81 L-2000 when the amp rack fell off and crashed face down on the carpet. Scared the living crap out of me. I guess the cab was jumping! Anyway, a few rack screws popped but our trusty BBE B-MAX T and QSC rig still works great.
Aye!!! Here I was having fun thumping hard on our friend Tony Hill’s ‘81 L-2000 when the amp rack fell off and crashed face down on the carpet. Scared the living crap out of me. I guess the cab was jumping! Anyway, a few rack screws popped but our trust Date: 10/18/18
Aye!!! Here I was having fun thumping hard on our friend Tony Hill’s ‘81 L-2000 when the amp rack fell off and crashed face down on the carpet. Scared the living crap out of me. I guess the cab was jumping! Anyway, a few rack screws popped but our trusty BBE B-MAX T and QSC rig still works great.
‘81 L-2000-3
Aye!!! Here I was having fun thumping hard on our friend Tony Hill’s ‘81 L-2000 when the amp rack fell off and crashed face down on the carpet. Scared the living crap out of me. I guess the cab was jumping! Anyway, a few rack screws popped but our trust Date: 10/18/18
Aye!!! Here I was having fun thumping hard on our friend Tony Hill’s ‘81 L-2000 when the amp rack fell off and crashed face down on the carpet. Scared the living crap out of me. I guess the cab was jumping! Anyway, a few rack screws popped but our trusty BBE B-MAX T and QSC rig still works great.
Aye!!! Here I was having fun thumping hard on our friend Tony Hill’s ‘81 L-2000 when the amp rack fell off and crashed face down on the carpet. Scared the living crap out of me. I guess the cab was jumping! Anyway, a few rack screws popped but our trust Date: 10/18/18
Aye!!! Here I was having fun thumping hard on our friend Tony Hill’s ‘81 L-2000 when the amp rack fell off and crashed face down on the carpet. Scared the living crap out of me. I guess the cab was jumping! Anyway, a few rack screws popped but our trusty BBE B-MAX T and QSC rig still works great.
BBE equipment
Aye!!! Here I was having fun thumping hard on our friend Tony Hill’s ‘81 L-2000 when the amp rack fell off and crashed face down on the carpet. Scared the living crap out of me. I guess the cab was jumping! Anyway, a few rack screws popped but our trust Date: 10/18/18
Aye!!! Here I was having fun thumping hard on our friend Tony Hill’s ‘81 L-2000 when the amp rack fell off and crashed face down on the carpet. Scared the living crap out of me. I guess the cab was jumping! Anyway, a few rack screws popped but our trusty BBE B-MAX T and QSC rig still works great.
Aye!!! Here I was having fun thumping hard on our friend Tony Hill’s ‘81 L-2000 when the amp rack fell off and crashed face down on the carpet. Scared the living crap out of me. I guess the cab was jumping! Anyway, a few rack screws popped but our trust Date: 10/18/18
Aye!!! Here I was having fun thumping hard on our friend Tony Hill’s ‘81 L-2000 when the amp rack fell off and crashed face down on the carpet. Scared the living crap out of me. I guess the cab was jumping! Anyway, a few rack screws popped but our trusty BBE B-MAX T and QSC rig still works great.
killer Indian rosewood board for project El Toro
I just picked out this killer Indian rosewood board for project El Toro. Just look at that smooth, chocolatey mojo. I want to eat this thing! Reminds me of a Cadbury’s Flake chocolate bar, a U.K. thing since forever and they’re awesome.
Date: 10/18/18
I just picked out this killer Indian rosewood board for project El Toro. Just look at that smooth, chocolatey mojo. I want to eat this thing! Reminds me of a Cadbury’s Flake chocolate bar, a U.K. thing since forever and they’re awesome.
I just picked out this killer Indian rosewood board for project El Toro. Just look at that smooth, chocolatey mojo. I want to eat this thing! Reminds me of a Cadbury’s Flake chocolate bar, a U.K. thing since forever and they’re awesome.
Date: 10/18/18
I just picked out this killer Indian rosewood board for project El Toro. Just look at that smooth, chocolatey mojo. I want to eat this thing! Reminds me of a Cadbury’s Flake chocolate bar, a U.K. thing since forever and they’re awesome.
quartersawn maple neck blank
We didn’t do quartersawn maple necks back in 1985 but...what the hell. This piece caught my eye and I’ve chosen it for Project El Toro.
Date: 10/18/18
We didn’t do quartersawn maple necks back in 1985 but...what the hell. This piece caught my eye and I’ve chosen it for Project El Toro.
We didn’t do quartersawn maple necks back in 1985 but...what the hell. This piece caught my eye and I’ve chosen it for Project El Toro.
Date: 10/18/18
We didn’t do quartersawn maple necks back in 1985 but...what the hell. This piece caught my eye and I’ve chosen it for Project El Toro.
El Toro project neck wip-1
Manny got the neck wood prepped for Project El Toro and we’ll route the truss rod channel next. I put Project El Toro in Leo’s office to wait for its new neck. Date: 10/19/18
Manny got the neck wood prepped for Project El Toro and we’ll route the truss rod channel next. I put Project El Toro in Leo’s office to wait for its new neck.
Manny got the neck wood prepped for Project El Toro and we’ll route the truss rod channel next. I put Project El Toro in Leo’s office to wait for its new neck. Date: 10/19/18
Manny got the neck wood prepped for Project El Toro and we’ll route the truss rod channel next. I put Project El Toro in Leo’s office to wait for its new neck.
El Toro project neck wip-2
Manny got the neck wood prepped for Project El Toro and we’ll route the truss rod channel next. I put Project El Toro in Leo’s office to wait for its new neck. Date: 10/19/18
Manny got the neck wood prepped for Project El Toro and we’ll route the truss rod channel next. I put Project El Toro in Leo’s office to wait for its new neck.
Manny got the neck wood prepped for Project El Toro and we’ll route the truss rod channel next. I put Project El Toro in Leo’s office to wait for its new neck. Date: 10/19/18
Manny got the neck wood prepped for Project El Toro and we’ll route the truss rod channel next. I put Project El Toro in Leo’s office to wait for its new neck.
El Toro project neck wip-3
Manny got the neck wood prepped for Project El Toro and we’ll route the truss rod channel next. I put Project El Toro in Leo’s office to wait for its new neck. Date: 10/19/18
Manny got the neck wood prepped for Project El Toro and we’ll route the truss rod channel next. I put Project El Toro in Leo’s office to wait for its new neck.
Manny got the neck wood prepped for Project El Toro and we’ll route the truss rod channel next. I put Project El Toro in Leo’s office to wait for its new neck. Date: 10/19/18
Manny got the neck wood prepped for Project El Toro and we’ll route the truss rod channel next. I put Project El Toro in Leo’s office to wait for its new neck.
Project El Toro’s neck is ready to mill-1
Project El Toro’s neck is ready to mill.
And now, story time!
When the Fender factory in Fullerton closed and all the equipment and stuff was auctioned off in 1985, CLFR picked up some great deals. Check out this 1960s cart made in the typical Ron Date: 10/22/18
Project El Toro’s neck is ready to mill.
And now, story time!
When the Fender factory in Fullerton closed and all the equipment and stuff was auctioned off in 1985, CLFR picked up some great deals. Check out this 1960s cart made in the typical Ronnie Beers style, later painted with a CBS Equipment Identification.
My brother Johnny was there at the auction, still working for Fender at the time, and Dale Hyatt was standing right next to him. Johnny said something like “Oh, hi Mr. Hyatt, are you here to buy something?” and Dale replied “Nope, I just wanted to see what’s left.”
Yeah, that and score some deals like these carts, instrument buggies, who knows what. See, a lot of the Leo-ish guitar stuff was perfect for this place, and some was exactly the same as we had here, just a little older.
Project El Toro’s neck is ready to mill.
And now, story time!
When the Fender factory in Fullerton closed and all the equipment and stuff was auctioned off in 1985, CLFR picked up some great deals. Check out this 1960s cart made in the typical Ron Date: 10/22/18
Project El Toro’s neck is ready to mill.
And now, story time!
When the Fender factory in Fullerton closed and all the equipment and stuff was auctioned off in 1985, CLFR picked up some great deals. Check out this 1960s cart made in the typical Ronnie Beers style, later painted with a CBS Equipment Identification.
My brother Johnny was there at the auction, still working for Fender at the time, and Dale Hyatt was standing right next to him. Johnny said something like “Oh, hi Mr. Hyatt, are you here to buy something?” and Dale replied “Nope, I just wanted to see what’s left.”
Yeah, that and score some deals like these carts, instrument buggies, who knows what. See, a lot of the Leo-ish guitar stuff was perfect for this place, and some was exactly the same as we had here, just a little older.
Project El Toro’s neck is ready to mill-2
Project El Toro’s neck is ready to mill.
And now, story time!
When the Fender factory in Fullerton closed and all the equipment and stuff was auctioned off in 1985, CLFR picked up some great deals. Check out this 1960s cart made in the typical Ronni Date: 10/22/18 Project El Toro’s neck is ready to mill.
And now, story time!
When the Fender factory in Fullerton closed and all the equipment and stuff was auctioned off in 1985, CLFR picked up some great deals. Check out this 1960s cart made in the typical Ronnie Beers style, later painted with a CBS Equipment Identification.
My brother Johnny was there at the auction, still working for Fender at the time, and Dale Hyatt was standing right next to him. Johnny said something like “Oh, hi Mr. Hyatt, are you here to buy something?” and Dale replied “Nope, I just wanted to see what’s left.”
Yeah, that and score some deals like these carts, instrument buggies, who knows what. See, a lot of the Leo-ish guitar stuff was perfect for this place, and some was exactly the same as we had here, just a little older.
And now, story time!
When the Fender factory in Fullerton closed and all the equipment and stuff was auctioned off in 1985, CLFR picked up some great deals. Check out this 1960s cart made in the typical Ronni Date: 10/22/18 Project El Toro’s neck is ready to mill.
And now, story time!
When the Fender factory in Fullerton closed and all the equipment and stuff was auctioned off in 1985, CLFR picked up some great deals. Check out this 1960s cart made in the typical Ronnie Beers style, later painted with a CBS Equipment Identification.
My brother Johnny was there at the auction, still working for Fender at the time, and Dale Hyatt was standing right next to him. Johnny said something like “Oh, hi Mr. Hyatt, are you here to buy something?” and Dale replied “Nope, I just wanted to see what’s left.”
Yeah, that and score some deals like these carts, instrument buggies, who knows what. See, a lot of the Leo-ish guitar stuff was perfect for this place, and some was exactly the same as we had here, just a little older.
Mustang-like body has no bridge route
In the late ‘60s Fender R&D would send parts to CLF Research for Leo to work on. Leo gave instructions like which basic model, routed like this or that.
This Mustang-like body has no bridge route, as it would likely have been used for Leo’s inten Date: 10/23/18
In the late ‘60s Fender R&D would send parts to CLF Research for Leo to work on. Leo gave instructions like which basic model, routed like this or that.
This Mustang-like body has no bridge route, as it would likely have been used for Leo’s intensive period of bridge development.
In the late ‘60s Fender R&D would send parts to CLF Research for Leo to work on. Leo gave instructions like which basic model, routed like this or that.
This Mustang-like body has no bridge route, as it would likely have been used for Leo’s inten Date: 10/23/18
In the late ‘60s Fender R&D would send parts to CLF Research for Leo to work on. Leo gave instructions like which basic model, routed like this or that.
This Mustang-like body has no bridge route, as it would likely have been used for Leo’s intensive period of bridge development.
Leo’s 1966 photo of his drafting table and chair
I’m holding Leo’s 1966 photo of his drafting table and chair after moving from CBS/Fender to his new CLF Research building on Elm Street in Fullerton.
In the background are the same drafting table and stool, here in the CLF Research factory at 2548 F Date: 10/25/18
I’m holding Leo’s 1966 photo of his drafting table and chair after moving from CBS/Fender to his new CLF Research building on Elm Street in Fullerton.
In the background are the same drafting table and stool, here in the CLF Research factory at 2548 Fender Avenue, where they have been since 1975.
I’m holding Leo’s 1966 photo of his drafting table and chair after moving from CBS/Fender to his new CLF Research building on Elm Street in Fullerton.
In the background are the same drafting table and stool, here in the CLF Research factory at 2548 F Date: 10/25/18
I’m holding Leo’s 1966 photo of his drafting table and chair after moving from CBS/Fender to his new CLF Research building on Elm Street in Fullerton.
In the background are the same drafting table and stool, here in the CLF Research factory at 2548 Fender Avenue, where they have been since 1975.
Marco test fitting Project El Toro’s new neck to the original 1984 body-3
Marco test fitting Project El Toro’s new neck to the original 1984 body. Date: 10/26/18
Marco test fitting Project El Toro’s new neck to the original 1984 body.
Marco test fitting Project El Toro’s new neck to the original 1984 body. Date: 10/26/18
Marco test fitting Project El Toro’s new neck to the original 1984 body.
Marco test fitting Project El Toro’s new neck to the original 1984 body-2
Marco test fitting Project El Toro’s new neck to the original 1984 body. Date: 10/26/18
Marco test fitting Project El Toro’s new neck to the original 1984 body.
Marco test fitting Project El Toro’s new neck to the original 1984 body. Date: 10/26/18
Marco test fitting Project El Toro’s new neck to the original 1984 body.
Marco test fitting Project El Toro’s new neck to the original 1984 body-1
Marco test fitting Project El Toro’s new neck to the original 1984 body. Date: 10/26/18
Marco test fitting Project El Toro’s new neck to the original 1984 body.
Marco test fitting Project El Toro’s new neck to the original 1984 body. Date: 10/26/18
Marco test fitting Project El Toro’s new neck to the original 1984 body.
Project Clarence Leo Future-1
I’m in the lab and about to do some work on Project Clarence Leo Future. First things first: I had to get those ancient strings off. I am keeping them though. Date: 10/26/18
I’m in the lab and about to do some work on Project Clarence Leo Future. First things first: I had to get those ancient strings off. I am keeping them though.
I’m in the lab and about to do some work on Project Clarence Leo Future. First things first: I had to get those ancient strings off. I am keeping them though. Date: 10/26/18
I’m in the lab and about to do some work on Project Clarence Leo Future. First things first: I had to get those ancient strings off. I am keeping them though.
Project Clarence Leo Future-2
I’m in the lab and about to do some work on Project Clarence Leo Future. First things first: I had to get those ancient strings off. I am keeping them though. Date: 10/26/18
I’m in the lab and about to do some work on Project Clarence Leo Future. First things first: I had to get those ancient strings off. I am keeping them though.
I’m in the lab and about to do some work on Project Clarence Leo Future. First things first: I had to get those ancient strings off. I am keeping them though. Date: 10/26/18
I’m in the lab and about to do some work on Project Clarence Leo Future. First things first: I had to get those ancient strings off. I am keeping them though.
Project Clarence Leo Future-3
I’m in the lab and about to do some work on Project Clarence Leo Future. First things first: I had to get those ancient strings off. I am keeping them though. Date: 10/26/18
I’m in the lab and about to do some work on Project Clarence Leo Future. First things first: I had to get those ancient strings off. I am keeping them though.
I’m in the lab and about to do some work on Project Clarence Leo Future. First things first: I had to get those ancient strings off. I am keeping them though. Date: 10/26/18
I’m in the lab and about to do some work on Project Clarence Leo Future. First things first: I had to get those ancient strings off. I am keeping them though.
pickups in Project Clarence Leo Future-1
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Date: 10/26/18
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Norma took care of that on the magnetizer.
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Date: 10/26/18
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Norma took care of that on the magnetizer.
pickups in Project Clarence Leo Future-2
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Date: 10/26/18
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Norma took care of that on the magnetizer.
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Date: 10/26/18
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Norma took care of that on the magnetizer.
pickups in Project Clarence Leo Future-3
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Date: 10/26/18
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Norma took care of that on the magnetizer.
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Date: 10/26/18
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Norma took care of that on the magnetizer.
pickups in Project Clarence Leo Future-4
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Date: 10/26/18
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Norma took care of that on the magnetizer.
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Date: 10/26/18
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Norma took care of that on the magnetizer.
pickups in Project Clarence Leo Future-5
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Date: 10/26/18
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Norma took care of that on the magnetizer.
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Date: 10/26/18
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Norma took care of that on the magnetizer.
pickups in Project Clarence Leo Future-6
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Date: 10/26/18
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Norma took care of that on the magnetizer.
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Date: 10/26/18
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Norma took care of that on the magnetizer.
pickups in Project Clarence Leo Future-7
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Date: 10/26/18
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Norma took care of that on the magnetizer.
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Date: 10/26/18
My bro Johnny McLaren is geeking out on the pickups in Project Clarence Leo Future. Good thing the spare coil we found has about the same impedance as the coils on the prototype. The orientation of the magnets on the spare coil needed to be reversed so Norma took care of that on the magnetizer.
Memo and Tim have some tuners
The preamp awakens!! One pickup coil doesn’t work so immediately Memo and Johnny are all over it. I’m just stoked the preamp works, so we made some good progress today on Project Clarence Leo Future. Date: 10/26/18
The preamp awakens!! One pickup coil doesn’t work so immediately Memo and Johnny are all over it. I’m just stoked the preamp works, so we made some good progress today on Project Clarence Leo Future.
The preamp awakens!! One pickup coil doesn’t work so immediately Memo and Johnny are all over it. I’m just stoked the preamp works, so we made some good progress today on Project Clarence Leo Future. Date: 10/26/18
The preamp awakens!! One pickup coil doesn’t work so immediately Memo and Johnny are all over it. I’m just stoked the preamp works, so we made some good progress today on Project Clarence Leo Future.
Memo and Spencer have been battling some electrical ghosts
Memo and Spencer have been battling some electrical ghosts in this complicated machine and it doesn’t look like it’s gonna happen tonight. Bummer, I know. I was completely psyched to go jam on this in Leo’s Lounge. Hopefully we’ll have it sorted out on Mo
Date: 10/26/18
Memo and Spencer have been battling some electrical ghosts in this complicated machine and it doesn’t look like it’s gonna happen tonight. Bummer, I know. I was completely psyched to go jam on this in Leo’s Lounge. Hopefully we’ll have it sorted out on Monday.
Still been a really good day for Project Clarence Leo Future. And come to think of it, Project El Toro had a good day as well.
Still been a really good day for Project Clarence Leo Future. And come to think of it, Project El Toro had a good day as well.
prototype Fender 3-bolt plate
Argh!! The micro tilt machine screw was slightly too long, so I went to the lab and got another prototype Fender 3-bolt plate and we stacked them. Well, it works so... Date: 10/26/18
Argh!! The micro tilt machine screw was slightly too long, so I went to the lab and got another prototype Fender 3-bolt plate and we stacked them. Well, it works so...
Argh!! The micro tilt machine screw was slightly too long, so I went to the lab and got another prototype Fender 3-bolt plate and we stacked them. Well, it works so... Date: 10/26/18
Argh!! The micro tilt machine screw was slightly too long, so I went to the lab and got another prototype Fender 3-bolt plate and we stacked them. Well, it works so...
Z-2 Proto-1
On that fuzz clip I have the Windowpane on a moderate fuzz level with the volume kicking a few dB more juice than dry. On the Marshall build, NORMAL is gain and HI TREBLE is volume. Pretty sure the rest is labeled properly. Date: 11/03/18
On that fuzz clip I have the Windowpane on a moderate fuzz level with the volume kicking a few dB more juice than dry. On the Marshall build, NORMAL is gain and HI TREBLE is volume. Pretty sure the rest is labeled properly.
On that fuzz clip I have the Windowpane on a moderate fuzz level with the volume kicking a few dB more juice than dry. On the Marshall build, NORMAL is gain and HI TREBLE is volume. Pretty sure the rest is labeled properly. Date: 11/03/18
On that fuzz clip I have the Windowpane on a moderate fuzz level with the volume kicking a few dB more juice than dry. On the Marshall build, NORMAL is gain and HI TREBLE is volume. Pretty sure the rest is labeled properly.
BBE Windowpane Fuzz pedal
On that fuzz clip I have the Windowpane on a moderate fuzz level with the volume kicking a few dB more juice than dry. On the Marshall build, NORMAL is gain and HI TREBLE is volume. Pretty sure the rest is labeled properly. Date: 11/03/18
On that fuzz clip I have the Windowpane on a moderate fuzz level with the volume kicking a few dB more juice than dry. On the Marshall build, NORMAL is gain and HI TREBLE is volume. Pretty sure the rest is labeled properly.
On that fuzz clip I have the Windowpane on a moderate fuzz level with the volume kicking a few dB more juice than dry. On the Marshall build, NORMAL is gain and HI TREBLE is volume. Pretty sure the rest is labeled properly. Date: 11/03/18
On that fuzz clip I have the Windowpane on a moderate fuzz level with the volume kicking a few dB more juice than dry. On the Marshall build, NORMAL is gain and HI TREBLE is volume. Pretty sure the rest is labeled properly.
Marshall Amp control panel
On that fuzz clip I have the Windowpane on a moderate fuzz level with the volume kicking a few dB more juice than dry. On the Marshall build, NORMAL is gain and HI TREBLE is volume. Pretty sure the rest is labeled properly. Date: 11/03/18
On that fuzz clip I have the Windowpane on a moderate fuzz level with the volume kicking a few dB more juice than dry. On the Marshall build, NORMAL is gain and HI TREBLE is volume. Pretty sure the rest is labeled properly.
On that fuzz clip I have the Windowpane on a moderate fuzz level with the volume kicking a few dB more juice than dry. On the Marshall build, NORMAL is gain and HI TREBLE is volume. Pretty sure the rest is labeled properly. Date: 11/03/18
On that fuzz clip I have the Windowpane on a moderate fuzz level with the volume kicking a few dB more juice than dry. On the Marshall build, NORMAL is gain and HI TREBLE is volume. Pretty sure the rest is labeled properly.
Project El Toro’s neck is ready for paint
Project El Toro’s neck is ready for paint and feels amazing. I decided to laser in a current style serial number because this will be a newly completed instrument. There’s no serial on the bridge plate, in case you were wondering. The neck plate will be Date: 11/05/18
Project El Toro’s neck is ready for paint and feels amazing. I decided to laser in a current style serial number because this will be a newly completed instrument. There’s no serial on the bridge plate, in case you were wondering. The neck plate will be black crinkle too.
Project El Toro’s neck is ready for paint and feels amazing. I decided to laser in a current style serial number because this will be a newly completed instrument. There’s no serial on the bridge plate, in case you were wondering. The neck plate will be Date: 11/05/18
Project El Toro’s neck is ready for paint and feels amazing. I decided to laser in a current style serial number because this will be a newly completed instrument. There’s no serial on the bridge plate, in case you were wondering. The neck plate will be black crinkle too.
Project Clarence Leo Future-1
Project Clarence Leo Future is temporarily using a mini toggle for phase reversal of the neck pickup. Back in ‘68 Leo used this Arrow H&H USA power switch, probably because that’s what was handy at the time. I didn’t do a major dive to find a matching
Date: 11/05/18
Project Clarence Leo Future is temporarily using a mini toggle for phase reversal of the neck pickup. Back in ‘68 Leo used this Arrow H&H USA power switch, probably because that’s what was handy at the time. I didn’t do a major dive to find a matching Arrow switch around here, and it took only like 5 minutes to get the right vintage one on eBay.
Project Clarence Leo Future-2
Project Clarence Leo Future is temporarily using a mini toggle for phase reversal of the neck pickup. Back in ‘68 Leo used this Arrow H&H USA power switch, probably because that’s what was handy at the time. I didn’t do a major dive to find a matching
Date: 11/05/18
Project Clarence Leo Future is temporarily using a mini toggle for phase reversal of the neck pickup. Back in ‘68 Leo used this Arrow H&H USA power switch, probably because that’s what was handy at the time. I didn’t do a major dive to find a matching Arrow switch around here, and it took only like 5 minutes to get the right vintage one on eBay.
Project Clarence Leo Future-3
Project Clarence Leo Future is temporarily using a mini toggle for phase reversal of the neck pickup. Back in ‘68 Leo used this Arrow H&H USA power switch, probably because that’s what was handy at the time. I didn’t do a major dive to find a matching
Date: 11/05/18
Project Clarence Leo Future is temporarily using a mini toggle for phase reversal of the neck pickup. Back in ‘68 Leo used this Arrow H&H USA power switch, probably because that’s what was handy at the time. I didn’t do a major dive to find a matching Arrow switch around here, and it took only like 5 minutes to get the right vintage one on eBay.
Project El Toro’s neck-1
Project El Toro’s neck is looking sweet after Malcolm sprayed it with a thin urethane finish. He expects that on Thursday he’ll paint the black headstock face and try to apply the old decal, which may fall apart after 33 years or whatever it’s been.
Date: 11/06/18
Project El Toro’s neck is looking sweet after Malcolm sprayed it with a thin urethane finish. He expects that on Thursday he’ll paint the black headstock face and try to apply the old decal, which may fall apart after 33 years or whatever it’s been.
Project El Toro’s neck-2
Project El Toro’s neck is looking sweet after Malcolm sprayed it with a thin urethane finish. He expects that on Thursday he’ll paint the black headstock face and try to apply the old decal, which may fall apart after 33 years or whatever it’s been.
Date: 11/06/18
Project El Toro’s neck is looking sweet after Malcolm sprayed it with a thin urethane finish. He expects that on Thursday he’ll paint the black headstock face and try to apply the old decal, which may fall apart after 33 years or whatever it’s been.
Project El Toro’s neck-3
Project El Toro’s neck is looking sweet after Malcolm sprayed it with a thin urethane finish. He expects that on Thursday he’ll paint the black headstock face and try to apply the old decal, which may fall apart after 33 years or whatever it’s been.
Date: 11/06/18
Project El Toro’s neck is looking sweet after Malcolm sprayed it with a thin urethane finish. He expects that on Thursday he’ll paint the black headstock face and try to apply the old decal, which may fall apart after 33 years or whatever it’s been.
Project El Toro has its headstock painted black-1
Project El Toro has its headstock painted black and original decal applied. I tell you, Malcolm worked his magic on this. He’s been here since like ‘93 but this decal has been here since like ‘85. It takes a real pro to massage a beaten up old decal to Date: 11/08/18
Project El Toro has its headstock painted black and original decal applied. I tell you, Malcolm worked his magic on this. He’s been here since like ‘93 but this decal has been here since like ‘85. It takes a real pro to massage a beaten up old decal to come out this sweet. Thanks, man!
Project El Toro has its headstock painted black and original decal applied. I tell you, Malcolm worked his magic on this. He’s been here since like ‘93 but this decal has been here since like ‘85. It takes a real pro to massage a beaten up old decal to Date: 11/08/18
Project El Toro has its headstock painted black and original decal applied. I tell you, Malcolm worked his magic on this. He’s been here since like ‘93 but this decal has been here since like ‘85. It takes a real pro to massage a beaten up old decal to come out this sweet. Thanks, man!
Project El Toro has its headstock painted black-2
Project El Toro has its headstock painted black and original decal applied. I tell you, Malcolm worked his magic on this. He’s been here since like ‘93 but this decal has been here since like ‘85. It takes a real pro to massage a beaten up old decal to Date: 11/08/18
Project El Toro has its headstock painted black and original decal applied. I tell you, Malcolm worked his magic on this. He’s been here since like ‘93 but this decal has been here since like ‘85. It takes a real pro to massage a beaten up old decal to come out this sweet. Thanks, man!
Project El Toro has its headstock painted black and original decal applied. I tell you, Malcolm worked his magic on this. He’s been here since like ‘93 but this decal has been here since like ‘85. It takes a real pro to massage a beaten up old decal to Date: 11/08/18
Project El Toro has its headstock painted black and original decal applied. I tell you, Malcolm worked his magic on this. He’s been here since like ‘93 but this decal has been here since like ‘85. It takes a real pro to massage a beaten up old decal to come out this sweet. Thanks, man!
old switch-1
eBay came through with the old Arrow H&H power switch we need to get Project Clarence Leo Future back to the past. Step 1: swap over the jumper wires from the broken switch to the eBay find.
Our old friend and G&L alum, Ed Sebest, is in town an Date: 11/09/18 eBay came through with the old Arrow H&H power switch we need to get Project Clarence Leo Future back to the past. Step 1: swap over the jumper wires from the broken switch to the eBay find.
Our old friend and G&L alum, Ed Sebest, is in town and came to hang. So naturally I put him to work, I mean, gave him the honor of working on, Project Clarence Leo Future. Things got a little hectic with a tiny jumper ground so my brother Johnny jumped in to help. I am so stoked about an old switch I can’t believe it. : )
Our old friend and G&L alum, Ed Sebest, is in town an Date: 11/09/18 eBay came through with the old Arrow H&H power switch we need to get Project Clarence Leo Future back to the past. Step 1: swap over the jumper wires from the broken switch to the eBay find.
Our old friend and G&L alum, Ed Sebest, is in town and came to hang. So naturally I put him to work, I mean, gave him the honor of working on, Project Clarence Leo Future. Things got a little hectic with a tiny jumper ground so my brother Johnny jumped in to help. I am so stoked about an old switch I can’t believe it. : )
old switch-2
eBay came through with the old Arrow H&H power switch we need to get Project Clarence Leo Future back to the past. Step 1: swap over the jumper wires from the broken switch to the eBay find.
Our old friend and G&L alum, Ed Sebest, is in town an Date: 11/09/18 eBay came through with the old Arrow H&H power switch we need to get Project Clarence Leo Future back to the past. Step 1: swap over the jumper wires from the broken switch to the eBay find.
Our old friend and G&L alum, Ed Sebest, is in town and came to hang. So naturally I put him to work, I mean, gave him the honor of working on, Project Clarence Leo Future. Things got a little hectic with a tiny jumper ground so my brother Johnny jumped in to help. I am so stoked about an old switch I can’t believe it. : )
Our old friend and G&L alum, Ed Sebest, is in town an Date: 11/09/18 eBay came through with the old Arrow H&H power switch we need to get Project Clarence Leo Future back to the past. Step 1: swap over the jumper wires from the broken switch to the eBay find.
Our old friend and G&L alum, Ed Sebest, is in town and came to hang. So naturally I put him to work, I mean, gave him the honor of working on, Project Clarence Leo Future. Things got a little hectic with a tiny jumper ground so my brother Johnny jumped in to help. I am so stoked about an old switch I can’t believe it. : )
old switch-Ed Sebest-3
eBay came through with the old Arrow H&H power switch we need to get Project Clarence Leo Future back to the past. Step 1: swap over the jumper wires from the broken switch to the eBay find.
Our old friend and G&L alum, Ed Sebest, is in town an Date: 11/09/18 eBay came through with the old Arrow H&H power switch we need to get Project Clarence Leo Future back to the past. Step 1: swap over the jumper wires from the broken switch to the eBay find.
Our old friend and G&L alum, Ed Sebest, is in town and came to hang. So naturally I put him to work, I mean, gave him the honor of working on, Project Clarence Leo Future. Things got a little hectic with a tiny jumper ground so my brother Johnny jumped in to help. I am so stoked about an old switch I can’t believe it. : )
Our old friend and G&L alum, Ed Sebest, is in town an Date: 11/09/18 eBay came through with the old Arrow H&H power switch we need to get Project Clarence Leo Future back to the past. Step 1: swap over the jumper wires from the broken switch to the eBay find.
Our old friend and G&L alum, Ed Sebest, is in town and came to hang. So naturally I put him to work, I mean, gave him the honor of working on, Project Clarence Leo Future. Things got a little hectic with a tiny jumper ground so my brother Johnny jumped in to help. I am so stoked about an old switch I can’t believe it. : )
Johnnie and Ed
eBay came through with the old Arrow H&H power switch we need to get Project Clarence Leo Future back to the past. Step 1: swap over the jumper wires from the broken switch to the eBay find.
Our old friend and G&L alum, Ed Sebest, is in town an Date: 11/09/18 eBay came through with the old Arrow H&H power switch we need to get Project Clarence Leo Future back to the past. Step 1: swap over the jumper wires from the broken switch to the eBay find.
Our old friend and G&L alum, Ed Sebest, is in town and came to hang. So naturally I put him to work, I mean, gave him the honor of working on, Project Clarence Leo Future. Things got a little hectic with a tiny jumper ground so my brother Johnny jumped in to help. I am so stoked about an old switch I can’t believe it. : )
Our old friend and G&L alum, Ed Sebest, is in town an Date: 11/09/18 eBay came through with the old Arrow H&H power switch we need to get Project Clarence Leo Future back to the past. Step 1: swap over the jumper wires from the broken switch to the eBay find.
Our old friend and G&L alum, Ed Sebest, is in town and came to hang. So naturally I put him to work, I mean, gave him the honor of working on, Project Clarence Leo Future. Things got a little hectic with a tiny jumper ground so my brother Johnny jumped in to help. I am so stoked about an old switch I can’t believe it. : )
old switch-5
eBay came through with the old Arrow H&H power switch we need to get Project Clarence Leo Future back to the past. Step 1: swap over the jumper wires from the broken switch to the eBay find.
Our old friend and G&L alum, Ed Sebest, is in town an Date: 11/09/18 eBay came through with the old Arrow H&H power switch we need to get Project Clarence Leo Future back to the past. Step 1: swap over the jumper wires from the broken switch to the eBay find.
Our old friend and G&L alum, Ed Sebest, is in town and came to hang. So naturally I put him to work, I mean, gave him the honor of working on, Project Clarence Leo Future. Things got a little hectic with a tiny jumper ground so my brother Johnny jumped in to help. I am so stoked about an old switch I can’t believe it. : )
Our old friend and G&L alum, Ed Sebest, is in town an Date: 11/09/18 eBay came through with the old Arrow H&H power switch we need to get Project Clarence Leo Future back to the past. Step 1: swap over the jumper wires from the broken switch to the eBay find.
Our old friend and G&L alum, Ed Sebest, is in town and came to hang. So naturally I put him to work, I mean, gave him the honor of working on, Project Clarence Leo Future. Things got a little hectic with a tiny jumper ground so my brother Johnny jumped in to help. I am so stoked about an old switch I can’t believe it. : )
its in-1
...and it’s in! Project Clarence Leo Future looks and sounds like it’s supposed to.
Date: 11/09/18
...and it’s in! Project Clarence Leo Future looks and sounds like it’s supposed to.
its in-2
...and it’s in! Project Clarence Leo Future looks and sounds like it’s supposed to.
Date: 11/09/18
...and it’s in! Project Clarence Leo Future looks and sounds like it’s supposed to.
new CLF Research Doheny V12
The new CLF Research Doheny V12. All new MFD humbuckers. Color-coded series/single/parallel mini toggles, one per pickup. CLF black wrinkle powder coated aluminum pickguard. CLF knobs on volume and PTB controls. CLF vibrato arm and CLF string retainer. Th
Date: 11/12/18
The new CLF Research Doheny V12. All new MFD humbuckers. Color-coded series/single/parallel mini toggles, one per pickup. CLF black wrinkle powder coated aluminum pickguard. CLF knobs on volume and PTB controls. CLF vibrato arm and CLF string retainer. This is insane.
F-100 MFD test humbucker-1
In the early 1980s Leo wound this G&L F-100 MFD test humbucker to be used as series/single/parallel as Johnny and I have done with the V12 pickups. The original F-100 of 1980 was a technologically advanced guitar and influenced our development of th Date: 11/14/18
In the early 1980s Leo wound this G&L F-100 MFD test humbucker to be used as series/single/parallel as Johnny and I have done with the V12 pickups. The original F-100 of 1980 was a technologically advanced guitar and influenced our development of the Doheny V12. Today I’ll post about how we came up with the Doheny V12 concept, what we took inspiration from, maybe what we avoided, who knows. I’m going freestyle here and hope it’s interesting. : )
In the early 1980s Leo wound this G&L F-100 MFD test humbucker to be used as series/single/parallel as Johnny and I have done with the V12 pickups. The original F-100 of 1980 was a technologically advanced guitar and influenced our development of th Date: 11/14/18
In the early 1980s Leo wound this G&L F-100 MFD test humbucker to be used as series/single/parallel as Johnny and I have done with the V12 pickups. The original F-100 of 1980 was a technologically advanced guitar and influenced our development of the Doheny V12. Today I’ll post about how we came up with the Doheny V12 concept, what we took inspiration from, maybe what we avoided, who knows. I’m going freestyle here and hope it’s interesting. : )
F-100 MFD test humbucker-2
In the early 1980s Leo wound this G&L F-100 MFD test humbucker to be used as series/single/parallel as Johnny and I have done with the V12 pickups. The original F-100 of 1980 was a technologically advanced guitar and influenced our development of th Date: 11/14/18
In the early 1980s Leo wound this G&L F-100 MFD test humbucker to be used as series/single/parallel as Johnny and I have done with the V12 pickups. The original F-100 of 1980 was a technologically advanced guitar and influenced our development of the Doheny V12. Today I’ll post about how we came up with the Doheny V12 concept, what we took inspiration from, maybe what we avoided, who knows. I’m going freestyle here and hope it’s interesting. : )
In the early 1980s Leo wound this G&L F-100 MFD test humbucker to be used as series/single/parallel as Johnny and I have done with the V12 pickups. The original F-100 of 1980 was a technologically advanced guitar and influenced our development of th Date: 11/14/18
In the early 1980s Leo wound this G&L F-100 MFD test humbucker to be used as series/single/parallel as Johnny and I have done with the V12 pickups. The original F-100 of 1980 was a technologically advanced guitar and influenced our development of the Doheny V12. Today I’ll post about how we came up with the Doheny V12 concept, what we took inspiration from, maybe what we avoided, who knows. I’m going freestyle here and hope it’s interesting. : )
F-100 MFD test humbucker-3
In the early 1980s Leo wound this G&L F-100 MFD test humbucker to be used as series/single/parallel as Johnny and I have done with the V12 pickups. The original F-100 of 1980 was a technologically advanced guitar and influenced our development of th Date: 11/14/18
In the early 1980s Leo wound this G&L F-100 MFD test humbucker to be used as series/single/parallel as Johnny and I have done with the V12 pickups. The original F-100 of 1980 was a technologically advanced guitar and influenced our development of the Doheny V12. Today I’ll post about how we came up with the Doheny V12 concept, what we took inspiration from, maybe what we avoided, who knows. I’m going freestyle here and hope it’s interesting. : )
In the early 1980s Leo wound this G&L F-100 MFD test humbucker to be used as series/single/parallel as Johnny and I have done with the V12 pickups. The original F-100 of 1980 was a technologically advanced guitar and influenced our development of th Date: 11/14/18
In the early 1980s Leo wound this G&L F-100 MFD test humbucker to be used as series/single/parallel as Johnny and I have done with the V12 pickups. The original F-100 of 1980 was a technologically advanced guitar and influenced our development of the Doheny V12. Today I’ll post about how we came up with the Doheny V12 concept, what we took inspiration from, maybe what we avoided, who knows. I’m going freestyle here and hope it’s interesting. : )
prototype V12 pickups-1
Johnny just messaged me some pics he took when he made the first prototype V12 pickups. He started with a blank JM cover and designed around that. It’s a pretty good size cover, so we knew we had a lot of space to engineer the new MFD coils. Disregard t Date: 11/14/18
Johnny just messaged me some pics he took when he made the first prototype V12 pickups. He started with a blank JM cover and designed around that. It’s a pretty good size cover, so we knew we had a lot of space to engineer the new MFD coils. Disregard those specs on the tape, those early prototypes are nothing like the final pickups. They were horrible, a full-on Chainsaw Massacre. But it was a starting point, and we wanted to start on the hot side of town and dial back. Gotta jump in somewhere.
Johnny just messaged me some pics he took when he made the first prototype V12 pickups. He started with a blank JM cover and designed around that. It’s a pretty good size cover, so we knew we had a lot of space to engineer the new MFD coils. Disregard t Date: 11/14/18
Johnny just messaged me some pics he took when he made the first prototype V12 pickups. He started with a blank JM cover and designed around that. It’s a pretty good size cover, so we knew we had a lot of space to engineer the new MFD coils. Disregard those specs on the tape, those early prototypes are nothing like the final pickups. They were horrible, a full-on Chainsaw Massacre. But it was a starting point, and we wanted to start on the hot side of town and dial back. Gotta jump in somewhere.
prototype V12 pickups-2
Johnny just messaged me some pics he took when he made the first prototype V12 pickups. He started with a blank JM cover and designed around that. It’s a pretty good size cover, so we knew we had a lot of space to engineer the new MFD coils. Disregard t Date: 11/14/18
Johnny just messaged me some pics he took when he made the first prototype V12 pickups. He started with a blank JM cover and designed around that. It’s a pretty good size cover, so we knew we had a lot of space to engineer the new MFD coils. Disregard those specs on the tape, those early prototypes are nothing like the final pickups. They were horrible, a full-on Chainsaw Massacre. But it was a starting point, and we wanted to start on the hot side of town and dial back. Gotta jump in somewhere.
Johnny just messaged me some pics he took when he made the first prototype V12 pickups. He started with a blank JM cover and designed around that. It’s a pretty good size cover, so we knew we had a lot of space to engineer the new MFD coils. Disregard t Date: 11/14/18
Johnny just messaged me some pics he took when he made the first prototype V12 pickups. He started with a blank JM cover and designed around that. It’s a pretty good size cover, so we knew we had a lot of space to engineer the new MFD coils. Disregard those specs on the tape, those early prototypes are nothing like the final pickups. They were horrible, a full-on Chainsaw Massacre. But it was a starting point, and we wanted to start on the hot side of town and dial back. Gotta jump in somewhere.
prototype V12 pickups-3
Johnny just messaged me some pics he took when he made the first prototype V12 pickups. He started with a blank JM cover and designed around that. It’s a pretty good size cover, so we knew we had a lot of space to engineer the new MFD coils. Disregard t Date: 11/14/18
Johnny just messaged me some pics he took when he made the first prototype V12 pickups. He started with a blank JM cover and designed around that. It’s a pretty good size cover, so we knew we had a lot of space to engineer the new MFD coils. Disregard those specs on the tape, those early prototypes are nothing like the final pickups. They were horrible, a full-on Chainsaw Massacre. But it was a starting point, and we wanted to start on the hot side of town and dial back. Gotta jump in somewhere.
Johnny just messaged me some pics he took when he made the first prototype V12 pickups. He started with a blank JM cover and designed around that. It’s a pretty good size cover, so we knew we had a lot of space to engineer the new MFD coils. Disregard t Date: 11/14/18
Johnny just messaged me some pics he took when he made the first prototype V12 pickups. He started with a blank JM cover and designed around that. It’s a pretty good size cover, so we knew we had a lot of space to engineer the new MFD coils. Disregard those specs on the tape, those early prototypes are nothing like the final pickups. They were horrible, a full-on Chainsaw Massacre. But it was a starting point, and we wanted to start on the hot side of town and dial back. Gotta jump in somewhere.
prototype V12 pickups-4
Johnny just messaged me some pics he took when he made the first prototype V12 pickups. He started with a blank JM cover and designed around that. It’s a pretty good size cover, so we knew we had a lot of space to engineer the new MFD coils. Disregard t Date: 11/14/18
Johnny just messaged me some pics he took when he made the first prototype V12 pickups. He started with a blank JM cover and designed around that. It’s a pretty good size cover, so we knew we had a lot of space to engineer the new MFD coils. Disregard those specs on the tape, those early prototypes are nothing like the final pickups. They were horrible, a full-on Chainsaw Massacre. But it was a starting point, and we wanted to start on the hot side of town and dial back. Gotta jump in somewhere.
Johnny just messaged me some pics he took when he made the first prototype V12 pickups. He started with a blank JM cover and designed around that. It’s a pretty good size cover, so we knew we had a lot of space to engineer the new MFD coils. Disregard t Date: 11/14/18
Johnny just messaged me some pics he took when he made the first prototype V12 pickups. He started with a blank JM cover and designed around that. It’s a pretty good size cover, so we knew we had a lot of space to engineer the new MFD coils. Disregard those specs on the tape, those early prototypes are nothing like the final pickups. They were horrible, a full-on Chainsaw Massacre. But it was a starting point, and we wanted to start on the hot side of town and dial back. Gotta jump in somewhere.
prototype V12 pickups-5
Johnny just messaged me some pics he took when he made the first prototype V12 pickups. He started with a blank JM cover and designed around that. It’s a pretty good size cover, so we knew we had a lot of space to engineer the new MFD coils. Disregard t Date: 11/14/18
Johnny just messaged me some pics he took when he made the first prototype V12 pickups. He started with a blank JM cover and designed around that. It’s a pretty good size cover, so we knew we had a lot of space to engineer the new MFD coils. Disregard those specs on the tape, those early prototypes are nothing like the final pickups. They were horrible, a full-on Chainsaw Massacre. But it was a starting point, and we wanted to start on the hot side of town and dial back. Gotta jump in somewhere.
Johnny just messaged me some pics he took when he made the first prototype V12 pickups. He started with a blank JM cover and designed around that. It’s a pretty good size cover, so we knew we had a lot of space to engineer the new MFD coils. Disregard t Date: 11/14/18
Johnny just messaged me some pics he took when he made the first prototype V12 pickups. He started with a blank JM cover and designed around that. It’s a pretty good size cover, so we knew we had a lot of space to engineer the new MFD coils. Disregard those specs on the tape, those early prototypes are nothing like the final pickups. They were horrible, a full-on Chainsaw Massacre. But it was a starting point, and we wanted to start on the hot side of town and dial back. Gotta jump in somewhere.
Doheny prototypes
When the Doheny came out last year, the tones blew people away. We really pushed ourselves but honestly I feel like we got a little lucky, because those Doheny single coils are wonderful and nothing in the world sounds quite like them. “Make them humbucke
Date: 11/14/18
When the Doheny came out last year, the tones blew people away. We really pushed ourselves but honestly I feel like we got a little lucky, because those Doheny single coils are wonderful and nothing in the world sounds quite like them. “Make them humbuckers!” we heard. Yeah, well it doesn’t work like that. The first few sets of MFD humbuckers were so disappointing I didn’t even look at the development mules for weeks. Ain’t easy following up an act like those Doheny MFD single coils, so I decided this needs a fresh approach. What might Leo do?
Leo’s prototype MFD humbucker -1
I realized we had to stop thinking about “humbuckers” and start thinking like Leo. With decades of hindsight we can solve puzzles that remained incomplete. Soon inspiration found us in Leo’s prototype MFD humbucker housed in the wider (neck to bridge) cov
Date: 11/14/18
I realized we had to stop thinking about “humbuckers” and start thinking like Leo. With decades of hindsight we can solve puzzles that remained incomplete. Soon inspiration found us in Leo’s prototype MFD humbucker housed in the wider (neck to bridge) cover used for the 1976 Music Man Stingray guitar which was the first production guitar made here at CLFR on Fender Avenue. Aside from those rounded ears, the width (neck to bridge) is the same as a JM cover. And both of those are wider than the ‘78 Sabre guitar and ‘80 F-100 guitar, which are the same except for the ear style. So we thought about how we could take what Leo started and make it really shine. It became a mission.
Leo’s prototype MFD humbucker-2
I realized we had to stop thinking about “humbuckers” and start thinking like Leo. With decades of hindsight we can solve puzzles that remained incomplete. Soon inspiration found us in Leo’s prototype MFD humbucker housed in the wider (neck to bridge) cov
Date: 11/14/18
I realized we had to stop thinking about “humbuckers” and start thinking like Leo. With decades of hindsight we can solve puzzles that remained incomplete. Soon inspiration found us in Leo’s prototype MFD humbucker housed in the wider (neck to bridge) cover used for the 1976 Music Man Stingray guitar which was the first production guitar made here at CLFR on Fender Avenue. Aside from those rounded ears, the width (neck to bridge) is the same as a JM cover. And both of those are wider than the ‘78 Sabre guitar and ‘80 F-100 guitar, which are the same except for the ear style. So we thought about how we could take what Leo started and make it really shine. It became a mission.
Leo’s prototype MFD humbucker-3
I realized we had to stop thinking about “humbuckers” and start thinking like Leo. With decades of hindsight we can solve puzzles that remained incomplete. Soon inspiration found us in Leo’s prototype MFD humbucker housed in the wider (neck to bridge) cov
Date: 11/14/18
I realized we had to stop thinking about “humbuckers” and start thinking like Leo. With decades of hindsight we can solve puzzles that remained incomplete. Soon inspiration found us in Leo’s prototype MFD humbucker housed in the wider (neck to bridge) cover used for the 1976 Music Man Stingray guitar which was the first production guitar made here at CLFR on Fender Avenue. Aside from those rounded ears, the width (neck to bridge) is the same as a JM cover. And both of those are wider than the ‘78 Sabre guitar and ‘80 F-100 guitar, which are the same except for the ear style. So we thought about how we could take what Leo started and make it really shine. It became a mission.
Leo’s prototype MFD humbucker-4
I realized we had to stop thinking about “humbuckers” and start thinking like Leo. With decades of hindsight we can solve puzzles that remained incomplete. Soon inspiration found us in Leo’s prototype MFD humbucker housed in the wider (neck to bridge) cov
Date: 11/14/18
I realized we had to stop thinking about “humbuckers” and start thinking like Leo. With decades of hindsight we can solve puzzles that remained incomplete. Soon inspiration found us in Leo’s prototype MFD humbucker housed in the wider (neck to bridge) cover used for the 1976 Music Man Stingray guitar which was the first production guitar made here at CLFR on Fender Avenue. Aside from those rounded ears, the width (neck to bridge) is the same as a JM cover. And both of those are wider than the ‘78 Sabre guitar and ‘80 F-100 guitar, which are the same except for the ear style. So we thought about how we could take what Leo started and make it really shine. It became a mission.
‘76 Stingray guitar cover with a V12 JM cover-1
Here is a ‘76 Stingray guitar cover with a V12 JM cover. Note the width (neck to bridge) is the same. The extra length (side to side) on the JM cover was absolutely necessary for the MFD single coil, but not needed for the humbucker coils. So here’s the d
Date: 11/14/18
Here is a ‘76 Stingray guitar cover with a V12 JM cover. Note the width (neck to bridge) is the same. The extra length (side to side) on the JM cover was absolutely necessary for the MFD single coil, but not needed for the humbucker coils. So here’s the deal. The JM cover would give us the space to complete Leo’s work from 40 years ago. People asked for a Doheny with humbuckers, and we sensed this could be epic.
‘76 Stingray guitar cover with a V12 JM cover-2
Here is a ‘76 Stingray guitar cover with a V12 JM cover. Note the width (neck to bridge) is the same. The extra length (side to side) on the JM cover was absolutely necessary for the MFD single coil, but not needed for the humbucker coils. So here’s the d
Date: 11/14/18
Here is a ‘76 Stingray guitar cover with a V12 JM cover. Note the width (neck to bridge) is the same. The extra length (side to side) on the JM cover was absolutely necessary for the MFD single coil, but not needed for the humbucker coils. So here’s the deal. The JM cover would give us the space to complete Leo’s work from 40 years ago. People asked for a Doheny with humbuckers, and we sensed this could be epic.
‘76 Stingray guitar cover with a V12 JM cover-3
Here is a ‘76 Stingray guitar cover with a V12 JM cover. Note the width (neck to bridge) is the same. The extra length (side to side) on the JM cover was absolutely necessary for the MFD single coil, but not needed for the humbucker coils. So here’s the d
Date: 11/14/18
Here is a ‘76 Stingray guitar cover with a V12 JM cover. Note the width (neck to bridge) is the same. The extra length (side to side) on the JM cover was absolutely necessary for the MFD single coil, but not needed for the humbucker coils. So here’s the deal. The JM cover would give us the space to complete Leo’s work from 40 years ago. People asked for a Doheny with humbuckers, and we sensed this could be epic.
‘76 Stingray guitar cover with a V12 JM cover-4
Here is a ‘76 Stingray guitar cover with a V12 JM cover. Note the width (neck to bridge) is the same. The extra length (side to side) on the JM cover was absolutely necessary for the MFD single coil, but not needed for the humbucker coils. So here’s the d
Date: 11/14/18
Here is a ‘76 Stingray guitar cover with a V12 JM cover. Note the width (neck to bridge) is the same. The extra length (side to side) on the JM cover was absolutely necessary for the MFD single coil, but not needed for the humbucker coils. So here’s the deal. The JM cover would give us the space to complete Leo’s work from 40 years ago. People asked for a Doheny with humbuckers, and we sensed this could be epic.
‘78 Sabre and ‘80 F-100
...and you can see the covers on the ‘78 Sabre and ‘80 F-100 are the same except for the ear style. We wanted more width to create wider magnetic fields. I wanted to get massive chunk, and from the start I said we would not do this humbucker Doheny if i Date: 11/14/18
...and you can see the covers on the ‘78 Sabre and ‘80 F-100 are the same except for the ear style. We wanted more width to create wider magnetic fields. I wanted to get massive chunk, and from the start I said we would not do this humbucker Doheny if it didn’t make the Marshall bleed and cone surrounds fray. Plus, big space meant we could better engineer the pickups to work well in series, single and parallel.
...and you can see the covers on the ‘78 Sabre and ‘80 F-100 are the same except for the ear style. We wanted more width to create wider magnetic fields. I wanted to get massive chunk, and from the start I said we would not do this humbucker Doheny if i Date: 11/14/18
...and you can see the covers on the ‘78 Sabre and ‘80 F-100 are the same except for the ear style. We wanted more width to create wider magnetic fields. I wanted to get massive chunk, and from the start I said we would not do this humbucker Doheny if it didn’t make the Marshall bleed and cone surrounds fray. Plus, big space meant we could better engineer the pickups to work well in series, single and parallel.
Memo shopping in Leo’s lab for old resistors, capacitors and stuff-1
I want to make another preamp for Project Clarence Leo Future so we can build a similar guitar to experiment with. Here’s Memo shopping in Leo’s lab for old resistors, capacitors and stuff. Date: 11/15/18
I want to make another preamp for Project Clarence Leo Future so we can build a similar guitar to experiment with. Here’s Memo shopping in Leo’s lab for old resistors, capacitors and stuff.
I want to make another preamp for Project Clarence Leo Future so we can build a similar guitar to experiment with. Here’s Memo shopping in Leo’s lab for old resistors, capacitors and stuff. Date: 11/15/18
I want to make another preamp for Project Clarence Leo Future so we can build a similar guitar to experiment with. Here’s Memo shopping in Leo’s lab for old resistors, capacitors and stuff.
Memo shopping in Leo’s lab for old resistors, capacitors and stuff-2
I want to make another preamp for Project Clarence Leo Future so we can build a similar guitar to experiment with. Here’s Memo shopping in Leo’s lab for old resistors, capacitors and stuff. Date: 11/15/18
I want to make another preamp for Project Clarence Leo Future so we can build a similar guitar to experiment with. Here’s Memo shopping in Leo’s lab for old resistors, capacitors and stuff.
I want to make another preamp for Project Clarence Leo Future so we can build a similar guitar to experiment with. Here’s Memo shopping in Leo’s lab for old resistors, capacitors and stuff. Date: 11/15/18
I want to make another preamp for Project Clarence Leo Future so we can build a similar guitar to experiment with. Here’s Memo shopping in Leo’s lab for old resistors, capacitors and stuff.
Memo shopping in Leo’s lab for old resistors, capacitors and stuff-3
I want to make another preamp for Project Clarence Leo Future so we can build a similar guitar to experiment with. Here’s Memo shopping in Leo’s lab for old resistors, capacitors and stuff. Date: 11/15/18
I want to make another preamp for Project Clarence Leo Future so we can build a similar guitar to experiment with. Here’s Memo shopping in Leo’s lab for old resistors, capacitors and stuff.
I want to make another preamp for Project Clarence Leo Future so we can build a similar guitar to experiment with. Here’s Memo shopping in Leo’s lab for old resistors, capacitors and stuff. Date: 11/15/18
I want to make another preamp for Project Clarence Leo Future so we can build a similar guitar to experiment with. Here’s Memo shopping in Leo’s lab for old resistors, capacitors and stuff.
Memo shopping in Leo’s lab for old resistors, capacitors and stuff-4
I want to make another preamp for Project Clarence Leo Future so we can build a similar guitar to experiment with. Here’s Memo shopping in Leo’s lab for old resistors, capacitors and stuff. Date: 11/15/18
I want to make another preamp for Project Clarence Leo Future so we can build a similar guitar to experiment with. Here’s Memo shopping in Leo’s lab for old resistors, capacitors and stuff.
I want to make another preamp for Project Clarence Leo Future so we can build a similar guitar to experiment with. Here’s Memo shopping in Leo’s lab for old resistors, capacitors and stuff. Date: 11/15/18
I want to make another preamp for Project Clarence Leo Future so we can build a similar guitar to experiment with. Here’s Memo shopping in Leo’s lab for old resistors, capacitors and stuff.
Doheny V12 MFD coil (2 per pickup) versus the Doheny MFD single coil-1
Check out a Doheny V12 MFD coil (2 per pickup) versus the Doheny MFD single coil. The V12 coil has longer pole pieces and wider aperture, which changes how the winds stack up and therefore the tone. So we got to play with those parameters as well as wire
Date: 11/15/18
Check out a Doheny V12 MFD coil (2 per pickup) versus the Doheny MFD single coil. The V12 coil has longer pole pieces and wider aperture, which changes how the winds stack up and therefore the tone. So we got to play with those parameters as well as wire gauge, number of turns, magnets...all that fun stuff.
Doheny V12 MFD coil (2 per pickup) versus the Doheny MFD single coil-2
Check out a Doheny V12 MFD coil (2 per pickup) versus the Doheny MFD single coil. The V12 coil has longer pole pieces and wider aperture, which changes how the winds stack up and therefore the tone. So we got to play with those parameters as well as wire
Date: 11/15/18
Check out a Doheny V12 MFD coil (2 per pickup) versus the Doheny MFD single coil. The V12 coil has longer pole pieces and wider aperture, which changes how the winds stack up and therefore the tone. So we got to play with those parameters as well as wire gauge, number of turns, magnets...all that fun stuff.
El Toro E control plate-1
I was looking through old bins in Unit J, which is at the far end of the 2548 Fender Avenue building near the train tracks. It’s like our smaller version of what the old Fender guys in Fullerton remember as the “Back 40” where old machines and randomnes Date: 11/15/18
I was looking through old bins in Unit J, which is at the far end of the 2548 Fender Avenue building near the train tracks. It’s like our smaller version of what the old Fender guys in Fullerton remember as the “Back 40” where old machines and randomness goes. Anyway, I was stoked to find this El Toro E control plate. Yeah, it has been pillaged a little, but I’ve been messing around in El Toro land and I might need it. I’m like a squirrel out looking for nuts, and I’m taking this tasty nut back to the lab.
I was looking through old bins in Unit J, which is at the far end of the 2548 Fender Avenue building near the train tracks. It’s like our smaller version of what the old Fender guys in Fullerton remember as the “Back 40” where old machines and randomnes Date: 11/15/18
I was looking through old bins in Unit J, which is at the far end of the 2548 Fender Avenue building near the train tracks. It’s like our smaller version of what the old Fender guys in Fullerton remember as the “Back 40” where old machines and randomness goes. Anyway, I was stoked to find this El Toro E control plate. Yeah, it has been pillaged a little, but I’ve been messing around in El Toro land and I might need it. I’m like a squirrel out looking for nuts, and I’m taking this tasty nut back to the lab.
El Toro E control plate-2
I was looking through old bins in Unit J, which is at the far end of the 2548 Fender Avenue building near the train tracks. It’s like our smaller version of what the old Fender guys in Fullerton remember as the “Back 40” where old machines and randomnes Date: 11/15/18
I was looking through old bins in Unit J, which is at the far end of the 2548 Fender Avenue building near the train tracks. It’s like our smaller version of what the old Fender guys in Fullerton remember as the “Back 40” where old machines and randomness goes. Anyway, I was stoked to find this El Toro E control plate. Yeah, it has been pillaged a little, but I’ve been messing around in El Toro land and I might need it. I’m like a squirrel out looking for nuts, and I’m taking this tasty nut back to the lab.
I was looking through old bins in Unit J, which is at the far end of the 2548 Fender Avenue building near the train tracks. It’s like our smaller version of what the old Fender guys in Fullerton remember as the “Back 40” where old machines and randomnes Date: 11/15/18
I was looking through old bins in Unit J, which is at the far end of the 2548 Fender Avenue building near the train tracks. It’s like our smaller version of what the old Fender guys in Fullerton remember as the “Back 40” where old machines and randomness goes. Anyway, I was stoked to find this El Toro E control plate. Yeah, it has been pillaged a little, but I’ve been messing around in El Toro land and I might need it. I’m like a squirrel out looking for nuts, and I’m taking this tasty nut back to the lab.
El Toro E control plate-3
I was looking through old bins in Unit J, which is at the far end of the 2548 Fender Avenue building near the train tracks. It’s like our smaller version of what the old Fender guys in Fullerton remember as the “Back 40” where old machines and randomnes Date: 11/15/18
I was looking through old bins in Unit J, which is at the far end of the 2548 Fender Avenue building near the train tracks. It’s like our smaller version of what the old Fender guys in Fullerton remember as the “Back 40” where old machines and randomness goes. Anyway, I was stoked to find this El Toro E control plate. Yeah, it has been pillaged a little, but I’ve been messing around in El Toro land and I might need it. I’m like a squirrel out looking for nuts, and I’m taking this tasty nut back to the lab.
I was looking through old bins in Unit J, which is at the far end of the 2548 Fender Avenue building near the train tracks. It’s like our smaller version of what the old Fender guys in Fullerton remember as the “Back 40” where old machines and randomnes Date: 11/15/18
I was looking through old bins in Unit J, which is at the far end of the 2548 Fender Avenue building near the train tracks. It’s like our smaller version of what the old Fender guys in Fullerton remember as the “Back 40” where old machines and randomness goes. Anyway, I was stoked to find this El Toro E control plate. Yeah, it has been pillaged a little, but I’ve been messing around in El Toro land and I might need it. I’m like a squirrel out looking for nuts, and I’m taking this tasty nut back to the lab.
I’m in the mood for another project build. So I’m up in loft shopping
I’m in the mood for another project build. So I’m up in loft shopping...
Date: 11/15/18
I’m in the mood for another project build. So I’m up in loft shopping...
Early SB-2 with parts loaded-1
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going t Date: 11/15/18
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going through, and there tucked behind it in the darkness was this guy. The light caught it and there it was, like it was finally time for this lost soul to go from dust to destiny in Leo’s Lounge.
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going t Date: 11/15/18
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going through, and there tucked behind it in the darkness was this guy. The light caught it and there it was, like it was finally time for this lost soul to go from dust to destiny in Leo’s Lounge.
Early SB-2 with parts loaded-2
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going t Date: 11/15/18
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going through, and there tucked behind it in the darkness was this guy. The light caught it and there it was, like it was finally time for this lost soul to go from dust to destiny in Leo’s Lounge.
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going t Date: 11/15/18
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going through, and there tucked behind it in the darkness was this guy. The light caught it and there it was, like it was finally time for this lost soul to go from dust to destiny in Leo’s Lounge.
Early SB-2 with parts loaded-3
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going t Date: 11/15/18
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going through, and there tucked behind it in the darkness was this guy. The light caught it and there it was, like it was finally time for this lost soul to go from dust to destiny in Leo’s Lounge.
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going t Date: 11/15/18
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going through, and there tucked behind it in the darkness was this guy. The light caught it and there it was, like it was finally time for this lost soul to go from dust to destiny in Leo’s Lounge.
Early SB-2 with parts loaded-4
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going t Date: 11/15/18
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going through, and there tucked behind it in the darkness was this guy. The light caught it and there it was, like it was finally time for this lost soul to go from dust to destiny in Leo’s Lounge.
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going t Date: 11/15/18
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going through, and there tucked behind it in the darkness was this guy. The light caught it and there it was, like it was finally time for this lost soul to go from dust to destiny in Leo’s Lounge.
Early SB-2 with parts loaded-5
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going t Date: 11/15/18
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going through, and there tucked behind it in the darkness was this guy. The light caught it and there it was, like it was finally time for this lost soul to go from dust to destiny in Leo’s Lounge.
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going t Date: 11/15/18
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going through, and there tucked behind it in the darkness was this guy. The light caught it and there it was, like it was finally time for this lost soul to go from dust to destiny in Leo’s Lounge.
Early SB-2 with parts loaded-6
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going t Date: 11/15/18
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going through, and there tucked behind it in the darkness was this guy. The light caught it and there it was, like it was finally time for this lost soul to go from dust to destiny in Leo’s Lounge.
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going t Date: 11/15/18
Score!!! Early SB-2 with parts loaded! My guess is around 35 years ago Chris had a build go wrong in final assembly, and somehow the thing got stuffed up in a loft. Hide the evidence! Who knows lol.
Anyway, I was in the last stack I felt like going through, and there tucked behind it in the darkness was this guy. The light caught it and there it was, like it was finally time for this lost soul to go from dust to destiny in Leo’s Lounge.
Project SB-2nd-Chance
Time to get started on Project SB-2nd-Chance. First thing: see what’s goin’ on in the electronics. Of course there’s a crap ton of dust, with bonus points for being caked all over those pots. Helps seal in the tone, right? ; ) I’ll give it some love then
Date: 11/16/18
Time to get started on Project SB-2nd-Chance. First thing: see what’s goin’ on in the electronics. Of course there’s a crap ton of dust, with bonus points for being caked all over those pots. Helps seal in the tone, right? ; ) I’ll give it some love then we’ll see how it does.
Project Fake Broadcaster
About a month ago I posted about starting Project Fake Broadcaster. Well, there was a problem that I have been too embarrassed to admit. After I posted about my sweet new project, I was informed that the Broadcaster body is actually a customer guitar he Date: 11/16/18
About a month ago I posted about starting Project Fake Broadcaster. Well, there was a problem that I have been too embarrassed to admit. After I posted about my sweet new project, I was informed that the Broadcaster body is actually a customer guitar here for a replacement neck, and the body was put in the lab for safekeeping. Yeah...right. So I’m sitting in Leo’s office coming up with a Plan B. Serious stuff for the boss to do on a Friday afternoon. ; )
About a month ago I posted about starting Project Fake Broadcaster. Well, there was a problem that I have been too embarrassed to admit. After I posted about my sweet new project, I was informed that the Broadcaster body is actually a customer guitar he Date: 11/16/18
About a month ago I posted about starting Project Fake Broadcaster. Well, there was a problem that I have been too embarrassed to admit. After I posted about my sweet new project, I was informed that the Broadcaster body is actually a customer guitar here for a replacement neck, and the body was put in the lab for safekeeping. Yeah...right. So I’m sitting in Leo’s office coming up with a Plan B. Serious stuff for the boss to do on a Friday afternoon. ; )
Project Fake Broadcaster-1
Project Fake Broadcaster is back on track, now that I am massively dusty. Just came down from a loft with a score. Prototype vibes from this 3-bolt maple body, no date, never been built out, looks like “MP” in the pocket which means it should have a maple
Date: 11/16/18
Project Fake Broadcaster is back on track, now that I am massively dusty. Just came down from a loft with a score. Prototype vibes from this 3-bolt maple body, no date, never been built out, looks like “MP” in the pocket which means it should have a maple neck. Red X could mean reject, this one is special, or a possibly a treasure chest is buried there. There’s some messing with the jack zone that may be experimental. Whatever, I can make it work. It has some scrapes from decades in CLF loft land, but if it’s not bad I’ll just buff it out and build it. Original paint is original paint.
Project Fake Broadcaster-2
Project Fake Broadcaster is back on track, now that I am massively dusty. Just came down from a loft with a score. Prototype vibes from this 3-bolt maple body, no date, never been built out, looks like “MP” in the pocket which means it should have a maple
Date: 11/16/18
Project Fake Broadcaster is back on track, now that I am massively dusty. Just came down from a loft with a score. Prototype vibes from this 3-bolt maple body, no date, never been built out, looks like “MP” in the pocket which means it should have a maple neck. Red X could mean reject, this one is special, or a possibly a treasure chest is buried there. There’s some messing with the jack zone that may be experimental. Whatever, I can make it work. It has some scrapes from decades in CLF loft land, but if it’s not bad I’ll just buff it out and build it. Original paint is original paint.
Project Fake Broadcaster-3
Project Fake Broadcaster is back on track, now that I am massively dusty. Just came down from a loft with a score. Prototype vibes from this 3-bolt maple body, no date, never been built out, looks like “MP” in the pocket which means it should have a maple
Date: 11/16/18
Project Fake Broadcaster is back on track, now that I am massively dusty. Just came down from a loft with a score. Prototype vibes from this 3-bolt maple body, no date, never been built out, looks like “MP” in the pocket which means it should have a maple neck. Red X could mean reject, this one is special, or a possibly a treasure chest is buried there. There’s some messing with the jack zone that may be experimental. Whatever, I can make it work. It has some scrapes from decades in CLF loft land, but if it’s not bad I’ll just buff it out and build it. Original paint is original paint.
Project Fake Broadcaster-4
Project Fake Broadcaster is back on track, now that I am massively dusty. Just came down from a loft with a score. Prototype vibes from this 3-bolt maple body, no date, never been built out, looks like “MP” in the pocket which means it should have a maple
Date: 11/16/18
Project Fake Broadcaster is back on track, now that I am massively dusty. Just came down from a loft with a score. Prototype vibes from this 3-bolt maple body, no date, never been built out, looks like “MP” in the pocket which means it should have a maple neck. Red X could mean reject, this one is special, or a possibly a treasure chest is buried there. There’s some messing with the jack zone that may be experimental. Whatever, I can make it work. It has some scrapes from decades in CLF loft land, but if it’s not bad I’ll just buff it out and build it. Original paint is original paint.
Project Fake Broadcaster-5
Project Fake Broadcaster is back on track, now that I am massively dusty. Just came down from a loft with a score. Prototype vibes from this 3-bolt maple body, no date, never been built out, looks like “MP” in the pocket which means it should have a maple
Date: 11/16/18
Project Fake Broadcaster is back on track, now that I am massively dusty. Just came down from a loft with a score. Prototype vibes from this 3-bolt maple body, no date, never been built out, looks like “MP” in the pocket which means it should have a maple neck. Red X could mean reject, this one is special, or a possibly a treasure chest is buried there. There’s some messing with the jack zone that may be experimental. Whatever, I can make it work. It has some scrapes from decades in CLF loft land, but if it’s not bad I’ll just buff it out and build it. Original paint is original paint.
Project Fake Broadcaster-6
Project Fake Broadcaster is back on track, now that I am massively dusty. Just came down from a loft with a score. Prototype vibes from this 3-bolt maple body, no date, never been built out, looks like “MP” in the pocket which means it should have a maple
Date: 11/16/18
Project Fake Broadcaster is back on track, now that I am massively dusty. Just came down from a loft with a score. Prototype vibes from this 3-bolt maple body, no date, never been built out, looks like “MP” in the pocket which means it should have a maple neck. Red X could mean reject, this one is special, or a possibly a treasure chest is buried there. There’s some messing with the jack zone that may be experimental. Whatever, I can make it work. It has some scrapes from decades in CLF loft land, but if it’s not bad I’ll just buff it out and build it. Original paint is original paint.
1986 Invader-1
I bought this 1986 Invader in August but all I really did was ask Jerry to sign it. The guitar looks OK but functionally it is jacked up, including a stripped locking screw on the Leo Fender Guitar-Tech nut. It has the rare Leo Fender fine tuner Dual Fulc
Date: 11/19/18
I bought this 1986 Invader in August but all I really did was ask Jerry to sign it. The guitar looks OK but functionally it is jacked up, including a stripped locking screw on the Leo Fender Guitar-Tech nut. It has the rare Leo Fender fine tuner Dual Fulcrum vibrato but it is also in sad shape. Let’s give it a CLF Spa Treatment!
1986 Invader-2
I bought this 1986 Invader in August but all I really did was ask Jerry to sign it. The guitar looks OK but functionally it is jacked up, including a stripped locking screw on the Leo Fender Guitar-Tech nut. It has the rare Leo Fender fine tuner Dual Fulc
Date: 11/19/18
I bought this 1986 Invader in August but all I really did was ask Jerry to sign it. The guitar looks OK but functionally it is jacked up, including a stripped locking screw on the Leo Fender Guitar-Tech nut. It has the rare Leo Fender fine tuner Dual Fulcrum vibrato but it is also in sad shape. Let’s give it a CLF Spa Treatment!
1986 Invader-3
I bought this 1986 Invader in August but all I really did was ask Jerry to sign it. The guitar looks OK but functionally it is jacked up, including a stripped locking screw on the Leo Fender Guitar-Tech nut. It has the rare Leo Fender fine tuner Dual Fulc
Date: 11/19/18
I bought this 1986 Invader in August but all I really did was ask Jerry to sign it. The guitar looks OK but functionally it is jacked up, including a stripped locking screw on the Leo Fender Guitar-Tech nut. It has the rare Leo Fender fine tuner Dual Fulcrum vibrato but it is also in sad shape. Let’s give it a CLF Spa Treatment!
1986 Invader-4
I bought this 1986 Invader in August but all I really did was ask Jerry to sign it. The guitar looks OK but functionally it is jacked up, including a stripped locking screw on the Leo Fender Guitar-Tech nut. It has the rare Leo Fender fine tuner Dual Fulc
Date: 11/19/18
I bought this 1986 Invader in August but all I really did was ask Jerry to sign it. The guitar looks OK but functionally it is jacked up, including a stripped locking screw on the Leo Fender Guitar-Tech nut. It has the rare Leo Fender fine tuner Dual Fulcrum vibrato but it is also in sad shape. Let’s give it a CLF Spa Treatment!
1986 Invader-5
I bought this 1986 Invader in August but all I really did was ask Jerry to sign it. The guitar looks OK but functionally it is jacked up, including a stripped locking screw on the Leo Fender Guitar-Tech nut. It has the rare Leo Fender fine tuner Dual Fulc
Date: 11/19/18
I bought this 1986 Invader in August but all I really did was ask Jerry to sign it. The guitar looks OK but functionally it is jacked up, including a stripped locking screw on the Leo Fender Guitar-Tech nut. It has the rare Leo Fender fine tuner Dual Fulcrum vibrato but it is also in sad shape. Let’s give it a CLF Spa Treatment!
Leo Fender Guitar-Tech string lock for the 1986 Invader-1
I found a Leo Fender Guitar-Tech string lock for the 1986 Invader. On the second pic, the hex bolt next to the low E does not thread in. Can’t dive bomb like that!
Date: 11/20/18
I found a Leo Fender Guitar-Tech string lock for the 1986 Invader. On the second pic, the hex bolt next to the low E does not thread in. Can’t dive bomb like that!
Leo Fender Guitar-Tech string lock for the 1986 Invader-2.jjpg
I found a Leo Fender Guitar-Tech string lock for the 1986 Invader. On the second pic, the hex bolt next to the low E does not thread in. Can’t dive bomb like that!
Date: 11/20/18
I found a Leo Fender Guitar-Tech string lock for the 1986 Invader. On the second pic, the hex bolt next to the low E does not thread in. Can’t dive bomb like that!
Project Fake Broadcaster has a pickguard and bridge-1
Project Fake Broadcaster has a pickguard and bridge! Well, almost. Out in the Unit J warehouse I found an original CLF black crinkle powdercoated aluminum pickguard. The bridge I have had in my desk drawer since like ‘94 and I remember talking to dealer Date: 11/20/18
Project Fake Broadcaster has a pickguard and bridge! Well, almost. Out in the Unit J warehouse I found an original CLF black crinkle powdercoated aluminum pickguard. The bridge I have had in my desk drawer since like ‘94 and I remember talking to dealers on the phone while doodling on the saddles. There is a saddle missing, and I don’t remember what I did with it. Maybe it’s still around in a drawer, I’ll figure it out. Anyway, I’ve had it sooo long and I’m finally gonna use it for Project Fake Broadcaster. I think that’s kinda cool.
Project Fake Broadcaster has a pickguard and bridge! Well, almost. Out in the Unit J warehouse I found an original CLF black crinkle powdercoated aluminum pickguard. The bridge I have had in my desk drawer since like ‘94 and I remember talking to dealer Date: 11/20/18
Project Fake Broadcaster has a pickguard and bridge! Well, almost. Out in the Unit J warehouse I found an original CLF black crinkle powdercoated aluminum pickguard. The bridge I have had in my desk drawer since like ‘94 and I remember talking to dealers on the phone while doodling on the saddles. There is a saddle missing, and I don’t remember what I did with it. Maybe it’s still around in a drawer, I’ll figure it out. Anyway, I’ve had it sooo long and I’m finally gonna use it for Project Fake Broadcaster. I think that’s kinda cool.
Project Fake Broadcaster has a pickguard and bridge-2
Project Fake Broadcaster has a pickguard and bridge! Well, almost. Out in the Unit J warehouse I found an original CLF black crinkle powdercoated aluminum pickguard. The bridge I have had in my desk drawer since like ‘94 and I remember talking to dealer Date: 11/20/18
Project Fake Broadcaster has a pickguard and bridge! Well, almost. Out in the Unit J warehouse I found an original CLF black crinkle powdercoated aluminum pickguard. The bridge I have had in my desk drawer since like ‘94 and I remember talking to dealers on the phone while doodling on the saddles. There is a saddle missing, and I don’t remember what I did with it. Maybe it’s still around in a drawer, I’ll figure it out. Anyway, I’ve had it sooo long and I’m finally gonna use it for Project Fake Broadcaster. I think that’s kinda cool.
Project Fake Broadcaster has a pickguard and bridge! Well, almost. Out in the Unit J warehouse I found an original CLF black crinkle powdercoated aluminum pickguard. The bridge I have had in my desk drawer since like ‘94 and I remember talking to dealer Date: 11/20/18
Project Fake Broadcaster has a pickguard and bridge! Well, almost. Out in the Unit J warehouse I found an original CLF black crinkle powdercoated aluminum pickguard. The bridge I have had in my desk drawer since like ‘94 and I remember talking to dealers on the phone while doodling on the saddles. There is a saddle missing, and I don’t remember what I did with it. Maybe it’s still around in a drawer, I’ll figure it out. Anyway, I’ve had it sooo long and I’m finally gonna use it for Project Fake Broadcaster. I think that’s kinda cool.
I found the missing saddle
Ta da! I found the missing saddle, intonation screw and spring. Reunited and it feels so good.
Date: 11/20/18
Ta da! I found the missing saddle, intonation screw and spring. Reunited and it feels so good.
Leo’s own Broadcaster pickups-1
I decided that Project Fake Broadcaster should be more than just a Partscaster. For a while, anyway. These are Leo’s own Broadcaster pickups from his pickup sample bench. These are “the real ones.” ; )
Date: 11/20/18
I decided that Project Fake Broadcaster should be more than just a Partscaster. For a while, anyway. These are Leo’s own Broadcaster pickups from his pickup sample bench. These are “the real ones.” ; )
I decided that Project Fake Broadcaster should be more than just a Partscaster. For a while, anyway. These are Leo’s own Broadcaster pickups from his pickup sample bench. These are “the real ones.” ; )
Date: 11/20/18
I decided that Project Fake Broadcaster should be more than just a Partscaster. For a while, anyway. These are Leo’s own Broadcaster pickups from his pickup sample bench. These are “the real ones.” ; )
Leo’s own Broadcaster pickups-2
I decided that Project Fake Broadcaster should be more than just a Partscaster. For a while, anyway. These are Leo’s own Broadcaster pickups from his pickup sample bench. These are “the real ones.” ; )
Date: 11/20/18
I decided that Project Fake Broadcaster should be more than just a Partscaster. For a while, anyway. These are Leo’s own Broadcaster pickups from his pickup sample bench. These are “the real ones.” ; )
I decided that Project Fake Broadcaster should be more than just a Partscaster. For a while, anyway. These are Leo’s own Broadcaster pickups from his pickup sample bench. These are “the real ones.” ; )
Date: 11/20/18
I decided that Project Fake Broadcaster should be more than just a Partscaster. For a while, anyway. These are Leo’s own Broadcaster pickups from his pickup sample bench. These are “the real ones.” ; )
Leo’s own Broadcaster pickups-3
I decided that Project Fake Broadcaster should be more than just a Partscaster. For a while, anyway. These are Leo’s own Broadcaster pickups from his pickup sample bench. These are “the real ones.” ; )
Date: 11/20/18
I decided that Project Fake Broadcaster should be more than just a Partscaster. For a while, anyway. These are Leo’s own Broadcaster pickups from his pickup sample bench. These are “the real ones.” ; )
I decided that Project Fake Broadcaster should be more than just a Partscaster. For a while, anyway. These are Leo’s own Broadcaster pickups from his pickup sample bench. These are “the real ones.” ; )
Date: 11/20/18
I decided that Project Fake Broadcaster should be more than just a Partscaster. For a while, anyway. These are Leo’s own Broadcaster pickups from his pickup sample bench. These are “the real ones.” ; )
The thin urethane on Project El Toro’s neck
The thin urethane on Project El Toro’s neck is settling in nicely. Looks like next week we can party with The Bull.
Date: 11/21/18
The thin urethane on Project El Toro’s neck is settling in nicely. Looks like next week we can party with The Bull.
Rusbe is working his magic on Project Fake Broadcaster’s neck-1
Rusbe is working his magic on Project Fake Broadcaster’s neck. The finish has cured for 32 years so it’s probably ready to buff. ; )
Date: 11/21/18 Rusbe is working his magic on Project Fake Broadcaster’s neck. The finish has cured for 32 years so it’s probably ready to buff. ; )
Date: 11/21/18 Rusbe is working his magic on Project Fake Broadcaster’s neck. The finish has cured for 32 years so it’s probably ready to buff. ; )
Rusbe is working his magic on Project Fake Broadcaster’s neck-2
Rusbe is working his magic on Project Fake Broadcaster’s neck. The finish has cured for 32 years so it’s probably ready to buff. ; )
Date: 11/21/18 Rusbe is working his magic on Project Fake Broadcaster’s neck. The finish has cured for 32 years so it’s probably ready to buff. ; )
Date: 11/21/18 Rusbe is working his magic on Project Fake Broadcaster’s neck. The finish has cured for 32 years so it’s probably ready to buff. ; )
Rusbe is working his magic on Project Fake Broadcaster’s neck-3
Rusbe is working his magic on Project Fake Broadcaster’s neck. The finish has cured for 32 years so it’s probably ready to buff. ; )
Date: 11/21/18 Rusbe is working his magic on Project Fake Broadcaster’s neck. The finish has cured for 32 years so it’s probably ready to buff. ; )
Date: 11/21/18 Rusbe is working his magic on Project Fake Broadcaster’s neck. The finish has cured for 32 years so it’s probably ready to buff. ; )
Rusbe nailed it-1
Project Fake Broadcaster parts look better than I imagined. Rusbe nailed it.
Date: 11/21/18
Project Fake Broadcaster parts look better than I imagined. Rusbe nailed it.
Rusbe nailed it-2
Project Fake Broadcaster parts look better than I imagined. Rusbe nailed it.
Date: 11/21/18
Project Fake Broadcaster parts look better than I imagined. Rusbe nailed it.
Rusbe nailed it-3
Project Fake Broadcaster parts look better than I imagined. Rusbe nailed it.
Date: 11/21/18
Project Fake Broadcaster parts look better than I imagined. Rusbe nailed it.
Rusbe nailed it-4
Project Fake Broadcaster parts look better than I imagined. Rusbe nailed it.
Date: 11/21/18
Project Fake Broadcaster parts look better than I imagined. Rusbe nailed it.
found an old battery cover for Project El Toro-1
found an old battery cover for Project El Toro. This one was never plated or powder coated so I’ll have this done in black crinkle.
Date: 11/23/18
found an old battery cover for Project El Toro. This one was never plated or powder coated so I’ll have this done in black crinkle.
found an old battery cover for Project El Toro-2
found an old battery cover for Project El Toro. This one was never plated or powder coated so I’ll have this done in black crinkle.
Date: 11/23/18
found an old battery cover for Project El Toro. This one was never plated or powder coated so I’ll have this done in black crinkle.
I found an old battery cover for Project El Toro-1
found an old battery cover for Project El Toro. This one was never plated or powder coated so I’ll have this done in black crinkle.
Date: 11/23/18
found an old battery cover for Project El Toro. This one was never plated or powder coated so I’ll have this done in black crinkle.
found an old battery cover for Project El Toro-2
found an old battery cover for Project El Toro. This one was never plated or powder coated so I’ll have this done in black crinkle.
Date: 11/23/18
found an old battery cover for Project El Toro. This one was never plated or powder coated so I’ll have this done in black crinkle.
copy of the simple preamp in the CLF-67:68 prototype-1
I asked Memo to make a copy of the simple preamp in the CLF-67/68 prototype (Project Clarence Leo Future). He used a board and parts from the lab, but couldn’t find an axial capacitor so he swapped in a radial cap (that yellow thing) and set me up with Date: 11/25/18
I asked Memo to make a copy of the simple preamp in the CLF-67/68 prototype (Project Clarence Leo Future). He used a board and parts from the lab, but couldn’t find an axial capacitor so he swapped in a radial cap (that yellow thing) and set me up with pots and jack, all wired up. At some point I’ll probably make a modern version of the CLF-67/68 prototype using an ASAT body, Saddle Lock bridge, this setup Memo made and probably some variation of Leo’s pickups. That should be fun.
I asked Memo to make a copy of the simple preamp in the CLF-67/68 prototype (Project Clarence Leo Future). He used a board and parts from the lab, but couldn’t find an axial capacitor so he swapped in a radial cap (that yellow thing) and set me up with Date: 11/25/18
I asked Memo to make a copy of the simple preamp in the CLF-67/68 prototype (Project Clarence Leo Future). He used a board and parts from the lab, but couldn’t find an axial capacitor so he swapped in a radial cap (that yellow thing) and set me up with pots and jack, all wired up. At some point I’ll probably make a modern version of the CLF-67/68 prototype using an ASAT body, Saddle Lock bridge, this setup Memo made and probably some variation of Leo’s pickups. That should be fun.
copy of the simple preamp in the CLF-67:68 prototype-2
I asked Memo to make a copy of the simple preamp in the CLF-67/68 prototype (Project Clarence Leo Future). He used a board and parts from the lab, but couldn’t find an axial capacitor so he swapped in a radial cap (that yellow thing) and set me up with Date: 11/25/18
I asked Memo to make a copy of the simple preamp in the CLF-67/68 prototype (Project Clarence Leo Future). He used a board and parts from the lab, but couldn’t find an axial capacitor so he swapped in a radial cap (that yellow thing) and set me up with pots and jack, all wired up. At some point I’ll probably make a modern version of the CLF-67/68 prototype using an ASAT body, Saddle Lock bridge, this setup Memo made and probably some variation of Leo’s pickups. That should be fun.
I asked Memo to make a copy of the simple preamp in the CLF-67/68 prototype (Project Clarence Leo Future). He used a board and parts from the lab, but couldn’t find an axial capacitor so he swapped in a radial cap (that yellow thing) and set me up with Date: 11/25/18
I asked Memo to make a copy of the simple preamp in the CLF-67/68 prototype (Project Clarence Leo Future). He used a board and parts from the lab, but couldn’t find an axial capacitor so he swapped in a radial cap (that yellow thing) and set me up with pots and jack, all wired up. At some point I’ll probably make a modern version of the CLF-67/68 prototype using an ASAT body, Saddle Lock bridge, this setup Memo made and probably some variation of Leo’s pickups. That should be fun.
copy of the simple preamp in the CLF-67:68 prototype-3
I asked Memo to make a copy of the simple preamp in the CLF-67/68 prototype (Project Clarence Leo Future). He used a board and parts from the lab, but couldn’t find an axial capacitor so he swapped in a radial cap (that yellow thing) and set me up with Date: 11/25/18
I asked Memo to make a copy of the simple preamp in the CLF-67/68 prototype (Project Clarence Leo Future). He used a board and parts from the lab, but couldn’t find an axial capacitor so he swapped in a radial cap (that yellow thing) and set me up with pots and jack, all wired up. At some point I’ll probably make a modern version of the CLF-67/68 prototype using an ASAT body, Saddle Lock bridge, this setup Memo made and probably some variation of Leo’s pickups. That should be fun.
I asked Memo to make a copy of the simple preamp in the CLF-67/68 prototype (Project Clarence Leo Future). He used a board and parts from the lab, but couldn’t find an axial capacitor so he swapped in a radial cap (that yellow thing) and set me up with Date: 11/25/18
I asked Memo to make a copy of the simple preamp in the CLF-67/68 prototype (Project Clarence Leo Future). He used a board and parts from the lab, but couldn’t find an axial capacitor so he swapped in a radial cap (that yellow thing) and set me up with pots and jack, all wired up. At some point I’ll probably make a modern version of the CLF-67/68 prototype using an ASAT body, Saddle Lock bridge, this setup Memo made and probably some variation of Leo’s pickups. That should be fun.
Leo’s sample Broadcaster control plate assembly dated July 17, 1985-1
Leo’s sample Broadcaster control plate assembly dated July 17, 1985. This should do nicely on Project Fake Broadcaster. Date: 11/25/18
Leo’s sample Broadcaster control plate assembly dated July 17, 1985. This should do nicely on Project Fake Broadcaster.
Leo’s sample Broadcaster control plate assembly dated July 17, 1985. This should do nicely on Project Fake Broadcaster. Date: 11/25/18
Leo’s sample Broadcaster control plate assembly dated July 17, 1985. This should do nicely on Project Fake Broadcaster.
Leo’s sample Broadcaster control plate assembly dated July 17, 1985-2
Leo’s sample Broadcaster control plate assembly dated July 17, 1985. This should do nicely on Project Fake Broadcaster. Date: 11/25/18
Leo’s sample Broadcaster control plate assembly dated July 17, 1985. This should do nicely on Project Fake Broadcaster.
Leo’s sample Broadcaster control plate assembly dated July 17, 1985. This should do nicely on Project Fake Broadcaster. Date: 11/25/18
Leo’s sample Broadcaster control plate assembly dated July 17, 1985. This should do nicely on Project Fake Broadcaster.
Darragh has just installed washers and a truss rod bullet
I’m kind of stressing right now. Darragh has just installed washers and a truss rod bullet. Now we find out how “real” this neck is for Project Fake Broadcaster.
Date: 11/26/18
I’m kind of stressing right now. Darragh has just installed washers and a truss rod bullet. Now we find out how “real” this neck is for Project Fake Broadcaster.
found these old guys for Project Fake Broadcaster
Darragh asked me what tuners to install. Uh...yeah...need to deal with that. So I got dusty and found these old guys for Project Fake Broadcaster. Date: 11/26/18
Darragh asked me what tuners to install. Uh...yeah...need to deal with that. So I got dusty and found these old guys for Project Fake Broadcaster.
Darragh asked me what tuners to install. Uh...yeah...need to deal with that. So I got dusty and found these old guys for Project Fake Broadcaster. Date: 11/26/18
Darragh asked me what tuners to install. Uh...yeah...need to deal with that. So I got dusty and found these old guys for Project Fake Broadcaster.
The truss rod is moving freely and the neck is responding well
So far so good! The truss rod is moving freely and the neck is responding well. Darragh has removed the finish from the frets and tomorrow he’ll mask it up for the actual fret work. Date: 11/26/18
So far so good! The truss rod is moving freely and the neck is responding well. Darragh has removed the finish from the frets and tomorrow he’ll mask it up for the actual fret work.
So far so good! The truss rod is moving freely and the neck is responding well. Darragh has removed the finish from the frets and tomorrow he’ll mask it up for the actual fret work. Date: 11/26/18
So far so good! The truss rod is moving freely and the neck is responding well. Darragh has removed the finish from the frets and tomorrow he’ll mask it up for the actual fret work.
body and neck are joined-1
After being separate for three decades, body and neck are joined. Darragh got that fitment dialed in.
Date: 11/27/18
After being separate for three decades, body and neck are joined. Darragh got that fitment dialed in.
body and neck are joined-2
After being separate for three decades, body and neck are joined. Darragh got that fitment dialed in.
Date: 11/27/18
After being separate for three decades, body and neck are joined. Darragh got that fitment dialed in.
body and neck are joined-3
After being separate for three decades, body and neck are joined. Darragh got that fitment dialed in.
Date: 11/27/18
After being separate for three decades, body and neck are joined. Darragh got that fitment dialed in.
body and neck are joined-4
After being separate for three decades, body and neck are joined. Darragh got that fitment dialed in.
Date: 11/27/18
After being separate for three decades, body and neck are joined. Darragh got that fitment dialed in.
Leo's Patsy Cline tape
I like to imagine Leo driving his white Cadillac with his Patsy Cline tape playing. Just a cool image.
Date: 11/28/18
I like to imagine Leo driving his white Cadillac with his Patsy Cline tape playing. Just a cool image.
L-2000 was completed here on March 1, 1985-1
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transiti Date: 11/28/18
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transitional because it has both a control plate and the trademark G&L hook style headstock.
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transiti Date: 11/28/18
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transitional because it has both a control plate and the trademark G&L hook style headstock.
L-2000 was completed here on March 1, 1985-2
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transiti Date: 11/28/18
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transitional because it has both a control plate and the trademark G&L hook style headstock.
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transiti Date: 11/28/18
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transitional because it has both a control plate and the trademark G&L hook style headstock.
L-2000 was completed here on March 1, 1985-3
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transiti Date: 11/28/18
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transitional because it has both a control plate and the trademark G&L hook style headstock.
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transiti Date: 11/28/18
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transitional because it has both a control plate and the trademark G&L hook style headstock.
L-2000 was completed here on March 1, 1985-4
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transiti Date: 11/28/18
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transitional because it has both a control plate and the trademark G&L hook style headstock.
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transiti Date: 11/28/18
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transitional because it has both a control plate and the trademark G&L hook style headstock.
L-2000 was completed here on March 1, 1985-5
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transiti Date: 11/28/18
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transitional because it has both a control plate and the trademark G&L hook style headstock.
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transiti Date: 11/28/18
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transitional because it has both a control plate and the trademark G&L hook style headstock.
L-2000 was completed here on March 1, 1985-6
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transiti Date: 11/28/18
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transitional because it has both a control plate and the trademark G&L hook style headstock.
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transiti Date: 11/28/18
This L-2000 was completed here on March 1, 1985. I love the black crinkle powder coated control plate with those CLF knobs popping. (Doheny V12, cough cough). This bass was made just before the change to the rear mount controls, so it’s kind of transitional because it has both a control plate and the trademark G&L hook style headstock.
Darragh removed Leo’s Broadcaster pickups-1
Darragh removed Leo’s Broadcaster pickups from the test boards and now he’s lengthening the leads for Project Fake Broadcaster.
Date: 11/29/18
Darragh removed Leo’s Broadcaster pickups from the test boards and now he’s lengthening the leads for Project Fake Broadcaster.
Darragh removed Leo’s Broadcaster pickups-2
Darragh removed Leo’s Broadcaster pickups from the test boards and now he’s lengthening the leads for Project Fake Broadcaster.
Date: 11/29/18
Darragh removed Leo’s Broadcaster pickups from the test boards and now he’s lengthening the leads for Project Fake Broadcaster.
Darragh removed Leo’s Broadcaster pickups-3
Darragh removed Leo’s Broadcaster pickups from the test boards and now he’s lengthening the leads for Project Fake Broadcaster.
Date: 11/29/18
Darragh removed Leo’s Broadcaster pickups from the test boards and now he’s lengthening the leads for Project Fake Broadcaster.
Darragh removed Leo’s Broadcaster pickups-4
Darragh removed Leo’s Broadcaster pickups from the test boards and now he’s lengthening the leads for Project Fake Broadcaster.
Date: 11/29/18
Darragh removed Leo’s Broadcaster pickups from the test boards and now he’s lengthening the leads for Project Fake Broadcaster.
Darragh removed Leo’s Broadcaster pickups-5
Darragh removed Leo’s Broadcaster pickups from the test boards and now he’s lengthening the leads for Project Fake Broadcaster.
Date: 11/29/18
Darragh removed Leo’s Broadcaster pickups from the test boards and now he’s lengthening the leads for Project Fake Broadcaster.
pickups mounted
Leo’s Broadcaster pickups are mounted.
Date: 11/29/18
Leo’s Broadcaster pickups are mounted.
Patrick dressed the frets on Project El Toro’s neck
Patrick dressed the frets on Project El Toro’s neck and it feels sooo nice even though the neck finish still needs to be polished. The polish department is super busy right now, maybe late in the day we can get this jewel buffed.
Date: 11/30/18
Patrick dressed the frets on Project El Toro’s neck and it feels sooo nice even though the neck finish still needs to be polished. The polish department is super busy right now, maybe late in the day we can get this jewel buffed.
Patrick dressed the frets on Project El Toro’s neck and it feels sooo nice even though the neck finish still needs to be polished. The polish department is super busy right now, maybe late in the day we can get this jewel buffed.
Date: 11/30/18
Patrick dressed the frets on Project El Toro’s neck and it feels sooo nice even though the neck finish still needs to be polished. The polish department is super busy right now, maybe late in the day we can get this jewel buffed.
‘86 Invader-1
Patrick has been giving the ‘86 Invader a major spa day. He replaced the Leo Fender Guitar-Tech string lock, went through the rare Leo Fender Dual Fulcrum Vibrato with Fine Tuners, sexy fretwork... I forgot what else. My job is to find an old crinkle back
Date: 11/30/18
Patrick has been giving the ‘86 Invader a major spa day. He replaced the Leo Fender Guitar-Tech string lock, went through the rare Leo Fender Dual Fulcrum Vibrato with Fine Tuners, sexy fretwork... I forgot what else. My job is to find an old crinkle back cover and screws.
‘86 Invader-2
Patrick has been giving the ‘86 Invader a major spa day. He replaced the Leo Fender Guitar-Tech string lock, went through the rare Leo Fender Dual Fulcrum Vibrato with Fine Tuners, sexy fretwork... I forgot what else. My job is to find an old crinkle back
Date: 11/30/18
Patrick has been giving the ‘86 Invader a major spa day. He replaced the Leo Fender Guitar-Tech string lock, went through the rare Leo Fender Dual Fulcrum Vibrato with Fine Tuners, sexy fretwork... I forgot what else. My job is to find an old crinkle back cover and screws.
‘86 Invader-3
Patrick has been giving the ‘86 Invader a major spa day. He replaced the Leo Fender Guitar-Tech string lock, went through the rare Leo Fender Dual Fulcrum Vibrato with Fine Tuners, sexy fretwork... I forgot what else. My job is to find an old crinkle back
Date: 11/30/18
Patrick has been giving the ‘86 Invader a major spa day. He replaced the Leo Fender Guitar-Tech string lock, went through the rare Leo Fender Dual Fulcrum Vibrato with Fine Tuners, sexy fretwork... I forgot what else. My job is to find an old crinkle back cover and screws.
‘86 Invader-4
Patrick has been giving the ‘86 Invader a major spa day. He replaced the Leo Fender Guitar-Tech string lock, went through the rare Leo Fender Dual Fulcrum Vibrato with Fine Tuners, sexy fretwork... I forgot what else. My job is to find an old crinkle back
Date: 11/30/18
Patrick has been giving the ‘86 Invader a major spa day. He replaced the Leo Fender Guitar-Tech string lock, went through the rare Leo Fender Dual Fulcrum Vibrato with Fine Tuners, sexy fretwork... I forgot what else. My job is to find an old crinkle back cover and screws.
old SC-1 belongs to my patient friend Robert Poss
This gorgeous old SC-1 belongs to my patient friend Robert Poss and I’m here at G&L Custom Shop giving it some love. This is literally *the* guitar that got me thinking about making the Fallout model. Well, this and his red one. I’ll tell you more l Date: 11/30/18
This gorgeous old SC-1 belongs to my patient friend Robert Poss and I’m here at G&L Custom Shop giving it some love. This is literally *the* guitar that got me thinking about making the Fallout model. Well, this and his red one. I’ll tell you more later. Now we’re gonna do work.
This gorgeous old SC-1 belongs to my patient friend Robert Poss and I’m here at G&L Custom Shop giving it some love. This is literally *the* guitar that got me thinking about making the Fallout model. Well, this and his red one. I’ll tell you more l Date: 11/30/18
This gorgeous old SC-1 belongs to my patient friend Robert Poss and I’m here at G&L Custom Shop giving it some love. This is literally *the* guitar that got me thinking about making the Fallout model. Well, this and his red one. I’ll tell you more later. Now we’re gonna do work.
Robert Poss SC-1 in refurb at factory-1
Pots are actually in nice shape, so Dave Brown will do some light cleanup with some contact cleaner. There’s a date code 8227 which is the 27th week of 1982. This guitar’s cool factor is hitting me hard right now. Want!!! Date: 11/30/18
Pots are actually in nice shape, so Dave Brown will do some light cleanup with some contact cleaner. There’s a date code 8227 which is the 27th week of 1982. This guitar’s cool factor is hitting me hard right now. Want!!!
Pots are actually in nice shape, so Dave Brown will do some light cleanup with some contact cleaner. There’s a date code 8227 which is the 27th week of 1982. This guitar’s cool factor is hitting me hard right now. Want!!! Date: 11/30/18
Pots are actually in nice shape, so Dave Brown will do some light cleanup with some contact cleaner. There’s a date code 8227 which is the 27th week of 1982. This guitar’s cool factor is hitting me hard right now. Want!!!
Robert Poss SC-1 in refurb at factory-2
Pots are actually in nice shape, so Dave Brown will do some light cleanup with some contact cleaner. There’s a date code 8227 which is the 27th week of 1982. This guitar’s cool factor is hitting me hard right now. Want!!! Date: 11/30/18
Pots are actually in nice shape, so Dave Brown will do some light cleanup with some contact cleaner. There’s a date code 8227 which is the 27th week of 1982. This guitar’s cool factor is hitting me hard right now. Want!!!
Pots are actually in nice shape, so Dave Brown will do some light cleanup with some contact cleaner. There’s a date code 8227 which is the 27th week of 1982. This guitar’s cool factor is hitting me hard right now. Want!!! Date: 11/30/18
Pots are actually in nice shape, so Dave Brown will do some light cleanup with some contact cleaner. There’s a date code 8227 which is the 27th week of 1982. This guitar’s cool factor is hitting me hard right now. Want!!!
Still some divots but we could smooth some more out up the neck
Still some divots but we could smooth some more out up the neck. There’s not much to work with but what is there can be a lot nicer.
Date: 11/30/18
Still some divots but we could smooth some more out up the neck. There’s not much to work with but what is there can be a lot nicer.
Polished frets make old guitars remind owners of the best of times
Polished frets make old guitars remind owners of the best of times. It’s science. Date: 11/30/18
Polished frets make old guitars remind owners of the best of times. It’s science.
Polished frets make old guitars remind owners of the best of times. It’s science. Date: 11/30/18
Polished frets make old guitars remind owners of the best of times. It’s science.
Mobile Guitar Repair
I saw this today while out to lunch with my wife Amanda. When I read it I blurted out “No xxxxing way!! That’s awesome!” I’m not even sure why but it is. Mandy made me take a pic so here ya go.
Date: 12/01/18
I saw this today while out to lunch with my wife Amanda. When I read it I blurted out “No xxxxing way!! That’s awesome!” I’m not even sure why but it is. Mandy made me take a pic so here ya go.
old black crinkle cover for the ‘86 Invader
I forgot to tell you I was hunting for something else deep in Unit J and found an old black crinkle cover for the ‘86 Invader. Leo has plenty of screws in the lab so I’ll just use some of his. Date: 12/01/18
I forgot to tell you I was hunting for something else deep in Unit J and found an old black crinkle cover for the ‘86 Invader. Leo has plenty of screws in the lab so I’ll just use some of his.
I forgot to tell you I was hunting for something else deep in Unit J and found an old black crinkle cover for the ‘86 Invader. Leo has plenty of screws in the lab so I’ll just use some of his. Date: 12/01/18
I forgot to tell you I was hunting for something else deep in Unit J and found an old black crinkle cover for the ‘86 Invader. Leo has plenty of screws in the lab so I’ll just use some of his.
Leo has plenty of screws in the lab
I forgot to tell you I was hunting for something else deep in Unit J and found an old black crinkle cover for the ‘86 Invader. Leo has plenty of screws in the lab so I’ll just use some of his. Date: 12/01/18
I forgot to tell you I was hunting for something else deep in Unit J and found an old black crinkle cover for the ‘86 Invader. Leo has plenty of screws in the lab so I’ll just use some of his.
I forgot to tell you I was hunting for something else deep in Unit J and found an old black crinkle cover for the ‘86 Invader. Leo has plenty of screws in the lab so I’ll just use some of his. Date: 12/01/18
I forgot to tell you I was hunting for something else deep in Unit J and found an old black crinkle cover for the ‘86 Invader. Leo has plenty of screws in the lab so I’ll just use some of his.
Doheny V12 sitting on Leo’s drafting table
Doheny V12 sitting on Leo’s drafting table, standing on the shoulders of a giant. Date: 12/02/18
Doheny V12 sitting on Leo’s drafting table, standing on the shoulders of a giant.
Doheny V12 sitting on Leo’s drafting table, standing on the shoulders of a giant. Date: 12/02/18
Doheny V12 sitting on Leo’s drafting table, standing on the shoulders of a giant.
Early L-2000 in natural over mahogany-1
New Bass Day! Early L-2000 in natural over mahogany with ebony fingerboard, completed here on June 12, 1981. Look at those gorgeous brown streaks in the ebony and how they tie in with the aged lacquer on the mahogany. 10.5 pounds of heaven.
Date: 12/03/18
New Bass Day! Early L-2000 in natural over mahogany with ebony fingerboard, completed here on June 12, 1981. Look at those gorgeous brown streaks in the ebony and how they tie in with the aged lacquer on the mahogany. 10.5 pounds of heaven.
Early L-2000 in natural over mahogany-2
New Bass Day! Early L-2000 in natural over mahogany with ebony fingerboard, completed here on June 12, 1981. Look at those gorgeous brown streaks in the ebony and how they tie in with the aged lacquer on the mahogany. 10.5 pounds of heaven.
Date: 12/03/18
New Bass Day! Early L-2000 in natural over mahogany with ebony fingerboard, completed here on June 12, 1981. Look at those gorgeous brown streaks in the ebony and how they tie in with the aged lacquer on the mahogany. 10.5 pounds of heaven.
Early L-2000 in natural over mahogany-3
New Bass Day! Early L-2000 in natural over mahogany with ebony fingerboard, completed here on June 12, 1981. Look at those gorgeous brown streaks in the ebony and how they tie in with the aged lacquer on the mahogany. 10.5 pounds of heaven.
Date: 12/03/18
New Bass Day! Early L-2000 in natural over mahogany with ebony fingerboard, completed here on June 12, 1981. Look at those gorgeous brown streaks in the ebony and how they tie in with the aged lacquer on the mahogany. 10.5 pounds of heaven.
Early L-2000 in natural over mahogany-4
New Bass Day! Early L-2000 in natural over mahogany with ebony fingerboard, completed here on June 12, 1981. Look at those gorgeous brown streaks in the ebony and how they tie in with the aged lacquer on the mahogany. 10.5 pounds of heaven.
Date: 12/03/18
New Bass Day! Early L-2000 in natural over mahogany with ebony fingerboard, completed here on June 12, 1981. Look at those gorgeous brown streaks in the ebony and how they tie in with the aged lacquer on the mahogany. 10.5 pounds of heaven.
Early L-2000 in natural over mahogany-5
New Bass Day! Early L-2000 in natural over mahogany with ebony fingerboard, completed here on June 12, 1981. Look at those gorgeous brown streaks in the ebony and how they tie in with the aged lacquer on the mahogany. 10.5 pounds of heaven.
Date: 12/03/18
New Bass Day! Early L-2000 in natural over mahogany with ebony fingerboard, completed here on June 12, 1981. Look at those gorgeous brown streaks in the ebony and how they tie in with the aged lacquer on the mahogany. 10.5 pounds of heaven.
Early L-2000 in natural over mahogany-6
New Bass Day! Early L-2000 in natural over mahogany with ebony fingerboard, completed here on June 12, 1981. Look at those gorgeous brown streaks in the ebony and how they tie in with the aged lacquer on the mahogany. 10.5 pounds of heaven.
Date: 12/03/18
New Bass Day! Early L-2000 in natural over mahogany with ebony fingerboard, completed here on June 12, 1981. Look at those gorgeous brown streaks in the ebony and how they tie in with the aged lacquer on the mahogany. 10.5 pounds of heaven.
Early L-2000 in natural over mahogany-7
New Bass Day! Early L-2000 in natural over mahogany with ebony fingerboard, completed here on June 12, 1981. Look at those gorgeous brown streaks in the ebony and how they tie in with the aged lacquer on the mahogany. 10.5 pounds of heaven.
Date: 12/03/18
New Bass Day! Early L-2000 in natural over mahogany with ebony fingerboard, completed here on June 12, 1981. Look at those gorgeous brown streaks in the ebony and how they tie in with the aged lacquer on the mahogany. 10.5 pounds of heaven.
Early L-2000 in natural over mahogany-8
New Bass Day! Early L-2000 in natural over mahogany with ebony fingerboard, completed here on June 12, 1981. Look at those gorgeous brown streaks in the ebony and how they tie in with the aged lacquer on the mahogany. 10.5 pounds of heaven.
Date: 12/03/18
New Bass Day! Early L-2000 in natural over mahogany with ebony fingerboard, completed here on June 12, 1981. Look at those gorgeous brown streaks in the ebony and how they tie in with the aged lacquer on the mahogany. 10.5 pounds of heaven.
Dave Brown stringing up Robert Poss' Sc-1-1
Dave Brown G&L Custom Shop stringing up the Robert Poss blue SC-1. This guitar is legendary around here.
Date: 12/04/18
Dave Brown G&L Custom Shop stringing up the Robert Poss blue SC-1. This guitar is legendary around here.
Dave Brown G&L Custom Shop stringing up the Robert Poss blue SC-1. This guitar is legendary around here.
Date: 12/04/18
Dave Brown G&L Custom Shop stringing up the Robert Poss blue SC-1. This guitar is legendary around here.
Dave Brown stringing up Robert Poss' Sc-1-2
Dave Brown G&L Custom Shop stringing up the Robert Poss blue SC-1. This guitar is legendary around here.
Date: 12/04/18
Dave Brown G&L Custom Shop stringing up the Robert Poss blue SC-1. This guitar is legendary around here.
Dave Brown G&L Custom Shop stringing up the Robert Poss blue SC-1. This guitar is legendary around here.
Date: 12/04/18
Dave Brown G&L Custom Shop stringing up the Robert Poss blue SC-1. This guitar is legendary around here.
Dave Brown stringing up Robert Poss' Sc-1-1
Dave Brown G&L Custom Shop stringing up the Robert Poss blue SC-1. This guitar is legendary around here.
Date: 12/04/18
Dave Brown G&L Custom Shop stringing up the Robert Poss blue SC-1. This guitar is legendary around here.
Dave Brown G&L Custom Shop stringing up the Robert Poss blue SC-1. This guitar is legendary around here.
Date: 12/04/18
Dave Brown G&L Custom Shop stringing up the Robert Poss blue SC-1. This guitar is legendary around here.
Dave Brown stringing up Robert Poss' Sc-1-2
Dave Brown G&L Custom Shop stringing up the Robert Poss blue SC-1. This guitar is legendary around here.
Date: 12/04/18
Dave Brown G&L Custom Shop stringing up the Robert Poss blue SC-1. This guitar is legendary around here.
Dave Brown G&L Custom Shop stringing up the Robert Poss blue SC-1. This guitar is legendary around here.
Date: 12/04/18
Dave Brown G&L Custom Shop stringing up the Robert Poss blue SC-1. This guitar is legendary around here.
I just found these two crinkle bass neck plates
I just found these two crinkle bass neck plates, perfect for Project El Toro. Hopefully at least one of the serial numbers wasn’t used so I can legit use it for The Bull. I can use it anyway, but that’s someone’s bass already. Back in the day there were Date: 12/04/18
I just found these two crinkle bass neck plates, perfect for Project El Toro. Hopefully at least one of the serial numbers wasn’t used so I can legit use it for The Bull. I can use it anyway, but that’s someone’s bass already. Back in the day there were a few duplicate serial number plates made, often little errors made when ordering the next batch of serialized plates.
I just found these two crinkle bass neck plates, perfect for Project El Toro. Hopefully at least one of the serial numbers wasn’t used so I can legit use it for The Bull. I can use it anyway, but that’s someone’s bass already. Back in the day there were Date: 12/04/18
I just found these two crinkle bass neck plates, perfect for Project El Toro. Hopefully at least one of the serial numbers wasn’t used so I can legit use it for The Bull. I can use it anyway, but that’s someone’s bass already. Back in the day there were a few duplicate serial number plates made, often little errors made when ordering the next batch of serialized plates.
B020507-1
Looks like serial number B020507 was never issued and the numbers around it are 1990-1991. That’ll do nicely for Project El Toro. Date: 12/04/18
Looks like serial number B020507 was never issued and the numbers around it are 1990-1991. That’ll do nicely for Project El Toro.
Looks like serial number B020507 was never issued and the numbers around it are 1990-1991. That’ll do nicely for Project El Toro. Date: 12/04/18
Looks like serial number B020507 was never issued and the numbers around it are 1990-1991. That’ll do nicely for Project El Toro.
B020507-2
Looks like serial number B020507 was never issued and the numbers around it are 1990-1991. That’ll do nicely for Project El Toro. Date: 12/04/18
Looks like serial number B020507 was never issued and the numbers around it are 1990-1991. That’ll do nicely for Project El Toro.
Looks like serial number B020507 was never issued and the numbers around it are 1990-1991. That’ll do nicely for Project El Toro. Date: 12/04/18
Looks like serial number B020507 was never issued and the numbers around it are 1990-1991. That’ll do nicely for Project El Toro.
B020507-3
Looks like serial number B020507 was never issued and the numbers around it are 1990-1991. That’ll do nicely for Project El Toro. Date: 12/04/18
Looks like serial number B020507 was never issued and the numbers around it are 1990-1991. That’ll do nicely for Project El Toro.
Looks like serial number B020507 was never issued and the numbers around it are 1990-1991. That’ll do nicely for Project El Toro. Date: 12/04/18
Looks like serial number B020507 was never issued and the numbers around it are 1990-1991. That’ll do nicely for Project El Toro.
Leo’s early ‘60s Delta Rockwell band saw
Leo’s early ‘60s Delta Rockwell band saw made Fenders, Music Mans and G&Ls. It hasn’t worked on a long time, but Johnny is going to bring it back to its Made In USA glory. If you can geek out on a old band saw, tell me. I’m serious. I don’t know how f
Date: 12/05/18
Leo’s early ‘60s Delta Rockwell band saw made Fenders, Music Mans and G&Ls. It hasn’t worked on a long time, but Johnny is going to bring it back to its Made In USA glory. If you can geek out on a old band saw, tell me. I’m serious. I don’t know how far out there you guys want to get.
Delta Rockwell model 28-350
“...a Big Machine with Big Cutting Capacity.” The Delta Rockwell model 28-350 was an American badass. If you’re into specs, here is the original catalog page. I can’t believe we are geeking on this but I’m waaay into it. Date: 12/05/18
“...a Big Machine with Big Cutting Capacity.” The Delta Rockwell model 28-350 was an American badass. If you’re into specs, here is the original catalog page. I can’t believe we are geeking on this but I’m waaay into it.
“...a Big Machine with Big Cutting Capacity.” The Delta Rockwell model 28-350 was an American badass. If you’re into specs, here is the original catalog page. I can’t believe we are geeking on this but I’m waaay into it. Date: 12/05/18
“...a Big Machine with Big Cutting Capacity.” The Delta Rockwell model 28-350 was an American badass. If you’re into specs, here is the original catalog page. I can’t believe we are geeking on this but I’m waaay into it.
Our new friend Tom (on left) is a retired cabinet maker who once wanted to make guitars
Our new friend Tom (on left) is a retired cabinet maker who once wanted to make guitars. Unfortunately, the guitars didn’t happen and years later this pin router was put up for sale. Yesterday, Johnny (on right) and I were casually talking about putting Date: 12/06/18
Our new friend Tom (on left) is a retired cabinet maker who once wanted to make guitars. Unfortunately, the guitars didn’t happen and years later this pin router was put up for sale. Yesterday, Johnny (on right) and I were casually talking about putting a pin router in a mini CLF wood shop to mess around with. So I pulled out my phone to check Craigslist and was stunned to see this gorgeous alpha dog SCMI R9 pin router appear on my screen. And that’s why we’re at Tom’s house today and this machine will be moved to Fender Avenue next week. Hopefully, Tom can visit soon and make some guitar sawdust with us. It was a long time coming.
Our new friend Tom (on left) is a retired cabinet maker who once wanted to make guitars. Unfortunately, the guitars didn’t happen and years later this pin router was put up for sale. Yesterday, Johnny (on right) and I were casually talking about putting Date: 12/06/18
Our new friend Tom (on left) is a retired cabinet maker who once wanted to make guitars. Unfortunately, the guitars didn’t happen and years later this pin router was put up for sale. Yesterday, Johnny (on right) and I were casually talking about putting a pin router in a mini CLF wood shop to mess around with. So I pulled out my phone to check Craigslist and was stunned to see this gorgeous alpha dog SCMI R9 pin router appear on my screen. And that’s why we’re at Tom’s house today and this machine will be moved to Fender Avenue next week. Hopefully, Tom can visit soon and make some guitar sawdust with us. It was a long time coming.
Project Fake Broadcaster all wired up and the jack installed
Darragh has Project Fake Broadcaster all wired up and the jack installed. Next he lined up the pickguard and control plate, and now he’s gonna drill holes. There’s a little pressure. ; )
Date: 12/07/18
Darragh has Project Fake Broadcaster all wired up and the jack installed. Next he lined up the pickguard and control plate, and now he’s gonna drill holes. There’s a little pressure. ; )
Darragh-1
Darragh lined up the CLF string retainer, used an awl to mark the screw hole locations, drilled and installed.
Date: 12/07/18
Darragh lined up the CLF string retainer, used an awl to mark the screw hole locations, drilled and installed.
Darragh-2
Darragh lined up the CLF string retainer, used an awl to mark the screw hole locations, drilled and installed.
Date: 12/07/18
Darragh lined up the CLF string retainer, used an awl to mark the screw hole locations, drilled and installed.
Darragh-3
Darragh lined up the CLF string retainer, used an awl to mark the screw hole locations, drilled and installed.
Date: 12/07/18
Darragh lined up the CLF string retainer, used an awl to mark the screw hole locations, drilled and installed.
Darragh-4
Darragh lined up the CLF string retainer, used an awl to mark the screw hole locations, drilled and installed.
Date: 12/07/18
Darragh lined up the CLF string retainer, used an awl to mark the screw hole locations, drilled and installed.
Darragh in the lab with Project Fake Broadcaster-1
Darragh in the lab with Project Fake Broadcaster. Not a bad day.
Date: 12/07/18
Darragh in the lab with Project Fake Broadcaster. Not a bad day.
Darragh in the lab with Project Fake Broadcaster=2
Darragh in the lab with Project Fake Broadcaster. Not a bad day.
Date: 12/07/18
Darragh in the lab with Project Fake Broadcaster. Not a bad day.
Leo’s Delta Rockwell 28-350 band saw-1
Back on Leo’s Delta Rockwell 28-350 band saw. I love how it was made in the early ‘60s but still has Art Deco foils that feel older, like ‘40s vibes. You know what I mean? And check out the dealer sticker for Power Tool and Supply in Anaheim, California.
Date: 12/10/18
Back on Leo’s Delta Rockwell 28-350 band saw. I love how it was made in the early ‘60s but still has Art Deco foils that feel older, like ‘40s vibes. You know what I mean? And check out the dealer sticker for Power Tool and Supply in Anaheim, California. No website. Not even an area code. This phone number would be spoken to someone like this: “Providence Six Eighty-one-hundred”. The first two letters of Providence are P and R, and both of those are represented on the keypad (dial back then) by number 7. So a local phone call to the dealer would be dialed 7768100.
Leo’s Delta Rockwell 28-350 band saw-2
Back on Leo’s Delta Rockwell 28-350 band saw. I love how it was made in the early ‘60s but still has Art Deco foils that feel older, like ‘40s vibes. You know what I mean? And check out the dealer sticker for Power Tool and Supply in Anaheim, California.
Date: 12/10/18
Back on Leo’s Delta Rockwell 28-350 band saw. I love how it was made in the early ‘60s but still has Art Deco foils that feel older, like ‘40s vibes. You know what I mean? And check out the dealer sticker for Power Tool and Supply in Anaheim, California. No website. Not even an area code. This phone number would be spoken to someone like this: “Providence Six Eighty-one-hundred”. The first two letters of Providence are P and R, and both of those are represented on the keypad (dial back then) by number 7. So a local phone call to the dealer would be dialed 7768100.
Leo’s Delta Rockwell 28-350 band saw-3
Back on Leo’s Delta Rockwell 28-350 band saw. I love how it was made in the early ‘60s but still has Art Deco foils that feel older, like ‘40s vibes. You know what I mean? And check out the dealer sticker for Power Tool and Supply in Anaheim, California.
Date: 12/10/18
Back on Leo’s Delta Rockwell 28-350 band saw. I love how it was made in the early ‘60s but still has Art Deco foils that feel older, like ‘40s vibes. You know what I mean? And check out the dealer sticker for Power Tool and Supply in Anaheim, California. No website. Not even an area code. This phone number would be spoken to someone like this: “Providence Six Eighty-one-hundred”. The first two letters of Providence are P and R, and both of those are represented on the keypad (dial back then) by number 7. So a local phone call to the dealer would be dialed 7768100.
Leo’s Delta Rockwell 28-350 band saw-4
Back on Leo’s Delta Rockwell 28-350 band saw. I love how it was made in the early ‘60s but still has Art Deco foils that feel older, like ‘40s vibes. You know what I mean? And check out the dealer sticker for Power Tool and Supply in Anaheim, California.
Date: 12/10/18
Back on Leo’s Delta Rockwell 28-350 band saw. I love how it was made in the early ‘60s but still has Art Deco foils that feel older, like ‘40s vibes. You know what I mean? And check out the dealer sticker for Power Tool and Supply in Anaheim, California. No website. Not even an area code. This phone number would be spoken to someone like this: “Providence Six Eighty-one-hundred”. The first two letters of Providence are P and R, and both of those are represented on the keypad (dial back then) by number 7. So a local phone call to the dealer would be dialed 7768100.
Leo’s Delta Rockwell 28-350 band saw-5
Back on Leo’s Delta Rockwell 28-350 band saw. I love how it was made in the early ‘60s but still has Art Deco foils that feel older, like ‘40s vibes. You know what I mean? And check out the dealer sticker for Power Tool and Supply in Anaheim, California.
Date: 12/10/18
Back on Leo’s Delta Rockwell 28-350 band saw. I love how it was made in the early ‘60s but still has Art Deco foils that feel older, like ‘40s vibes. You know what I mean? And check out the dealer sticker for Power Tool and Supply in Anaheim, California. No website. Not even an area code. This phone number would be spoken to someone like this: “Providence Six Eighty-one-hundred”. The first two letters of Providence are P and R, and both of those are represented on the keypad (dial back then) by number 7. So a local phone call to the dealer would be dialed 7768100.
Leo’s Delta Rockwell 28-350 band saw-6
Back on Leo’s Delta Rockwell 28-350 band saw. I love how it was made in the early ‘60s but still has Art Deco foils that feel older, like ‘40s vibes. You know what I mean? And check out the dealer sticker for Power Tool and Supply in Anaheim, California.
Date: 12/10/18
Back on Leo’s Delta Rockwell 28-350 band saw. I love how it was made in the early ‘60s but still has Art Deco foils that feel older, like ‘40s vibes. You know what I mean? And check out the dealer sticker for Power Tool and Supply in Anaheim, California. No website. Not even an area code. This phone number would be spoken to someone like this: “Providence Six Eighty-one-hundred”. The first two letters of Providence are P and R, and both of those are represented on the keypad (dial back then) by number 7. So a local phone call to the dealer would be dialed 7768100.
Leo’s Delta Rockwell 28-350 band saw-7
Back on Leo’s Delta Rockwell 28-350 band saw. I love how it was made in the early ‘60s but still has Art Deco foils that feel older, like ‘40s vibes. You know what I mean? And check out the dealer sticker for Power Tool and Supply in Anaheim, California.
Date: 12/10/18
Back on Leo’s Delta Rockwell 28-350 band saw. I love how it was made in the early ‘60s but still has Art Deco foils that feel older, like ‘40s vibes. You know what I mean? And check out the dealer sticker for Power Tool and Supply in Anaheim, California. No website. Not even an area code. This phone number would be spoken to someone like this: “Providence Six Eighty-one-hundred”. The first two letters of Providence are P and R, and both of those are represented on the keypad (dial back then) by number 7. So a local phone call to the dealer would be dialed 7768100.
A couple of the Doheny test mules
A couple of the Doheny test mules. The one in front was used in V12 development. Yes, the switches got in the way. We used the jazzer route so there’s space right there to pop in a couple of switches to tinker with.
Date: 12/10/18
A couple of the Doheny test mules. The one in front was used in V12 development. Yes, the switches got in the way. We used the jazzer route so there’s space right there to pop in a couple of switches to tinker with.
The Robert Poss blue SC-1
The Robert Poss blue SC-1 holds decades of his memories, kinda like the old photos on the desk hold Leo’s memories. I’ll keep it in Leo’s lab for a couple of days, give it a final check up then it begins its voyage back to Mr. Robert Poss.
Date: 12/11/18
The Robert Poss blue SC-1 holds decades of his memories, kinda like the old photos on the desk hold Leo’s memories. I’ll keep it in Leo’s lab for a couple of days, give it a final check up then it begins its voyage back to Mr. Robert Poss.
Project El Toro’s neck is going to have its micro-tilt disc installed and 3-bolt holes prepped
Project El Toro’s neck is going to have its micro-tilt disc installed and 3-bolt holes prepped.
Date: 12/11/18
Project El Toro’s neck is going to have its micro-tilt disc installed and 3-bolt holes prepped.
Marking locations for the screw holes and micro-tilt disc-1
Marking locations for the screw holes and micro-tilt disc.
Date: 12/11/18
Marking locations for the screw holes and micro-tilt disc.
Marking locations for the screw holes and micro-tilt disc-2
Marking locations for the screw holes and micro-tilt disc.
Date: 12/11/18
Marking locations for the screw holes and micro-tilt disc.
Marking locations for the screw holes and micro-tilt disc-3
Marking locations for the screw holes and micro-tilt disc.
Date: 12/11/18
Marking locations for the screw holes and micro-tilt disc.
Marking locations for the screw holes and micro-tilt disc-4
Marking locations for the screw holes and micro-tilt disc.
Date: 12/11/18
Marking locations for the screw holes and micro-tilt disc.
48046Marking locations for the screw holes and micro-tilt disc-5
Marking locations for the screw holes and micro-tilt disc.
Date: 12/11/18
Marking locations for the screw holes and micro-tilt disc.
Memo getting that micro-tilt disc installed with a little help from Dave Brown-1
Memo getting that micro-tilt disc installed with a little help from Dave Brown G&L Custom Shop and a badass 1960s Delta Rockwell drill press.
Date: 12/11/18 Memo getting that micro-tilt disc installed with a little help from Dave Brown G&L Custom Shop and a badass 1960s Delta Rockwell drill press.
Date: 12/11/18 Memo getting that micro-tilt disc installed with a little help from Dave Brown G&L Custom Shop and a badass 1960s Delta Rockwell drill press.
Memo getting that micro-tilt disc installed with a little help from Dave Brown-2
Memo getting that micro-tilt disc installed with a little help from Dave Brown G&L Custom Shop and a badass 1960s Delta Rockwell drill press.
Date: 12/11/18 Memo getting that micro-tilt disc installed with a little help from Dave Brown G&L Custom Shop and a badass 1960s Delta Rockwell drill press.
Date: 12/11/18 Memo getting that micro-tilt disc installed with a little help from Dave Brown G&L Custom Shop and a badass 1960s Delta Rockwell drill press.
Memo getting that micro-tilt disc installed with a little help from Dave Brown-4
Memo getting that micro-tilt disc installed with a little help from Dave Brown G&L Custom Shop and a badass 1960s Delta Rockwell drill press.
Date: 12/11/18 Memo getting that micro-tilt disc installed with a little help from Dave Brown G&L Custom Shop and a badass 1960s Delta Rockwell drill press.
Date: 12/11/18 Memo getting that micro-tilt disc installed with a little help from Dave Brown G&L Custom Shop and a badass 1960s Delta Rockwell drill press.
Memo getting that micro-tilt disc installed with a little help from Dave Brown-5
Memo getting that micro-tilt disc installed with a little help from Dave Brown G&L Custom Shop and a badass 1960s Delta Rockwell drill press.
Date: 12/11/18 Memo getting that micro-tilt disc installed with a little help from Dave Brown G&L Custom Shop and a badass 1960s Delta Rockwell drill press.
Date: 12/11/18 Memo getting that micro-tilt disc installed with a little help from Dave Brown G&L Custom Shop and a badass 1960s Delta Rockwell drill press.
Project El Toro-1
Project El Toro is ready to play. Now if you will excuse me, I have some walls to shake.
Date: 12/12/18
Project El Toro is ready to play. Now if you will excuse me, I have some walls to shake.
Project El Toro-2
Project El Toro is ready to play. Now if you will excuse me, I have some walls to shake.
Date: 12/12/18
Project El Toro is ready to play. Now if you will excuse me, I have some walls to shake.
Project El Toro-3
Project El Toro is ready to play. Now if you will excuse me, I have some walls to shake.
Date: 12/12/18
Project El Toro is ready to play. Now if you will excuse me, I have some walls to shake.
Project El Toro-4
Project El Toro is ready to play. Now if you will excuse me, I have some walls to shake.
Date: 12/12/18
Project El Toro is ready to play. Now if you will excuse me, I have some walls to shake.
Project El Toro-5
Project El Toro is ready to play. Now if you will excuse me, I have some walls to shake.
Date: 12/12/18
Project El Toro is ready to play. Now if you will excuse me, I have some walls to shake.
Project El Toro-6
Project El Toro is ready to play. Now if you will excuse me, I have some walls to shake.
Date: 12/12/18
Project El Toro is ready to play. Now if you will excuse me, I have some walls to shake.
Project El Toro-7
Project El Toro is ready to play. Now if you will excuse me, I have some walls to shake.
Date: 12/12/18
Project El Toro is ready to play. Now if you will excuse me, I have some walls to shake.
Project El Toro-8
Project El Toro is ready to play. Now if you will excuse me, I have some walls to shake.
Date: 12/12/18
Project El Toro is ready to play. Now if you will excuse me, I have some walls to shake.
Project El Toro-9
Project El Toro is ready to play. Now if you will excuse me, I have some walls to shake.
Date: 12/12/18
Project El Toro is ready to play. Now if you will excuse me, I have some walls to shake.
Project El Toro-10
Project El Toro is ready to play. Now if you will excuse me, I have some walls to shake.
Date: 12/12/18
Project El Toro is ready to play. Now if you will excuse me, I have some walls to shake.
Project El Toro’s control assembly was sketchy
Ugh...I forgot that Project El Toro’s control assembly was sketchy. It was an old one laying around, the sort of thing that got swapped out for a good control assembly in production and this one found its way into a bin or box. Decades later, it still n Date: 12/12/18
Ugh...I forgot that Project El Toro’s control assembly was sketchy. It was an old one laying around, the sort of thing that got swapped out for a good control assembly in production and this one found its way into a bin or box. Decades later, it still needs to be fixed. And this time, it will be.
Ugh...I forgot that Project El Toro’s control assembly was sketchy. It was an old one laying around, the sort of thing that got swapped out for a good control assembly in production and this one found its way into a bin or box. Decades later, it still n Date: 12/12/18
Ugh...I forgot that Project El Toro’s control assembly was sketchy. It was an old one laying around, the sort of thing that got swapped out for a good control assembly in production and this one found its way into a bin or box. Decades later, it still needs to be fixed. And this time, it will be.
think I just heard Memo mumble something about changing some caps. jpg
I think I just heard Memo mumble something about changing some caps. Come on, man! Work your magic! Right now we are recording video in Leo’s Lounge and I really want sneak in some Project El Toro coverage. Date: 12/12/18
I think I just heard Memo mumble something about changing some caps. Come on, man! Work your magic! Right now we are recording video in Leo’s Lounge and I really want sneak in some Project El Toro coverage.
I think I just heard Memo mumble something about changing some caps. Come on, man! Work your magic! Right now we are recording video in Leo’s Lounge and I really want sneak in some Project El Toro coverage. Date: 12/12/18
I think I just heard Memo mumble something about changing some caps. Come on, man! Work your magic! Right now we are recording video in Leo’s Lounge and I really want sneak in some Project El Toro coverage.
aaaaaand he did it!-1
...aaaaaand he did it! Thanks, Memo. Now I’m gonna bring it to Leo’s Lounge and do a little recording. Date: 12/12/18
...aaaaaand he did it! Thanks, Memo. Now I’m gonna bring it to Leo’s Lounge and do a little recording.
...aaaaaand he did it! Thanks, Memo. Now I’m gonna bring it to Leo’s Lounge and do a little recording. Date: 12/12/18
...aaaaaand he did it! Thanks, Memo. Now I’m gonna bring it to Leo’s Lounge and do a little recording.
aaaaaand he did it!-2
...aaaaaand he did it! Thanks, Memo. Now I’m gonna bring it to Leo’s Lounge and do a little recording. Date: 12/12/18
...aaaaaand he did it! Thanks, Memo. Now I’m gonna bring it to Leo’s Lounge and do a little recording.
...aaaaaand he did it! Thanks, Memo. Now I’m gonna bring it to Leo’s Lounge and do a little recording. Date: 12/12/18
...aaaaaand he did it! Thanks, Memo. Now I’m gonna bring it to Leo’s Lounge and do a little recording.
Stage drapes for the expansion of Leo’s Lounge-1
Stage drapes for the expansion of Leo’s Lounge. Thanks to Steve Araujo for getting me hooked up with these pro level pieces. What would Leo hang? Never mind. Date: 12/12/18
Stage drapes for the expansion of Leo’s Lounge. Thanks to Steve Araujo for getting me hooked up with these pro level pieces. What would Leo hang? Never mind.
Stage drapes for the expansion of Leo’s Lounge. Thanks to Steve Araujo for getting me hooked up with these pro level pieces. What would Leo hang? Never mind. Date: 12/12/18
Stage drapes for the expansion of Leo’s Lounge. Thanks to Steve Araujo for getting me hooked up with these pro level pieces. What would Leo hang? Never mind.
Stage drapes for the expansion of Leo’s Lounge-2
Stage drapes for the expansion of Leo’s Lounge. Thanks to Steve Araujo for getting me hooked up with these pro level pieces. What would Leo hang? Never mind. Date: 12/12/18
Stage drapes for the expansion of Leo’s Lounge. Thanks to Steve Araujo for getting me hooked up with these pro level pieces. What would Leo hang? Never mind.
Stage drapes for the expansion of Leo’s Lounge. Thanks to Steve Araujo for getting me hooked up with these pro level pieces. What would Leo hang? Never mind. Date: 12/12/18
Stage drapes for the expansion of Leo’s Lounge. Thanks to Steve Araujo for getting me hooked up with these pro level pieces. What would Leo hang? Never mind.
Leo’s circa 1956 Eico 950-1
Leo’s circa 1956 Eico 950 has tubes and measures capacitors. Built for the Modern World. One of these days we need to revive this cool piece of history.
Date: 12/13/18
Leo’s circa 1956 Eico 950 has tubes and measures capacitors. Built for the Modern World. One of these days we need to revive this cool piece of history.
Leo’s circa 1956 Eico 950-2
Leo’s circa 1956 Eico 950 has tubes and measures capacitors. Built for the Modern World. One of these days we need to revive this cool piece of history.
Date: 12/13/18
Leo’s circa 1956 Eico 950 has tubes and measures capacitors. Built for the Modern World. One of these days we need to revive this cool piece of history.
Dunkel Bros. Machinery Moving-1
Steve with Dunkel Bros. Machinery Moving has brought our new toy, a late ‘90s super minty SCMI R9 pin router. The clouds have parted and angels sing: “ahhhh!” I’m so stoked. Date: 12/13/18
Steve with Dunkel Bros. Machinery Moving has brought our new toy, a late ‘90s super minty SCMI R9 pin router. The clouds have parted and angels sing: “ahhhh!” I’m so stoked.
Steve with Dunkel Bros. Machinery Moving has brought our new toy, a late ‘90s super minty SCMI R9 pin router. The clouds have parted and angels sing: “ahhhh!” I’m so stoked. Date: 12/13/18
Steve with Dunkel Bros. Machinery Moving has brought our new toy, a late ‘90s super minty SCMI R9 pin router. The clouds have parted and angels sing: “ahhhh!” I’m so stoked.
Dunkel Bros. Machinery Moving-2
Steve with Dunkel Bros. Machinery Moving has brought our new toy, a late ‘90s super minty SCMI R9 pin router. The clouds have parted and angels sing: “ahhhh!” I’m so stoked. Date: 12/13/18
Steve with Dunkel Bros. Machinery Moving has brought our new toy, a late ‘90s super minty SCMI R9 pin router. The clouds have parted and angels sing: “ahhhh!” I’m so stoked.
Steve with Dunkel Bros. Machinery Moving has brought our new toy, a late ‘90s super minty SCMI R9 pin router. The clouds have parted and angels sing: “ahhhh!” I’m so stoked. Date: 12/13/18
Steve with Dunkel Bros. Machinery Moving has brought our new toy, a late ‘90s super minty SCMI R9 pin router. The clouds have parted and angels sing: “ahhhh!” I’m so stoked.
Dunkel Bros. Machinery Moving-3
Steve with Dunkel Bros. Machinery Moving has brought our new toy, a late ‘90s super minty SCMI R9 pin router. The clouds have parted and angels sing: “ahhhh!” I’m so stoked. Date: 12/13/18
Steve with Dunkel Bros. Machinery Moving has brought our new toy, a late ‘90s super minty SCMI R9 pin router. The clouds have parted and angels sing: “ahhhh!” I’m so stoked.
Steve with Dunkel Bros. Machinery Moving has brought our new toy, a late ‘90s super minty SCMI R9 pin router. The clouds have parted and angels sing: “ahhhh!” I’m so stoked. Date: 12/13/18
Steve with Dunkel Bros. Machinery Moving has brought our new toy, a late ‘90s super minty SCMI R9 pin router. The clouds have parted and angels sing: “ahhhh!” I’m so stoked.
CLF Research time machine spit out some amazing artifacts-1
And just like that, suddenly the CLF Research time machine spit out some amazing artifacts. Some I can’t show you now, but finding them is like an affirmation from the spirits of Fender Avenue. I feel pretty damn good right now. Date: 12/13/18
And just like that, suddenly the CLF Research time machine spit out some amazing artifacts. Some I can’t show you now, but finding them is like an affirmation from the spirits of Fender Avenue. I feel pretty damn good right now.
And just like that, suddenly the CLF Research time machine spit out some amazing artifacts. Some I can’t show you now, but finding them is like an affirmation from the spirits of Fender Avenue. I feel pretty damn good right now. Date: 12/13/18
And just like that, suddenly the CLF Research time machine spit out some amazing artifacts. Some I can’t show you now, but finding them is like an affirmation from the spirits of Fender Avenue. I feel pretty damn good right now.
CLF Research time machine spit out some amazing artifacts-2
And just like that, suddenly the CLF Research time machine spit out some amazing artifacts. Some I can’t show you now, but finding them is like an affirmation from the spirits of Fender Avenue. I feel pretty damn good right now. Date: 12/13/18
And just like that, suddenly the CLF Research time machine spit out some amazing artifacts. Some I can’t show you now, but finding them is like an affirmation from the spirits of Fender Avenue. I feel pretty damn good right now.
And just like that, suddenly the CLF Research time machine spit out some amazing artifacts. Some I can’t show you now, but finding them is like an affirmation from the spirits of Fender Avenue. I feel pretty damn good right now. Date: 12/13/18
And just like that, suddenly the CLF Research time machine spit out some amazing artifacts. Some I can’t show you now, but finding them is like an affirmation from the spirits of Fender Avenue. I feel pretty damn good right now.
CLF Research time machine spit out some amazing artifacts-3
And just like that, suddenly the CLF Research time machine spit out some amazing artifacts. Some I can’t show you now, but finding them is like an affirmation from the spirits of Fender Avenue. I feel pretty damn good right now. Date: 12/13/18
And just like that, suddenly the CLF Research time machine spit out some amazing artifacts. Some I can’t show you now, but finding them is like an affirmation from the spirits of Fender Avenue. I feel pretty damn good right now.
And just like that, suddenly the CLF Research time machine spit out some amazing artifacts. Some I can’t show you now, but finding them is like an affirmation from the spirits of Fender Avenue. I feel pretty damn good right now. Date: 12/13/18
And just like that, suddenly the CLF Research time machine spit out some amazing artifacts. Some I can’t show you now, but finding them is like an affirmation from the spirits of Fender Avenue. I feel pretty damn good right now.
CLF Research time machine spit out some amazing artifacts-4
And just like that, suddenly the CLF Research time machine spit out some amazing artifacts. Some I can’t show you now, but finding them is like an affirmation from the spirits of Fender Avenue. I feel pretty damn good right now. Date: 12/13/18
And just like that, suddenly the CLF Research time machine spit out some amazing artifacts. Some I can’t show you now, but finding them is like an affirmation from the spirits of Fender Avenue. I feel pretty damn good right now.
And just like that, suddenly the CLF Research time machine spit out some amazing artifacts. Some I can’t show you now, but finding them is like an affirmation from the spirits of Fender Avenue. I feel pretty damn good right now. Date: 12/13/18
And just like that, suddenly the CLF Research time machine spit out some amazing artifacts. Some I can’t show you now, but finding them is like an affirmation from the spirits of Fender Avenue. I feel pretty damn good right now.
original die stamp for the L-2000 control plate-1
I came to Unit J to vibe out on the new pin router and figure where I might put a massive, multigenerational, kick-ass template library. Like 5 seconds later the afternoon light caught my eye, and hey! here’s an original die stamp for the L-2000 control p
Date: 12/13/18
I came to Unit J to vibe out on the new pin router and figure where I might put a massive, multigenerational, kick-ass template library. Like 5 seconds later the afternoon light caught my eye, and hey! here’s an original die stamp for the L-2000 control plate. Imagine this thing back in 1981 literally bashing out those L-2000 plates. How am I supposed to get anything done when this building is stealing my attention?
original die stamp for the L-2000 control plate-2
I came to Unit J to vibe out on the new pin router and figure where I might put a massive, multigenerational, kick-ass template library. Like 5 seconds later the afternoon light caught my eye, and hey! here’s an original die stamp for the L-2000 control p
Date: 12/13/18
I came to Unit J to vibe out on the new pin router and figure where I might put a massive, multigenerational, kick-ass template library. Like 5 seconds later the afternoon light caught my eye, and hey! here’s an original die stamp for the L-2000 control plate. Imagine this thing back in 1981 literally bashing out those L-2000 plates. How am I supposed to get anything done when this building is stealing my attention?
original die stamp for the L-2000 control plate-3
I came to Unit J to vibe out on the new pin router and figure where I might put a massive, multigenerational, kick-ass template library. Like 5 seconds later the afternoon light caught my eye, and hey! here’s an original die stamp for the L-2000 control p
Date: 12/13/18
I came to Unit J to vibe out on the new pin router and figure where I might put a massive, multigenerational, kick-ass template library. Like 5 seconds later the afternoon light caught my eye, and hey! here’s an original die stamp for the L-2000 control plate. Imagine this thing back in 1981 literally bashing out those L-2000 plates. How am I supposed to get anything done when this building is stealing my attention?
original die stamp for the L-2000 control plate-4
I came to Unit J to vibe out on the new pin router and figure where I might put a massive, multigenerational, kick-ass template library. Like 5 seconds later the afternoon light caught my eye, and hey! here’s an original die stamp for the L-2000 control p
Date: 12/13/18
I came to Unit J to vibe out on the new pin router and figure where I might put a massive, multigenerational, kick-ass template library. Like 5 seconds later the afternoon light caught my eye, and hey! here’s an original die stamp for the L-2000 control plate. Imagine this thing back in 1981 literally bashing out those L-2000 plates. How am I supposed to get anything done when this building is stealing my attention?
MFD version of the low-output pickups in the CLF-67:68 prototype-1
My brother Johnny is the best. I was talking about doing an MFD version of the low-output pickups in the CLF-67/68 prototype, and how I’d use them with the preamp and control setup Memo copied and constructed. Just riffing, right? Next thing I know, Johnn
Date: 12/14/18
My brother Johnny is the best. I was talking about doing an MFD version of the low-output pickups in the CLF-67/68 prototype, and how I’d use them with the preamp and control setup Memo copied and constructed. Just riffing, right? Next thing I know, Johnny came up with a plan to make some prototypes. Don’t ask me if *I* have a plan; I don’t. Well, I do plan to have some fun, if that counts.
MFD version of the low-output pickups in the CLF-67:68 prototype-2
My brother Johnny is the best. I was talking about doing an MFD version of the low-output pickups in the CLF-67/68 prototype, and how I’d use them with the preamp and control setup Memo copied and constructed. Just riffing, right? Next thing I know, Johnn
Date: 12/14/18
My brother Johnny is the best. I was talking about doing an MFD version of the low-output pickups in the CLF-67/68 prototype, and how I’d use them with the preamp and control setup Memo copied and constructed. Just riffing, right? Next thing I know, Johnny came up with a plan to make some prototypes. Don’t ask me if *I* have a plan; I don’t. Well, I do plan to have some fun, if that counts.
MFD version of the low-output pickups in the CLF-67:68 prototype-3
My brother Johnny is the best. I was talking about doing an MFD version of the low-output pickups in the CLF-67/68 prototype, and how I’d use them with the preamp and control setup Memo copied and constructed. Just riffing, right? Next thing I know, Johnn
Date: 12/14/18
My brother Johnny is the best. I was talking about doing an MFD version of the low-output pickups in the CLF-67/68 prototype, and how I’d use them with the preamp and control setup Memo copied and constructed. Just riffing, right? Next thing I know, Johnny came up with a plan to make some prototypes. Don’t ask me if *I* have a plan; I don’t. Well, I do plan to have some fun, if that counts.
F-100 was the first G&L guitar model-1
The F-100 was the first G&L guitar model, a technically advanced instrument with Leo’s latest features developed at CLF Research in the late 1970s. This is the passive version; the F-100 E with preamp was also offered.
Date: 12/18/18
The F-100 was the first G&L guitar model, a technically advanced instrument with Leo’s latest features developed at CLF Research in the late 1970s. This is the passive version; the F-100 E with preamp was also offered.
F-100 was the first G&L guitar model-2
The F-100 was the first G&L guitar model, a technically advanced instrument with Leo’s latest features developed at CLF Research in the late 1970s. This is the passive version; the F-100 E with preamp was also offered.
Date: 12/18/18
The F-100 was the first G&L guitar model, a technically advanced instrument with Leo’s latest features developed at CLF Research in the late 1970s. This is the passive version; the F-100 E with preamp was also offered.
F-100 was the first G&L guitar model-3
The F-100 was the first G&L guitar model, a technically advanced instrument with Leo’s latest features developed at CLF Research in the late 1970s. This is the passive version; the F-100 E with preamp was also offered.
Date: 12/18/18
The F-100 was the first G&L guitar model, a technically advanced instrument with Leo’s latest features developed at CLF Research in the late 1970s. This is the passive version; the F-100 E with preamp was also offered.
F-100 was the first G&L guitar model-4
The F-100 was the first G&L guitar model, a technically advanced instrument with Leo’s latest features developed at CLF Research in the late 1970s. This is the passive version; the F-100 E with preamp was also offered.
Date: 12/18/18
The F-100 was the first G&L guitar model, a technically advanced instrument with Leo’s latest features developed at CLF Research in the late 1970s. This is the passive version; the F-100 E with preamp was also offered.
F-100 was the first G&L guitar model-5
The F-100 was the first G&L guitar model, a technically advanced instrument with Leo’s latest features developed at CLF Research in the late 1970s. This is the passive version; the F-100 E with preamp was also offered.
Date: 12/18/18
The F-100 was the first G&L guitar model, a technically advanced instrument with Leo’s latest features developed at CLF Research in the late 1970s. This is the passive version; the F-100 E with preamp was also offered.
ld ASAT Classic bridge plate with the Leo sig-1
An old ASAT Classic bridge plate with the Leo sig would be cool on a project build, no doubt. To the lab it goes.
Date: 12/18/18
An old ASAT Classic bridge plate with the Leo sig would be cool on a project build, no doubt. To the lab it goes.
ld ASAT Classic bridge plate with the Leo sig-2
An old ASAT Classic bridge plate with the Leo sig would be cool on a project build, no doubt. To the lab it goes.
Date: 12/18/18
An old ASAT Classic bridge plate with the Leo sig would be cool on a project build, no doubt. To the lab it goes.
F-100 E was the active version of the first G&L guitar model-1
The F-100 E was the active version of the first G&L guitar model. It could be used either passive or active with the preamp switch turned on. I love L-2000 basses, so I guess it shouldn’t be surprising that I prefer the F-100 E over the F-100.
Date: 12/18/18
The F-100 E was the active version of the first G&L guitar model. It could be used either passive or active with the preamp switch turned on. I love L-2000 basses, so I guess it shouldn’t be surprising that I prefer the F-100 E over the F-100.
F-100 E was the active version of the first G&L guitar model-2
The F-100 E was the active version of the first G&L guitar model. It could be used either passive or active with the preamp switch turned on. I love L-2000 basses, so I guess it shouldn’t be surprising that I prefer the F-100 E over the F-100.
Date: 12/18/18
The F-100 E was the active version of the first G&L guitar model. It could be used either passive or active with the preamp switch turned on. I love L-2000 basses, so I guess it shouldn’t be surprising that I prefer the F-100 E over the F-100.
F-100 E was the active version of the first G&L guitar model-3
The F-100 E was the active version of the first G&L guitar model. It could be used either passive or active with the preamp switch turned on. I love L-2000 basses, so I guess it shouldn’t be surprising that I prefer the F-100 E over the F-100.
Date: 12/18/18
The F-100 E was the active version of the first G&L guitar model. It could be used either passive or active with the preamp switch turned on. I love L-2000 basses, so I guess it shouldn’t be surprising that I prefer the F-100 E over the F-100.
F-100 E was the active version of the first G&L guitar model-4
The F-100 E was the active version of the first G&L guitar model. It could be used either passive or active with the preamp switch turned on. I love L-2000 basses, so I guess it shouldn’t be surprising that I prefer the F-100 E over the F-100.
Date: 12/18/18
The F-100 E was the active version of the first G&L guitar model. It could be used either passive or active with the preamp switch turned on. I love L-2000 basses, so I guess it shouldn’t be surprising that I prefer the F-100 E over the F-100.
F-100 E was the active version of the first G&L guitar model-5
The F-100 E was the active version of the first G&L guitar model. It could be used either passive or active with the preamp switch turned on. I love L-2000 basses, so I guess it shouldn’t be surprising that I prefer the F-100 E over the F-100.
Date: 12/18/18
The F-100 E was the active version of the first G&L guitar model. It could be used either passive or active with the preamp switch turned on. I love L-2000 basses, so I guess it shouldn’t be surprising that I prefer the F-100 E over the F-100.
Me and Johnny doing research in Leo’s office file cabinets
Me and Johnny doing research in Leo’s office file cabinets. I just realized I should stop and show you this is really the stuff we do.
Date: 12/18/18
Me and Johnny doing research in Leo’s office file cabinets. I just realized I should stop and show you this is really the stuff we do.
Freddy Tavares gave my brother Johnny this 1960s Peterson Model 70 tuner-1
Back in 1982, Freddy Tavares gave my brother Johnny this 1960s Peterson Model 70 tuner when they moved Fender R&D from the old 500 South Raymond building into the big CBS building. This tuner makes sound you tune to, you don’t plug into it. Stuff had
Date: 12/18/18
Back in 1982, Freddy Tavares gave my brother Johnny this 1960s Peterson Model 70 tuner when they moved Fender R&D from the old 500 South Raymond building into the big CBS building. This tuner makes sound you tune to, you don’t plug into it. Stuff had to get canned, and Freddy handed this to Johnny and said “Here, you can tune your guitar with it.” I just found the thing in the Unit F loft.
Freddy Tavares gave my brother Johnny this 1960s Peterson Model 70 tuner-2
Back in 1982, Freddy Tavares gave my brother Johnny this 1960s Peterson Model 70 tuner when they moved Fender R&D from the old 500 South Raymond building into the big CBS building. This tuner makes sound you tune to, you don’t plug into it. Stuff had
Date: 12/18/18
Back in 1982, Freddy Tavares gave my brother Johnny this 1960s Peterson Model 70 tuner when they moved Fender R&D from the old 500 South Raymond building into the big CBS building. This tuner makes sound you tune to, you don’t plug into it. Stuff had to get canned, and Freddy handed this to Johnny and said “Here, you can tune your guitar with it.” I just found the thing in the Unit F loft.
Freddy Tavares gave my brother Johnny this 1960s Peterson Model 70 tuner-3
Back in 1982, Freddy Tavares gave my brother Johnny this 1960s Peterson Model 70 tuner when they moved Fender R&D from the old 500 South Raymond building into the big CBS building. This tuner makes sound you tune to, you don’t plug into it. Stuff had
Date: 12/18/18
Back in 1982, Freddy Tavares gave my brother Johnny this 1960s Peterson Model 70 tuner when they moved Fender R&D from the old 500 South Raymond building into the big CBS building. This tuner makes sound you tune to, you don’t plug into it. Stuff had to get canned, and Freddy handed this to Johnny and said “Here, you can tune your guitar with it.” I just found the thing in the Unit F loft.
Freddy Tavares gave my brother Johnny this 1960s Peterson Model 70 tuner-4
Back in 1982, Freddy Tavares gave my brother Johnny this 1960s Peterson Model 70 tuner when they moved Fender R&D from the old 500 South Raymond building into the big CBS building. This tuner makes sound you tune to, you don’t plug into it. Stuff had
Date: 12/18/18
Back in 1982, Freddy Tavares gave my brother Johnny this 1960s Peterson Model 70 tuner when they moved Fender R&D from the old 500 South Raymond building into the big CBS building. This tuner makes sound you tune to, you don’t plug into it. Stuff had to get canned, and Freddy handed this to Johnny and said “Here, you can tune your guitar with it.” I just found the thing in the Unit F loft.
Freddy Tavares gave my brother Johnny this 1960s Peterson Model 70 tuner-5
Back in 1982, Freddy Tavares gave my brother Johnny this 1960s Peterson Model 70 tuner when they moved Fender R&D from the old 500 South Raymond building into the big CBS building. This tuner makes sound you tune to, you don’t plug into it. Stuff had
Date: 12/18/18
Back in 1982, Freddy Tavares gave my brother Johnny this 1960s Peterson Model 70 tuner when they moved Fender R&D from the old 500 South Raymond building into the big CBS building. This tuner makes sound you tune to, you don’t plug into it. Stuff had to get canned, and Freddy handed this to Johnny and said “Here, you can tune your guitar with it.” I just found the thing in the Unit F loft.
The vintage Peterson is all cleaned and back together
The vintage Peterson is all cleaned and back together, and boy am I smitten with this thing. Now I’m gonna take it to Leo’s Lounge and tune stuff! [EDIT: not so fast] On the way I’m gonna walk through the factory with this blaring. I also need to return i
Date: 12/19/18
The vintage Peterson is all cleaned and back together, and boy am I smitten with this thing. Now I’m gonna take it to Leo’s Lounge and tune stuff! [EDIT: not so fast] On the way I’m gonna walk through the factory with this blaring. I also need to return it to Johnny, but hey, at least I gave it a mini-makeover first. Or broke it. Whatever.
‘60s Fender R&D Telecaster template-1
This ‘60s Fender R&D Telecaster template looks to be in very nice shape. I just found it in....you guessed it...a dark, dusty loft. The mystery and magic of CLF Research never stops surprising me. I love this place.
Date: 12/19/18
This ‘60s Fender R&D Telecaster template looks to be in very nice shape. I just found it in....you guessed it...a dark, dusty loft. The mystery and magic of CLF Research never stops surprising me. I love this place.
‘60s Fender R&D Telecaster template-2
This ‘60s Fender R&D Telecaster template looks to be in very nice shape. I just found it in....you guessed it...a dark, dusty loft. The mystery and magic of CLF Research never stops surprising me. I love this place.
Date: 12/19/18
This ‘60s Fender R&D Telecaster template looks to be in very nice shape. I just found it in....you guessed it...a dark, dusty loft. The mystery and magic of CLF Research never stops surprising me. I love this place.
‘60s Fender R&D Telecaster template-3
This ‘60s Fender R&D Telecaster template looks to be in very nice shape. I just found it in....you guessed it...a dark, dusty loft. The mystery and magic of CLF Research never stops surprising me. I love this place.
Date: 12/19/18
This ‘60s Fender R&D Telecaster template looks to be in very nice shape. I just found it in....you guessed it...a dark, dusty loft. The mystery and magic of CLF Research never stops surprising me. I love this place.
‘60s Fender R&D Telecaster template-4
This ‘60s Fender R&D Telecaster template looks to be in very nice shape. I just found it in....you guessed it...a dark, dusty loft. The mystery and magic of CLF Research never stops surprising me. I love this place.
Date: 12/19/18
This ‘60s Fender R&D Telecaster template looks to be in very nice shape. I just found it in....you guessed it...a dark, dusty loft. The mystery and magic of CLF Research never stops surprising me. I love this place.
‘60s Fender R&D Telecaster template-5
This ‘60s Fender R&D Telecaster template looks to be in very nice shape. I just found it in....you guessed it...a dark, dusty loft. The mystery and magic of CLF Research never stops surprising me. I love this place.
Date: 12/19/18
This ‘60s Fender R&D Telecaster template looks to be in very nice shape. I just found it in....you guessed it...a dark, dusty loft. The mystery and magic of CLF Research never stops surprising me. I love this place.
‘60s Fender R&D Telecaster template-6
This ‘60s Fender R&D Telecaster template looks to be in very nice shape. I just found it in....you guessed it...a dark, dusty loft. The mystery and magic of CLF Research never stops surprising me. I love this place.
Date: 12/19/18
This ‘60s Fender R&D Telecaster template looks to be in very nice shape. I just found it in....you guessed it...a dark, dusty loft. The mystery and magic of CLF Research never stops surprising me. I love this place.
‘60s Fender R&D Telecaster template-7
This ‘60s Fender R&D Telecaster template looks to be in very nice shape. I just found it in....you guessed it...a dark, dusty loft. The mystery and magic of CLF Research never stops surprising me. I love this place.
Date: 12/19/18
This ‘60s Fender R&D Telecaster template looks to be in very nice shape. I just found it in....you guessed it...a dark, dusty loft. The mystery and magic of CLF Research never stops surprising me. I love this place.
1986 Skyhawk in Sunburst over mahogany-1
Our 1986 Skyhawk in Sunburst over mahogany with ebony board.
Date: 12/21/18
Our 1986 Skyhawk in Sunburst over mahogany with ebony board.
1986 Skyhawk in Sunburst over mahogany-2
Our 1986 Skyhawk in Sunburst over mahogany with ebony board.
Date: 12/21/18
Our 1986 Skyhawk in Sunburst over mahogany with ebony board.
1986 Skyhawk in Sunburst over mahogany-3
Our 1986 Skyhawk in Sunburst over mahogany with ebony board.
Date: 12/21/18
Our 1986 Skyhawk in Sunburst over mahogany with ebony board.
1986 Skyhawk in Sunburst over mahogany-4
Our 1986 Skyhawk in Sunburst over mahogany with ebony board.
Date: 12/21/18
Our 1986 Skyhawk in Sunburst over mahogany with ebony board.
1986 Skyhawk in Sunburst over mahogany-5
Our 1986 Skyhawk in Sunburst over mahogany with ebony board.
Date: 12/21/18
Our 1986 Skyhawk in Sunburst over mahogany with ebony board.
1986 Skyhawk in Sunburst over mahogany-6
Our 1986 Skyhawk in Sunburst over mahogany with ebony board.
Date: 12/21/18
Our 1986 Skyhawk in Sunburst over mahogany with ebony board.
1986 Skyhawk in Sunburst over mahogany-7
Our 1986 Skyhawk in Sunburst over mahogany with ebony board.
Date: 12/21/18
Our 1986 Skyhawk in Sunburst over mahogany with ebony board.
1986 Skyhawk in Sunburst over mahogany-8
Our 1986 Skyhawk in Sunburst over mahogany with ebony board.
Date: 12/21/18
Our 1986 Skyhawk in Sunburst over mahogany with ebony board.
1986 Skyhawk in Sunburst over mahogany-9
Our 1986 Skyhawk in Sunburst over mahogany with ebony board.
Date: 12/21/18
Our 1986 Skyhawk in Sunburst over mahogany with ebony board.
1983 SB-1-1
Our 1983 SB-1 is the original version with single coil MFD pickup and slab body. The headstock is a slimmer version of the original CLF/G&L bass headstock as used on early L-1000 and L-2000.
Date: 12/22/18
Our 1983 SB-1 is the original version with single coil MFD pickup and slab body. The headstock is a slimmer version of the original CLF/G&L bass headstock as used on early L-1000 and L-2000.
1983 SB-1-2
Our 1983 SB-1 is the original version with single coil MFD pickup and slab body. The headstock is a slimmer version of the original CLF/G&L bass headstock as used on early L-1000 and L-2000.
Date: 12/22/18
Our 1983 SB-1 is the original version with single coil MFD pickup and slab body. The headstock is a slimmer version of the original CLF/G&L bass headstock as used on early L-1000 and L-2000.
1983 SB-1-3
Our 1983 SB-1 is the original version with single coil MFD pickup and slab body. The headstock is a slimmer version of the original CLF/G&L bass headstock as used on early L-1000 and L-2000.
Date: 12/22/18
Our 1983 SB-1 is the original version with single coil MFD pickup and slab body. The headstock is a slimmer version of the original CLF/G&L bass headstock as used on early L-1000 and L-2000.
1983 SB-1-4
Our 1983 SB-1 is the original version with single coil MFD pickup and slab body. The headstock is a slimmer version of the original CLF/G&L bass headstock as used on early L-1000 and L-2000.
Date: 12/22/18
Our 1983 SB-1 is the original version with single coil MFD pickup and slab body. The headstock is a slimmer version of the original CLF/G&L bass headstock as used on early L-1000 and L-2000.
1983 SB-1-5
Our 1983 SB-1 is the original version with single coil MFD pickup and slab body. The headstock is a slimmer version of the original CLF/G&L bass headstock as used on early L-1000 and L-2000.
Date: 12/22/18
Our 1983 SB-1 is the original version with single coil MFD pickup and slab body. The headstock is a slimmer version of the original CLF/G&L bass headstock as used on early L-1000 and L-2000.
1983 SB-1-6
Our 1983 SB-1 is the original version with single coil MFD pickup and slab body. The headstock is a slimmer version of the original CLF/G&L bass headstock as used on early L-1000 and L-2000.
Date: 12/22/18
Our 1983 SB-1 is the original version with single coil MFD pickup and slab body. The headstock is a slimmer version of the original CLF/G&L bass headstock as used on early L-1000 and L-2000.
1983 SB-1-7
Our 1983 SB-1 is the original version with single coil MFD pickup and slab body. The headstock is a slimmer version of the original CLF/G&L bass headstock as used on early L-1000 and L-2000.
Date: 12/22/18
Our 1983 SB-1 is the original version with single coil MFD pickup and slab body. The headstock is a slimmer version of the original CLF/G&L bass headstock as used on early L-1000 and L-2000.
1983 SB-1-8
Our 1983 SB-1 is the original version with single coil MFD pickup and slab body. The headstock is a slimmer version of the original CLF/G&L bass headstock as used on early L-1000 and L-2000.
Date: 12/22/18
Our 1983 SB-1 is the original version with single coil MFD pickup and slab body. The headstock is a slimmer version of the original CLF/G&L bass headstock as used on early L-1000 and L-2000.
1983 SB-1-9
Our 1983 SB-1 is the original version with single coil MFD pickup and slab body. The headstock is a slimmer version of the original CLF/G&L bass headstock as used on early L-1000 and L-2000.
Date: 12/22/18
Our 1983 SB-1 is the original version with single coil MFD pickup and slab body. The headstock is a slimmer version of the original CLF/G&L bass headstock as used on early L-1000 and L-2000.
Robert Poss 1983 red SC-1-1
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini
Date: 12/23/18
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini toggle controls parallel/single/series which is a total CLFR move and I love it.
Robert Poss 1983 red SC-1-2
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini
Date: 12/23/18
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini toggle controls parallel/single/series which is a total CLFR move and I love it.
Robert Poss 1983 red SC-1-3
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini
Date: 12/23/18
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini toggle controls parallel/single/series which is a total CLFR move and I love it.
Robert Poss 1983 red SC-1-4
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini
Date: 12/23/18
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini toggle controls parallel/single/series which is a total CLFR move and I love it.
Robert Poss 1983 red SC-1-5
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini
Date: 12/23/18
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini toggle controls parallel/single/series which is a total CLFR move and I love it.
Robert Poss 1983 red SC-1-6
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini
Date: 12/23/18
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini toggle controls parallel/single/series which is a total CLFR move and I love it.
Robert Poss 1983 red SC-1-7
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini
Date: 12/23/18
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini toggle controls parallel/single/series which is a total CLFR move and I love it.
Robert Poss 1983 red SC-1-8
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini
Date: 12/23/18
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini toggle controls parallel/single/series which is a total CLFR move and I love it.
Robert Poss 1983 red SC-1-9
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini
Date: 12/23/18
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini toggle controls parallel/single/series which is a total CLFR move and I love it.
Robert Poss 1983 red SC-1-10
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini
Date: 12/23/18
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini toggle controls parallel/single/series which is a total CLFR move and I love it.
Robert Poss 1983 red SC-1-11
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini
Date: 12/23/18
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini toggle controls parallel/single/series which is a total CLFR move and I love it.
Robert Poss 1983 red SC-1-12
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini
Date: 12/23/18
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini toggle controls parallel/single/series which is a total CLFR move and I love it.
Robert Poss 1983 red SC-1-13
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini
Date: 12/23/18
The Robert Poss 1983 red SC-1 may be the most intriguing of his legendary modded SCs A second pickup was added, a neck pickup from an SC-2 which is similar to jumbo MFD neck pickup on ASAT Special today. They are paired to work as a humbucker and the mini toggle controls parallel/single/series which is a total CLFR move and I love it.
Magnet samples from the ‘70s
Magnet samples from the ‘70s, possibly before the CLFR factory began production in 1976.
Date: 12/31/18
Magnet samples from the ‘70s, possibly before the CLFR factory began production in 1976.
CLFR vibes. Mostly late ‘60s to early ‘80s bits in these two drawers in Leo’s lab
CLFR vibes. Mostly late ‘60s to early ‘80s bits in these two drawers in Leo’s lab.
Date: 01/01/19
CLFR vibes. Mostly late ‘60s to early ‘80s bits in these two drawers in Leo’s lab.
Early CBS-Fender inter-office memo envelope1
Early CBS-Fender inter-office memo envelope, before they changed to special CBS printed ones. By this time, Leo had moved his lab and office to CLF Research on Elm Street as you see written. Old Fender people may recognize some names, and I kinda hope som
Date: 01/02/19
Early CBS-Fender inter-office memo envelope, before they changed to special CBS printed ones. By this time, Leo had moved his lab and office to CLF Research on Elm Street as you see written. Old Fender people may recognize some names, and I kinda hope someone has a little nostalgia trip. That would make my day. : )
Early CBS-Fender inter-office memo envelope2
Early CBS-Fender inter-office memo envelope, before they changed to special CBS printed ones. By this time, Leo had moved his lab and office to CLF Research on Elm Street as you see written. Old Fender people may recognize some names, and I kinda hope som
Date: 01/02/19
Early CBS-Fender inter-office memo envelope, before they changed to special CBS printed ones. By this time, Leo had moved his lab and office to CLF Research on Elm Street as you see written. Old Fender people may recognize some names, and I kinda hope someone has a little nostalgia trip. That would make my day. : )
Early CBS-Fender inter-office memo envelope3
Early CBS-Fender inter-office memo envelope, before they changed to special CBS printed ones. By this time, Leo had moved his lab and office to CLF Research on Elm Street as you see written. Old Fender people may recognize some names, and I kinda hope som
Date: 01/02/19
Early CBS-Fender inter-office memo envelope, before they changed to special CBS printed ones. By this time, Leo had moved his lab and office to CLF Research on Elm Street as you see written. Old Fender people may recognize some names, and I kinda hope someone has a little nostalgia trip. That would make my day. : )
Early CBS-Fender inter-office memo envelope4
Early CBS-Fender inter-office memo envelope, before they changed to special CBS printed ones. By this time, Leo had moved his lab and office to CLF Research on Elm Street as you see written. Old Fender people may recognize some names, and I kinda hope som
Date: 01/02/19
Early CBS-Fender inter-office memo envelope, before they changed to special CBS printed ones. By this time, Leo had moved his lab and office to CLF Research on Elm Street as you see written. Old Fender people may recognize some names, and I kinda hope someone has a little nostalgia trip. That would make my day. : )
Johnny’s MFD split coil interpretations of the pickups found in Leo’s CLF-67:68 prototype
I am stoked!!! Tonight I’m spending time with my brother Johnny’s MFD split coil interpretations of the pickups found in Leo’s CLF-67/68 prototype. Presently this proto is running a modern G&L L-series preamp for active mode. Spencer wired each pickup
Date: 01/04/19
I am stoked!!! Tonight I’m spending time with my brother Johnny’s MFD split coil interpretations of the pickups found in Leo’s CLF-67/68 prototype. Presently this proto is running a modern G&L L-series preamp for active mode. Spencer wired each pickup to be switchable series/parallel just to see how the pickups would react and I can safely report they catch a bus to funkytown. So far, so fun.
Korina Collection ASAT Bass
So I’m doing some work, but it’s Saturday so I start goofing off and found this Korina Collection ASAT Bass from like 2011 or whatever. I think I’m gonna give it a little love and keep it in Leo’s Lounge. Yeah, it’s kinda heavy but it’s a monster.
Date: 01/06/19
So I’m doing some work, but it’s Saturday so I start goofing off and found this Korina Collection ASAT Bass from like 2011 or whatever. I think I’m gonna give it a little love and keep it in Leo’s Lounge. Yeah, it’s kinda heavy but it’s a monster.
40 more hangers for the expansion of Leo’s Lounge
40 more hangers for the expansion of Leo’s Lounge.
Date: 01/08/19
40 more hangers for the expansion of Leo’s Lounge.
40 more hangers for the expansion of Leo’s Lounge
40 more hangers for the expansion of Leo’s Lounge.
Date: 01/08/19
40 more hangers for the expansion of Leo’s Lounge.
2012 Korina Collection ASAT Bass1
Spencer added CLFR knobs and colored switch tips to this 2012 Korina Collection ASAT Bass. So the story is this bass was returned by a dealer for being too heavy and it’s been here ever since. It’s like 10 pounds, but it’s a big ‘ol slab of Korina so ye Date: 01/09/19
Spencer added CLFR knobs and colored switch tips to this 2012 Korina Collection ASAT Bass. So the story is this bass was returned by a dealer for being too heavy and it’s been here ever since. It’s like 10 pounds, but it’s a big ‘ol slab of Korina so yeah... gonna do that. Anyway, I’m stoked with my new toy!
Spencer added CLFR knobs and colored switch tips to this 2012 Korina Collection ASAT Bass. So the story is this bass was returned by a dealer for being too heavy and it’s been here ever since. It’s like 10 pounds, but it’s a big ‘ol slab of Korina so ye Date: 01/09/19
Spencer added CLFR knobs and colored switch tips to this 2012 Korina Collection ASAT Bass. So the story is this bass was returned by a dealer for being too heavy and it’s been here ever since. It’s like 10 pounds, but it’s a big ‘ol slab of Korina so yeah... gonna do that. Anyway, I’m stoked with my new toy!
2012 Korina Collection ASAT Bass2
Spencer added CLFR knobs and colored switch tips to this 2012 Korina Collection ASAT Bass. So the story is this bass was returned by a dealer for being too heavy and it’s been here ever since. It’s like 10 pounds, but it’s a big ‘ol slab of Korina so ye Date: 01/09/19
Spencer added CLFR knobs and colored switch tips to this 2012 Korina Collection ASAT Bass. So the story is this bass was returned by a dealer for being too heavy and it’s been here ever since. It’s like 10 pounds, but it’s a big ‘ol slab of Korina so yeah... gonna do that. Anyway, I’m stoked with my new toy!
Spencer added CLFR knobs and colored switch tips to this 2012 Korina Collection ASAT Bass. So the story is this bass was returned by a dealer for being too heavy and it’s been here ever since. It’s like 10 pounds, but it’s a big ‘ol slab of Korina so ye Date: 01/09/19
Spencer added CLFR knobs and colored switch tips to this 2012 Korina Collection ASAT Bass. So the story is this bass was returned by a dealer for being too heavy and it’s been here ever since. It’s like 10 pounds, but it’s a big ‘ol slab of Korina so yeah... gonna do that. Anyway, I’m stoked with my new toy!
2012 Korina Collection ASAT Bass3
Spencer added CLFR knobs and colored switch tips to this 2012 Korina Collection ASAT Bass. So the story is this bass was returned by a dealer for being too heavy and it’s been here ever since. It’s like 10 pounds, but it’s a big ‘ol slab of Korina so ye Date: 01/09/19
Spencer added CLFR knobs and colored switch tips to this 2012 Korina Collection ASAT Bass. So the story is this bass was returned by a dealer for being too heavy and it’s been here ever since. It’s like 10 pounds, but it’s a big ‘ol slab of Korina so yeah... gonna do that. Anyway, I’m stoked with my new toy!
Spencer added CLFR knobs and colored switch tips to this 2012 Korina Collection ASAT Bass. So the story is this bass was returned by a dealer for being too heavy and it’s been here ever since. It’s like 10 pounds, but it’s a big ‘ol slab of Korina so ye Date: 01/09/19
Spencer added CLFR knobs and colored switch tips to this 2012 Korina Collection ASAT Bass. So the story is this bass was returned by a dealer for being too heavy and it’s been here ever since. It’s like 10 pounds, but it’s a big ‘ol slab of Korina so yeah... gonna do that. Anyway, I’m stoked with my new toy!
2012 Korina Collection ASAT Bass4
Spencer added CLFR knobs and colored switch tips to this 2012 Korina Collection ASAT Bass. So the story is this bass was returned by a dealer for being too heavy and it’s been here ever since. It’s like 10 pounds, but it’s a big ‘ol slab of Korina so ye Date: 01/09/19
Spencer added CLFR knobs and colored switch tips to this 2012 Korina Collection ASAT Bass. So the story is this bass was returned by a dealer for being too heavy and it’s been here ever since. It’s like 10 pounds, but it’s a big ‘ol slab of Korina so yeah... gonna do that. Anyway, I’m stoked with my new toy!
Spencer added CLFR knobs and colored switch tips to this 2012 Korina Collection ASAT Bass. So the story is this bass was returned by a dealer for being too heavy and it’s been here ever since. It’s like 10 pounds, but it’s a big ‘ol slab of Korina so ye Date: 01/09/19
Spencer added CLFR knobs and colored switch tips to this 2012 Korina Collection ASAT Bass. So the story is this bass was returned by a dealer for being too heavy and it’s been here ever since. It’s like 10 pounds, but it’s a big ‘ol slab of Korina so yeah... gonna do that. Anyway, I’m stoked with my new toy!
2012 Korina Collection ASAT Bass5
2012 Korina Collection ASAT Bass
Date: 01/09/19
2012 Korina Collection ASAT Bass
2012 Korina Collection ASAT Bass6
2012 Korina Collection ASAT Bass
Date: 01/09/19
2012 Korina Collection ASAT Bass
2012 Korina Collection ASAT Bass7
2012 Korina Collection ASAT Bass
Date: 01/09/19
2012 Korina Collection ASAT Bass
2012 Korina Collection ASAT Bass8
2012 Korina Collection ASAT Bass
Date: 01/09/19
2012 Korina Collection ASAT Bass
1998 pic of Ed Sebest doing a neck perimeter cut on one of our old SCMI pin routers
My friend Greg Gagliano sent me this 1998 pic of Ed Sebest doing a neck perimeter cut on one of our old SCMI pin routers.
Date: 01/10/19
My friend Greg Gagliano sent me this 1998 pic of Ed Sebest doing a neck perimeter cut on one of our old SCMI pin routers.
My friend Greg Gagliano sent me this 1998 pic of Ed Sebest doing a neck perimeter cut on one of our old SCMI pin routers.
Date: 01/10/19
My friend Greg Gagliano sent me this 1998 pic of Ed Sebest doing a neck perimeter cut on one of our old SCMI pin routers.
1984 SB-1 and the original knobs were long gone-1
I bought this 1984 SB-1 and the original knobs were long gone. These are nice dome Tele knobs, but...I can’t deal with them anymore...I’m sure you hardcore CLF fans feel me. So...today I have a little game. I’ll search for some original knobs, but I won Date: 01/11/19
I bought this 1984 SB-1 and the original knobs were long gone. These are nice dome Tele knobs, but...I can’t deal with them anymore...I’m sure you hardcore CLF fans feel me. So...today I have a little game. I’ll search for some original knobs, but I won’t take them off another instrument or some other cheating. I’m going for legit dusty find somewhere in Leo land. If I fail I’ll put some CLF knobs on there and see what that’s like. Here goes...
I bought this 1984 SB-1 and the original knobs were long gone. These are nice dome Tele knobs, but...I can’t deal with them anymore...I’m sure you hardcore CLF fans feel me. So...today I have a little game. I’ll search for some original knobs, but I won Date: 01/11/19
I bought this 1984 SB-1 and the original knobs were long gone. These are nice dome Tele knobs, but...I can’t deal with them anymore...I’m sure you hardcore CLF fans feel me. So...today I have a little game. I’ll search for some original knobs, but I won’t take them off another instrument or some other cheating. I’m going for legit dusty find somewhere in Leo land. If I fail I’ll put some CLF knobs on there and see what that’s like. Here goes...
1984 SB-1 and the original knobs were long gone-2
I bought this 1984 SB-1 and the original knobs were long gone. These are nice dome Tele knobs, but...I can’t deal with them anymore...I’m sure you hardcore CLF fans feel me. So...today I have a little game. I’ll search for some original knobs, but I won Date: 01/11/19
I bought this 1984 SB-1 and the original knobs were long gone. These are nice dome Tele knobs, but...I can’t deal with them anymore...I’m sure you hardcore CLF fans feel me. So...today I have a little game. I’ll search for some original knobs, but I won’t take them off another instrument or some other cheating. I’m going for legit dusty find somewhere in Leo land. If I fail I’ll put some CLF knobs on there and see what that’s like. Here goes...
I bought this 1984 SB-1 and the original knobs were long gone. These are nice dome Tele knobs, but...I can’t deal with them anymore...I’m sure you hardcore CLF fans feel me. So...today I have a little game. I’ll search for some original knobs, but I won Date: 01/11/19
I bought this 1984 SB-1 and the original knobs were long gone. These are nice dome Tele knobs, but...I can’t deal with them anymore...I’m sure you hardcore CLF fans feel me. So...today I have a little game. I’ll search for some original knobs, but I won’t take them off another instrument or some other cheating. I’m going for legit dusty find somewhere in Leo land. If I fail I’ll put some CLF knobs on there and see what that’s like. Here goes...
It’s a little beat up, but I have one original radio knob
Gettin’ dusty and diggin’ for gold. It’s a little beat up, but I have one original radio knob. I’ve worked this place over so I’m gonna go explore another part of the 2548 building. Come on...one more knob... I need the spirits of Fender Avenue to come th
Date: 01/11/19
Gettin’ dusty and diggin’ for gold. It’s a little beat up, but I have one original radio knob. I’ve worked this place over so I’m gonna go explore another part of the 2548 building. Come on...one more knob... I need the spirits of Fender Avenue to come through. : )
Johnny and I geeking out on the start of our new stage in Leo’s Lounge
Johnny and I geeking out on the start of our new stage in Leo’s Lounge. Our neighbor Bob is a cabinet craftsman and he’s building a badass stage that I can’t wait to jump on.
Date: 01/11/19
Johnny and I geeking out on the start of our new stage in Leo’s Lounge. Our neighbor Bob is a cabinet craftsman and he’s building a badass stage that I can’t wait to jump on.
have a second radio knob for the ‘84 SB-1
I had to dig deep for this one, but I have a second radio knob for the ‘84 SB-1. Let’s get ‘em cleaned up and installed! Date: 01/11/19
I had to dig deep for this one, but I have a second radio knob for the ‘84 SB-1. Let’s get ‘em cleaned up and installed!
I had to dig deep for this one, but I have a second radio knob for the ‘84 SB-1. Let’s get ‘em cleaned up and installed! Date: 01/11/19
I had to dig deep for this one, but I have a second radio knob for the ‘84 SB-1. Let’s get ‘em cleaned up and installed!
Bob’s back with more wood for the stage. Construction starts on Monday and I’m psyched!
Bob’s back with more wood for the stage. Construction starts on Monday and I’m psyched! Date: 01/11/19
Bob’s back with more wood for the stage. Construction starts on Monday and I’m psyched!
Bob’s back with more wood for the stage. Construction starts on Monday and I’m psyched! Date: 01/11/19
Bob’s back with more wood for the stage. Construction starts on Monday and I’m psyched!
xthe ‘84 SB-1 has correct knobs.-1
Ahhh, the ‘84 SB-1 has correct knobs. Now I can sleep tonight. No I can’t. I’m thinking of the stage and the fun we’re gonna have.
Date: 01/11/19
Ahhh, the ‘84 SB-1 has correct knobs. Now I can sleep tonight. No I can’t. I’m thinking of the stage and the fun we’re gonna have.
the ‘84 SB-1 has correct knobs.-2
Ahhh, the ‘84 SB-1 has correct knobs. Now I can sleep tonight. No I can’t. I’m thinking of the stage and the fun we’re gonna have.
Date: 01/11/19
Ahhh, the ‘84 SB-1 has correct knobs. Now I can sleep tonight. No I can’t. I’m thinking of the stage and the fun we’re gonna have.
Bob isn’t just building a stage, he’s crafting a stage
Bob isn’t just building a stage, he’s crafting a stage. More like a second story of a house. All screws, no nails.
Date: 01/14/19
Bob isn’t just building a stage, he’s crafting a stage. More like a second story of a house. All screws, no nails.
1992 ASAT Classic Signature-1
Our 1992 ASAT Classic Signature. It was an exciting time for my brother Johnny and me. We had taken over from Leo Fender just a year before and sales were growing well. Man those were fun times. But ya know what? I think now we’re having more fun than eve
Date: 01/14/19
Our 1992 ASAT Classic Signature. It was an exciting time for my brother Johnny and me. We had taken over from Leo Fender just a year before and sales were growing well. Man those were fun times. But ya know what? I think now we’re having more fun than ever.
1992 ASAT Classic Signature-2
Our 1992 ASAT Classic Signature. It was an exciting time for my brother Johnny and me. We had taken over from Leo Fender just a year before and sales were growing well. Man those were fun times. But ya know what? I think now we’re having more fun than eve
Date: 01/14/19
Our 1992 ASAT Classic Signature. It was an exciting time for my brother Johnny and me. We had taken over from Leo Fender just a year before and sales were growing well. Man those were fun times. But ya know what? I think now we’re having more fun than ever.
1992 ASAT Classic Signature-3
Our 1992 ASAT Classic Signature. It was an exciting time for my brother Johnny and me. We had taken over from Leo Fender just a year before and sales were growing well. Man those were fun times. But ya know what? I think now we’re having more fun than eve
Date: 01/14/19
Our 1992 ASAT Classic Signature. It was an exciting time for my brother Johnny and me. We had taken over from Leo Fender just a year before and sales were growing well. Man those were fun times. But ya know what? I think now we’re having more fun than ever.
1992 ASAT Classic Signature-4
Our 1992 ASAT Classic Signature. It was an exciting time for my brother Johnny and me. We had taken over from Leo Fender just a year before and sales were growing well. Man those were fun times. But ya know what? I think now we’re having more fun than eve
Date: 01/14/19
Our 1992 ASAT Classic Signature. It was an exciting time for my brother Johnny and me. We had taken over from Leo Fender just a year before and sales were growing well. Man those were fun times. But ya know what? I think now we’re having more fun than ever.
1992 ASAT Classic Signature-5
Our 1992 ASAT Classic Signature. It was an exciting time for my brother Johnny and me. We had taken over from Leo Fender just a year before and sales were growing well. Man those were fun times. But ya know what? I think now we’re having more fun than eve
Date: 01/14/19
Our 1992 ASAT Classic Signature. It was an exciting time for my brother Johnny and me. We had taken over from Leo Fender just a year before and sales were growing well. Man those were fun times. But ya know what? I think now we’re having more fun than ever.
1992 ASAT Classic Signature-6
Our 1992 ASAT Classic Signature. It was an exciting time for my brother Johnny and me. We had taken over from Leo Fender just a year before and sales were growing well. Man those were fun times. But ya know what? I think now we’re having more fun than eve
Date: 01/14/19
Our 1992 ASAT Classic Signature. It was an exciting time for my brother Johnny and me. We had taken over from Leo Fender just a year before and sales were growing well. Man those were fun times. But ya know what? I think now we’re having more fun than ever.
1992 ASAT Classic Signature-7
Our 1992 ASAT Classic Signature. It was an exciting time for my brother Johnny and me. We had taken over from Leo Fender just a year before and sales were growing well. Man those were fun times. But ya know what? I think now we’re having more fun than eve
Date: 01/14/19
Our 1992 ASAT Classic Signature. It was an exciting time for my brother Johnny and me. We had taken over from Leo Fender just a year before and sales were growing well. Man those were fun times. But ya know what? I think now we’re having more fun than ever.
1992 ASAT Classic Signature-8
Our 1992 ASAT Classic Signature. It was an exciting time for my brother Johnny and me. We had taken over from Leo Fender just a year before and sales were growing well. Man those were fun times. But ya know what? I think now we’re having more fun than eve
Date: 01/14/19
Our 1992 ASAT Classic Signature. It was an exciting time for my brother Johnny and me. We had taken over from Leo Fender just a year before and sales were growing well. Man those were fun times. But ya know what? I think now we’re having more fun than ever.
1992 ASAT Classic Signature-9
Our 1992 ASAT Classic Signature. It was an exciting time for my brother Johnny and me. We had taken over from Leo Fender just a year before and sales were growing well. Man those were fun times. But ya know what? I think now we’re having more fun than eve
Date: 01/14/19
Our 1992 ASAT Classic Signature. It was an exciting time for my brother Johnny and me. We had taken over from Leo Fender just a year before and sales were growing well. Man those were fun times. But ya know what? I think now we’re having more fun than ever.
ovember 20, 1969 pickguard template made to prepare the CLF-69 prototype guitars1
November 20, 1969 pickguard template made to prepare the CLF-69 prototype guitars. The earlier CLF-67/68 prototypes lead the technical development, while new styling was developed in 1969. Date: 01/15/19
November 20, 1969 pickguard template made to prepare the CLF-69 prototype guitars. The earlier CLF-67/68 prototypes lead the technical development, while new styling was developed in 1969.
November 20, 1969 pickguard template made to prepare the CLF-69 prototype guitars. The earlier CLF-67/68 prototypes lead the technical development, while new styling was developed in 1969. Date: 01/15/19
November 20, 1969 pickguard template made to prepare the CLF-69 prototype guitars. The earlier CLF-67/68 prototypes lead the technical development, while new styling was developed in 1969.
ovember 20, 1969 pickguard template made to prepare the CLF-69 prototype guitars2
November 20, 1969 pickguard template made to prepare the CLF-69 prototype guitars. The earlier CLF-67/68 prototypes lead the technical development, while new styling was developed in 1969. Date: 01/15/19
November 20, 1969 pickguard template made to prepare the CLF-69 prototype guitars. The earlier CLF-67/68 prototypes lead the technical development, while new styling was developed in 1969.
November 20, 1969 pickguard template made to prepare the CLF-69 prototype guitars. The earlier CLF-67/68 prototypes lead the technical development, while new styling was developed in 1969. Date: 01/15/19
November 20, 1969 pickguard template made to prepare the CLF-69 prototype guitars. The earlier CLF-67/68 prototypes lead the technical development, while new styling was developed in 1969.
marking for guitar hangers in the expansion of Leo’s Lounge
Taking a break from measuring and marking for guitar hangers in the expansion of Leo’s Lounge. I didn’t know quite where I wanted them so I just started measuring and got it figured out. Gotta keep on moving....
Date: 01/16/19
Taking a break from measuring and marking for guitar hangers in the expansion of Leo’s Lounge. I didn’t know quite where I wanted them so I just started measuring and got it figured out. Gotta keep on moving....
EDIT: got it done, and by my count this display wall will hopefully have 26 hangers mounted tomorrow.
EDIT: got it done, and by my count this display wall will hopefully have 26 hangers mounted tomorrow.
Had to hang a few instruments just to vibe
Had to hang a few instruments just to vibe. Date: 01/17/19
Had to hang a few instruments just to vibe.
Had to hang a few instruments just to vibe. Date: 01/17/19
Had to hang a few instruments just to vibe.
The crew is working hard in Leo’s Lounge today!
The crew is working hard in Leo’s Lounge today! Two of the guys just started drilling and test mounting hangers I measured out last night. Meanwhile electricians are doing other stuff with ceiling lights and the stage.
Date: 01/19/19
The crew is working hard in Leo’s Lounge today! Two of the guys just started drilling and test mounting hangers I measured out last night. Meanwhile electricians are doing other stuff with ceiling lights and the stage.
Had to hang a few instruments just to vibe
Had to hang a few instruments just to vibe.
Date: 01/19/19
Had to hang a few instruments just to vibe.
Johnny is making a control plate from the CLF-69 styling concept
My brother Johnny is making a control plate from the CLF-69 styling concept. Note the 1969 pickguard template I showed you yesterday.
Date: 01/19/19
My brother Johnny is making a control plate from the CLF-69 styling concept. Note the 1969 pickguard template I showed you yesterday.
Just milled a second prototype pickguard
Just milled a second prototype pickguard based on the original 1969 CLF-69 template, itself a prototype from 50 years ago. Cleaned up a few bits and it turned out nice.
Date: 01/19/19
Just milled a second prototype pickguard based on the original 1969 CLF-69 template, itself a prototype from 50 years ago. Cleaned up a few bits and it turned out nice.
My son John D. McLaren
My son John D. McLaren and his friend Tyler are helping touch up the walls near the new stage.
Date: 01/20/19
My son John D. McLaren and his friend Tyler are helping touch up the walls near the new stage.
our 1980 L-1000-1
While the boys are working in Leo’s Lounge, I went to take some pics of our 1980 L-1000 in Sunburst on mahogany with maple neck.
Date: 01/20/19
While the boys are working in Leo’s Lounge, I went to take some pics of our 1980 L-1000 in Sunburst on mahogany with maple neck.
our 1980 L-1000-2
While the boys are working in Leo’s Lounge, I went to take some pics of our 1980 L-1000 in Sunburst on mahogany with maple neck.
Date: 01/20/19
While the boys are working in Leo’s Lounge, I went to take some pics of our 1980 L-1000 in Sunburst on mahogany with maple neck.
our 1980 L-1000-3
While the boys are working in Leo’s Lounge, I went to take some pics of our 1980 L-1000 in Sunburst on mahogany with maple neck.
Date: 01/20/19
While the boys are working in Leo’s Lounge, I went to take some pics of our 1980 L-1000 in Sunburst on mahogany with maple neck.
our 1980 L-1000-4
While the boys are working in Leo’s Lounge, I went to take some pics of our 1980 L-1000 in Sunburst on mahogany with maple neck.
Date: 01/20/19
While the boys are working in Leo’s Lounge, I went to take some pics of our 1980 L-1000 in Sunburst on mahogany with maple neck.
our 1980 L-1000-5
While the boys are working in Leo’s Lounge, I went to take some pics of our 1980 L-1000 in Sunburst on mahogany with maple neck.
Date: 01/20/19
While the boys are working in Leo’s Lounge, I went to take some pics of our 1980 L-1000 in Sunburst on mahogany with maple neck.
our 1980 L-1000-6
While the boys are working in Leo’s Lounge, I went to take some pics of our 1980 L-1000 in Sunburst on mahogany with maple neck.
Date: 01/20/19
While the boys are working in Leo’s Lounge, I went to take some pics of our 1980 L-1000 in Sunburst on mahogany with maple neck.
our 1980 L-1000-7
While the boys are working in Leo’s Lounge, I went to take some pics of our 1980 L-1000 in Sunburst on mahogany with maple neck.
Date: 01/20/19
While the boys are working in Leo’s Lounge, I went to take some pics of our 1980 L-1000 in Sunburst on mahogany with maple neck.
our 1980 L-1000-8
While the boys are working in Leo’s Lounge, I went to take some pics of our 1980 L-1000 in Sunburst on mahogany with maple neck.
Date: 01/20/19
While the boys are working in Leo’s Lounge, I went to take some pics of our 1980 L-1000 in Sunburst on mahogany with maple neck.
The boys did a great job
The boys did a great job. The hangers are back up and this display in the performance venue is looking nice. Of course I had to hang a bunch of stuff immediately. : )
Date: 01/20/19
The boys did a great job. The hangers are back up and this display in the performance venue is looking nice. Of course I had to hang a bunch of stuff immediately. : )
old fridge which has finally died
A moment of silence for the old fridge which has finally died. It will be remembered for its 1980s stickers from L.A. rock radio stations like KMET and KLOS. How about that KLOS Robert Plant sticker? I can just hear them spinning Big Log to death lol. Cho
Date: 01/21/19
A moment of silence for the old fridge which has finally died. It will be remembered for its 1980s stickers from L.A. rock radio stations like KMET and KLOS. How about that KLOS Robert Plant sticker? I can just hear them spinning Big Log to death lol. Chorus for everyone! Good times.
Down from the ladder after hanging the stage drape
Down from the ladder after hanging the stage drape. Tomorrow the stage and whole lounge is gets carpeted. So stoked about this!
Date: 01/21/19
Down from the ladder after hanging the stage drape. Tomorrow the stage and whole lounge is gets carpeted. So stoked about this!
A little more light on the performance venue display wall
A little more light on the performance venue display wall.
Date: 01/21/19
A little more light on the performance venue display wall.
The carpet crew is working on the stage and lounge today
The carpet crew is working on the stage and lounge today.
Date: 01/23/19
The carpet crew is working on the stage and lounge today.
finding vintage pickguards for possible project builds
While I’m waiting for the carpet crew to finish the job, I found myself wandering out in dusty Unit J finding vintage pickguards for possible project builds. I’ve been super busy with actual work but I promise I’ll get back to the project builds really so
Date: 01/23/19
While I’m waiting for the carpet crew to finish the job, I found myself wandering out in dusty Unit J finding vintage pickguards for possible project builds. I’ve been super busy with actual work but I promise I’ll get back to the project builds really soon.
The carpet is finished
The carpet is finished, time for fun. Gotta throw down some loud noises from my new stage before turning out the lights for the night.
Date: 01/23/19
The carpet is finished, time for fun. Gotta throw down some loud noises from my new stage before turning out the lights for the night.
CLF-69 styling development template used at CLF Research in 1969-1
CLF-69 styling development template used at CLF Research in 1969. This template can be used with a pin router to cut the body perimeter (edge), battery pocket for 6 AA batteries, and a I believe a pocket for a string bender system. Date: 01/23/19
CLF-69 styling development template used at CLF Research in 1969. This template can be used with a pin router to cut the body perimeter (edge), battery pocket for 6 AA batteries, and a I believe a pocket for a string bender system.
CLF-69 styling development template used at CLF Research in 1969. This template can be used with a pin router to cut the body perimeter (edge), battery pocket for 6 AA batteries, and a I believe a pocket for a string bender system. Date: 01/23/19
CLF-69 styling development template used at CLF Research in 1969. This template can be used with a pin router to cut the body perimeter (edge), battery pocket for 6 AA batteries, and a I believe a pocket for a string bender system.
CLF-69 styling development template used at CLF Research in 1969-2
CLF-69 styling development template used at CLF Research in 1969. This template can be used with a pin router to cut the body perimeter (edge), battery pocket for 6 AA batteries, and a I believe a pocket for a string bender system.
Date: 01/23/19
CLF-69 styling development template used at CLF Research in 1969. This template can be used with a pin router to cut the body perimeter (edge), battery pocket for 6 AA batteries, and a I believe a pocket for a string bender system.
CLF-69 prototype pickguard template on CLF-69 prototype body template
Leo’s 1969 vision becomes clearer: CLF-69 prototype pickguard template on CLF-69 prototype body template. Date: 01/23/19
Leo’s 1969 vision becomes clearer: CLF-69 prototype pickguard template on CLF-69 prototype body template.
Leo’s 1969 vision becomes clearer: CLF-69 prototype pickguard template on CLF-69 prototype body template. Date: 01/23/19
Leo’s 1969 vision becomes clearer: CLF-69 prototype pickguard template on CLF-69 prototype body template.
The CLF-69 control plate had room for the preamp under the sword-like leading edge-1
The CLF-69 control plate had room for the preamp under the sword-like leading edge. 3-way toggle pickup selector, volume, treble and jack followed on the plate. The special phase switch on the CLF-67/68 prototypes had been eliminated.
Date: 01/23/19
The CLF-69 control plate had room for the preamp under the sword-like leading edge. 3-way toggle pickup selector, volume, treble and jack followed on the plate. The special phase switch on the CLF-67/68 prototypes had been eliminated.
The CLF-69 control plate had room for the preamp under the sword-like leading edge-2
The CLF-69 control plate had room for the preamp under the sword-like leading edge. 3-way toggle pickup selector, volume, treble and jack followed on the plate. The special phase switch on the CLF-67/68 prototypes had been eliminated.
Date: 01/23/19
The CLF-69 control plate had room for the preamp under the sword-like leading edge. 3-way toggle pickup selector, volume, treble and jack followed on the plate. The special phase switch on the CLF-67/68 prototypes had been eliminated.
The early CLF form of headstock would be used-1
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style. Date: 01/23/19
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style.
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style. Date: 01/23/19
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style.
The early CLF form of headstock would be used-2
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style. Date: 01/23/19
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style.
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style. Date: 01/23/19
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style.
The early CLF form of headstock would be used-3
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style. Date: 01/23/19
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style.
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style. Date: 01/23/19
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style.
The early CLF form of headstock would be used-4
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style. Date: 01/23/19
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style.
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style. Date: 01/23/19
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style.
The early CLF form of headstock would be used-5
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style. Date: 01/23/19
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style.
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style. Date: 01/23/19
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style.
The early CLF form of headstock would be used-6
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style. Date: 01/23/19
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style.
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style. Date: 01/23/19
Around ‘82 there was more interest in the company serving the aftermarket, including replacement necks for Fender guitars. The early CLF form of headstock would be used, roughly like the F-100 in style.
build a neck and put Klusons on it
That ‘82 template got me thinking it would be cool to build a neck and put Klusons on it. Just needed to feel that older period vibe on this.
Date: 01/23/19
That ‘82 template got me thinking it would be cool to build a neck and put Klusons on it. Just needed to feel that older period vibe on this.
couple of old Torit dust collectors from the Woodshop
Removing a couple of old Torit dust collectors from the Woodshop. I may repurpose them later but today we’re doing some upgrades and these guys gotta go somewhere....maybe Unit J for now.
Date: 01/24/19
Removing a couple of old Torit dust collectors from the Woodshop. I may repurpose them later but today we’re doing some upgrades and these guys gotta go somewhere....maybe Unit J for now.
In the Woodshop, duct surgery begins
In the Woodshop, duct surgery begins. Watching this is much more fun for me than heading to the NAMM show booth. Date: 01/24/19
In the Woodshop, duct surgery begins. Watching this is much more fun for me than heading to the NAMM show booth.
In the Woodshop, duct surgery begins. Watching this is much more fun for me than heading to the NAMM show booth. Date: 01/24/19
In the Woodshop, duct surgery begins. Watching this is much more fun for me than heading to the NAMM show booth.
first finished prototype of the Espada-1
50 years in the making: the first finished prototype of the Espada, the evolution of the CLF-67/68 and CLF-69 prototypes. Series/parallel red toggle and white 3-way preamp control off/on/on with high freq boost. There’s talk of this going to the NAMM show
Date: 01/24/19
50 years in the making: the first finished prototype of the Espada, the evolution of the CLF-67/68 and CLF-69 prototypes. Series/parallel red toggle and white 3-way preamp control off/on/on with high freq boost. There’s talk of this going to the NAMM show tomorrow.
first finished prototype of the Espada-2
50 years in the making: the first finished prototype of the Espada, the evolution of the CLF-67/68 and CLF-69 prototypes. Series/parallel red toggle and white 3-way preamp control off/on/on with high freq boost. There’s talk of this going to the NAMM show
Date: 01/24/19
50 years in the making: the first finished prototype of the Espada, the evolution of the CLF-67/68 and CLF-69 prototypes. Series/parallel red toggle and white 3-way preamp control off/on/on with high freq boost. There’s talk of this going to the NAMM show tomorrow.
first finished prototype of the Espada-3
50 years in the making: the first finished prototype of the Espada, the evolution of the CLF-67/68 and CLF-69 prototypes. Series/parallel red toggle and white 3-way preamp control off/on/on with high freq boost. There’s talk of this going to the NAMM show
Date: 01/24/19
50 years in the making: the first finished prototype of the Espada, the evolution of the CLF-67/68 and CLF-69 prototypes. Series/parallel red toggle and white 3-way preamp control off/on/on with high freq boost. There’s talk of this going to the NAMM show tomorrow.
first finished prototype of the Espada-4
50 years in the making: the first finished prototype of the Espada, the evolution of the CLF-67/68 and CLF-69 prototypes. Series/parallel red toggle and white 3-way preamp control off/on/on with high freq boost. There’s talk of this going to the NAMM show
Date: 01/24/19
50 years in the making: the first finished prototype of the Espada, the evolution of the CLF-67/68 and CLF-69 prototypes. Series/parallel red toggle and white 3-way preamp control off/on/on with high freq boost. There’s talk of this going to the NAMM show tomorrow.
first finished prototype of the Espada-5
50 years in the making: the first finished prototype of the Espada, the evolution of the CLF-67/68 and CLF-69 prototypes. Series/parallel red toggle and white 3-way preamp control off/on/on with high freq boost. There’s talk of this going to the NAMM show
Date: 01/24/19
50 years in the making: the first finished prototype of the Espada, the evolution of the CLF-67/68 and CLF-69 prototypes. Series/parallel red toggle and white 3-way preamp control off/on/on with high freq boost. There’s talk of this going to the NAMM show tomorrow.
first finished prototype of the Espada-6
50 years in the making: the first finished prototype of the Espada, the evolution of the CLF-67/68 and CLF-69 prototypes. Series/parallel red toggle and white 3-way preamp control off/on/on with high freq boost. There’s talk of this going to the NAMM show
Date: 01/24/19
50 years in the making: the first finished prototype of the Espada, the evolution of the CLF-67/68 and CLF-69 prototypes. Series/parallel red toggle and white 3-way preamp control off/on/on with high freq boost. There’s talk of this going to the NAMM show tomorrow.
first finished prototype of the Espada-7
50 years in the making: the first finished prototype of the Espada, the evolution of the CLF-67/68 and CLF-69 prototypes. Series/parallel red toggle and white 3-way preamp control off/on/on with high freq boost. There’s talk of this going to the NAMM show
Date: 01/24/19
50 years in the making: the first finished prototype of the Espada, the evolution of the CLF-67/68 and CLF-69 prototypes. Series/parallel red toggle and white 3-way preamp control off/on/on with high freq boost. There’s talk of this going to the NAMM show tomorrow.
first finished prototype of the Espada-8
50 years in the making: the first finished prototype of the Espada, the evolution of the CLF-67/68 and CLF-69 prototypes. Series/parallel red toggle and white 3-way preamp control off/on/on with high freq boost. There’s talk of this going to the NAMM show
Date: 01/24/19
50 years in the making: the first finished prototype of the Espada, the evolution of the CLF-67/68 and CLF-69 prototypes. Series/parallel red toggle and white 3-way preamp control off/on/on with high freq boost. There’s talk of this going to the NAMM show tomorrow.
first finished prototype of the Espada-9
50 years in the making: the first finished prototype of the Espada, the evolution of the CLF-67/68 and CLF-69 prototypes. Series/parallel red toggle and white 3-way preamp control off/on/on with high freq boost. There’s talk of this going to the NAMM show
Date: 01/24/19
50 years in the making: the first finished prototype of the Espada, the evolution of the CLF-67/68 and CLF-69 prototypes. Series/parallel red toggle and white 3-way preamp control off/on/on with high freq boost. There’s talk of this going to the NAMM show tomorrow.
The second finished Espada prototype -1
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown. Date: 01/24/19
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown.
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown. Date: 01/24/19
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown.
The second finished Espada prototype -2
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown. Date: 01/24/19
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown.
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown. Date: 01/24/19
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown.
The second finished Espada prototype -3
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown. Date: 01/24/19
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown.
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown. Date: 01/24/19
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown.
The second finished Espada prototype -4
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown. Date: 01/24/19
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown.
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown. Date: 01/24/19
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown.
The second finished Espada prototype -5
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown. Date: 01/24/19
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown.
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown. Date: 01/24/19
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown.
The second finished Espada prototype -7
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown. Date: 01/24/19
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown.
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown. Date: 01/24/19
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown.
The second finished Espada prototype -8
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown. Date: 01/24/19
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown.
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown. Date: 01/24/19
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown.
The second finished Espada prototype -9
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown. Date: 01/24/19
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown.
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown. Date: 01/24/19
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown.
The second finished Espada prototype -10
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown. Date: 01/24/19
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown.
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown. Date: 01/24/19
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown.
The second finished Espada prototype-11
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown. Date: 01/24/19
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown.
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown. Date: 01/24/19
The second finished Espada prototype is dressed as it might have been in 1972. Seemed like an appropriate vibe to check out and ... uh ... I’m in love. I’ll see you in funkytown.
This is me last night
This is me last night. Doheny V12. Bridge pickup in series mode. Everything wide open. Marshall cranked. Do you prefer massive, chunky, or articulate? I’ll take all 3, thank you. My brother Johnny is some kind of wizard.
Date: 01/26/19
This is me last night. Doheny V12. Bridge pickup in series mode. Everything wide open. Marshall cranked. Do you prefer massive, chunky, or articulate? I’ll take all 3, thank you. My brother Johnny is some kind of wizard.
Our two finished Espada prototypes
Our two finished Espada prototypes went to the NAMM show yesterday. They were a little late, but they were sleeping for 50 years so it was a challenge to wake them up and acclimate them to 2019. Kinda like Austin Powers, and these Espadas are still swingi
Date: 01/26/19
Our two finished Espada prototypes went to the NAMM show yesterday. They were a little late, but they were sleeping for 50 years so it was a challenge to wake them up and acclimate them to 2019. Kinda like Austin Powers, and these Espadas are still swingin’ hard as 1969.
version of the CLF-69 drawings to bring to life 50 years later in 2019
April, 2018: this is when Johnny and I decided which version of the CLF-69 drawings to bring to life 50 years later in 2019. We operated from a 1:1 drawing which was a little rough because at that point it was still a styling exercise not engineering prin
Date: 01/26/19
April, 2018: this is when Johnny and I decided which version of the CLF-69 drawings to bring to life 50 years later in 2019. We operated from a 1:1 drawing which was a little rough because at that point it was still a styling exercise not engineering prints. Those are my measurement notes written on a scan of the original 1969 drawing.
First chrome Espada control plate
January 17, 2019: Johnny texted me this pic of the first chrome Espada control plate. Wow...this was really happening! I started to think we might be able to bring an Espada to NAMM. That would be a pretty cool surprise. And it happened!
Date: 01/27/19
January 17, 2019: Johnny texted me this pic of the first chrome Espada control plate. Wow...this was really happening! I started to think we might be able to bring an Espada to NAMM. That would be a pretty cool surprise. And it happened!
Dave M with CLF Research Espada prototypes
Sunday NAMM is chill so I came to hang out for a bit and see my Espada babies. Trips me out how many people are coming up to me and know about what I’m doing with CLF Research. You guys are the best!
Date: 01/27/19
Sunday NAMM is chill so I came to hang out for a bit and see my Espada babies. Trips me out how many people are coming up to me and know about what I’m doing with CLF Research. You guys are the best!
September 17, 2018: first laser test cutout of early CLFR guitar headstock shape
September 17, 2018: first laser test cutout of early CLFR guitar headstock shape. The black material is pickup bobbin fiber which we often use to test cut small things.
Date: 01/28/19
September 17, 2018: first laser test cutout of early CLFR guitar headstock shape. The black material is pickup bobbin fiber which we often use to test cut small things.
searching for the little brass bushings
This morning Johnny and I were searching for the little brass bushings to use with the vintage CLF battery plate for Espada. Eventually we’ll have Machinist Mike make some more but we found a bin full of them out in Unit J.
Date: 01/28/19
This morning Johnny and I were searching for the little brass bushings to use with the vintage CLF battery plate for Espada. Eventually we’ll have Machinist Mike make some more but we found a bin full of them out in Unit J.
Johnny was collecting some old raw battery plates-1
While I was digging for those bushings, Johnny was collecting some old raw battery plates.
Date: 01/28/19
While I was digging for those bushings, Johnny was collecting some old raw battery plates.
Johnny was collecting some old raw battery plates-2
While I was digging for those bushings, Johnny was collecting some old raw battery plates.
Date: 01/28/19
While I was digging for those bushings, Johnny was collecting some old raw battery plates.
Espada test mule
I’m gonna spend a little time in the lounge with the Espada test mule, just to chill out and think. Like the Doheny mules, the body is rough, not sanded at all. Function first.
Date: 01/28/19
I’m gonna spend a little time in the lounge with the Espada test mule, just to chill out and think. Like the Doheny mules, the body is rough, not sanded at all. Function first.
gonna thump on Tony’s ‘81 L-2000
Now I’m gonna thump on Tony’s ‘81 L-2000 for a while then call it a night. I just can’t resist messing around in the new lounge.
Date: 01/28/19
Now I’m gonna thump on Tony’s ‘81 L-2000 for a while then call it a night. I just can’t resist messing around in the new lounge.
gonna thump on Tony’s ‘81 L-2000
Now I’m gonna thump on Tony’s ‘81 L-2000 for a while then call it a night. I just can’t resist messing around in the new lounge.
Date: 01/28/19
Now I’m gonna thump on Tony’s ‘81 L-2000 for a while then call it a night. I just can’t resist messing around in the new lounge.
we milled a test Espada body but I forgot about the battery pocket
January 3, 2018: we milled a test Espada body but I forgot about the battery pocket. Damn. Fixed it later but I couldn’t wait to try it, so...taped that thing on and plugged it in.
Date: 01/29/19
January 3, 2018: we milled a test Espada body but I forgot about the battery pocket. Damn. Fixed it later but I couldn’t wait to try it, so...taped that thing on and plugged it in.
My brother Johnny wastes no time-1
My brother Johnny wastes no time. We’re gonna need CLF battery plates made, and I just found him checking the old stock we have against this April 14, 1980 drawing by “GWF” who is George Fullerton and approved by “F” who is Leo. Date: 01/29/19
My brother Johnny wastes no time. We’re gonna need CLF battery plates made, and I just found him checking the old stock we have against this April 14, 1980 drawing by “GWF” who is George Fullerton and approved by “F” who is Leo.
My brother Johnny wastes no time. We’re gonna need CLF battery plates made, and I just found him checking the old stock we have against this April 14, 1980 drawing by “GWF” who is George Fullerton and approved by “F” who is Leo. Date: 01/29/19
My brother Johnny wastes no time. We’re gonna need CLF battery plates made, and I just found him checking the old stock we have against this April 14, 1980 drawing by “GWF” who is George Fullerton and approved by “F” who is Leo.
My brother Johnny wastes no time-2
My brother Johnny wastes no time. We’re gonna need CLF battery plates made, and I just found him checking the old stock we have against this April 14, 1980 drawing by “GWF” who is George Fullerton and approved by “F” who is Leo. Date: 01/29/19
My brother Johnny wastes no time. We’re gonna need CLF battery plates made, and I just found him checking the old stock we have against this April 14, 1980 drawing by “GWF” who is George Fullerton and approved by “F” who is Leo.
My brother Johnny wastes no time. We’re gonna need CLF battery plates made, and I just found him checking the old stock we have against this April 14, 1980 drawing by “GWF” who is George Fullerton and approved by “F” who is Leo. Date: 01/29/19
My brother Johnny wastes no time. We’re gonna need CLF battery plates made, and I just found him checking the old stock we have against this April 14, 1980 drawing by “GWF” who is George Fullerton and approved by “F” who is Leo.
My brother Johnny wastes no time-3
My brother Johnny wastes no time. We’re gonna need CLF battery plates made, and I just found him checking the old stock we have against this April 14, 1980 drawing by “GWF” who is George Fullerton and approved by “F” who is Leo. Date: 01/29/19
My brother Johnny wastes no time. We’re gonna need CLF battery plates made, and I just found him checking the old stock we have against this April 14, 1980 drawing by “GWF” who is George Fullerton and approved by “F” who is Leo.
My brother Johnny wastes no time. We’re gonna need CLF battery plates made, and I just found him checking the old stock we have against this April 14, 1980 drawing by “GWF” who is George Fullerton and approved by “F” who is Leo. Date: 01/29/19
My brother Johnny wastes no time. We’re gonna need CLF battery plates made, and I just found him checking the old stock we have against this April 14, 1980 drawing by “GWF” who is George Fullerton and approved by “F” who is Leo.
Steve stacked the 15” GK cab
Steve stacked the 15” GK cab and it sounds much better in here now. I like that big bottom!
Date: 01/29/19 Steve stacked the 15” GK cab and it sounds much better in here now. I like that big bottom!
Date: 01/29/19 Steve stacked the 15” GK cab and it sounds much better in here now. I like that big bottom!
Gettin’ that NAMM Petri dish filth off
Gettin’ that NAMM Petri dish filth off.
Date: 01/30/19
Gettin’ that NAMM Petri dish filth off.
‘60s Ludwig setup for Leo’s Lounge-1
I don’t know much about drums, but I know cool when I see it. We just picked up this ‘60s Ludwig setup for Leo’s Lounge. Next it’ll get all rehabbed and whatnot then it’s party time. These things look so damn cool I can hardly stand it. Date: 01/30/19
I don’t know much about drums, but I know cool when I see it. We just picked up this ‘60s Ludwig setup for Leo’s Lounge. Next it’ll get all rehabbed and whatnot then it’s party time. These things look so damn cool I can hardly stand it.
I don’t know much about drums, but I know cool when I see it. We just picked up this ‘60s Ludwig setup for Leo’s Lounge. Next it’ll get all rehabbed and whatnot then it’s party time. These things look so damn cool I can hardly stand it. Date: 01/30/19
I don’t know much about drums, but I know cool when I see it. We just picked up this ‘60s Ludwig setup for Leo’s Lounge. Next it’ll get all rehabbed and whatnot then it’s party time. These things look so damn cool I can hardly stand it.
‘60s Ludwig setup for Leo’s Lounge-2
I don’t know much about drums, but I know cool when I see it. We just picked up this ‘60s Ludwig setup for Leo’s Lounge. Next it’ll get all rehabbed and whatnot then it’s party time. These things look so damn cool I can hardly stand it. Date: 01/30/19
I don’t know much about drums, but I know cool when I see it. We just picked up this ‘60s Ludwig setup for Leo’s Lounge. Next it’ll get all rehabbed and whatnot then it’s party time. These things look so damn cool I can hardly stand it.
I don’t know much about drums, but I know cool when I see it. We just picked up this ‘60s Ludwig setup for Leo’s Lounge. Next it’ll get all rehabbed and whatnot then it’s party time. These things look so damn cool I can hardly stand it. Date: 01/30/19
I don’t know much about drums, but I know cool when I see it. We just picked up this ‘60s Ludwig setup for Leo’s Lounge. Next it’ll get all rehabbed and whatnot then it’s party time. These things look so damn cool I can hardly stand it.
‘60s Ludwig setup for Leo’s Lounge-3
I don’t know much about drums, but I know cool when I see it. We just picked up this ‘60s Ludwig setup for Leo’s Lounge. Next it’ll get all rehabbed and whatnot then it’s party time. These things look so damn cool I can hardly stand it. Date: 01/30/19
I don’t know much about drums, but I know cool when I see it. We just picked up this ‘60s Ludwig setup for Leo’s Lounge. Next it’ll get all rehabbed and whatnot then it’s party time. These things look so damn cool I can hardly stand it.
I don’t know much about drums, but I know cool when I see it. We just picked up this ‘60s Ludwig setup for Leo’s Lounge. Next it’ll get all rehabbed and whatnot then it’s party time. These things look so damn cool I can hardly stand it. Date: 01/30/19
I don’t know much about drums, but I know cool when I see it. We just picked up this ‘60s Ludwig setup for Leo’s Lounge. Next it’ll get all rehabbed and whatnot then it’s party time. These things look so damn cool I can hardly stand it.
‘60s Ludwig setup for Leo’s Lounge-4
I don’t know much about drums, but I know cool when I see it. We just picked up this ‘60s Ludwig setup for Leo’s Lounge. Next it’ll get all rehabbed and whatnot then it’s party time. These things look so damn cool I can hardly stand it. Date: 01/30/19
I don’t know much about drums, but I know cool when I see it. We just picked up this ‘60s Ludwig setup for Leo’s Lounge. Next it’ll get all rehabbed and whatnot then it’s party time. These things look so damn cool I can hardly stand it.
I don’t know much about drums, but I know cool when I see it. We just picked up this ‘60s Ludwig setup for Leo’s Lounge. Next it’ll get all rehabbed and whatnot then it’s party time. These things look so damn cool I can hardly stand it. Date: 01/30/19
I don’t know much about drums, but I know cool when I see it. We just picked up this ‘60s Ludwig setup for Leo’s Lounge. Next it’ll get all rehabbed and whatnot then it’s party time. These things look so damn cool I can hardly stand it.
‘60s Ludwig setup for Leo’s Lounge-5
I don’t know much about drums, but I know cool when I see it. We just picked up this ‘60s Ludwig setup for Leo’s Lounge. Next it’ll get all rehabbed and whatnot then it’s party time. These things look so damn cool I can hardly stand it. Date: 01/30/19
I don’t know much about drums, but I know cool when I see it. We just picked up this ‘60s Ludwig setup for Leo’s Lounge. Next it’ll get all rehabbed and whatnot then it’s party time. These things look so damn cool I can hardly stand it.
I don’t know much about drums, but I know cool when I see it. We just picked up this ‘60s Ludwig setup for Leo’s Lounge. Next it’ll get all rehabbed and whatnot then it’s party time. These things look so damn cool I can hardly stand it. Date: 01/30/19
I don’t know much about drums, but I know cool when I see it. We just picked up this ‘60s Ludwig setup for Leo’s Lounge. Next it’ll get all rehabbed and whatnot then it’s party time. These things look so damn cool I can hardly stand it.
1987 Skyhawk-1
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous! Date: 01/30/19
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous!
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous! Date: 01/30/19
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous!
1987 Skyhawk-2
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous! Date: 01/30/19
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous!
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous! Date: 01/30/19
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous!
1987 Skyhawk-3
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous! Date: 01/30/19
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous!
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous! Date: 01/30/19
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous!
1987 Skyhawk-4
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous! Date: 01/30/19
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous!
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous! Date: 01/30/19
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous!
1987 Skyhawk-5
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous! Date: 01/30/19
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous!
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous! Date: 01/30/19
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous!
1987 Skyhawk-6
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous! Date: 01/30/19
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous!
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous! Date: 01/30/19
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous!
1987 Skyhawk-7
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous! Date: 01/30/19
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous!
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous! Date: 01/30/19
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous!
1987 Skyhawk-8
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous! Date: 01/30/19
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous!
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous! Date: 01/30/19
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous!
1987 Skyhawk-9
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous!
Date: 01/30/19
Thanks to my friend Patrick Krook for letting me score his 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous!
‘87 Skyhawk in the lounge
...and up goes the awesome ‘87 Skyhawk in the lounge performance venue.
Date: 01/30/19
...and up goes the awesome ‘87 Skyhawk in the lounge performance venue.
...and up goes the awesome ‘87 Skyhawk in the lounge performance venue.
Date: 01/30/19
...and up goes the awesome ‘87 Skyhawk in the lounge performance venue.
headstock logo
January 15, 2019: developing the Espada logo. I had decided on the font and it was already looking cool. I knew it needed more refinement but I was really getting excited! Johnny and I can’t believe how awesome it is to be completing a ”lost” Leo Fender d
Date: 01/31/19
January 15, 2019: developing the Espada logo. I had decided on the font and it was already looking cool. I knew it needed more refinement but I was really getting excited! Johnny and I can’t believe how awesome it is to be completing a ”lost” Leo Fender design from 50 years ago.
Johnny Gomez-1
Johnny Gomez is blowing my mind with one of the proto Espadas while I sit here on my giant sofa in Leo’s Lounge. Feeling pretty good right now.
Date: 01/31/19
Johnny Gomez is blowing my mind with one of the proto Espadas while I sit here on my giant sofa in Leo’s Lounge. Feeling pretty good right now.
Johnny Gomez-2
Johnny Gomez is blowing my mind with one of the proto Espadas while I sit here on my giant sofa in Leo’s Lounge. Feeling pretty good right now.
Date: 01/31/19
Johnny Gomez is blowing my mind with one of the proto Espadas while I sit here on my giant sofa in Leo’s Lounge. Feeling pretty good right now.
George Fullerton’s 1997 baritone guitar body template
I just stumbled on George Fullerton’s 1997 baritone guitar body template. I’ll bring it downstairs and we’ll have a better look in a few minutes. Date: 01/31/19
I just stumbled on George Fullerton’s 1997 baritone guitar body template. I’ll bring it downstairs and we’ll have a better look in a few minutes.
I just stumbled on George Fullerton’s 1997 baritone guitar body template. I’ll bring it downstairs and we’ll have a better look in a few minutes. Date: 01/31/19
I just stumbled on George Fullerton’s 1997 baritone guitar body template. I’ll bring it downstairs and we’ll have a better look in a few minutes.
Chris Brady of Aquarian Drumheads-1
Our friend Chris Brady of Aquarian Drumheads is totally hooking us up so the ’60s Ludwig kit delivers the classic sounds we crave. Date: 01/31/19
Our friend Chris Brady of Aquarian Drumheads is totally hooking us up so the ’60s Ludwig kit delivers the classic sounds we crave.
Our friend Chris Brady of Aquarian Drumheads is totally hooking us up so the ’60s Ludwig kit delivers the classic sounds we crave. Date: 01/31/19
Our friend Chris Brady of Aquarian Drumheads is totally hooking us up so the ’60s Ludwig kit delivers the classic sounds we crave.
Chris Brady of Aquarian Drumheads-2
Our friend Chris Brady of Aquarian Drumheads is totally hooking us up so the ’60s Ludwig kit delivers the classic sounds we crave. Date: 01/31/19
Our friend Chris Brady of Aquarian Drumheads is totally hooking us up so the ’60s Ludwig kit delivers the classic sounds we crave.
Our friend Chris Brady of Aquarian Drumheads is totally hooking us up so the ’60s Ludwig kit delivers the classic sounds we crave. Date: 01/31/19
Our friend Chris Brady of Aquarian Drumheads is totally hooking us up so the ’60s Ludwig kit delivers the classic sounds we crave.
Chris Brady of Aquarian Drumheads-3
Our friend Chris Brady of Aquarian Drumheads is totally hooking us up so the ’60s Ludwig kit delivers the classic sounds we crave. Date: 01/31/19
Our friend Chris Brady of Aquarian Drumheads is totally hooking us up so the ’60s Ludwig kit delivers the classic sounds we crave.
Our friend Chris Brady of Aquarian Drumheads is totally hooking us up so the ’60s Ludwig kit delivers the classic sounds we crave. Date: 01/31/19
Our friend Chris Brady of Aquarian Drumheads is totally hooking us up so the ’60s Ludwig kit delivers the classic sounds we crave.
George’s 1997 baritone guitar body template-1
Here’s George’s 1997 baritone guitar body template. I think in one of his books he included a pic of the guitar.
Date: 01/31/19
Here’s George’s 1997 baritone guitar body template. I think in one of his books he included a pic of the guitar.
George’s 1997 baritone guitar body template-2
Here’s George’s 1997 baritone guitar body template. I think in one of his books he included a pic of the guitar.
Date: 01/31/19
Here’s George’s 1997 baritone guitar body template. I think in one of his books he included a pic of the guitar.
George’s 1997 baritone guitar body template-3
Here’s George’s 1997 baritone guitar body template. I think in one of his books he included a pic of the guitar.
Date: 01/31/19
Here’s George’s 1997 baritone guitar body template. I think in one of his books he included a pic of the guitar.
George’s 1997 baritone guitar body template-4
Here’s George’s 1997 baritone guitar body template. I think in one of his books he included a pic of the guitar.
Date: 01/31/19
Here’s George’s 1997 baritone guitar body template. I think in one of his books he included a pic of the guitar.
Tomorrow we’ll set the CLFR time machine dial from 1969 to the year 1975-1
Tomorrow we’ll set the CLFR time machine dial from 1969 to the year 1975. Hang loose until then. Later!
Date: 01/31/19
Tomorrow we’ll set the CLFR time machine dial from 1969 to the year 1975. Hang loose until then. Later!
Tomorrow we’ll set the CLFR time machine dial from 1969 to the year 1975-2
Tomorrow we’ll set the CLFR time machine dial from 1969 to the year 1975. Hang loose until then. Later!
Date: 01/31/19
Tomorrow we’ll set the CLFR time machine dial from 1969 to the year 1975. Hang loose until then. Later!
Tomorrow we’ll set the CLFR time machine dial from 1969 to the year 1975-3
Tomorrow we’ll set the CLFR time machine dial from 1969 to the year 1975. Hang loose until then. Later!
Date: 01/31/19
Tomorrow we’ll set the CLFR time machine dial from 1969 to the year 1975. Hang loose until then. Later!
CLF-75G1 prototype-1
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be th
Date: 02/01/19
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be the first CLFR product produced for Music Man, which already had been producing amplifiers nearby. The split-coil pickups use very large pole pieces and wide bobbins, while the large 4-way switch adds an out-of-phase position. George Fullerton’s dramatic styling leans heavily on circular forms, and was ultimately quite different from the Stingray guitar which went into production the following year in 1976.
CLF-75G1 prototype-2
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be th
Date: 02/01/19
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be the first CLFR product produced for Music Man, which already had been producing amplifiers nearby. The split-coil pickups use very large pole pieces and wide bobbins, while the large 4-way switch adds an out-of-phase position. George Fullerton’s dramatic styling leans heavily on circular forms, and was ultimately quite different from the Stingray guitar which went into production the following year in 1976.
CLF-75G1 prototype-3
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be th
Date: 02/01/19
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be the first CLFR product produced for Music Man, which already had been producing amplifiers nearby. The split-coil pickups use very large pole pieces and wide bobbins, while the large 4-way switch adds an out-of-phase position. George Fullerton’s dramatic styling leans heavily on circular forms, and was ultimately quite different from the Stingray guitar which went into production the following year in 1976.
CLF-75G1 prototype-4
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be th
Date: 02/01/19
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be the first CLFR product produced for Music Man, which already had been producing amplifiers nearby. The split-coil pickups use very large pole pieces and wide bobbins, while the large 4-way switch adds an out-of-phase position. George Fullerton’s dramatic styling leans heavily on circular forms, and was ultimately quite different from the Stingray guitar which went into production the following year in 1976.
CLF-75G1 prototype-5
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be th
Date: 02/01/19
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be the first CLFR product produced for Music Man, which already had been producing amplifiers nearby. The split-coil pickups use very large pole pieces and wide bobbins, while the large 4-way switch adds an out-of-phase position. George Fullerton’s dramatic styling leans heavily on circular forms, and was ultimately quite different from the Stingray guitar which went into production the following year in 1976.
CLF-75G1 prototype-6
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be th
Date: 02/01/19
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be the first CLFR product produced for Music Man, which already had been producing amplifiers nearby. The split-coil pickups use very large pole pieces and wide bobbins, while the large 4-way switch adds an out-of-phase position. George Fullerton’s dramatic styling leans heavily on circular forms, and was ultimately quite different from the Stingray guitar which went into production the following year in 1976.
CLF-75G1 prototype-7
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be th
Date: 02/01/19
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be the first CLFR product produced for Music Man, which already had been producing amplifiers nearby. The split-coil pickups use very large pole pieces and wide bobbins, while the large 4-way switch adds an out-of-phase position. George Fullerton’s dramatic styling leans heavily on circular forms, and was ultimately quite different from the Stingray guitar which went into production the following year in 1976.
CLF-75G1 prototype-8
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be th
Date: 02/01/19
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be the first CLFR product produced for Music Man, which already had been producing amplifiers nearby. The split-coil pickups use very large pole pieces and wide bobbins, while the large 4-way switch adds an out-of-phase position. George Fullerton’s dramatic styling leans heavily on circular forms, and was ultimately quite different from the Stingray guitar which went into production the following year in 1976.
CLF-75G1 prototype-9
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be th
Date: 02/01/19
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be the first CLFR product produced for Music Man, which already had been producing amplifiers nearby. The split-coil pickups use very large pole pieces and wide bobbins, while the large 4-way switch adds an out-of-phase position. George Fullerton’s dramatic styling leans heavily on circular forms, and was ultimately quite different from the Stingray guitar which went into production the following year in 1976.
CLF-75G1 prototype-10
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be th
Date: 02/01/19
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be the first CLFR product produced for Music Man, which already had been producing amplifiers nearby. The split-coil pickups use very large pole pieces and wide bobbins, while the large 4-way switch adds an out-of-phase position. George Fullerton’s dramatic styling leans heavily on circular forms, and was ultimately quite different from the Stingray guitar which went into production the following year in 1976.
CLF-75G1 prototype-11
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be th
Date: 02/01/19
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be the first CLFR product produced for Music Man, which already had been producing amplifiers nearby. The split-coil pickups use very large pole pieces and wide bobbins, while the large 4-way switch adds an out-of-phase position. George Fullerton’s dramatic styling leans heavily on circular forms, and was ultimately quite different from the Stingray guitar which went into production the following year in 1976.
CLF-75G1 prototype-12
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be th
Date: 02/01/19
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be the first CLFR product produced for Music Man, which already had been producing amplifiers nearby. The split-coil pickups use very large pole pieces and wide bobbins, while the large 4-way switch adds an out-of-phase position. George Fullerton’s dramatic styling leans heavily on circular forms, and was ultimately quite different from the Stingray guitar which went into production the following year in 1976.
CLF-75G1 prototype-13
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be th
Date: 02/01/19
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be the first CLFR product produced for Music Man, which already had been producing amplifiers nearby. The split-coil pickups use very large pole pieces and wide bobbins, while the large 4-way switch adds an out-of-phase position. George Fullerton’s dramatic styling leans heavily on circular forms, and was ultimately quite different from the Stingray guitar which went into production the following year in 1976.
CLF-75G1 prototype-14
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be th
Date: 02/01/19
Grooving on from 1969 to 1975: Leo’s technical concepts from the CLF-67/68 and CLF-69 heavily influenced the CLF-75G1 prototype, notably two split-coil pickups with full-time active preamp. The CLF-75G1 prototype was made with the idea that it could be the first CLFR product produced for Music Man, which already had been producing amplifiers nearby. The split-coil pickups use very large pole pieces and wide bobbins, while the large 4-way switch adds an out-of-phase position. George Fullerton’s dramatic styling leans heavily on circular forms, and was ultimately quite different from the Stingray guitar which went into production the following year in 1976.
Spent some time with the Sunburst Espada proto
Spent some time with the Sunburst Espada proto and I just get these great vibes. I swear it’s like it was supposed to happen, and happen at this time. I’ve had a really great week, and thanks for geeking out with me in CLF land!
Date: 02/01/19
Spent some time with the Sunburst Espada proto and I just get these great vibes. I swear it’s like it was supposed to happen, and happen at this time. I’ve had a really great week, and thanks for geeking out with me in CLF land!
Danish Pete and The Captain from Andertons Music Co
This Danish Pete and The Captain from Andertons Music Co. absolutely tripping in Leo’s lab. Get on the Andertons YouTube channel and watch them, me, Johnny and Dave Brown from G&L Custom Shop. The Anderton’s crew is still kinda new with G&L so I w
Date: 02/02/19
This Danish Pete and The Captain from Andertons Music Co. absolutely tripping in Leo’s lab. Get on the Andertons YouTube channel and watch them, me, Johnny and Dave Brown from G&L Custom Shop. The Anderton’s crew is still kinda new with G&L so I want to see you in the comments showing some love. I had massive fun hanging with these guys and the level of geekery would have broke Leo’s oscilloscope if it could pick up the vibes.
test fitting Espada pickguard and control plate shapes cut by laser from pickup fiber
January 3, 2019: test fitting Espada pickguard and control plate shapes cut by laser from pickup fiber. No, there shouldn’t be a slot for a blade style pickup selector. I forgot to explain to engineering that Leo’s 1969 drawing shows two holes in the cont
Date: 02/03/19
January 3, 2019: test fitting Espada pickguard and control plate shapes cut by laser from pickup fiber. No, there shouldn’t be a slot for a blade style pickup selector. I forgot to explain to engineering that Leo’s 1969 drawing shows two holes in the control plate which were intended to mount the preamp. Engineering thought they must be for a selector so that’s what I got. Right. About those holes....
first little batch of Espada control plates cut
Johnny has the first little batch of Espada control plates cut. The circled hole needs opening up a tiny bit and the mounting holes need to be countersunk. We’ll take care of that stuff then drop them off with Vince to get chromed.
Date: 02/04/19
Johnny has the first little batch of Espada control plates cut. The circled hole needs opening up a tiny bit and the mounting holes need to be countersunk. We’ll take care of that stuff then drop them off with Vince to get chromed.
Leo’s dad Monte Fender
February 1951: Leo’s dad Monte Fender outside the old the Pomona Street building.
Date: 02/04/19
February 1951: Leo’s dad Monte Fender outside the old the Pomona Street building.
‘87 Skyhawk hanging out with the ‘18 Skyhawk
Patrick’s ‘87 Skyhawk hanging out with the ‘18 Skyhawk that sorta lives in the lounge.
Date: 02/05/19
Patrick’s ‘87 Skyhawk hanging out with the ‘18 Skyhawk that sorta lives in the lounge.
G&L Custom Shop build this Skyhawk
Johnny and I had G&L Custom Shop build this Skyhawk for our “Japanese brother” Mako Yamano of ???? / yamano music. Mako-san visited us here in the shop during NAMM and we surprised him with this awesome Skyhawk. Check out the logo ghosted in: it’s sub
Date: 02/05/19
Johnny and I had G&L Custom Shop build this Skyhawk for our “Japanese brother” Mako Yamano of ???? / yamano music. Mako-san visited us here in the shop during NAMM and we surprised him with this awesome Skyhawk. Check out the logo ghosted in: it’s subtle and I dig that. Anyway, I’m told it’s time for this to be packed up with a shipment to Japan, but I’ll take some better pics first.
G&L Custom Shop for making this Skyhawk-1
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome. Date: 02/05/19
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome.
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome. Date: 02/05/19
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome.
G&L Custom Shop for making this Skyhawk-2
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome. Date: 02/05/19
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome.
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome. Date: 02/05/19
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome.
G&L Custom Shop for making this Skyhawk-3
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome. Date: 02/05/19
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome.
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome. Date: 02/05/19
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome.
G&L Custom Shop for making this Skyhawk-4
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome. Date: 02/05/19
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome.
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome. Date: 02/05/19
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome.
G&L Custom Shop for making this Skyhawk-5
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome. Date: 02/05/19
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome.
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome. Date: 02/05/19
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome.
G&L Custom Shop for making this Skyhawk-6
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome. Date: 02/05/19
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome.
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome. Date: 02/05/19
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome.
G&L Custom Shop for making this Skyhawk-7
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome. Date: 02/05/19
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome.
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome. Date: 02/05/19
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome.
G&L Custom Shop for making this Skyhawk-8
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome. Date: 02/05/19
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome.
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome. Date: 02/05/19
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome.
G&L Custom Shop for making this Skyhawk-9
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome. Date: 02/05/19
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome.
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome. Date: 02/05/19
I’ve gotta give props to G&L Custom Shop for making this Skyhawk so awesome.
The Espada mule had fuzz before it even got to the fuzz pedal
The Espada mule had fuzz before it even got to the fuzz pedal. Ok, I realize that was lame, but I got this far so here ya go. ; ) Date: 02/05/19
The Espada mule had fuzz before it even got to the fuzz pedal. Ok, I realize that was lame, but I got this far so here ya go. ; )
The Espada mule had fuzz before it even got to the fuzz pedal. Ok, I realize that was lame, but I got this far so here ya go. ; ) Date: 02/05/19
The Espada mule had fuzz before it even got to the fuzz pedal. Ok, I realize that was lame, but I got this far so here ya go. ; )
Taking this ‘87 ASAT out for a drive-1
Taking this ‘87 ASAT out for a drive.
Date: 02/06/19
Taking this ‘87 ASAT out for a drive.
Taking this ‘87 ASAT out for a drive-2
Taking this ‘87 ASAT out for a drive.
Date: 02/06/19
Taking this ‘87 ASAT out for a drive.
Vintage Windex in the lab-1
Vintage Windex in the lab. I am known to have a thing for Windex, so this was a pleasant surprise. I guess it’s been hiding on this bench truss and I just didn’t notice.
Date: 02/06/19
Vintage Windex in the lab. I am known to have a thing for Windex, so this was a pleasant surprise. I guess it’s been hiding on this bench truss and I just didn’t notice.
Vintage Windex in the lab-2
Vintage Windex in the lab. I am known to have a thing for Windex, so this was a pleasant surprise. I guess it’s been hiding on this bench truss and I just didn’t notice.
Date: 02/06/19
Vintage Windex in the lab. I am known to have a thing for Windex, so this was a pleasant surprise. I guess it’s been hiding on this bench truss and I just didn’t notice.
Vintage Windex in the lab-3
Vintage Windex in the lab. I am known to have a thing for Windex, so this was a pleasant surprise. I guess it’s been hiding on this bench truss and I just didn’t notice.
Date: 02/06/19
Vintage Windex in the lab. I am known to have a thing for Windex, so this was a pleasant surprise. I guess it’s been hiding on this bench truss and I just didn’t notice.
The bottom end is in the middle row
The bottom end is in the middle row.
Date: 02/06/19
The bottom end is in the middle row.
February 23, 2018-development of the V12 continued
February 23, 2018: development of the V12 continued...slowly. I just wasn’t happy with set after set of test pickups, but my brother Johnny kept pushing, trying things until we had a breakthrough. Suddenly it was exciting and fun again. Thanks, Johnny!
Date: 02/09/19
February 23, 2018: development of the V12 continued...slowly. I just wasn’t happy with set after set of test pickups, but my brother Johnny kept pushing, trying things until we had a breakthrough. Suddenly it was exciting and fun again. Thanks, Johnny!
March 26, 2018-test fitting laser cut Skyhawk pickguard and control plate shapes
March 26, 2018: test fitting laser cut Skyhawk pickguard and control plate shapes. There was still a lot of refinement work to do, but I was very happy to see the progress we made.
Date: 02/10/19
March 26, 2018: test fitting laser cut Skyhawk pickguard and control plate shapes. There was still a lot of refinement work to do, but I was very happy to see the progress we made.
Sonic, Himalayan, Sonic, Himalayan
Sonic, Himalayan, Sonic, Himalayan
Date: 02/10/19
Sonic, Himalayan, Sonic, Himalayan
L-1000 ad slick from ‘84-front
L-1000 ad slick from ‘84 if I remember correctly.Image may contain: guitar
Date: 02/11/19
L-1000 ad slick from ‘84 if I remember correctly.
L-1000 ad slick from ‘84-back
L-1000 ad slick from ‘84 if I remember correctly.
Image may contain: guitar Date: 02/11/19 L-1000 ad slick from ‘84 if I remember correctly.
Image may contain: guitar
Image may contain: guitar Date: 02/11/19 L-1000 ad slick from ‘84 if I remember correctly.
Image may contain: guitar
1977 StingRay I guitar-1
This 1977 StingRay I guitar highlights how far the design had changed from the CLF-75G1 prototype we looked at on February 1. George’s body shape became an attractive blend of Strat and Jazzmaster forms, while Leo changed the electronics starting with wha
Date: 02/11/19
This 1977 StingRay I guitar highlights how far the design had changed from the CLF-75G1 prototype we looked at on February 1. George’s body shape became an attractive blend of Strat and Jazzmaster forms, while Leo changed the electronics starting with what he called “end-to-end” humbucking pickups.
1977 StingRay I guitar-8
This 1977 StingRay I guitar highlights how far the design had changed from the CLF-75G1 prototype we looked at on February 1. George’s body shape became an attractive blend of Strat and Jazzmaster forms, while Leo changed the electronics starting with wha
Date: 02/11/19
This 1977 StingRay I guitar highlights how far the design had changed from the CLF-75G1 prototype we looked at on February 1. George’s body shape became an attractive blend of Strat and Jazzmaster forms, while Leo changed the electronics starting with what he called “end-to-end” humbucking pickups.
CLF battery plate
In 1980, the CLF battery plate was updated with the word BATTERY and a decorative border stamped in.
Date: 02/11/19
In 1980, the CLF battery plate was updated with the word BATTERY and a decorative border stamped in.
NOS brass bushings for the CLF battery plate screws
A couple weeks ago I posted that I found a bin full of NOS brass bushings for the CLF battery plate screws. I just walk by Johnny’s office and he had the whole bin pulled out of Unit J and brought to his office. That’s my bro, always making stuff happen.
Date: 02/12/19
A couple weeks ago I posted that I found a bin full of NOS brass bushings for the CLF battery plate screws. I just walk by Johnny’s office and he had the whole bin pulled out of Unit J and brought to his office. That’s my bro, always making stuff happen.
drilling out some Espada covers using his wooden jig.-1
Here’s Johnny (!) drilling out some Espada covers using his wooden jig. Look at that gorgeous early ‘60s Delta Rockwell drill press. I just love the Art Deco industrial style and this one was made right before they changed to a mid-century clean design.
Date: 02/12/19 Here’s Johnny (!) drilling out some Espada covers using his wooden jig. Look at that gorgeous early ‘60s Delta Rockwell drill press. I just love the Art Deco industrial style and this one was made right before they changed to a mid-century clean design.
Anyway, Rick is making a sweet milled aluminum jig we’ll use in production of Espada covers, but as we prepare other aspects of Espada pickup manufacturing, Johnny will keep drilling covers on his wooden jig.
Date: 02/12/19 Here’s Johnny (!) drilling out some Espada covers using his wooden jig. Look at that gorgeous early ‘60s Delta Rockwell drill press. I just love the Art Deco industrial style and this one was made right before they changed to a mid-century clean design.
Anyway, Rick is making a sweet milled aluminum jig we’ll use in production of Espada covers, but as we prepare other aspects of Espada pickup manufacturing, Johnny will keep drilling covers on his wooden jig.
drilling out some Espada covers using his wooden jig-2
Here’s Johnny (!) drilling out some Espada covers using his wooden jig. Look at that gorgeous early ‘60s Delta Rockwell drill press. I just love the Art Deco industrial style and this one was made right before they changed to a mid-century clean design.
Date: 02/12/19 Here’s Johnny (!) drilling out some Espada covers using his wooden jig. Look at that gorgeous early ‘60s Delta Rockwell drill press. I just love the Art Deco industrial style and this one was made right before they changed to a mid-century clean design.
Anyway, Rick is making a sweet milled aluminum jig we’ll use in production of Espada covers, but as we prepare other aspects of Espada pickup manufacturing, Johnny will keep drilling covers on his wooden jig.
Date: 02/12/19 Here’s Johnny (!) drilling out some Espada covers using his wooden jig. Look at that gorgeous early ‘60s Delta Rockwell drill press. I just love the Art Deco industrial style and this one was made right before they changed to a mid-century clean design.
Anyway, Rick is making a sweet milled aluminum jig we’ll use in production of Espada covers, but as we prepare other aspects of Espada pickup manufacturing, Johnny will keep drilling covers on his wooden jig.
drilling out some Espada covers using his wooden jig-3
Here’s Johnny (!) drilling out some Espada covers using his wooden jig. Look at that gorgeous early ‘60s Delta Rockwell drill press. I just love the Art Deco industrial style and this one was made right before they changed to a mid-century clean design.
Date: 02/12/19 Here’s Johnny (!) drilling out some Espada covers using his wooden jig. Look at that gorgeous early ‘60s Delta Rockwell drill press. I just love the Art Deco industrial style and this one was made right before they changed to a mid-century clean design.
Anyway, Rick is making a sweet milled aluminum jig we’ll use in production of Espada covers, but as we prepare other aspects of Espada pickup manufacturing, Johnny will keep drilling covers on his wooden jig.
Date: 02/12/19 Here’s Johnny (!) drilling out some Espada covers using his wooden jig. Look at that gorgeous early ‘60s Delta Rockwell drill press. I just love the Art Deco industrial style and this one was made right before they changed to a mid-century clean design.
Anyway, Rick is making a sweet milled aluminum jig we’ll use in production of Espada covers, but as we prepare other aspects of Espada pickup manufacturing, Johnny will keep drilling covers on his wooden jig.
drilling out some Espada covers using his wooden jig-4
Here’s Johnny (!) drilling out some Espada covers using his wooden jig. Look at that gorgeous early ‘60s Delta Rockwell drill press. I just love the Art Deco industrial style and this one was made right before they changed to a mid-century clean design.
Date: 02/12/19 Here’s Johnny (!) drilling out some Espada covers using his wooden jig. Look at that gorgeous early ‘60s Delta Rockwell drill press. I just love the Art Deco industrial style and this one was made right before they changed to a mid-century clean design.
Anyway, Rick is making a sweet milled aluminum jig we’ll use in production of Espada covers, but as we prepare other aspects of Espada pickup manufacturing, Johnny will keep drilling covers on his wooden jig.
Date: 02/12/19 Here’s Johnny (!) drilling out some Espada covers using his wooden jig. Look at that gorgeous early ‘60s Delta Rockwell drill press. I just love the Art Deco industrial style and this one was made right before they changed to a mid-century clean design.
Anyway, Rick is making a sweet milled aluminum jig we’ll use in production of Espada covers, but as we prepare other aspects of Espada pickup manufacturing, Johnny will keep drilling covers on his wooden jig.
‘81 L-2000 has a NOS raw battery plate on it-1
On my post about CLF battery plates yesterday, I see my friend Tony Hill commented, “I had one.” Well, check this out, Tony. Right now your ‘81 L-2000 has a NOS raw battery plate on it. I borrowed your original chrome plate for one of the Espada prototype
Date: 02/12/19
On my post about CLF battery plates yesterday, I see my friend Tony Hill commented, “I had one.” Well, check this out, Tony. Right now your ‘81 L-2000 has a NOS raw battery plate on it. I borrowed your original chrome plate for one of the Espada prototypes at the NAMM show. I think it’s kinda cool that your battery plate played a role in one of the stars of the show. No worries, I’ll put it back. : )
‘81 L-2000 has a NOS raw battery plate on it-2
On my post about CLF battery plates yesterday, I see my friend Tony Hill commented, “I had one.” Well, check this out, Tony. Right now your ‘81 L-2000 has a NOS raw battery plate on it. I borrowed your original chrome plate for one of the Espada prototype
Date: 02/12/19
On my post about CLF battery plates yesterday, I see my friend Tony Hill commented, “I had one.” Well, check this out, Tony. Right now your ‘81 L-2000 has a NOS raw battery plate on it. I borrowed your original chrome plate for one of the Espada prototypes at the NAMM show. I think it’s kinda cool that your battery plate played a role in one of the stars of the show. No worries, I’ll put it back. : )
The Robert Poss SC-1 guitars
The Robert Poss SC-1 guitars have been soaking up the mojo in the cart behind Leo’s desk. The red one is getting a neck, and blue one I should have sent back in December but [insert excuse here]. So today, the blue one will get a second check by G&L C
Date: 02/13/19
The Robert Poss SC-1 guitars have been soaking up the mojo in the cart behind Leo’s desk. The red one is getting a neck, and blue one I should have sent back in December but [insert excuse here]. So today, the blue one will get a second check by G&L Custom Shop and it goes back to Robert who has been super cool with me playing with his toys for ages. I’ll post some nice pics first of course, and Robert, I got a little something for you that I think you’ll dig. I’ll be back a bit later....
Plates about to be picked up by Vince-1
Plates about to be picked up by Vince. Next time we see these they’ll be beautifully polished chrome. Yeah, even those Skyhawk plates. I think they’re going on a model called Fullerton Deluxe Skyhawk HH. A handful of old CLF battery plates from Unit J in
Date: 02/13/19
Plates about to be picked up by Vince. Next time we see these they’ll be beautifully polished chrome. Yeah, even those Skyhawk plates. I think they’re going on a model called Fullerton Deluxe Skyhawk HH. A handful of old CLF battery plates from Unit J in the box too.
I can see for blocks and blocks
I can see for blocks and blocks
Date: 02/13/19
I can see for blocks and blocks
first pre-production Pharaoh Gold Firemist V12
The first pre-production Pharaoh Gold Firemist V12. The one that confirmed my belief that a big ‘ol piece of CLF black powdercoated aluminum would look insane with Pharaoh Gold. The one we sent out for photos. The one that’s been demoed and loved (parti Date: 02/13/19
The first pre-production Pharaoh Gold Firemist V12. The one that confirmed my belief that a big ‘ol piece of CLF black powdercoated aluminum would look insane with Pharaoh Gold. The one we sent out for photos. The one that’s been demoed and loved (particularly by me). Robert Poss this one’s for you, amigo. It’ll share the ride home with your blue SC-1.
The first pre-production Pharaoh Gold Firemist V12. The one that confirmed my belief that a big ‘ol piece of CLF black powdercoated aluminum would look insane with Pharaoh Gold. The one we sent out for photos. The one that’s been demoed and loved (parti Date: 02/13/19
The first pre-production Pharaoh Gold Firemist V12. The one that confirmed my belief that a big ‘ol piece of CLF black powdercoated aluminum would look insane with Pharaoh Gold. The one we sent out for photos. The one that’s been demoed and loved (particularly by me). Robert Poss this one’s for you, amigo. It’ll share the ride home with your blue SC-1.
Johnny is designing a standoff that holds the pc board perpendicular to the plate
A modern G&L micro preamp is too wide to be mounted parallel to the Espada control plate as visualized in the late ‘60s, so Johnny is designing a standoff that holds the pc board perpendicular to the plate. To help him visualize the space he has to Date: 02/14/19
A modern G&L micro preamp is too wide to be mounted parallel to the Espada control plate as visualized in the late ‘60s, so Johnny is designing a standoff that holds the pc board perpendicular to the plate. To help him visualize the space he has to work with in the original 1969 cavity, he made a control plate out of Lexan so he can see through it as he comes up with the design of his standoff. Johnny makes stuff happen.
A modern G&L micro preamp is too wide to be mounted parallel to the Espada control plate as visualized in the late ‘60s, so Johnny is designing a standoff that holds the pc board perpendicular to the plate. To help him visualize the space he has to Date: 02/14/19
A modern G&L micro preamp is too wide to be mounted parallel to the Espada control plate as visualized in the late ‘60s, so Johnny is designing a standoff that holds the pc board perpendicular to the plate. To help him visualize the space he has to work with in the original 1969 cavity, he made a control plate out of Lexan so he can see through it as he comes up with the design of his standoff. Johnny makes stuff happen.
Gettin’ down in funkytown with the Espada
Gettin’ down in funkytown with the Espada going into the BMAX-T bass preamp. Espada’s parallel mode would have blown minds in the ‘70s.
Date: 02/14/19
Gettin’ down in funkytown with the Espada going into the BMAX-T bass preamp. Espada’s parallel mode would have blown minds in the ‘70s.
Leo’s prototype MFD humbuckers constructed under Stingray guitar covers-1
Leo’s prototype MFD humbuckers constructed under Stingray guitar covers. These pickups are wider (neck to bridge) than the Sabre guitar and F-100 guitar pickups which shared the same dimensions, making these appear to be more related to V12 pickups than F
Date: 02/15/19
Leo’s prototype MFD humbuckers constructed under Stingray guitar covers. These pickups are wider (neck to bridge) than the Sabre guitar and F-100 guitar pickups which shared the same dimensions, making these appear to be more related to V12 pickups than F-100 pickups.
Leo’s prototype MFD humbuckers constructed under Stingray guitar covers-2
Leo’s prototype MFD humbuckers constructed under Stingray guitar covers. These pickups are wider (neck to bridge) than the Sabre guitar and F-100 guitar pickups which shared the same dimensions, making these appear to be more related to V12 pickups than F
Date: 02/15/19
Leo’s prototype MFD humbuckers constructed under Stingray guitar covers. These pickups are wider (neck to bridge) than the Sabre guitar and F-100 guitar pickups which shared the same dimensions, making these appear to be more related to V12 pickups than F-100 pickups.
Leo’s prototype MFD humbuckers constructed under Stingray guitar covers-3
Leo’s prototype MFD humbuckers constructed under Stingray guitar covers. These pickups are wider (neck to bridge) than the Sabre guitar and F-100 guitar pickups which shared the same dimensions, making these appear to be more related to V12 pickups than F
Date: 02/15/19
Leo’s prototype MFD humbuckers constructed under Stingray guitar covers. These pickups are wider (neck to bridge) than the Sabre guitar and F-100 guitar pickups which shared the same dimensions, making these appear to be more related to V12 pickups than F-100 pickups.
Leo’s prototype MFD humbuckers constructed under Stingray guitar covers-4
Leo’s prototype MFD humbuckers constructed under Stingray guitar covers. These pickups are wider (neck to bridge) than the Sabre guitar and F-100 guitar pickups which shared the same dimensions, making these appear to be more related to V12 pickups than F
Date: 02/15/19
Leo’s prototype MFD humbuckers constructed under Stingray guitar covers. These pickups are wider (neck to bridge) than the Sabre guitar and F-100 guitar pickups which shared the same dimensions, making these appear to be more related to V12 pickups than F-100 pickups.
Pharaoh Gold Firemist
Pharaoh Gold Firemist. It’s my jam lately. I mean, imagine how fly Cadillac was in 1973 and 1974 when they offered this color. Naturally, it looks stunning with a lot of old school CLF bling.
Date: 02/15/19 Pharaoh Gold Firemist. It’s my jam lately. I mean, imagine how fly Cadillac was in 1973 and 1974 when they offered this color. Naturally, it looks stunning with a lot of old school CLF bling.
Date: 02/15/19 Pharaoh Gold Firemist. It’s my jam lately. I mean, imagine how fly Cadillac was in 1973 and 1974 when they offered this color. Naturally, it looks stunning with a lot of old school CLF bling.
early ‘60s Delta Rockwell Unisaw-1
New Tool Day: a beautiful early ‘60s Delta Rockwell Unisaw that was owned by Pomona Unified School District, about 20 miles from here. The patina on this thing is awesome, and a little buffing will really bring out the finish.
Date: 02/19/19
New Tool Day: a beautiful early ‘60s Delta Rockwell Unisaw that was owned by Pomona Unified School District, about 20 miles from here. The patina on this thing is awesome, and a little buffing will really bring out the finish.
early ‘60s Delta Rockwell Unisaw-2
New Tool Day: a beautiful early ‘60s Delta Rockwell Unisaw that was owned by Pomona Unified School District, about 20 miles from here. The patina on this thing is awesome, and a little buffing will really bring out the finish.
Date: 02/19/19
New Tool Day: a beautiful early ‘60s Delta Rockwell Unisaw that was owned by Pomona Unified School District, about 20 miles from here. The patina on this thing is awesome, and a little buffing will really bring out the finish.
early ‘60s Delta Rockwell Unisaw-3
New Tool Day: a beautiful early ‘60s Delta Rockwell Unisaw that was owned by Pomona Unified School District, about 20 miles from here. The patina on this thing is awesome, and a little buffing will really bring out the finish.
Date: 02/19/19
New Tool Day: a beautiful early ‘60s Delta Rockwell Unisaw that was owned by Pomona Unified School District, about 20 miles from here. The patina on this thing is awesome, and a little buffing will really bring out the finish.
early ‘60s Delta Rockwell Unisaw-4
New Tool Day: a beautiful early ‘60s Delta Rockwell Unisaw that was owned by Pomona Unified School District, about 20 miles from here. The patina on this thing is awesome, and a little buffing will really bring out the finish.
Date: 02/19/19
New Tool Day: a beautiful early ‘60s Delta Rockwell Unisaw that was owned by Pomona Unified School District, about 20 miles from here. The patina on this thing is awesome, and a little buffing will really bring out the finish.
early ‘60s Delta Rockwell Unisaw-5
New Tool Day: a beautiful early ‘60s Delta Rockwell Unisaw that was owned by Pomona Unified School District, about 20 miles from here. The patina on this thing is awesome, and a little buffing will really bring out the finish.
Date: 02/19/19
New Tool Day: a beautiful early ‘60s Delta Rockwell Unisaw that was owned by Pomona Unified School District, about 20 miles from here. The patina on this thing is awesome, and a little buffing will really bring out the finish.
GF book
I went to G&L Custom Shop and noticed one of George’s books and thought, “That’s great, these guys have to know and appreciate our rich history.” So this is the book where I spent a lot of time working on material with him. ***whoa!!** I just opened i
Date: 02/19/19
I went to G&L Custom Shop and noticed one of George’s books and thought, “That’s great, these guys have to know and appreciate our rich history.” So this is the book where I spent a lot of time working on material with him. ***whoa!!** I just opened it to see the copyright date because I forgot how long it’s been. Huh, 2005. Then I glanced at the next page and found George’s handwritten note to me. Wow, that was a major nostalgia trip!
Note from GF to David
I went to G&L Custom Shop and noticed one of George’s books and thought, “That’s great, these guys have to know and appreciate our rich history.” So this is the book where I spent a lot of time working on material with him. ***whoa!!** I just opened i
Date: 02/19/19
I went to G&L Custom Shop and noticed one of George’s books and thought, “That’s great, these guys have to know and appreciate our rich history.” So this is the book where I spent a lot of time working on material with him. ***whoa!!** I just opened it to see the copyright date because I forgot how long it’s been. Huh, 2005. Then I glanced at the next page and found George’s handwritten note to me. Wow, that was a major nostalgia trip!
1982 S-500 in Clear Blue
Taking our 1982 S-500 for a drive. This is the original formula S-500, Leo’s first evolution of his 3-single-coil platform since, well, you know.
Date: 02/20/19
Taking our 1982 S-500 for a drive. This is the original formula S-500, Leo’s first evolution of his 3-single-coil platform since, well, you know.
Goodbye, everybody, I’ve got to go...to my friend Robert Poss
Goodbye, everybody, I’ve got to go...to my friend Robert Poss
Date: 02/21/19
Goodbye, everybody, I’ve got to go...to my friend Robert Poss
CLF-75B1 styling model-1
Taking it back to late 1974 into early 1975 with the CLF-75B1 styling model. At this point, the headstock style was at least roughly settled on, there would be active electronics and three knobs, and the bridge plate shape was pretty close. George kept wo
Date: 02/21/19
Taking it back to late 1974 into early 1975 with the CLF-75B1 styling model. At this point, the headstock style was at least roughly settled on, there would be active electronics and three knobs, and the bridge plate shape was pretty close. George kept working on styling for whatever Leo would ultimately decide goes in the bass that would later be named StingRay.
CLF-75B1 styling model-8
Taking it back to late 1974 into early 1975 with the CLF-75B1 styling model. At this point, the headstock style was at least roughly settled on, there would be active electronics and three knobs, and the bridge plate shape was pretty close. George kept wo
Date: 02/21/19
Taking it back to late 1974 into early 1975 with the CLF-75B1 styling model. At this point, the headstock style was at least roughly settled on, there would be active electronics and three knobs, and the bridge plate shape was pretty close. George kept working on styling for whatever Leo would ultimately decide goes in the bass that would later be named StingRay.
Johnny completed his pc board standoff-1
Johnny completed his pc board standoff and established its position inside Leo’s original 1969 cavity. Johnny routed out the back side of the body so he can see exactly where he wants the preamp positioned. That’s my brother, making it happen! I’m sure Le
Date: 02/22/19
Johnny completed his pc board standoff and established its position inside Leo’s original 1969 cavity. Johnny routed out the back side of the body so he can see exactly where he wants the preamp positioned. That’s my brother, making it happen! I’m sure Leo would be proud, too. Turned out the inquisitive Johnny boy grew up to do great things here.
Johnny completed his pc board standoff-4
Johnny completed his pc board standoff and established its position inside Leo’s original 1969 cavity. Johnny routed out the back side of the body so he can see exactly where he wants the preamp positioned. That’s my brother, making it happen! I’m sure Le
Date: 02/22/19
Johnny completed his pc board standoff and established its position inside Leo’s original 1969 cavity. Johnny routed out the back side of the body so he can see exactly where he wants the preamp positioned. That’s my brother, making it happen! I’m sure Leo would be proud, too. Turned out the inquisitive Johnny boy grew up to do great things here.
got a new batch of CLF battery plates stamped out
Johnny got a new batch of CLF battery plates stamped out and they’re beautiful. I saw this box and had to take a moment to admire them before they go to Vince for plating.
Date: 02/25/19
Johnny got a new batch of CLF battery plates stamped out and they’re beautiful. I saw this box and had to take a moment to admire them before they go to Vince for plating.
love goooold! <- who said it?
I love goooold! <- who said it?
Date: 02/26/19
I love goooold! <- who said it?
Don Randall and Dale Hyatt
Don Randall and Dale Hyatt (I believe) flying high in the golden days of Fender Sales, Inc.
Date: 02/26/19
Don Randall and Dale Hyatt (I believe) flying high in the golden days of Fender Sales, Inc.
This Tribute Series LB-100 in the lounge is killer
This Tribute Series LB-100 in the lounge is killer. Sure, the detail isn’t the same as a full Made in Fullerton bass, but never mind that. Plug this in, feel that sweet neck, hear that classic Alnico tone beefed up by that Saddle Lock bridge. Better than
Date: 03/05/19
This Tribute Series LB-100 in the lounge is killer. Sure, the detail isn’t the same as a full Made in Fullerton bass, but never mind that. Plug this in, feel that sweet neck, hear that classic Alnico tone beefed up by that Saddle Lock bridge. Better than just a workhorse.
design he has for perfectly positioning the Espada preamp standoff to the control plate-1
9:40PM last night: Johnny texts me sketches of a design he has for perfectly positioning the Espada preamp standoff to the control plate. Johnny is 24/7. I heard the fixture or jig thing he is making will be slick and Leo-like. Whatever that means, I can’
Date: 03/05/19
9:40PM last night: Johnny texts me sketches of a design he has for perfectly positioning the Espada preamp standoff to the control plate. Johnny is 24/7. I heard the fixture or jig thing he is making will be slick and Leo-like. Whatever that means, I can’t wait to see it. I’ll show you when he’s gotten this thing off the ground.
design he has for perfectly positioning the Espada preamp standoff to the control plate-2
Date: 03/05/19
developing his Espada preamp mounting fixture in like one day-1
Johnny went from sketches to developing his Espada preamp mounting fixture in like one day. There’s more to it he’s working on today but man, this thing sure looks nice in flame maple.
Date: 03/05/19
Johnny went from sketches to developing his Espada preamp mounting fixture in like one day. There’s more to it he’s working on today but man, this thing sure looks nice in flame maple.
I complained about stocking my bathroom and this is what I get
I complained about stocking my bathroom and this is what I get.
Date: 03/05/19
I complained about stocking my bathroom and this is what I get.
Leo’s CTS binder with stuff going up to the ‘80s-1
Leo’s CTS binder with stuff going up to the ‘80s.
Date: 03/05/19
Leo’s CTS binder with stuff going up to the ‘80s.
Leo’s CTS binder with stuff going up to the ‘80s-4
Leo’s CTS binder with stuff going up to the ‘80s.
Date: 03/05/19
Leo’s CTS binder with stuff going up to the ‘80s.
Project El Toro ready for some fun tonight
Project El Toro ready for some fun tonight
Date: 03/05/19
Project El Toro ready for some fun tonight
Project Fake Broadcaster out for a warmup this morning
Project Fake Broadcaster out for a warmup this morning.
Date: 03/05/19
Project Fake Broadcaster out for a warmup this morning.
Project Fake Broadcaster out for a warmup this morning
Project Fake Broadcaster out for a warmup this morning.
Date: 03/05/19
Project Fake Broadcaster out for a warmup this morning.
Leo’s 1967 Stimpson 489 Eyelet Press in use on an Espada pickup fiber-1
Leo’s 1967 Stimpson 489 Eyelet Press in use on an Espada pickup fiber.
Date: 03/05/19
Leo’s 1967 Stimpson 489 Eyelet Press in use on an Espada pickup fiber.
Leo’s 1967 Stimpson 489 Eyelet Press in use on an Espada pickup fiber-2
Leo’s 1967 Stimpson 489 Eyelet Press in use on an Espada pickup fiber.
Date: 03/05/19
Leo’s 1967 Stimpson 489 Eyelet Press in use on an Espada pickup fiber.
Leo’s 1967 Stimpson 489 Eyelet Press in use on an Espada pickup fiber-3
Leo’s 1967 Stimpson 489 Eyelet Press in use on an Espada pickup fiber.
Date: 03/05/19
Leo’s 1967 Stimpson 489 Eyelet Press in use on an Espada pickup fiber.
Leo’s 1967 Stimpson 489 Eyelet Press in use on an Espada pickup fiber-4
Leo’s 1967 Stimpson 489 Eyelet Press in use on an Espada pickup fiber.
Date: 03/05/19
Leo’s 1967 Stimpson 489 Eyelet Press in use on an Espada pickup fiber.
Leo’s 1967 Stimpson 489 Eyelet Press in use on an Espada pickup fiber-5
Leo’s 1967 Stimpson 489 Eyelet Press in use on an Espada pickup fiber.
Date: 03/05/19
Leo’s 1967 Stimpson 489 Eyelet Press in use on an Espada pickup fiber.
Leo’s 1967 Stimpson 489 Eyelet Press in use on an Espada pickup fiber-6
Leo’s 1967 Stimpson 489 Eyelet Press in use on an Espada pickup fiber.
Date: 03/05/19
Leo’s 1967 Stimpson 489 Eyelet Press in use on an Espada pickup fiber.
Norma is pressing the MFD pole piece bushings into the Espada fibers she prepared earlier-1
Norma is pressing the MFD pole piece bushings into the Espada fibers she prepared earlier. This process looked the same with Alnico pickups going way back to Leo’s pickups of the 1950s.
Date: 03/05/19
Norma is pressing the MFD pole piece bushings into the Espada fibers she prepared earlier. This process looked the same with Alnico pickups going way back to Leo’s pickups of the 1950s.
Norma is pressing the MFD pole piece bushings into the Espada fibers she prepared earlier-2
Norma is pressing the MFD pole piece bushings into the Espada fibers she prepared earlier. This process looked the same with Alnico pickups going way back to Leo’s pickups of the 1950s.
Date: 03/05/19
Norma is pressing the MFD pole piece bushings into the Espada fibers she prepared earlier. This process looked the same with Alnico pickups going way back to Leo’s pickups of the 1950s.
Norma is pressing the MFD pole piece bushings into the Espada fibers she prepared earlier-3
Norma is pressing the MFD pole piece bushings into the Espada fibers she prepared earlier. This process looked the same with Alnico pickups going way back to Leo’s pickups of the 1950s.
Date: 03/05/19
Norma is pressing the MFD pole piece bushings into the Espada fibers she prepared earlier. This process looked the same with Alnico pickups going way back to Leo’s pickups of the 1950s.
Norma is pressing the MFD pole piece bushings into the Espada fibers she prepared earlier-4;jpg
Norma is pressing the MFD pole piece bushings into the Espada fibers she prepared earlier. This process looked the same with Alnico pickups going way back to Leo’s pickups of the 1950s.
Date: 03/05/19
Norma is pressing the MFD pole piece bushings into the Espada fibers she prepared earlier. This process looked the same with Alnico pickups going way back to Leo’s pickups of the 1950s.
Norma is pressing the MFD pole piece bushings into the Espada fibers she prepared earlier-5
Norma is pressing the MFD pole piece bushings into the Espada fibers she prepared earlier. This process looked the same with Alnico pickups going way back to Leo’s pickups of the 1950s.
Date: 03/05/19
Norma is pressing the MFD pole piece bushings into the Espada fibers she prepared earlier. This process looked the same with Alnico pickups going way back to Leo’s pickups of the 1950s.
August ‘74: hangin’ out with Leo Fender
August ‘74: hangin’ out with Leo Fender
Date: 03/07/19
August ‘74: hangin’ out with Leo Fender
Hangin’ with Leo and his white Cadillac around 1973
Hangin’ with Leo and his white Cadillac around 1973. Doc Kauffman on the right and the guy in the middle... I want to say his name is Robbie. [edit: thanks to Terry Foster for identifying Robby Lawrence.]
Date: 03/07/19
Hangin’ with Leo and his white Cadillac around 1973. Doc Kauffman on the right and the guy in the middle... I want to say his name is Robbie. [edit: thanks to Terry Foster for identifying Robby Lawrence.]
My bro Johnny with Vince of California Electroplating
My bro Johnny with Vince of California Electroplating. Vince has done work for Leo and us since the ‘80s, and Johnny calls him the Tiffanys of plating. The parts always look so rich and luxurious.
Date: 03/08/19
My bro Johnny with Vince of California Electroplating. Vince has done work for Leo and us since the ‘80s, and Johnny calls him the Tiffanys of plating. The parts always look so rich and luxurious.
Vince unwraps a freshly chromed CLF battery plate-1
Vince unwraps a freshly chromed CLF battery plate and it’s like jewelry. Johnny’s not kidding, Vince really is like Tiffany’s. I love seeing Vince’s reflection in the plate. That’s the passion right there.
Date: 03/08/19
Vince unwraps a freshly chromed CLF battery plate and it’s like jewelry. Johnny’s not kidding, Vince really is like Tiffany’s. I love seeing Vince’s reflection in the plate. That’s the passion right there.
Vince unwraps a freshly chromed CLF battery plate-2
Vince unwraps a freshly chromed CLF battery plate and it’s like jewelry. Johnny’s not kidding, Vince really is like Tiffany’s. I love seeing Vince’s reflection in the plate. That’s the passion right there.
Date: 03/08/19
Vince unwraps a freshly chromed CLF battery plate and it’s like jewelry. Johnny’s not kidding, Vince really is like Tiffany’s. I love seeing Vince’s reflection in the plate. That’s the passion right there.
Vince brought some beautifully chromed production Espada control plates-1
Vince brought some beautifully chromed production Espada control plates. We’re getting very close now...
Date: 03/08/19
Vince brought some beautifully chromed production Espada control plates. We’re getting very close now...
Vince brought some beautifully chromed production Espada control plates-2
Vince brought some beautifully chromed production Espada control plates. We’re getting very close now...
Date: 03/08/19
Vince brought some beautifully chromed production Espada control plates. We’re getting very close now...
Vince brought some beautifully chromed production Espada control plates.=3
Vince brought some beautifully chromed production Espada control plates. We’re getting very close now...
Date: 03/08/19
Vince brought some beautifully chromed production Espada control plates. We’re getting very close now...
Blake Hunter’s 1980 L-1000-1
Our friend Blake Hunter’s 1980 L-1000 that he’s owned since new. Well loved yet in unbelievably clean condition, this bass is magical.
Date: 03/11/19
Our friend Blake Hunter’s 1980 L-1000 that he’s owned since new. Well loved yet in unbelievably clean condition, this bass is magical.
Blake Hunter’s 1980 L-1000-2
Our friend Blake Hunter’s 1980 L-1000 that he’s owned since new. Well loved yet in unbelievably clean condition, this bass is magical.
Date: 03/11/19
Our friend Blake Hunter’s 1980 L-1000 that he’s owned since new. Well loved yet in unbelievably clean condition, this bass is magical.
Blake Hunter’s 1980 L-1000-3
Our friend Blake Hunter’s 1980 L-1000 that he’s owned since new. Well loved yet in unbelievably clean condition, this bass is magical.
Date: 03/11/19
Our friend Blake Hunter’s 1980 L-1000 that he’s owned since new. Well loved yet in unbelievably clean condition, this bass is magical.
Blake Hunter’s 1980 L-1000-4
Our friend Blake Hunter’s 1980 L-1000 that he’s owned since new. Well loved yet in unbelievably clean condition, this bass is magical.
Date: 03/11/19
Our friend Blake Hunter’s 1980 L-1000 that he’s owned since new. Well loved yet in unbelievably clean condition, this bass is magical.
Blake Hunter’s 1980 L-1000-5
Our friend Blake Hunter’s 1980 L-1000 that he’s owned since new. Well loved yet in unbelievably clean condition, this bass is magical.
Date: 03/11/19
Our friend Blake Hunter’s 1980 L-1000 that he’s owned since new. Well loved yet in unbelievably clean condition, this bass is magical.
Blake Hunter’s 1980 L-1000-6
Our friend Blake Hunter’s 1980 L-1000 that he’s owned since new. Well loved yet in unbelievably clean condition, this bass is magical.
Date: 03/11/19
Our friend Blake Hunter’s 1980 L-1000 that he’s owned since new. Well loved yet in unbelievably clean condition, this bass is magical.
Blake Hunter’s 1980 L-1000-7
Our friend Blake Hunter’s 1980 L-1000 that he’s owned since new. Well loved yet in unbelievably clean condition, this bass is magical.
Date: 03/11/19
Our friend Blake Hunter’s 1980 L-1000 that he’s owned since new. Well loved yet in unbelievably clean condition, this bass is magical.
Blake Hunter’s 1980 L-1000-8
Our friend Blake Hunter’s 1980 L-1000 that he’s owned since new. Well loved yet in unbelievably clean condition, this bass is magical.
Date: 03/11/19
Our friend Blake Hunter’s 1980 L-1000 that he’s owned since new. Well loved yet in unbelievably clean condition, this bass is magical.
Blake Hunter’s 1980 L-1000-9
Our friend Blake Hunter’s 1980 L-1000 that he’s owned since new. Well loved yet in unbelievably clean condition, this bass is magical.
Date: 03/11/19
Our friend Blake Hunter’s 1980 L-1000 that he’s owned since new. Well loved yet in unbelievably clean condition, this bass is magical.
Idea formation in the mind of Leo Fender
Idea formation in the mind of Leo Fender.
Date: 03/17/19
Idea formation in the mind of Leo Fender.
Sammy Hagar pick-1
In a moment desperate for a pick, I found this at the back of my desk drawer. No idea how it got there, but thanks, Sammy!
Date: 03/17/19
In a moment desperate for a pick, I found this at the back of my desk drawer. No idea how it got there, but thanks, Sammy!
Sammy Hagar pick-2
In a moment desperate for a pick, I found this at the back of my desk drawer. No idea how it got there, but thanks, Sammy!
Date: 03/17/19
In a moment desperate for a pick, I found this at the back of my desk drawer. No idea how it got there, but thanks, Sammy!
doubling the number of can lights in Leo’s Lounge-1
Today a crew is doubling the number of can lights in Leo’s Lounge. We achieved this beautiful light just like I wanted, but I just need more of that golden photon mojo.
Date: 03/17/19
Today a crew is doubling the number of can lights in Leo’s Lounge. We achieved this beautiful light just like I wanted, but I just need more of that golden photon mojo.
doubling the number of can lights in Leo’s Lounge-2
Today a crew is doubling the number of can lights in Leo’s Lounge. We achieved this beautiful light just like I wanted, but I just need more of that golden photon mojo.
Date: 03/17/19
Today a crew is doubling the number of can lights in Leo’s Lounge. We achieved this beautiful light just like I wanted, but I just need more of that golden photon mojo.
doubling the number of can lights in Leo’s Lounge-3
Today a crew is doubling the number of can lights in Leo’s Lounge. We achieved this beautiful light just like I wanted, but I just need more of that golden photon mojo.
Date: 03/17/19
Today a crew is doubling the number of can lights in Leo’s Lounge. We achieved this beautiful light just like I wanted, but I just need more of that golden photon mojo.
Another look at Leo’s 1967 Stimpson 489 eyelet press-1
Another look at Leo’s 1967 Stimpson 489 eyelet press. I love manufacturer tags on old tools and machines.
Date: 03/17/19
Another look at Leo’s 1967 Stimpson 489 eyelet press. I love manufacturer tags on old tools and machines.
Another look at Leo’s 1967 Stimpson 489 eyelet press-2
Another look at Leo’s 1967 Stimpson 489 eyelet press. I love manufacturer tags on old tools and machines.
Date: 03/17/19
Another look at Leo’s 1967 Stimpson 489 eyelet press. I love manufacturer tags on old tools and machines.
basses in final assembly
Apparently Monday morning will be all about basses in final assembly. Mmmm.....I want me some of that!!!
Date: 03/17/19
Apparently Monday morning will be all about basses in final assembly. Mmmm.....I want me some of that!!!
1986 plaque from NAMM to my dad
I was up in a loft and found this 1986 plaque from NAMM to my dad. At first I put it back down, then I turned back and brought it downstairs. I cleaned it up and will hang it in the lounge. Dad won’t see this, can’t figure out Facebook. But I do hope he s
Date: 03/18/19
I was up in a loft and found this 1986 plaque from NAMM to my dad. At first I put it back down, then I turned back and brought it downstairs. I cleaned it up and will hang it in the lounge. Dad won’t see this, can’t figure out Facebook. But I do hope he sees it some time here on the wall.
Random shot of the bridge in Johnny’s old Mustang
Random shot of the bridge in Johnny’s old Mustang
Date: 03/19/19
Random shot of the bridge in Johnny’s old Mustang
Taking this ‘91 ASAT Signature out for a ride.-1
Taking this ‘91 ASAT Signature out for a ride.
Date: 03/20/19
Taking this ‘91 ASAT Signature out for a ride.
Taking this ‘91 ASAT Signature out for a ride-2
Taking this ‘91 ASAT Signature out for a ride.
Date: 03/20/19
Taking this ‘91 ASAT Signature out for a ride.
Johnny McLaren on a drum kit
My brother Johnny McLaren on a drum kit for the first time in like 30 years. I remember he had pretty good chops when we were kids in the big music room in the family home. Our parents were cool about all the noise.
Date: 03/20/19
My brother Johnny McLaren on a drum kit for the first time in like 30 years. I remember he had pretty good chops when we were kids in the big music room in the family home. Our parents were cool about all the noise.
Johnny sent me this pic of me with our dad John C. McLaren visiting Leo’s Lounge
Johnny sent me this pic of me with our dad John C. McLaren visiting Leo’s Lounge. No idea what I was talking about but dad appears to be putting up with me. ; )
Image may contain: 1 person, sitting, playing a musical instrument, guitar and indoor Date: 03/22/19 Johnny sent me this pic of me with our dad John C. McLaren visiting Leo’s Lounge. No idea what I was talking about but dad appears to be putting up with me. ; )
Image may contain: 1 person, sitting, playing a musical instrument, guitar and indoor
Image may contain: 1 person, sitting, playing a musical instrument, guitar and indoor Date: 03/22/19 Johnny sent me this pic of me with our dad John C. McLaren visiting Leo’s Lounge. No idea what I was talking about but dad appears to be putting up with me. ; )
Image may contain: 1 person, sitting, playing a musical instrument, guitar and indoor
Johnny brought in one of first Rhodes Mark V pianos made-1
Johnny brought in one of first Rhodes Mark V pianos made in the big CBS building in February 1984. Check out Harold Rhodes 1985 signature with “expressly for John.” That’s my father. My brother Johnny was very close with Harold until his passing.
Date: 03/22/19
Johnny brought in one of first Rhodes Mark V pianos made in the big CBS building in February 1984. Check out Harold Rhodes 1985 signature with “expressly for John.” That’s my father. My brother Johnny was very close with Harold until his passing.
Johnny brought in one of first Rhodes Mark V pianos made-2
Johnny brought in one of first Rhodes Mark V pianos made in the big CBS building in February 1984. Check out Harold Rhodes 1985 signature with “expressly for John.” That’s my father. My brother Johnny was very close with Harold until his passing.
Date: 03/22/19
Johnny brought in one of first Rhodes Mark V pianos made in the big CBS building in February 1984. Check out Harold Rhodes 1985 signature with “expressly for John.” That’s my father. My brother Johnny was very close with Harold until his passing.
Johnny brought in one of first Rhodes Mark V pianos made-3
Johnny brought in one of first Rhodes Mark V pianos made in the big CBS building in February 1984. Check out Harold Rhodes 1985 signature with “expressly for John.” That’s my father. My brother Johnny was very close with Harold until his passing.
Date: 03/22/19
Johnny brought in one of first Rhodes Mark V pianos made in the big CBS building in February 1984. Check out Harold Rhodes 1985 signature with “expressly for John.” That’s my father. My brother Johnny was very close with Harold until his passing.
Mark V with the harp cover installed-1
The Mark V with the harp cover installed. Harold was so proud of the Mark V he declared it the best Rhodes piano ever. This one is obviously quite special.
Date: 03/22/19
The Mark V with the harp cover installed. Harold was so proud of the Mark V he declared it the best Rhodes piano ever. This one is obviously quite special.
Mark V with the harp cover installed-2
The Mark V with the harp cover installed. Harold was so proud of the Mark V he declared it the best Rhodes piano ever. This one is obviously quite special.
Date: 03/22/19
The Mark V with the harp cover installed. Harold was so proud of the Mark V he declared it the best Rhodes piano ever. This one is obviously quite special.
Mark V with the harp cover installed-3
The Mark V with the harp cover installed. Harold was so proud of the Mark V he declared it the best Rhodes piano ever. This one is obviously quite special.
Date: 03/22/19
The Mark V with the harp cover installed. Harold was so proud of the Mark V he declared it the best Rhodes piano ever. This one is obviously quite special.
Johnny dialing in the Mark V. He is a wizard with these things
Johnny dialing in the Mark V. He is a wizard with these things.
Date: 03/22/19
Johnny dialing in the Mark V. He is a wizard with these things.
old Stingray bass headstock template-1
Relic from the early years in the 2548 building. I went looking for a Rhodes part where Johnny keeps some old stuff, and I stumbled on this old Stingray bass headstock template. The history is anywhere and everywhere in CLF land.
Date: 03/22/19
Relic from the early years in the 2548 building. I went looking for a Rhodes part where Johnny keeps some old stuff, and I stumbled on this old Stingray bass headstock template. The history is anywhere and everywhere in CLF land. EDIT: I forgot to explain that this was used in the final assembly department to locate the tuner mounting screw holes to be drilled. Note the two wooden dowels, which fit into the tuner post holes to locate the jig.
old Stingray bass headstock template-2
Relic from the early years in the 2548 building. I went looking for a Rhodes part where Johnny keeps some old stuff, and I stumbled on this old Stingray bass headstock template. The history is anywhere and everywhere in CLF land.
Date: 03/22/19
Relic from the early years in the 2548 building. I went looking for a Rhodes part where Johnny keeps some old stuff, and I stumbled on this old Stingray bass headstock template. The history is anywhere and everywhere in CLF land. EDIT: I forgot to explain that this was used in the final assembly department to locate the tuner mounting screw holes to be drilled. Note the two wooden dowels, which fit into the tuner post holes to locate the jig.
George Fullerton’s 1982 slim CLF headstock shape-1
George Fullerton’s 1982 slim CLF headstock shape. This R&D artifact was made by pasting the headstock drawing to aluminum sheet (aluminium for my non-‘Merican English speaking friends) then grinding and filing to the exact shape.
Date: 03/23/19
George Fullerton’s 1982 slim CLF headstock shape. This R&D artifact was made by pasting the headstock drawing to aluminum sheet (aluminium for my non-‘Merican English speaking friends) then grinding and filing to the exact shape.
George Fullerton’s 1982 slim CLF headstock shape-2
George Fullerton’s 1982 slim CLF headstock shape. This R&D artifact was made by pasting the headstock drawing to aluminum sheet (aluminium for my non-‘Merican English speaking friends) then grinding and filing to the exact shape.
Date: 03/23/19
George Fullerton’s 1982 slim CLF headstock shape. This R&D artifact was made by pasting the headstock drawing to aluminum sheet (aluminium for my non-‘Merican English speaking friends) then grinding and filing to the exact shape.
George Fullerton’s 1982 slim CLF headstock shape-3
George Fullerton’s 1982 slim CLF headstock shape. This R&D artifact was made by pasting the headstock drawing to aluminum sheet (aluminium for my non-‘Merican English speaking friends) then grinding and filing to the exact shape.
Date: 03/23/19
George Fullerton’s 1982 slim CLF headstock shape. This R&D artifact was made by pasting the headstock drawing to aluminum sheet (aluminium for my non-‘Merican English speaking friends) then grinding and filing to the exact shape.
I’m in love with this thing. Johnny made it perfect-1
I’m in love with this thing. Johnny made it perfect.
Date: 03/25/19
I’m in love with this thing. Johnny made it perfect.
I’m in love with this thing. Johnny made it perfect-2
I’m in love with this thing. Johnny made it perfect.
Date: 03/25/19
I’m in love with this thing. Johnny made it perfect.
I’m in love with this thing. Johnny made it perfect-3
I’m in love with this thing. Johnny made it perfect.
Date: 03/25/19
I’m in love with this thing. Johnny made it perfect.
I’m in love with this thing. Johnny made it perfect-1
I’m in love with this thing. Johnny made it perfect.
Date: 03/25/19
I’m in love with this thing. Johnny made it perfect.
I’m in love with this thing. Johnny made it perfect-2
I’m in love with this thing. Johnny made it perfect.
Date: 03/25/19
I’m in love with this thing. Johnny made it perfect.
I’m in love with this thing. Johnny made it perfect-3
I’m in love with this thing. Johnny made it perfect.
Date: 03/25/19
I’m in love with this thing. Johnny made it perfect.
Fullerton Deluxe Skyhawk HH
You probably knew this had to happen. And it’s frickin’ rad. Push/pull coil split tone pot because the required toggle was too big for the spot on the CLF Skyhawk plate (Cavalier, really). It’s called Fullerton Deluxe Skyhawk HH.
Date: 03/26/19
You probably knew this had to happen. And it’s frickin’ rad. Push/pull coil split tone pot because the required toggle was too big for the spot on the CLF Skyhawk plate (Cavalier, really). It’s called Fullerton Deluxe Skyhawk HH.
blonde ASAT
Bill at Imperial Guitar & Soundworks giving me severe GAS pains with this blonde ASAT. It sucks when a cool G&L dealer gets in some old one that I want. I’m supposed to be selling new instruments, not shopping for them. But....want!!!
Date: 03/27/19
Bill at Imperial Guitar & Soundworks giving me severe GAS pains with this blonde ASAT. It sucks when a cool G&L dealer gets in some old one that I want. I’m supposed to be selling new instruments, not shopping for them. But....want!!!
1970s CLF-era Stingray Guitar-1
Let’s take a moment to appreciate the killer work Carter Drain has put into his 1970s CLF-era Stingray Guitar.
Date: 03/28/19
Let’s take a moment to appreciate the killer work Carter Drain has put into his 1970s CLF-era Stingray Guitar.
1970s CLF-era Stingray Guitar-2
Let’s take a moment to appreciate the killer work Carter Drain has put into his 1970s CLF-era Stingray Guitar.
Date: 03/28/19
Let’s take a moment to appreciate the killer work Carter Drain has put into his 1970s CLF-era Stingray Guitar.
1970s CLF-era Stingray Guitar-3
Let’s take a moment to appreciate the killer work Carter Drain has put into his 1970s CLF-era Stingray Guitar.
Date: 03/28/19
Let’s take a moment to appreciate the killer work Carter Drain has put into his 1970s CLF-era Stingray Guitar.
1970s CLF-era Stingray Guitar-4
Let’s take a moment to appreciate the killer work Carter Drain has put into his 1970s CLF-era Stingray Guitar.
Date: 03/28/19
Let’s take a moment to appreciate the killer work Carter Drain has put into his 1970s CLF-era Stingray Guitar.
in the loft over Leo’s Lounge-1
I’m in the loft over Leo’s Lounge, thinking about how I want to convert this space. I’m feeling like VIP hang at the club. That sorta vibe. There’s a few pipes and wires to work around, but it’s like 300 square feet ( ~28 square metres) of intimate space
Date: 03/29/19
I’m in the loft over Leo’s Lounge, thinking about how I want to convert this space. I’m feeling like VIP hang at the club. That sorta vibe. There’s a few pipes and wires to work around, but it’s like 300 square feet ( ~28 square metres) of intimate space overlooking the main scene.
in the loft over Leo’s Lounge-2
I’m in the loft over Leo’s Lounge, thinking about how I want to convert this space. I’m feeling like VIP hang at the club. That sorta vibe. There’s a few pipes and wires to work around, but it’s like 300 square feet ( ~28 square metres) of intimate space
Date: 03/29/19
I’m in the loft over Leo’s Lounge, thinking about how I want to convert this space. I’m feeling like VIP hang at the club. That sorta vibe. There’s a few pipes and wires to work around, but it’s like 300 square feet ( ~28 square metres) of intimate space overlooking the main scene.
I have some ideas
I have some ideas, so now I’ll consult the Pharaoh for guidance. Or whatever. Playing music, particularly noodling, helps my mind work through things. Do you do this too?
Date: 03/29/19
I have some ideas, so now I’ll consult the Pharaoh for guidance. Or whatever. Playing music, particularly noodling, helps my mind work through things. Do you do this too?
First production Espada bodies undercoated in the paint department
First production Espada bodies undercoated in the paint department. Johnny is almost done with the details in the control plate assembly so we should be able to officially launch and ship in April.
Date: 03/30/19
First production Espada bodies undercoated in the paint department. Johnny is almost done with the details in the control plate assembly so we should be able to officially launch and ship in April.
L-2000
Today’s forecast for Fullerton, California: sunny, warm, with heavy thunder reported on Fender Avenue.
Date: 03/31/19
Today’s forecast for Fullerton, California: sunny, warm, with heavy thunder reported on Fender Avenue.
In Leo’s office file cabinet-1
In Leo’s office file cabinet
Date: 04/02/19
In Leo’s office file cabinet
In Leo’s office file cabinet-2
In Leo’s office file cabinet
Date: 04/02/19
In Leo’s office file cabinet
FD Skyhawk HH & FD Doheny HH
These two look different but sound alike. You know which one I prefer. : )
Date: 04/06/19
These two look different but sound alike. You know which one I prefer. : )
Tribute Kiloton in Leo's Lounge
just spent half an hour playing this Tribute Series Kiloton and it’s killer. Hmmm...I think I’ll keep it here in Leo’s Lounge.
Date: 04/06/19
just spent half an hour playing this Tribute Series Kiloton and it’s killer. Hmmm...I think I’ll keep it here in Leo’s Lounge.
2002 ASAT Deluxe Semi-Hollow
Got the 2002 ASAT Deluxe Semi-Hollow plugged in. Love this guitar.
Date: 04/06/19
Got the 2002 ASAT Deluxe Semi-Hollow plugged in. Love this guitar.
G&L Broadcaster ad from 1985
Sharing from insta my friend Tony’s post of the original G&L Broadcaster ad from 1985. Things were rather tense back then, and exploded immediately after Leo passed in 1991. Wow, there are some stories only me, my brother and dad know. That was a craz
Date: 04/07/19
Sharing from insta my friend Tony’s post of the original G&L Broadcaster ad from 1985. Things were rather tense back then, and exploded immediately after Leo passed in 1991. Wow, there are some stories only me, my brother and dad know. That was a crazy time but as you can see we survived and thrived. ???
Tony said “This ad was so custom made to piss Fender off. Love it.” Yeah, there was something to that ; )
Tony said “This ad was so custom made to piss Fender off. Love it.” Yeah, there was something to that ; )
one of our old wunkay headstocks
March 26, 2018: I sent this pic of one of our old wunkay headstocks to my graphic designer together with my own version I made in Photoshop. I geeked out so hard just on the logo but It had to be perfect.
Date: 04/10/19
March 26, 2018: I sent this pic of one of our old wunkay headstocks to my graphic designer together with my own version I made in Photoshop. I geeked out so hard just on the logo but It had to be perfect.
Just got a bunch of stuff from QSC Systems
It’s PA time for Leo’s LJounge!ust got a bunch of stuff from QSC Systems and Sean and Doug are setting it up. I can’t wait!!!!
Date: 04/10/19
It’s PA time for Leo’s LJounge!ust got a bunch of stuff from QSC Systems and Sean and Doug are setting it up. I can’t wait!!!!
Just got a bunch of stuff from QSC Systems
It’s PA time for Leo’s LJounge!ust got a bunch of stuff from QSC Systems and Sean and Doug are setting it up. I can’t wait!!!!
Date: 04/10/19
It’s PA time for Leo’s LJounge!ust got a bunch of stuff from QSC Systems and Sean and Doug are setting it up. I can’t wait!!!!
THIS Skyhawk HH
There was a computer mixup and THIS Skyhawk HH, my new lounge toy, has been sold. Gasp! Turns out no, it wasn’t this one but another that was just completed. So I asked Lary if the dealer would dig getting this one. It’s been in actual demo vids, my stuff
Date: 04/11/19
There was a computer mixup and THIS Skyhawk HH, my new lounge toy, has been sold. Gasp! Turns out no, it wasn’t this one but another that was just completed. So I asked Lary if the dealer would dig getting this one. It’s been in actual demo vids, my stuff here in Leo’s Lounge and....I love it. It’s going to REvolve Guitar & Music Shop. Damn, I miss it already!
2018 G&L Tribute Series ASAT Special in Blueburst on swamp ash
NGD for Dave: 2018 G&L Tribute Series ASAT Special in Blueburst on swamp ash. Killer ASAT, never mind the price. True story: an overseas distributor said the truss rod was stuck so I had it shipped back here because I smelled BS. The guitar is fine, b
Date: 04/13/19
NGD for Dave: 2018 G&L Tribute Series ASAT Special in Blueburst on swamp ash. Killer ASAT, never mind the price. True story: an overseas distributor said the truss rod was stuck so I had it shipped back here because I smelled BS. The guitar is fine, but the Tech was apparently not a real tech. Anyway, I’m keeping this guitar now. LOL at the weird sh*t we deal with.
first proto Skyhawk HH
April 13, 2018: exactly one year ago I tested the first proto Skyhawk HH made with pickguard and control plate lasered from pickup fiber.
Date: 04/13/19
April 13, 2018: exactly one year ago I tested the first proto Skyhawk HH made with pickguard and control plate lasered from pickup fiber.
V12
I just hope that asatmann uses his new superpower carefully. I mean, it’s so easy to accidentally crush everything with a V12 doped up on wicked pedal juice. Be careful out there ???????????? Red Witch pedal on there
Date: 04/14/19
I just hope that asatmann uses his new superpower carefully. I mean, it’s so easy to accidentally crush everything with a V12 doped up on wicked pedal juice. Be careful out there ???????????? Red Witch pedal on there
???
???
Doug working on a G&L Tribute Series Legacy before it ships
Our prez Dave McLaren (CLF Research) took this pic of our man Doug working on a G&L Tribute Series Legacy before it ships to a dealer somewhere in the USA. Dave checked out the guitar a little, then quietly said “That’s a f***ing great Legacy. Someone
Date: 04/14/19
Our prez Dave McLaren (CLF Research) took this pic of our man Doug working on a G&L Tribute Series Legacy before it ships to a dealer somewhere in the USA. Dave checked out the guitar a little, then quietly said “That’s a f***ing great Legacy. Someone is gonna be really happy, and that’s why we do this.” Truth.
Two were made here and one down the street
1981, 1978, 1973. Two were made here and one down the street, when there used to be a factory there.
Date: 04/15/19
1981, 1978, 1973. Two were made here and one down the street, when there used to be a factory there.
L-2000 completed on April 17, 1997-1
Shane Brouse stopped by with his beautiful L-2000 completed on April 17, 1997. This is more than an instrument. This is memories. I talked him into trying the black tips and black bridge plate last time he was here.
Date: 04/17/19
Shane Brouse stopped by with his beautiful L-2000 completed on April 17, 1997. This is more than an instrument. This is memories. I talked him into trying the black tips and black bridge plate last time he was here.
L-2000 completed on April 17, 1997-2
Shane Brouse stopped by with his beautiful L-2000 completed on April 17, 1997. This is more than an instrument. This is memories. I talked him into trying the black tips and black bridge plate last time he was here.
Date: 04/17/19
Shane Brouse stopped by with his beautiful L-2000 completed on April 17, 1997. This is more than an instrument. This is memories. I talked him into trying the black tips and black bridge plate last time he was here.
L-2000 completed on April 17, 1997-4
Shane Brouse stopped by with his beautiful L-2000 completed on April 17, 1997. This is more than an instrument. This is memories. I talked him into trying the black tips and black bridge plate last time he was here.
Date: 04/17/19
Shane Brouse stopped by with his beautiful L-2000 completed on April 17, 1997. This is more than an instrument. This is memories. I talked him into trying the black tips and black bridge plate last time he was here.
L-2000 completed on April 17, 1997-5
Shane Brouse stopped by with his beautiful L-2000 completed on April 17, 1997. This is more than an instrument. This is memories. I talked him into trying the black tips and black bridge plate last time he was here.
Date: 04/17/19
Shane Brouse stopped by with his beautiful L-2000 completed on April 17, 1997. This is more than an instrument. This is memories. I talked him into trying the black tips and black bridge plate last time he was here.
L-2000 completed on April 17, 1997-6
Shane Brouse stopped by with his beautiful L-2000 completed on April 17, 1997. This is more than an instrument. This is memories. I talked him into trying the black tips and black bridge plate last time he was here.
Date: 04/17/19
Shane Brouse stopped by with his beautiful L-2000 completed on April 17, 1997. This is more than an instrument. This is memories. I talked him into trying the black tips and black bridge plate last time he was here.
past-due accounts statement-1
January 1956: Fender Sales Representative Dale Hyatt reviewed and made notes on the the past-due accounts statement for his territory.
Date: 04/18/19
January 1956: Fender Sales Representative Dale Hyatt reviewed and made notes on the the past-due accounts statement for his territory.
past-due accounts statement-2
January 1956: Fender Sales Representative Dale Hyatt reviewed and made notes on the the past-due accounts statement for his territory.
Date: 04/18/19
January 1956: Fender Sales Representative Dale Hyatt reviewed and made notes on the the past-due accounts statement for his territory.
John C. McLaren having fun on the Rhodes
Our dad John C. McLaren having fun on the Rhodes yesterday. Johnny and I wouldn’t have had this opportunity without dad’s wisdom and strength, and it’s quite possible that G&L would have been killed off before we could even take ownership of G&L,
Date: 04/19/19
Our dad John C. McLaren having fun on the Rhodes yesterday. Johnny and I wouldn’t have had this opportunity without dad’s wisdom and strength, and it’s quite possible that G&L would have been killed off before we could even take ownership of G&L, but dad is one hell of a smart fighter and fixed that! Love you dad.
Espada R&D mules
The Espada R&D mule is a real guitar and gigging this weekend. The others are the pre-production Espada protos from the NAMM show.
Date: 04/19/19
The Espada R&D mule is a real guitar and gigging this weekend. The others are the pre-production Espada protos from the NAMM show.
Johnny has given the green light for production. It is time
Johnny has given the green light for production. It is time.
Date: 04/22/19 Johnny has given the green light for production. It is time.
Date: 04/22/19 Johnny has given the green light for production. It is time.
Espada action in the mill 50 years later-1
Espada action in the mill 50 years later than Leo imagined in 1969. This one is worth the wait.
Date: 04/23/19
Espada action in the mill 50 years later than Leo imagined in 1969. This one is worth the wait.
Espada action in the mill 50 years later-2
Espada action in the mill 50 years later than Leo imagined in 1969. This one is worth the wait.
Date: 04/23/19
Espada action in the mill 50 years later than Leo imagined in 1969. This one is worth the wait.
Dan Donnelly exploring the fresh tones available in the Espada
Our friend Dan Donnelly exploring the fresh tones available in the Espada. He played the Espada mule a while back, too.
Date: 04/25/19
Our friend Dan Donnelly exploring the fresh tones available in the Espada. He played the Espada mule a while back, too.
prototype ‘52 reissue that was supposed to go to Chrissie Hynde of The Pretenders
Somehow I got on to the story about my first Tele, the prototype ‘52 reissue that was supposed to go to Chrissie Hynde of The Pretenders. Long story. Anyway, I busted it out and Dan Donnelly threw down some killer Pretenders licks. Damn near 40 years late
Date: 04/25/19
Somehow I got on to the story about my first Tele, the prototype ‘52 reissue that was supposed to go to Chrissie Hynde of The Pretenders. Long story. Anyway, I busted it out and Dan Donnelly threw down some killer Pretenders licks. Damn near 40 years late for that, but that’s what the guitar was supposed to do.
CLF-75B2 prototype out for a ride
Taking the CLF-75B2 prototype out for a ride. The B2 prototype has hand painted logo art probably done by George Fullerton in 1975 here at CLFR.
Date: 04/25/19
Taking the CLF-75B2 prototype out for a ride. The B2 prototype has hand painted logo art probably done by George Fullerton in 1975 here at CLFR.
close up view of the hand painted logo art on the CLF-75B2
Someone on insta asked for a close up view of the hand painted logo art on the CLF-75B2.
Date: 04/25/19
Someone on insta asked for a close up view of the hand painted logo art on the CLF-75B2.
pics of Carmen loading up Espada control plates-1
Johnny texted me these pics of Carmen loading up Espada control plates. She has worked here since 1985.
Date: 04/28/19
Johnny texted me these pics of Carmen loading up Espada control plates. She has worked here since 1985.
pics of Carmen loading up Espada control plates-2
Johnny texted me these pics of Carmen loading up Espada control plates. She has worked here since 1985.
Date: 04/28/19
Johnny texted me these pics of Carmen loading up Espada control plates. She has worked here since 1985.
pics of Carmen loading up Espada control plates-3
Johnny texted me these pics of Carmen loading up Espada control plates. She has worked here since 1985.
Date: 04/28/19
Johnny texted me these pics of Carmen loading up Espada control plates. She has worked here since 1985.
Mic stands received. Now let’s gets some mics in here dammit
Mic stands received. Now let’s gets some mics in here dammit.
Date: 04/29/19
Mic stands received. Now let’s gets some mics in here dammit.
OMG...they’re beautiful and haven’t even had fine sanding
OMG...they’re beautiful and haven’t even had fine sanding. I want all of them!!!! None for you!!! I shall horde them in a dark loft, each gently whispered to as “my precious”
Date: 04/29/19
OMG...they’re beautiful and haven’t even had fine sanding. I want all of them!!!! None for you!!! I shall horde them in a dark loft, each gently whispered to as “my precious”
Ready for 5am polishing crew
Ready for 5am polishing crew.
Date: 04/30/19
Ready for 5am polishing crew.
And more to be polished tomorrow. Busy is good
And more to be polished tomorrow. Busy is good.
Date: 04/30/19
And more to be polished tomorrow. Busy is good.
Evening browsing on Reverb and this old L-2000 landed in my shopping cart-1
Evening browsing on Reverb and this old L-2000 landed in my shopping cart. See you soon!
Date: 04/30/19
Evening browsing on Reverb and this old L-2000 landed in my shopping cart. See you soon!
Evening browsing on Reverb and this old L-2000 landed in my shopping cart-2
Evening browsing on Reverb and this old L-2000 landed in my shopping cart. See you soon!
Date: 04/30/19
Evening browsing on Reverb and this old L-2000 landed in my shopping cart. See you soon!
-3
Evening browsing on Reverb and this old L-2000 landed in my shopping cart. See you soon!
Date: 04/30/19
Evening browsing on Reverb and this old L-2000 landed in my shopping cart. See you soon!
Evening browsing on Reverb and this old L-2000 landed in my shopping cart-4
Evening browsing on Reverb and this old L-2000 landed in my shopping cart. See you soon!
Date: 04/30/19
Evening browsing on Reverb and this old L-2000 landed in my shopping cart. See you soon!
Doug actually using a manual
Doug actually using a manual
Date: 05/03/19
Doug actually using a manual
Stumbled on to a bag of old CLFR guitar string ferrules
Stumbled on to a bag of old CLFR guitar string ferrules, I think we used the same ones on F-100, Sabre and Sting Ray. I guess the bag is like 40 years old. History quietly rests everywhere in this building.
Date: 05/03/19
Stumbled on to a bag of old CLFR guitar string ferrules, I think we used the same ones on F-100, Sabre and Sting Ray. I guess the bag is like 40 years old. History quietly rests everywhere in this building.
A few more Espada bodies in the paint shop last night
A few more Espada bodies in the paint shop last night.
Date: 05/03/19
A few more Espada bodies in the paint shop last night.
Espada preamp standoff locating jig
My bro Johnny is the man. His Espada preamp standoff locating jig is working perfectly. The little white delrin pieces are milled just for Espada
Date: 05/04/19
My bro Johnny is the man. His Espada preamp standoff locating jig is working perfectly. The little white delrin pieces are milled just for Espada
Kanno-san with a rare 6-switch Leo Fender Signature Series Comanche
Kanno-san with a rare 6-switch Leo Fender Signature Series Comanche. 3 pickup on/off switches. Each of the other 3 switches is for coil control. You could have just the treble side (EBG) of the neck pickup on, but not the bass side (DAE). Same with all 3
Date: 05/05/19
Kanno-san with a rare 6-switch Leo Fender Signature Series Comanche. 3 pickup on/off switches. Each of the other 3 switches is for coil control. You could have just the treble side (EBG) of the neck pickup on, but not the bass side (DAE). Same with all 3 pickups. Crazy cool the studio, not good after some beers.
slim early CLF headstock
Creepy Fingers Effects with evidence George Fullerton finally got trademark hook on G&L basses by starting with the slim early CLF headstock. In other words, the hook was not added to the larger original L-2000 headstock...Sb-2 vs Sb-1
Date: 05/06/19
Creepy Fingers Effects with evidence George Fullerton finally got trademark hook on G&L basses by starting with the slim early CLF headstock. In other words, the hook was not added to the larger original L-2000 headstock...Sb-2 vs Sb-1
Johnny’s old Ampex
Johnny’s old Ampex came out of his garage. No idea about anything so don’t ask. However, I would like to see this all cleaned up and at least like it works in Leo’s Lounge. It’s just the vibes are soooo good. Just the smell of it is time travel.
Date: 05/06/19
Johnny’s old Ampex came out of his garage. No idea about anything so don’t ask. However, I would like to see this all cleaned up and at least like it works in Leo’s Lounge. It’s just the vibes are soooo good. Just the smell of it is time travel.
My latest acquisition has arrived
My latest acquisition has arrived. Of course pics are coming : )
Date: 05/07/19
My latest acquisition has arrived. Of course pics are coming : )
Processing new acquisition
Processing new acquisition...
Date: 05/08/19
Processing new acquisition...
Robert Poss and his modded old SC-1 guitars inspired me to develop the Fallout. Thanks, Robert
Robert Poss and his modded old SC-1 guitars inspired me to develop the Fallout. Thanks, Robert.
Date: 05/09/19
Robert Poss and his modded old SC-1 guitars inspired me to develop the Fallout. Thanks, Robert.
1973 Fender sales team with R&D guys
1973 Fender sales team with R&D guys. CBS Musical Instruments Division President Bob Campbell at top right (our dad John C. McLaren took that job when Bob retired.). Harold Rhodes is in the second row wearing a grey suit. This photo was taken outside
Date: 05/10/19
1973 Fender sales team with R&D guys. CBS Musical Instruments Division President Bob Campbell at top right (our dad John C. McLaren took that job when Bob retired.). Harold Rhodes is in the second row wearing a grey suit. This photo was taken outside the CBS Fender building in Fullerton. The glass window behind eventually became Bill Mendello’s office in the 1980’s. This place is long gone now.
GF0573 body signature
George Fullerton Signature model. A few quick teaser pics of GF0573 completed here on January 23, 1996. Back then Johnny and I were busy making and selling these, and now we just brought one of them home.
Date: 05/11/19
George Fullerton Signature model. A few quick teaser pics of GF0573 completed here on January 23, 1996. Back then Johnny and I were busy making and selling these, and now we just brought one of them home.
GF0573 3-bolt plate
George Fullerton Signature model. A few quick teaser pics of GF0573 completed here on January 23, 1996. Back then Johnny and I were busy making and selling these, and now we just brought one of them home.
Date: 05/11/19
George Fullerton Signature model. A few quick teaser pics of GF0573 completed here on January 23, 1996. Back then Johnny and I were busy making and selling these, and now we just brought one of them home.
GF0573 headstock
George Fullerton Signature model. A few quick teaser pics of GF0573 completed here on January 23, 1996. Back then Johnny and I were busy making and selling these, and now we just brought one of them home.
Date: 05/11/19
George Fullerton Signature model. A few quick teaser pics of GF0573 completed here on January 23, 1996. Back then Johnny and I were busy making and selling these, and now we just brought one of them home.
Leo with our old friend Jim Greenhill
Leo with our old friend Jim Greenhill, the very first sales rep to take on the new G&L line in 1980. This photo was emailed to Johnny by Roxie Hyatt, wife of Harold Hyatt. Harold was Dale’s brother and left Fender to join Dale at G&L Music Sales i
Date: 05/19/19
Leo with our old friend Jim Greenhill, the very first sales rep to take on the new G&L line in 1980. This photo was emailed to Johnny by Roxie Hyatt, wife of Harold Hyatt. Harold was Dale’s brother and left Fender to join Dale at G&L Music Sales in 1984.
My sanctuary I guess
I’m gonna sit in Leo’s office chair and chill out. It’s peaceful and inspirational in here. My sanctuary I guess.
Date: 05/19/19
I’m gonna sit in Leo’s office chair and chill out. It’s peaceful and inspirational in here. My sanctuary I guess.
Skyhawk in Clear Red
My day just got a lot better with the arrival of this old Skyhawk in Clear Red.
Date: 05/19/19
My day just got a lot better with the arrival of this old Skyhawk in Clear Red.
Johnny’s old Ampex-1
I finally pulled the shrink wrap from Johnny’s old Ampex. Looks like it will clean up nicely.
Date: 05/19/19
I finally pulled the shrink wrap from Johnny’s old Ampex. Looks like it will clean up nicely.
Johnny’s old Ampex-2
I finally pulled the shrink wrap from Johnny’s old Ampex. Looks like it will clean up nicely.
Date: 05/19/19
I finally pulled the shrink wrap from Johnny’s old Ampex. Looks like it will clean up nicely.
Johnny’s old Ampex-3
I finally pulled the shrink wrap from Johnny’s old Ampex. Looks like it will clean up nicely.
Date: 05/19/19
I finally pulled the shrink wrap from Johnny’s old Ampex. Looks like it will clean up nicely.
Johnny getting the Ampex sorted
Johnny getting the Ampex sorted
Date: 05/19/19
Johnny getting the Ampex sorted
Johnny getting the Ampex sorted
Johnny getting the Ampex sorted
Date: 05/19/19
Johnny getting the Ampex sorted
G&L Custom Shop Dave Brown in the belly of the Ampex
G&L Custom Shop Dave Brown in the belly of the Ampex
Date: 05/19/19
G&L Custom Shop Dave Brown in the belly of the Ampex
Spencer Brown pulled the whole Ampex transport
Spencer Brown pulled the whole Ampex transport as it seems to be a pain in the ass to do everything from underneath. On the other hand, the build quality is awesome. Hang on.... I literally just heard Johnny say to Spencer, “you know, now would be a good
Date: 05/19/19
Spencer Brown pulled the whole Ampex transport as it seems to be a pain in the ass to do everything from underneath. On the other hand, the build quality is awesome. Hang on.... I literally just heard Johnny say to Spencer, “you know, now would be a good time to have Malcolm repaint the cabinet.” Here we go again...
Putting the CLF-67:68 prototype back together-1
Putting the CLF-67/68 prototype back together after Espada development. Just needed to get around to doing this.
Date: 05/19/19
Putting the CLF-67/68 prototype back together after Espada development. Just needed to get around to doing this.
Putting the CLF-67:68 prototype back together-2
Putting the CLF-67/68 prototype back together after Espada development. Just needed to get around to doing this.
Date: 05/19/19
Putting the CLF-67/68 prototype back together after Espada development. Just needed to get around to doing this.
Random after hours pic in the wood shop
Random after hours pic in the wood shop.
Date: 05/19/19
Random after hours pic in the wood shop.
Completed here on February 23, 1996, GF0573-1
Completed here on February 23, 1996, GF0573 is a beautiful George Fullerton Signature model in Clear Blue over swamp ash with pearl pickguard. Please join us in welcoming this Fullerton back to Fender Avenue in Fullerton. Wait, is this some kind of vortex
Date: 05/19/19
Completed here on February 23, 1996, GF0573 is a beautiful George Fullerton Signature model in Clear Blue over swamp ash with pearl pickguard. Please join us in welcoming this Fullerton back to Fender Avenue in Fullerton. Wait, is this some kind of vortex?
Completed here on February 23, 1996, GF0573-2
Completed here on February 23, 1996, GF0573 is a beautiful George Fullerton Signature model in Clear Blue over swamp ash with pearl pickguard. Please join us in welcoming this Fullerton back to Fender Avenue in Fullerton. Wait, is this some kind of vortex
Date: 05/19/19
Completed here on February 23, 1996, GF0573 is a beautiful George Fullerton Signature model in Clear Blue over swamp ash with pearl pickguard. Please join us in welcoming this Fullerton back to Fender Avenue in Fullerton. Wait, is this some kind of vortex?
Completed here on February 23, 1996, GF0573-3
Completed here on February 23, 1996, GF0573 is a beautiful George Fullerton Signature model in Clear Blue over swamp ash with pearl pickguard. Please join us in welcoming this Fullerton back to Fender Avenue in Fullerton. Wait, is this some kind of vortex
Date: 05/19/19
Completed here on February 23, 1996, GF0573 is a beautiful George Fullerton Signature model in Clear Blue over swamp ash with pearl pickguard. Please join us in welcoming this Fullerton back to Fender Avenue in Fullerton. Wait, is this some kind of vortex?
Completed here on February 23, 1996, GF0573-4
Completed here on February 23, 1996, GF0573 is a beautiful George Fullerton Signature model in Clear Blue over swamp ash with pearl pickguard. Please join us in welcoming this Fullerton back to Fender Avenue in Fullerton. Wait, is this some kind of vortex
Date: 05/19/19
Completed here on February 23, 1996, GF0573 is a beautiful George Fullerton Signature model in Clear Blue over swamp ash with pearl pickguard. Please join us in welcoming this Fullerton back to Fender Avenue in Fullerton. Wait, is this some kind of vortex?
Completed here on February 23, 1996, GF0573-5
Completed here on February 23, 1996, GF0573 is a beautiful George Fullerton Signature model in Clear Blue over swamp ash with pearl pickguard. Please join us in welcoming this Fullerton back to Fender Avenue in Fullerton. Wait, is this some kind of vortex
Date: 05/19/19
Completed here on February 23, 1996, GF0573 is a beautiful George Fullerton Signature model in Clear Blue over swamp ash with pearl pickguard. Please join us in welcoming this Fullerton back to Fender Avenue in Fullerton. Wait, is this some kind of vortex?
Completed here on February 23, 1996, GF0573-6
Completed here on February 23, 1996, GF0573 is a beautiful George Fullerton Signature model in Clear Blue over swamp ash with pearl pickguard. Please join us in welcoming this Fullerton back to Fender Avenue in Fullerton. Wait, is this some kind of vortex
Date: 05/19/19
Completed here on February 23, 1996, GF0573 is a beautiful George Fullerton Signature model in Clear Blue over swamp ash with pearl pickguard. Please join us in welcoming this Fullerton back to Fender Avenue in Fullerton. Wait, is this some kind of vortex?
Completed here on February 23, 1996, GF0573-7
Completed here on February 23, 1996, GF0573 is a beautiful George Fullerton Signature model in Clear Blue over swamp ash with pearl pickguard. Please join us in welcoming this Fullerton back to Fender Avenue in Fullerton. Wait, is this some kind of vortex
Date: 05/19/19
Completed here on February 23, 1996, GF0573 is a beautiful George Fullerton Signature model in Clear Blue over swamp ash with pearl pickguard. Please join us in welcoming this Fullerton back to Fender Avenue in Fullerton. Wait, is this some kind of vortex?
Completed here on February 23, 1996, GF0573-8
Completed here on February 23, 1996, GF0573 is a beautiful George Fullerton Signature model in Clear Blue over swamp ash with pearl pickguard. Please join us in welcoming this Fullerton back to Fender Avenue in Fullerton. Wait, is this some kind of vortex
Date: 05/19/19
Completed here on February 23, 1996, GF0573 is a beautiful George Fullerton Signature model in Clear Blue over swamp ash with pearl pickguard. Please join us in welcoming this Fullerton back to Fender Avenue in Fullerton. Wait, is this some kind of vortex?
G022752-1
So I guess you noticed we scored this old Superhawk. G022752 was completed here on July 11, 1988, and after a spa day this hawk will be ready to rawk. Welcome back to Fender Avenue, buddy. Bet you’ve got some stories.
Date: 05/19/19
So I guess you noticed we scored this old Superhawk. G022752 was completed here on July 11, 1988, and after a spa day this hawk will be ready to rawk. Welcome back to Fender Avenue, buddy. Bet you’ve got some stories.
G022752-2
So I guess you noticed we scored this old Superhawk. G022752 was completed here on July 11, 1988, and after a spa day this hawk will be ready to rawk. Welcome back to Fender Avenue, buddy. Bet you’ve got some stories.
Date: 05/19/19
So I guess you noticed we scored this old Superhawk. G022752 was completed here on July 11, 1988, and after a spa day this hawk will be ready to rawk. Welcome back to Fender Avenue, buddy. Bet you’ve got some stories.
G022752-3
So I guess you noticed we scored this old Superhawk. G022752 was completed here on July 11, 1988, and after a spa day this hawk will be ready to rawk. Welcome back to Fender Avenue, buddy. Bet you’ve got some stories.
Date: 05/19/19
So I guess you noticed we scored this old Superhawk. G022752 was completed here on July 11, 1988, and after a spa day this hawk will be ready to rawk. Welcome back to Fender Avenue, buddy. Bet you’ve got some stories.
G022752-4
So I guess you noticed we scored this old Superhawk. G022752 was completed here on July 11, 1988, and after a spa day this hawk will be ready to rawk. Welcome back to Fender Avenue, buddy. Bet you’ve got some stories.
Date: 05/19/19
So I guess you noticed we scored this old Superhawk. G022752 was completed here on July 11, 1988, and after a spa day this hawk will be ready to rawk. Welcome back to Fender Avenue, buddy. Bet you’ve got some stories.
G022752-5
So I guess you noticed we scored this old Superhawk. G022752 was completed here on July 11, 1988, and after a spa day this hawk will be ready to rawk. Welcome back to Fender Avenue, buddy. Bet you’ve got some stories.
Date: 05/19/19
So I guess you noticed we scored this old Superhawk. G022752 was completed here on July 11, 1988, and after a spa day this hawk will be ready to rawk. Welcome back to Fender Avenue, buddy. Bet you’ve got some stories.
G0227526
So I guess you noticed we scored this old Superhawk. G022752 was completed here on July 11, 1988, and after a spa day this hawk will be ready to rawk. Welcome back to Fender Avenue, buddy. Bet you’ve got some stories.
Date: 05/19/19
So I guess you noticed we scored this old Superhawk. G022752 was completed here on July 11, 1988, and after a spa day this hawk will be ready to rawk. Welcome back to Fender Avenue, buddy. Bet you’ve got some stories.
G022752-7
So I guess you noticed we scored this old Superhawk. G022752 was completed here on July 11, 1988, and after a spa day this hawk will be ready to rawk. Welcome back to Fender Avenue, buddy. Bet you’ve got some stories.
Date: 05/19/19
So I guess you noticed we scored this old Superhawk. G022752 was completed here on July 11, 1988, and after a spa day this hawk will be ready to rawk. Welcome back to Fender Avenue, buddy. Bet you’ve got some stories.
logbook entry for B018514
The top pic shows the logbook entry for B018514 which was completed on March 29, 1989. You can easily see it’s an L-2000 in Red with rosewood (RW) fingerboard. But what about O/S? It means Old Stock, because Dale Hyatt wanted to use one of the old bodies
Date: 05/20/19
The top pic shows the logbook entry for B018514 which was completed on March 29, 1989. You can easily see it’s an L-2000 in Red with rosewood (RW) fingerboard. But what about O/S? It means Old Stock, because Dale Hyatt wanted to use one of the old bodies in stock that was routed for a control plate. There were lots of old bodies around and this one stamped JUL 22, 1984 did the job nicely.
1989 L-2000 has a control plate 4 years after the control plate was phased out
This 1989 L-2000 has a control plate 4 years after the control plate was phased out. Why? I’ll post the answer later today.
Date: 05/20/19
This 1989 L-2000 has a control plate 4 years after the control plate was phased out. Why? I’ll post the answer later today.
1989 L-2000 has a control plate 4 years after the control plate was phased out
This 1989 L-2000 has a control plate 4 years after the control plate was phased out. Why? I’ll post the answer later today.
Date: 05/20/19
This 1989 L-2000 has a control plate 4 years after the control plate was phased out. Why? I’ll post the answer later today.
1989 L-2000-1
Here is the whole oddball 1989 L-2000 factory built with a NOS 1984 body and control plate.
Date: 05/20/19
Here is the whole oddball 1989 L-2000 factory built with a NOS 1984 body and control plate.
1989 L-2000-2
Here is the whole oddball 1989 L-2000 factory built with a NOS 1984 body and control plate.
Date: 05/20/19
Here is the whole oddball 1989 L-2000 factory built with a NOS 1984 body and control plate.
1989 L-2000-3
Here is the whole oddball 1989 L-2000 factory built with a NOS 1984 body and control plate.
Date: 05/20/19
Here is the whole oddball 1989 L-2000 factory built with a NOS 1984 body and control plate.
1989 L-2000-4
Here is the whole oddball 1989 L-2000 factory built with a NOS 1984 body and control plate.
Date: 05/20/19
Here is the whole oddball 1989 L-2000 factory built with a NOS 1984 body and control plate.
1989 L-2000-5
Here is the whole oddball 1989 L-2000 factory built with a NOS 1984 body and control plate.
Date: 05/20/19
Here is the whole oddball 1989 L-2000 factory built with a NOS 1984 body and control plate.
1989 L-2000-6
Here is the whole oddball 1989 L-2000 factory built with a NOS 1984 body and control plate.
Date: 05/20/19
Here is the whole oddball 1989 L-2000 factory built with a NOS 1984 body and control plate.
1989 L-2000-7
Here is the whole oddball 1989 L-2000 factory built with a NOS 1984 body and control plate.
Date: 05/20/19
Here is the whole oddball 1989 L-2000 factory built with a NOS 1984 body and control plate.
1989 L-2000-8
Here is the whole oddball 1989 L-2000 factory built with a NOS 1984 body and control plate.
Date: 05/20/19
Here is the whole oddball 1989 L-2000 factory built with a NOS 1984 body and control plate.
1989 L-2000-9
Here is the whole oddball 1989 L-2000 factory built with a NOS 1984 body and control plate.
Date: 05/20/19
Here is the whole oddball 1989 L-2000 factory built with a NOS 1984 body and control plate.
Leo Fender’s earliest known drawings of his Dual Fulcrum vibrato concept-1
Johnny sent me pics of Leo Fender’s earliest known drawings of his Dual Fulcrum vibrato concept done in the first CLFR building on Elm Street in Fullerton.
Date: 05/21/19
Johnny sent me pics of Leo Fender’s earliest known drawings of his Dual Fulcrum vibrato concept done in the first CLFR building on Elm Street in Fullerton.
Leo Fender’s earliest known drawings of his Dual Fulcrum vibrato concept-2
Johnny sent me pics of Leo Fender’s earliest known drawings of his Dual Fulcrum vibrato concept done in the first CLFR building on Elm Street in Fullerton.
Date: 05/21/19
Johnny sent me pics of Leo Fender’s earliest known drawings of his Dual Fulcrum vibrato concept done in the first CLFR building on Elm Street in Fullerton.
Clear Blue transition L-1000
Reverb strikes again. We have like 6 other old instruments waiting for the their spa days but I couldn’t resist this Clear Blue transition L-1000.
Date: 05/25/19
Reverb strikes again. We have like 6 other old instruments waiting for the their spa days but I couldn’t resist this Clear Blue transition L-1000.
Random polish department pic. Feels like 1980 and I love it
Random polish department pic. Feels like 1980 and I love it
Date: 05/29/19
Random polish department pic. Feels like 1980 and I love it
Johnny and I with Rickmarcelmusic bassist with Kool & the Gang
Johnny and I with Rickmarcelmusic bassist with Kool & the Gang who kindly stopped by Leo’s Lounge and more. I’ve got a pic that blew Rick’s mind I’ll share later. This guy is mega talented and super chill, and the licks he threw down in Leo’s Lounge w
Date: 05/29/19
Johnny and I with Rickmarcelmusic bassist with Kool & the Gang who kindly stopped by Leo’s Lounge and more. I’ve got a pic that blew Rick’s mind I’ll share later. This guy is mega talented and super chill, and the licks he threw down in Leo’s Lounge were so amazingly funky I almost couldn’t handle it. Thought I need plastic surgery to repair the damage from extreme stank face. ; )
Rick holding this photo of Leo and “Thunder Thumbs” Louis Johnson
Rickmarcelmusic of Kool & the Gang just picked up a Blueburst M-2000 so I suggested we take a picture of him with it sitting in Leo’s lab chair. Suddenly I told him to hold this photo of Leo and “Thunder Thumbs” Louis Johnson in the same CLFR lab here
Date: 05/29/19
Rickmarcelmusic of Kool & the Gang just picked up a Blueburst M-2000 so I suggested we take a picture of him with it sitting in Leo’s lab chair. Suddenly I told him to hold this photo of Leo and “Thunder Thumbs” Louis Johnson in the same CLFR lab here, probably in ‘78. This is so damn cool. History is very much alive here. Thanks for hanging out, Rick!
closeup holding the photo of Leo with Louis Johnson
No, I’m not gonna make you work that hard trying to see Rickmarcelmusic holding the photo of Leo with Louis Johnson here in the CLFR lab.
Date: 05/29/19
No, I’m not gonna make you work that hard trying to see Rickmarcelmusic holding the photo of Leo with Louis Johnson here in the CLFR lab.
A few Doheny V12 undercoated bodies in the paint shop
A few Doheny V12 undercoated bodies in the paint shop. The top two are okoume and the bottom one is swamp ash.
Date: 06/16/19
A few Doheny V12 undercoated bodies in the paint shop. The top two are okoume and the bottom one is swamp ash.
Something old has arrived
Ooooh! Something old has arrived but I have to leave now. I’m taking my wife Amanda out to dinner for our 25th anniversary. We’ll have a look tomorrow.
Date: 06/16/19
Ooooh! Something old has arrived but I have to leave now. I’m taking my wife Amanda out to dinner for our 25th anniversary. We’ll have a look tomorrow.
The new arrival is a delight
The new arrival is a delight. Spence and Memo gave it a quick setup and now I’m thumping. Better pics later
Date: 06/16/19
The new arrival is a delight. Spence and Memo gave it a quick setup and now I’m thumping. Better pics later
The old Ampex is getting closer to full operation
The old Ampex is getting closer to full operation. We’ve got it plugged into the QSC setup and listening to these recordings from what appears to be early 1960s. Check out that track list.
Date: 06/16/19
The old Ampex is getting closer to full operation. We’ve got it plugged into the QSC setup and listening to these recordings from what appears to be early 1960s. Check out that track list.
ound check action in Leo’s Lounge
Sound check action in Leo’s Lounge
Date: 06/16/19
Sound check action in Leo’s Lounge
Chilling on the sofa while these guys make some noise
Chilling on the sofa while these guys make some noise in Leo’s Lounge. Scott Tarulli on guitar, Chris Brady on drums, Ron Moreno on bass.
Date: 06/16/19
Chilling on the sofa while these guys make some noise in Leo’s Lounge. Scott Tarulli on guitar, Chris Brady on drums, Ron Moreno on bass.
Working on improvements
Working on improvements and expansion of the polish department. I love shop stuff.
Date: 06/16/19
Working on improvements and expansion of the polish department. I love shop stuff.
original CLFR light switch
A moment of silence for the death of an original CLFR light switch working in the 2548 building since 1975. I’m getting so weird now I think I’ll look for some NOS Leviton light switches. Ebay here I come!
Date: 06/16/19
A moment of silence for the death of an original CLFR light switch working in the 2548 building since 1975. I’m getting so weird now I think I’ll look for some NOS Leviton light switches. Ebay here I come!
Taking Johnny’s old Mustang for a ride
Taking Johnny’s old Mustang for a ride.
Date: 06/16/19
Taking Johnny’s old Mustang for a ride.
Johnny has a crew vacuuming in one of the lofts
Johnny has a crew vacuuming in one of the lofts so I can better organize some cool old stuff.
Date: 06/17/19
Johnny has a crew vacuuming in one of the lofts so I can better organize some cool old stuff.
B012680-1
Let’s have a good look our recent score, this L-1000 in Clear Blue over swamp ash with rosewood board. B012680 was completed here on December 20, 1983, so it’s kind of transitional having the black crinkle hardware and control plate, but also the hook hea
Date: 06/18/19
Let’s have a good look our recent score, this L-1000 in Clear Blue over swamp ash with rosewood board. B012680 was completed here on December 20, 1983, so it’s kind of transitional having the black crinkle hardware and control plate, but also the hook headstock. OMG mode on this L-1000 is killer.
B012680-2
Let’s have a good look our recent score, this L-1000 in Clear Blue over swamp ash with rosewood board. B012680 was completed here on December 20, 1983, so it’s kind of transitional having the black crinkle hardware and control plate, but also the hook hea
Date: 06/18/19
Let’s have a good look our recent score, this L-1000 in Clear Blue over swamp ash with rosewood board. B012680 was completed here on December 20, 1983, so it’s kind of transitional having the black crinkle hardware and control plate, but also the hook headstock. OMG mode on this L-1000 is killer.
B012680-3
Let’s have a good look our recent score, this L-1000 in Clear Blue over swamp ash with rosewood board. B012680 was completed here on December 20, 1983, so it’s kind of transitional having the black crinkle hardware and control plate, but also the hook hea
Date: 06/18/19
Let’s have a good look our recent score, this L-1000 in Clear Blue over swamp ash with rosewood board. B012680 was completed here on December 20, 1983, so it’s kind of transitional having the black crinkle hardware and control plate, but also the hook headstock. OMG mode on this L-1000 is killer.
B012680-4
Let’s have a good look our recent score, this L-1000 in Clear Blue over swamp ash with rosewood board. B012680 was completed here on December 20, 1983, so it’s kind of transitional having the black crinkle hardware and control plate, but also the hook hea
Date: 06/18/19
Let’s have a good look our recent score, this L-1000 in Clear Blue over swamp ash with rosewood board. B012680 was completed here on December 20, 1983, so it’s kind of transitional having the black crinkle hardware and control plate, but also the hook headstock. OMG mode on this L-1000 is killer.
B012680-5
Let’s have a good look our recent score, this L-1000 in Clear Blue over swamp ash with rosewood board. B012680 was completed here on December 20, 1983, so it’s kind of transitional having the black crinkle hardware and control plate, but also the hook hea
Date: 06/18/19
Let’s have a good look our recent score, this L-1000 in Clear Blue over swamp ash with rosewood board. B012680 was completed here on December 20, 1983, so it’s kind of transitional having the black crinkle hardware and control plate, but also the hook headstock. OMG mode on this L-1000 is killer.
B012680-6
Let’s have a good look our recent score, this L-1000 in Clear Blue over swamp ash with rosewood board. B012680 was completed here on December 20, 1983, so it’s kind of transitional having the black crinkle hardware and control plate, but also the hook hea
Date: 06/18/19
Let’s have a good look our recent score, this L-1000 in Clear Blue over swamp ash with rosewood board. B012680 was completed here on December 20, 1983, so it’s kind of transitional having the black crinkle hardware and control plate, but also the hook headstock. OMG mode on this L-1000 is killer.
B012680-7
Let’s have a good look our recent score, this L-1000 in Clear Blue over swamp ash with rosewood board. B012680 was completed here on December 20, 1983, so it’s kind of transitional having the black crinkle hardware and control plate, but also the hook hea
Date: 06/18/19
Let’s have a good look our recent score, this L-1000 in Clear Blue over swamp ash with rosewood board. B012680 was completed here on December 20, 1983, so it’s kind of transitional having the black crinkle hardware and control plate, but also the hook headstock. OMG mode on this L-1000 is killer.
B012680-8
Let’s have a good look our recent score, this L-1000 in Clear Blue over swamp ash with rosewood board. B012680 was completed here on December 20, 1983, so it’s kind of transitional having the black crinkle hardware and control plate, but also the hook hea
Date: 06/18/19
Let’s have a good look our recent score, this L-1000 in Clear Blue over swamp ash with rosewood board. B012680 was completed here on December 20, 1983, so it’s kind of transitional having the black crinkle hardware and control plate, but also the hook headstock. OMG mode on this L-1000 is killer.
tester from the lab
I just need to solder a ground lead to play this tester from the lab. The bridge and body are Fender era, the neck is MM era and the MFD pickups are G&L era. All of Leo’s brands in one lab tester.
Date: 06/21/19
I just need to solder a ground lead to play this tester from the lab. The bridge and body are Fender era, the neck is MM era and the MFD pickups are G&L era. All of Leo’s brands in one lab tester.
The little blob of solder on the intonation spring on the G string
The little blob of solder on the intonation spring on the G string is where Leo attached the ground wire. I’ll heat it up and try to reuse the same solder that Leo applied.
Date: 06/24/19
The little blob of solder on the intonation spring on the G string is where Leo attached the ground wire. I’ll heat it up and try to reuse the same solder that Leo applied.
I soldered the ground lead back on with Leo’s original solder
I soldered the ground lead back on with Leo’s original solder. I know that’s not a big deal but it felt like a special occasion. The output jack from the test board is an RCA so I need an adapter to 1/4”. I’ll look around the lab, maybe I’ll make an adapt
Date: 06/24/19
I soldered the ground lead back on with Leo’s original solder. I know that’s not a big deal but it felt like a special occasion. The output jack from the test board is an RCA so I need an adapter to 1/4”. I’ll look around the lab, maybe I’ll make an adapter if the parts are there.
It’s alive!!!
It’s alive!!! I love moments like this. Feels like it’s surprised to be waken up after decades.
Date: 06/25/19
It’s alive!!! I love moments like this. Feels like it’s surprised to be waken up after decades.
Memo is making an interface so I can plug in Leo’s tester
Memo is making an interface so I can plug in Leo’s tester as he left it. Well, did I fix the ground lead but so far that’s all. Hopefully that’s all it needs but if not, we’ll fix it.
Date: 06/25/19
Memo is making an interface so I can plug in Leo’s tester as he left it. Well, did I fix the ground lead but so far that’s all. Hopefully that’s all it needs but if not, we’ll fix it.
What is not a Fender,
What is not a Fender, Music Man or G&L but still 100% Leo Fender? This.
Date: 06/25/19
What is not a Fender, Music Man or G&L but still 100% Leo Fender? This.
projectsb2ndchance-1
#projectsb2ndchance needs a neck, and it needs the proper slim CLF headstock. We don’t have the old slim headstock all done up in the computer so here’s the plan. Take the big CLF headstock and modify it into the slim one using George’s 1982 handmade temp
Date: 07/01/19
#projectsb2ndchance needs a neck, and it needs the proper slim CLF headstock. We don’t have the old slim headstock all done up in the computer so here’s the plan. Take the big CLF headstock and modify it into the slim one using George’s 1982 handmade template. Not 100% sure it’ll work right, but hey, it’s CLF projectland. We’ll just figure it out as we go. I’ll line the template up and take a pic next...
projectsb2ndchance-2
#projectsb2ndchance needs a neck, and it needs the proper slim CLF headstock. We don’t have the old slim headstock all done up in the computer so here’s the plan. Take the big CLF headstock and modify it into the slim one using George’s 1982 handmade temp
Date: 07/01/19
#projectsb2ndchance needs a neck, and it needs the proper slim CLF headstock. We don’t have the old slim headstock all done up in the computer so here’s the plan. Take the big CLF headstock and modify it into the slim one using George’s 1982 handmade template. Not 100% sure it’ll work right, but hey, it’s CLF projectland. We’ll just figure it out as we go. I’ll line the template up and take a pic next...
projectsb2ndchance-3
I had one of those delightful moments of “heck yeah!” followed quickly by “sh*t damn.” Then I studied the arcs a little more and think yeah, this should work with like no margin for sanding error near the lower bout. Game on!
Date: 07/01/19
I had one of those delightful moments of “heck yeah!” followed quickly by “sh*t damn.” Then I studied the arcs a little more and think yeah, this should work with like no margin for sanding error near the lower bout. Game on!
projectsb2ndchance-4
I had one of those delightful moments of “heck yeah!” followed quickly by “sh*t damn.” Then I studied the arcs a little more and think yeah, this should work with like no margin for sanding error near the lower bout. Game on!
Date: 07/01/19
I had one of those delightful moments of “heck yeah!” followed quickly by “sh*t damn.” Then I studied the arcs a little more and think yeah, this should work with like no margin for sanding error near the lower bout. Game on!
nice 6:4 cut of quartersawn maple
I picked a nice 6/4 cut of quartersawn maple for #projectsb2ndchance. Really digging the bold grain.No photo description available.
Date: 07/03/19
I picked a nice 6/4 cut of quartersawn maple for #projectsb2ndchance. Really digging the bold grain.
Doug to do a bit more setup work on Leo’s prototype with 3 angled MFD humbuckers
I got Doug to do a bit more setup work on Leo’s prototype with 3 angled MFD humbuckers. I’ve posted about it before if you don’t mind scrolling to late last year.
Date: 07/15/19
I got Doug to do a bit more setup work on Leo’s prototype with 3 angled MFD humbuckers. I’ve posted about it before if you don’t mind scrolling to late last year.
So here’s Memo with the old original neck, Dave (me), and Marco with the new neck he sanded to match the old slim headstock
I freaking love this! Last week I told you my plan for #projectsb2ndchance to make a slim CLF bass headstock (early SB bass models) from the larger headstock on the early L-1000/L-2000.
Today I found out that these guys already did exactly that for a r Date: 07/15/19 I freaking love this! Last week I told you my plan for #projectsb2ndchance to make a slim CLF bass headstock (early SB bass models) from the larger headstock on the early L-1000/L-2000.
Today I found out that these guys already did exactly that for a repair customer needing a new neck on his vintage SB-2! So here’s Memo with the old original neck, Dave (me), and Marco with the new neck he sanded to match the old slim headstock.
I don’t think the customer even knows yet that his vintage SB-2 will get the correct slim CLF headstock. Now I know that Magic Marco can nail the neck and correct headstock for #projectsb2ndchance.
Today I found out that these guys already did exactly that for a r Date: 07/15/19 I freaking love this! Last week I told you my plan for #projectsb2ndchance to make a slim CLF bass headstock (early SB bass models) from the larger headstock on the early L-1000/L-2000.
Today I found out that these guys already did exactly that for a repair customer needing a new neck on his vintage SB-2! So here’s Memo with the old original neck, Dave (me), and Marco with the new neck he sanded to match the old slim headstock.
I don’t think the customer even knows yet that his vintage SB-2 will get the correct slim CLF headstock. Now I know that Magic Marco can nail the neck and correct headstock for #projectsb2ndchance.
1981 F-100 body made of mahogany with swamp ash stringers-1
My old friend Dean Coy visited today and brought some cool old stuff. This is a 1981 F-100 body made of mahogany with swamp ash stringers. To me, this is clearly a sample made just for management (especially Dale Hyatt I think) to check out. The grain mat
Date: 07/15/19
My old friend Dean Coy visited today and brought some cool old stuff. This is a 1981 F-100 body made of mahogany with swamp ash stringers. To me, this is clearly a sample made just for management (especially Dale Hyatt I think) to check out. The grain matching choice on the mahogany was not ideal, probably contributing to a negative reaction and that was the end of it.
Back in ‘81, neck-through instruments with cool wood stringers were getting more hip, so hey, even bolt on instruments got bodies with stringers. Thing is, you could get more yield from the wood and be cool too, but stringers on bolt-on instruments died like tail fins on cars, victims of fickle fashion.
Seems to me that sometime this oddball F-100 body should become a CLFR project guitar.
Back in ‘81, neck-through instruments with cool wood stringers were getting more hip, so hey, even bolt on instruments got bodies with stringers. Thing is, you could get more yield from the wood and be cool too, but stringers on bolt-on instruments died like tail fins on cars, victims of fickle fashion.
Seems to me that sometime this oddball F-100 body should become a CLFR project guitar.
1981 F-100 body made of mahogany with swamp ash stringers-2
My old friend Dean Coy visited today and brought some cool old stuff. This is a 1981 F-100 body made of mahogany with swamp ash stringers. To me, this is clearly a sample made just for management (especially Dale Hyatt I think) to check out. The grain mat
Date: 07/15/19
My old friend Dean Coy visited today and brought some cool old stuff. This is a 1981 F-100 body made of mahogany with swamp ash stringers. To me, this is clearly a sample made just for management (especially Dale Hyatt I think) to check out. The grain matching choice on the mahogany was not ideal, probably contributing to a negative reaction and that was the end of it.
Back in ‘81, neck-through instruments with cool wood stringers were getting more hip, so hey, even bolt on instruments got bodies with stringers. Thing is, you could get more yield from the wood and be cool too, but stringers on bolt-on instruments died like tail fins on cars, victims of fickle fashion.
Seems to me that sometime this oddball F-100 body should become a CLFR project guitar.
Back in ‘81, neck-through instruments with cool wood stringers were getting more hip, so hey, even bolt on instruments got bodies with stringers. Thing is, you could get more yield from the wood and be cool too, but stringers on bolt-on instruments died like tail fins on cars, victims of fickle fashion.
Seems to me that sometime this oddball F-100 body should become a CLFR project guitar.
1981 F-100 body made of mahogany with swamp ash stringers-3
My old friend Dean Coy visited today and brought some cool old stuff. This is a 1981 F-100 body made of mahogany with swamp ash stringers. To me, this is clearly a sample made just for management (especially Dale Hyatt I think) to check out. The grain mat
Date: 07/15/19
My old friend Dean Coy visited today and brought some cool old stuff. This is a 1981 F-100 body made of mahogany with swamp ash stringers. To me, this is clearly a sample made just for management (especially Dale Hyatt I think) to check out. The grain matching choice on the mahogany was not ideal, probably contributing to a negative reaction and that was the end of it.
Back in ‘81, neck-through instruments with cool wood stringers were getting more hip, so hey, even bolt on instruments got bodies with stringers. Thing is, you could get more yield from the wood and be cool too, but stringers on bolt-on instruments died like tail fins on cars, victims of fickle fashion.
Seems to me that sometime this oddball F-100 body should become a CLFR project guitar.
Back in ‘81, neck-through instruments with cool wood stringers were getting more hip, so hey, even bolt on instruments got bodies with stringers. Thing is, you could get more yield from the wood and be cool too, but stringers on bolt-on instruments died like tail fins on cars, victims of fickle fashion.
Seems to me that sometime this oddball F-100 body should become a CLFR project guitar.
1981 F-100 body made of mahogany with swamp ash stringers-4
My old friend Dean Coy visited today and brought some cool old stuff. This is a 1981 F-100 body made of mahogany with swamp ash stringers. To me, this is clearly a sample made just for management (especially Dale Hyatt I think) to check out. The grain mat
Date: 07/15/19
My old friend Dean Coy visited today and brought some cool old stuff. This is a 1981 F-100 body made of mahogany with swamp ash stringers. To me, this is clearly a sample made just for management (especially Dale Hyatt I think) to check out. The grain matching choice on the mahogany was not ideal, probably contributing to a negative reaction and that was the end of it.
Back in ‘81, neck-through instruments with cool wood stringers were getting more hip, so hey, even bolt on instruments got bodies with stringers. Thing is, you could get more yield from the wood and be cool too, but stringers on bolt-on instruments died like tail fins on cars, victims of fickle fashion.
Seems to me that sometime this oddball F-100 body should become a CLFR project guitar.
Back in ‘81, neck-through instruments with cool wood stringers were getting more hip, so hey, even bolt on instruments got bodies with stringers. Thing is, you could get more yield from the wood and be cool too, but stringers on bolt-on instruments died like tail fins on cars, victims of fickle fashion.
Seems to me that sometime this oddball F-100 body should become a CLFR project guitar.
1981 F-100 body made of mahogany with swamp ash stringers-5
My old friend Dean Coy visited today and brought some cool old stuff. This is a 1981 F-100 body made of mahogany with swamp ash stringers. To me, this is clearly a sample made just for management (especially Dale Hyatt I think) to check out. The grain mat
Date: 07/15/19
My old friend Dean Coy visited today and brought some cool old stuff. This is a 1981 F-100 body made of mahogany with swamp ash stringers. To me, this is clearly a sample made just for management (especially Dale Hyatt I think) to check out. The grain matching choice on the mahogany was not ideal, probably contributing to a negative reaction and that was the end of it.
Back in ‘81, neck-through instruments with cool wood stringers were getting more hip, so hey, even bolt on instruments got bodies with stringers. Thing is, you could get more yield from the wood and be cool too, but stringers on bolt-on instruments died like tail fins on cars, victims of fickle fashion.
Seems to me that sometime this oddball F-100 body should become a CLFR project guitar.
Back in ‘81, neck-through instruments with cool wood stringers were getting more hip, so hey, even bolt on instruments got bodies with stringers. Thing is, you could get more yield from the wood and be cool too, but stringers on bolt-on instruments died like tail fins on cars, victims of fickle fashion.
Seems to me that sometime this oddball F-100 body should become a CLFR project guitar.
Leo can keep an eye on things until morning
Posted 7/11/2019: Closing up for the night. Leo can keep an eye on things until morning. : )
Date: 07/16/19
Posted 7/11/2019: Closing up for the night. Leo can keep an eye on things until morning. : )
faucet just turned on in the bathroom by itself
The faucet just turned on in the bathroom by itself, it’s dark and I’m alone. It’s just plumbing or whatever, but this kinda stuff still freaks me out a little. Damn, right after I randomly post a pic of Leo and the faucet does this. Zoinks!!! I’m outta h
Date: 07/16/19
The faucet just turned on in the bathroom by itself, it’s dark and I’m alone. It’s just plumbing or whatever, but this kinda stuff still freaks me out a little. Damn, right after I randomly post a pic of Leo and the faucet does this. Zoinks!!! I’m outta here like Scooby Doo. ; )
automatic sensor turned on the light in a bathroom outside the lab-1
Posted 7/12/2019: Frickin’ great. Got another jolt this evening. I was closing up, all dark and the automatic sensor turned on the light in a bathroom outside the lab. Thing is, the auto sensor hasn’t worked for like 10 years, so you just press the little
Date: 07/16/19
Posted 7/12/2019: Frickin’ great. Got another jolt this evening. I was closing up, all dark and the automatic sensor turned on the light in a bathroom outside the lab. Thing is, the auto sensor hasn’t worked for like 10 years, so you just press the little button to turn the light on and off manually.
This surprised the shit out of me, so I waited and waited, trying to get the sensor to work again. Nope. It’s back to dead. Seriously, I have nearly an hour into messing with this thing. These pics I took while it was on by itself. It’s a sensor, so dust, temp, who knows what made the damn thing work just when I least expected it and yeah, it kinda psyched me out.
This surprised the shit out of me, so I waited and waited, trying to get the sensor to work again. Nope. It’s back to dead. Seriously, I have nearly an hour into messing with this thing. These pics I took while it was on by itself. It’s a sensor, so dust, temp, who knows what made the damn thing work just when I least expected it and yeah, it kinda psyched me out.
automatic sensor turned on the light in a bathroom outside the lab-2
Frickin’ great. Got another jolt this evening. I was closing up, all dark and the automatic sensor turned on the light in a bathroom outside the lab. Thing is, the auto sensor hasn’t worked for like 10 years, so you just press the little button to turn th
Date: 07/16/19
Frickin’ great. Got another jolt this evening. I was closing up, all dark and the automatic sensor turned on the light in a bathroom outside the lab. Thing is, the auto sensor hasn’t worked for like 10 years, so you just press the little button to turn the light on and off manually.
This surprised the shit out of me, so I waited and waited, trying to get the sensor to work again. Nope. It’s back to dead. Seriously, I have nearly an hour into messing with this thing. These pics I took while it was on by itself. It’s a sensor, so dust, temp, who knows what made the damn thing work just when I least expected it and yeah, it kinda psyched me out.
This surprised the shit out of me, so I waited and waited, trying to get the sensor to work again. Nope. It’s back to dead. Seriously, I have nearly an hour into messing with this thing. These pics I took while it was on by itself. It’s a sensor, so dust, temp, who knows what made the damn thing work just when I least expected it and yeah, it kinda psyched me out.
CLF Research Espada banner
So I guess many of you saw this on the G&L page. They’re here, real and already shipping : ) Bringing this guitar to life was the coolest project ever. And I love it.
50 Years in the Making: The CLF Research Espada.
Learn more here:
http://glgu Date: 07/21/19 So I guess many of you saw this on the G&L page. They’re here, real and already shipping : ) Bringing this guitar to life was the coolest project ever. And I love it.
50 Years in the Making: The CLF Research Espada.
Learn more here:
http://glguitars.com/product/clf-research-espada/
50 Years in the Making: The CLF Research Espada.
Learn more here:
http://glgu Date: 07/21/19 So I guess many of you saw this on the G&L page. They’re here, real and already shipping : ) Bringing this guitar to life was the coolest project ever. And I love it.
50 Years in the Making: The CLF Research Espada.
Learn more here:
http://glguitars.com/product/clf-research-espada/
playing this Espada proto from the January NAMM show
I’m playing this Espada proto from the January NAMM show and feeling really good. It’s a truly fresh experience; nothing else looks or sounds like it.
Date: 07/21/19
I’m playing this Espada proto from the January NAMM show and feeling really good. It’s a truly fresh experience; nothing else looks or sounds like it.
These Kluson tuners bring in the period vibe so nicely
Since Espada development goes back to the late 1960s, these Kluson tuners bring in the period vibe so nicely. They feel damn good too. Or maybe it’s in my head. Doesn’t matter. Johnny and I just knew we wanted Klusons on Espada, zero debate about it.
Date: 07/21/19
Since Espada development goes back to the late 1960s, these Kluson tuners bring in the period vibe so nicely. They feel damn good too. Or maybe it’s in my head. Doesn’t matter. Johnny and I just knew we wanted Klusons on Espada, zero debate about it.
looking at the 1969 CLFR drawings
I’m hangin’ out in Leo’s office, looking at the 1969 CLFR drawings and still kind of amazed that we brought the Espada to life. 50 years later. What a trip...
Date: 07/29/19
I’m hangin’ out in Leo’s office, looking at the 1969 CLFR drawings and still kind of amazed that we brought the Espada to life. 50 years later. What a trip...
this Espada hit me in the gut with a massive GAS attack
I don’t usually repost pics from the G&L Musical Instruments page, but when I do...this Espada hit me in the gut with a massive GAS attack. ???
???????? Here's a CLF Research Espada in 3-Tone Sunburst. CLF1904240 is headed to Front Porch Music in Bak Date: 07/29/19 I don’t usually repost pics from the G&L Musical Instruments page, but when I do...this Espada hit me in the gut with a massive GAS attack. ???
???????? Here's a CLF Research Espada in 3-Tone Sunburst. CLF1904240 is headed to Front Porch Music in Bakersfield, California.
???????? Here's a CLF Research Espada in 3-Tone Sunburst. CLF1904240 is headed to Front Porch Music in Bak Date: 07/29/19 I don’t usually repost pics from the G&L Musical Instruments page, but when I do...this Espada hit me in the gut with a massive GAS attack. ???
???????? Here's a CLF Research Espada in 3-Tone Sunburst. CLF1904240 is headed to Front Porch Music in Bakersfield, California.
Manny has prepped that nice piece of quartersawn maple with truss rod and stiffening rods-1
Project #projectsb2ndchance update: Manny has prepped that nice piece of quartersawn maple with truss rod and stiffening rods, and now it’s time to do some shaping. That’s George’s 1982 headstock template we’ll use to do the headstock shape.
Date: 07/29/19
Project #projectsb2ndchance update: Manny has prepped that nice piece of quartersawn maple with truss rod and stiffening rods, and now it’s time to do some shaping. That’s George’s 1982 headstock template we’ll use to do the headstock shape.
Manny has prepped that nice piece of quartersawn maple with truss rod and stiffening rods-2
Project #projectsb2ndchance update: Manny has prepped that nice piece of quartersawn maple with truss rod and stiffening rods, and now it’s time to do some shaping. That’s George’s 1982 headstock template we’ll use to do the headstock shape.
Date: 07/29/19
Project #projectsb2ndchance update: Manny has prepped that nice piece of quartersawn maple with truss rod and stiffening rods, and now it’s time to do some shaping. That’s George’s 1982 headstock template we’ll use to do the headstock shape.
some shop upgrades
just came back from vacation and I’m really happy to see some shop upgrades. Johnny and had some original 1970s CLFR benches made by Leo’s handyman Ronnie Beers converted to downdraft for the polish department expansion. I love this stuff!!!
Date: 08/08/19
just came back from vacation and I’m really happy to see some shop upgrades. Johnny and had some original 1970s CLFR benches made by Leo’s handyman Ronnie Beers converted to downdraft for the polish department expansion. I love this stuff!!!
Leo’s Bactine spray
August 9 at 5:14 PM: I got a super itchy bug bite and Leo’s Bactine spray still works great, even though it’s nearly 30 years old. Thanks, Leo!
Date: 08/12/19
August 9 at 5:14 PM: I got a super itchy bug bite and Leo’s Bactine spray still works great, even though it’s nearly 30 years old. Thanks, Leo!
8:00am meeting with a contractor for HVAC work in Leo’s Lounge
August 10 at 9:55 AM: I had an 8:00am meeting with a contractor for HVAC work in Leo’s Lounge. Well, he’s been gone for a while, as it seems I’ve spent about 20 minutes on guitar, 20 minutes on bass, 20 minutes on Rhodes, and to my surprise, I lasted abou
Date: 08/12/19
August 10 at 9:55 AM:
I had an 8:00am meeting with a contractor for HVAC work in Leo’s Lounge. Well, he’s been gone for a while, as it seems I’ve spent about 20 minutes on guitar, 20 minutes on bass, 20 minutes on Rhodes, and to my surprise, I lasted about 20 minutes on drums. Tough workday. I think I’ll take 5 before getting back to work. Important business type stuff you know. ; )
I had an 8:00am meeting with a contractor for HVAC work in Leo’s Lounge. Well, he’s been gone for a while, as it seems I’ve spent about 20 minutes on guitar, 20 minutes on bass, 20 minutes on Rhodes, and to my surprise, I lasted about 20 minutes on drums. Tough workday. I think I’ll take 5 before getting back to work. Important business type stuff you know. ; )
My beloved 2002 ASAT Deluxe Semi-Hollow
August 10 at 11:06 AM :
Last business for the day: dime the Marshall with my beloved 2002 ASAT Deluxe Semi-Hollow. Hey, it’s #ASATurday so yeah, I guess it seems right that this guitar caught my eye before leaving and pulled me back on stage. Date: 08/12/19 August 10 at 11:06 AM :
Last business for the day: dime the Marshall with my beloved 2002 ASAT Deluxe Semi-Hollow. Hey, it’s #ASATurday so yeah, I guess it seems right that this guitar caught my eye before leaving and pulled me back on stage.
Last business for the day: dime the Marshall with my beloved 2002 ASAT Deluxe Semi-Hollow. Hey, it’s #ASATurday so yeah, I guess it seems right that this guitar caught my eye before leaving and pulled me back on stage. Date: 08/12/19 August 10 at 11:06 AM :
Last business for the day: dime the Marshall with my beloved 2002 ASAT Deluxe Semi-Hollow. Hey, it’s #ASATurday so yeah, I guess it seems right that this guitar caught my eye before leaving and pulled me back on stage.
Doing a bit of work on the CLF-67:68 prototype in Leo’s lab
Doing a bit of work on the CLF-67/68 prototype in Leo’s lab. I kind of think it would be cool to hang this in the lounge next to the first modern Espada prototype.
Date: 08/12/19
Doing a bit of work on the CLF-67/68 prototype in Leo’s lab. I kind of think it would be cool to hang this in the lounge next to the first modern Espada prototype.
Some old friends and one new friend
Some old friends and one new friend
Date: 08/12/19
Some old friends and one new friend
Up in the sky
Look! Up in the sky! It’s a bird! It’s a crane? It’s a new A/C system for Leo’s Lounge! The stage area was originally warehouse so this needed to be done. Summer in Fullerton is no joke.
Date: 08/13/19
Look! Up in the sky! It’s a bird! It’s a crane? It’s a new A/C system for Leo’s Lounge! The stage area was originally warehouse so this needed to be done. Summer in Fullerton is no joke.
The first modern Espada prototype
The first modern Espada prototype, the one used to test countless pickups until we were happy. We had to feel we would be truly proud to show Leo what we’ve done with the tools and technologies he left us to complete his 1969 concept. I like to imagine he
Date: 08/13/19
The first modern Espada prototype, the one used to test countless pickups until we were happy. We had to feel we would be truly proud to show Leo what we’ve done with the tools and technologies he left us to complete his 1969 concept. I like to imagine he’d chuckle, tug at his white belt and say something like “Well, how about that!” PS the wines are from my friend Dean Coy who lives in Napa. Thanks, Deano!
V12 took a beating in shipping-1
This V12 took a beating in shipping; check out that stress crack in the second pic. Well, I suppose I’m just gonna have to take this one for Leo’s Lounge. It already has its first battle scar, so welcome to the lounge life!
Date: 08/15/19
This V12 took a beating in shipping; check out that stress crack in the second pic. Well, I suppose I’m just gonna have to take this one for Leo’s Lounge. It already has its first battle scar, so welcome to the lounge life!
V12 took a beating in shipping-2
This V12 took a beating in shipping; check out that stress crack in the second pic. Well, I suppose I’m just gonna have to take this one for Leo’s Lounge. It already has its first battle scar, so welcome to the lounge life!
Date: 08/15/19
This V12 took a beating in shipping; check out that stress crack in the second pic. Well, I suppose I’m just gonna have to take this one for Leo’s Lounge. It already has its first battle scar, so welcome to the lounge life!
new A:C is rockin!
Leo’s Lounge might literally have the coolest stage around. The crew isn’t even finished yet but this new A/C is rockin! Our drummer friends will especially like the gentle cool breeze perfectly positioned.
Date: 08/17/19
Leo’s Lounge might literally have the coolest stage around. The crew isn’t even finished yet but this new A/C is rockin! Our drummer friends will especially like the gentle cool breeze perfectly positioned.
One of the early Doheny prototypes-1
One of the early Doheny prototypes. I remember being so excited I couldn’t wait for any finish; I wanted to test Johnny’s latest MFD jazzer pickups frickin immediately. Good times for sure.
Date: 08/17/19
One of the early Doheny prototypes. I remember being so excited I couldn’t wait for any finish; I wanted to test Johnny’s latest MFD jazzer pickups frickin immediately. Good times for sure.
One of the early Doheny prototypes-2
One of the early Doheny prototypes. I remember being so excited I couldn’t wait for any finish; I wanted to test Johnny’s latest MFD jazzer pickups frickin immediately. Good times for sure.
Date: 08/17/19
One of the early Doheny prototypes. I remember being so excited I couldn’t wait for any finish; I wanted to test Johnny’s latest MFD jazzer pickups frickin immediately. Good times for sure.
The long awaited Fallout Bass
The long awaited Fallout Bass: 30” of fury, kind of like a fun-size wunkay. I really don’t know the rollout details, other than there is a Launch Edition coming out with with racing stripes. What a cool little machine this is
Date: 08/18/19
The long awaited Fallout Bass: 30” of fury, kind of like a fun-size wunkay. I really don’t know the rollout details, other than there is a Launch Edition coming out with with racing stripes. What a cool little machine this is
CLF1904233 back of headstock
I’m back!!! I was on a business trip which turned out to be super fun and hopefully turns into some good video for you guys.
Date: 08/24/19
I’m back!!! I was on a business trip which turned out to be super fun and hopefully turns into some good video for you guys.
I love how this came together
I love how this came together
Date: 08/26/19
I love how this came together
Gonna sit in Leo’s office chair and do some thinking
Gonna sit in Leo’s office chair and do some thinking.
Date: 08/26/19
Gonna sit in Leo’s office chair and do some thinking.
Robert Poss’ modded SC-1
Hanging with Robert Poss’ modded SC-1. Finally making some headway on a killer flame replacement neck. I’ve had this fun machine for a year or something, but just imagine all the extra mojo it soaks up sitting in Leo’s cart behind his desk. ; )
Date: 08/26/19
Hanging with Robert Poss’ modded SC-1. Finally making some headway on a killer flame replacement neck. I’ve had this fun machine for a year or something, but just imagine all the extra mojo it soaks up sitting in Leo’s cart behind his desk. ; )
you can do this after hours
Posted Aug 27: When you work at a cool guitar company, you can do this after hours all you want while the boss goes home. Have fun, guys!
Date: 08/31/19
Posted Aug 27: When you work at a cool guitar company, you can do this after hours all you want while the boss goes home. Have fun, guys!
Time to play the ‘82 twokay today
Posted Aug 28: Time to play the ‘82 twokay today
Date: 08/31/19
Posted Aug 27: Time to play the ‘82 twokay today
The thunder never dies
Posted Aug 28: The thunder never dies
Date: 08/31/19
Posted Aug 28: The thunder never dies
2018 wunkay-1
This 2018 wunkay had some pickup testing done on it then it hung neglected in the front room of Leo’s Lounge, without any pickup at all.
Steve decided to put a pickup in it and now it’s good to go. In fact, it’s the best feeling and sounding wunkay in Date: 08/31/19 This 2018 wunkay had some pickup testing done on it then it hung neglected in the front room of Leo’s Lounge, without any pickup at all.
Steve decided to put a pickup in it and now it’s good to go. In fact, it’s the best feeling and sounding wunkay in the lounge, including my beloved old timers. This is as it should be, and as Leo would expect.
Steve decided to put a pickup in it and now it’s good to go. In fact, it’s the best feeling and sounding wunkay in Date: 08/31/19 This 2018 wunkay had some pickup testing done on it then it hung neglected in the front room of Leo’s Lounge, without any pickup at all.
Steve decided to put a pickup in it and now it’s good to go. In fact, it’s the best feeling and sounding wunkay in the lounge, including my beloved old timers. This is as it should be, and as Leo would expect.
2018 wunkay-2
This 2018 wunkay had some pickup testing done on it then it hung neglected in the front room of Leo’s Lounge, without any pickup at all.
Steve decided to put a pickup in it and now it’s good to go. In fact, it’s the best feeling and sounding wunkay in Date: 08/31/19 This 2018 wunkay had some pickup testing done on it then it hung neglected in the front room of Leo’s Lounge, without any pickup at all.
Steve decided to put a pickup in it and now it’s good to go. In fact, it’s the best feeling and sounding wunkay in the lounge, including my beloved old timers. This is as it should be, and as Leo would expect.
Steve decided to put a pickup in it and now it’s good to go. In fact, it’s the best feeling and sounding wunkay in Date: 08/31/19 This 2018 wunkay had some pickup testing done on it then it hung neglected in the front room of Leo’s Lounge, without any pickup at all.
Steve decided to put a pickup in it and now it’s good to go. In fact, it’s the best feeling and sounding wunkay in the lounge, including my beloved old timers. This is as it should be, and as Leo would expect.
1982 template used to make replacement necks for Fender Strats-1
1982 template used to make replacement necks for Fender Strats.
Date: 08/31/19
1982 template used to make replacement necks for Fender Strats.
1982 template used to make replacement necks for Fender Strats-2
1982 template used to make replacement necks for Fender Strats.
Date: 08/31/19
1982 template used to make replacement necks for Fender Strats.
1982 template used to make replacement necks for Fender Strats-3
1982 template used to make replacement necks for Fender Strats
Date: 08/31/19
1982 template used to make replacement necks for Fender Strats
1982 template used to make replacement necks for Fender Strats-4
1982 template used to make replacement necks for Fender Strats
Date: 08/31/19
1982 template used to make replacement necks for Fender Strats
Josh used George Fullerton’s 1982 SB headstock template to mark it then Manny did the shaping freehand on a Leo sander-1
#projectsb2ndchance update: my brother sent me these pics from the wood shop today. Josh used George Fullerton’s 1982 SB headstock template to mark it then Manny did the shaping freehand on a Leo sander
Date: 09/03/19
#projectsb2ndchance update: my brother sent me these pics from the wood shop today. Josh used George Fullerton’s 1982 SB headstock template to mark it then Manny did the shaping freehand on a Leo sander
Josh used George Fullerton’s 1982 SB headstock template to mark it then Manny did the shaping freehand on a Leo sander-2
#projectsb2ndchance update: my brother sent me these pics from the wood shop today. Josh used George Fullerton’s 1982 SB headstock template to mark it then Manny did the shaping freehand on a Leo sander
Date: 09/03/19
#projectsb2ndchance update: my brother sent me these pics from the wood shop today. Josh used George Fullerton’s 1982 SB headstock template to mark it then Manny did the shaping freehand on a Leo sander
The Pharaoh Gold Firemist CLFR Doheny V12
The Pharaoh Gold Firemist CLFR Doheny V12. I freaking love this guitar
Date: 09/04/19
The Pharaoh Gold Firemist CLFR Doheny V12. I freaking love this guitar
Leo’s CLF-75B2 prototype from 1975
Between two brands: Leo’s CLF-75B2 prototype from 1975 with hand painted headstock artwork by George Fullerton. The production Sting Ray Bass introduced the next year was actually quite different, more than just the pickup.
Date: 09/04/19 Between two brands: Leo’s CLF-75B2 prototype from 1975 with hand painted headstock artwork by George Fullerton. The production Sting Ray Bass introduced the next year was actually quite different, more than just the pickup.
Date: 09/04/19 Between two brands: Leo’s CLF-75B2 prototype from 1975 with hand painted headstock artwork by George Fullerton. The production Sting Ray Bass introduced the next year was actually quite different, more than just the pickup.
I had a damn good time thrashing this pick in funkytown
I had a damn good time thrashing this pick in funkytown, then suddenly I thought of something that kinda blows my mind. In the Espada, I have helped create a guitar that inspires my own musical creativity. That’s what it was designed to do for guitarists,
Date: 09/06/19
I had a damn good time thrashing this pick in funkytown, then suddenly I thought of something that kinda blows my mind. In the Espada, I have helped create a guitar that inspires my own musical creativity. That’s what it was designed to do for guitarists, but it’s magical to feel it myself, to get lost in the music as the guitar leads me into new sonic territory. Then again, we finished what Leo began 50 years ago. Not a bad place to start. ; )
breadboard instrument” tester-1
Three brands, one Leo: this “breadboard instrument” tester began life at Fender in the ‘60s, fitted with a Music Man neck in the ‘70s, and was left by Leo holding a test board loaded with G&L MFD single coil pickups and controls.
Date: 09/07/19 Three brands, one Leo: this “breadboard instrument” tester began life at Fender in the ‘60s, fitted with a Music Man neck in the ‘70s, and was left by Leo holding a test board loaded with G&L MFD single coil pickups and controls.
Date: 09/07/19 Three brands, one Leo: this “breadboard instrument” tester began life at Fender in the ‘60s, fitted with a Music Man neck in the ‘70s, and was left by Leo holding a test board loaded with G&L MFD single coil pickups and controls.
breadboard instrument” tester-2
Three brands, one Leo: this “breadboard instrument” tester began life at Fender in the ‘60s, fitted with a Music Man neck in the ‘70s, and was left by Leo holding a test board loaded with G&L MFD single coil pickups and controls.
Date: 09/07/19 Three brands, one Leo: this “breadboard instrument” tester began life at Fender in the ‘60s, fitted with a Music Man neck in the ‘70s, and was left by Leo holding a test board loaded with G&L MFD single coil pickups and controls.
Date: 09/07/19 Three brands, one Leo: this “breadboard instrument” tester began life at Fender in the ‘60s, fitted with a Music Man neck in the ‘70s, and was left by Leo holding a test board loaded with G&L MFD single coil pickups and controls.
breadboard instrument” tester-3
Three brands, one Leo: this “breadboard instrument” tester began life at Fender in the ‘60s, fitted with a Music Man neck in the ‘70s, and was left by Leo holding a test board loaded with G&L MFD single coil pickups and controls.
Date: 09/07/19 Three brands, one Leo: this “breadboard instrument” tester began life at Fender in the ‘60s, fitted with a Music Man neck in the ‘70s, and was left by Leo holding a test board loaded with G&L MFD single coil pickups and controls.
Date: 09/07/19 Three brands, one Leo: this “breadboard instrument” tester began life at Fender in the ‘60s, fitted with a Music Man neck in the ‘70s, and was left by Leo holding a test board loaded with G&L MFD single coil pickups and controls.
breadboard instrument” tester-4
Three brands, one Leo: this “breadboard instrument” tester began life at Fender in the ‘60s, fitted with a Music Man neck in the ‘70s, and was left by Leo holding a test board loaded with G&L MFD single coil pickups and controls.
Date: 09/07/19 Three brands, one Leo: this “breadboard instrument” tester began life at Fender in the ‘60s, fitted with a Music Man neck in the ‘70s, and was left by Leo holding a test board loaded with G&L MFD single coil pickups and controls.
Date: 09/07/19 Three brands, one Leo: this “breadboard instrument” tester began life at Fender in the ‘60s, fitted with a Music Man neck in the ‘70s, and was left by Leo holding a test board loaded with G&L MFD single coil pickups and controls.
Leo Fender Signature ASAT Classic
Taking this old Leo Fender Signature ASAT Classic out for a ride. It was the late ‘80s when Leo finally revisited a more traditional single-cutaway-I-didn’t-say-tele than the model we know today as the ASAT Special. And what a damn fine way to bookend tha
Date: 09/11/19
Taking this old Leo Fender Signature ASAT Classic out for a ride. It was the late ‘80s when Leo finally revisited a more traditional single-cutaway-I-didn’t-say-tele than the model we know today as the ASAT Special. And what a damn fine way to bookend that platform. Thanks, Leo!
Sunburst Espada on Darragh’s bench-1
As I was making the rounds, checking front and back doors (we have like 26 in total) I saw this lovely Sunburst Espada on Darragh’s bench and I realized that soon this guitar will blow the mind of some happy soul. Maybe one of you looking at this picture
Date: 09/11/19
As I was making the rounds, checking front and back doors (we have like 26 in total) I saw this lovely Sunburst Espada on Darragh’s bench and I realized that soon this guitar will blow the mind of some happy soul. Maybe one of you looking at this picture right now. It’s a trip for me to contemplate.
Sunburst Espada on Darragh’s bench-2
As I was making the rounds, checking front and back doors (we have like 26 in total) I saw this lovely Sunburst Espada on Darragh’s bench and I realized that soon this guitar will blow the mind of some happy soul. Maybe one of you looking at this picture
Date: 09/11/19
As I was making the rounds, checking front and back doors (we have like 26 in total) I saw this lovely Sunburst Espada on Darragh’s bench and I realized that soon this guitar will blow the mind of some happy soul. Maybe one of you looking at this picture right now. It’s a trip for me to contemplate.
All that glitters can be gold
All that glitters can be gold. Case in point: this Pharaoh Gold Doheny V12. The details, the tones, everything is????????????
Date: 09/11/19
All that glitters can be gold. Case in point: this Pharaoh Gold Doheny V12. The details, the tones, everything is????????????
They’re not dusty old R&D parts, they’re mojo crystals that power CLFR
They’re not dusty old R&D parts, they’re mojo crystals that power CLFR.
Date: 09/12/19
They’re not dusty old R&D parts, they’re mojo crystals that power CLFR.
1975 CLF-75B2 prototype and the decal on a production neck bolted to the “breadboard” tester-1
By request: close up view of George Fullerton’s hand painted artwork on the 1975 CLF-75B2 prototype and the decal on a production neck bolted to the “breadboard” tester we looked at the other day. George was the talented stylist, and Leo was the technical
Date: 09/12/19
By request: close up view of George Fullerton’s hand painted artwork on the 1975 CLF-75B2 prototype and the decal on a production neck bolted to the “breadboard” tester we looked at the other day. George was the talented stylist, and Leo was the technical powerhouse. What a pair, those two.
1975 CLF-75B2 prototype and the decal on a production neck bolted to the “breadboard” tester-2
By request: close up view of George Fullerton’s hand painted artwork on the 1975 CLF-75B2 prototype and the decal on a production neck bolted to the “breadboard” tester we looked at the other day. George was the talented stylist, and Leo was the technical
Date: 09/12/19
By request: close up view of George Fullerton’s hand painted artwork on the 1975 CLF-75B2 prototype and the decal on a production neck bolted to the “breadboard” tester we looked at the other day. George was the talented stylist, and Leo was the technical powerhouse. What a pair, those two.
Hall of Fame is in the middle of woodshop
Everyone needs a role model: these necks would put a big fat grin on Leo’s face, and that’s why this Hall of Fame is in the middle of woodshop. These are made to be handled by the wooshop crew. They are touchstones, representing the high standards of the
Date: 09/16/19
Everyone needs a role model: these necks would put a big fat grin on Leo’s face, and that’s why this Hall of Fame is in the middle of woodshop. These are made to be handled by the wooshop crew. They are touchstones, representing the high standards of the man who built this place.
new CLF Research YouTube channel
Heeeeeeere’s Johnny! My brother and I just attempted to film some material for the new CLF Research YouTube channel. Two old guys with a lot of history and family in the Musical Instruments business since the days we were born. Truth is, neither of us can
Date: 09/17/19
Heeeeeeere’s Johnny! My brother and I just attempted to film some material for the new CLF Research YouTube channel. Two old guys with a lot of history and family in the Musical Instruments business since the days we were born. Truth is, neither of us can shut up once we get started with the story telling, but this video thing just feels weird with Hal 9000 over there watching. Screw it, we’re going in so wish us luck!
‘50s ‘60s ‘70s and ‘80s all represented in Leo’s journey. This is CLF Research
‘50s ‘60s ‘70s and ‘80s all represented in Leo’s journey. This is CLF Research.
Date: 09/19/19
‘50s ‘60s ‘70s and ‘80s all represented in Leo’s journey. This is CLF Research.
From concept to perfection
From concept to perfection: Leo’s late ‘60s research in bridge technology led to his Saddle Lock design in the late ‘70s.
Date: 09/22/19
From concept to perfection: Leo’s late ‘60s research in bridge technology led to his Saddle Lock design in the late ‘70s.
80's Skyhawk in Clear Red
Incoming vintage Skyhawk in Clear Red. 1980s Leo magic wrapped in George’s modern art.
Date: 09/22/19
Incoming vintage Skyhawk in Clear Red. 1980s Leo magic wrapped in George’s modern art.
1978 StingRay
Taking the 1978 StingRay I out for a ride. These are fun and funky if you ever get your hands on a good vintage example from the CLFR years, 1976 to mid 1980. The CLFR factory had been in full operation for just 2 years when this guitar was made. As usual
Date: 09/24/19
Taking the 1978 StingRay I out for a ride. These are fun and funky if you ever get your hands on a good vintage example from the CLFR years, 1976 to mid 1980. The CLFR factory had been in full operation for just 2 years when this guitar was made. As usual, this guitar showcases Leo’s technical expertise and George’s artistic vision.
Leo left himself a reminder note to get a patent
Leo left himself a reminder note to get a patent. I love little artifacts like this.
Date: 09/24/19 Leo left himself a reminder note to get a patent. I love little artifacts like this.
Date: 09/24/19 Leo left himself a reminder note to get a patent. I love little artifacts like this.
This guitar will be born today
This guitar will be born today.
Date: 09/25/19
This guitar will be born today.
communication breakdown, it’s always the same
communication breakdown, it’s always the same
Date: 09/25/19 communication breakdown, it’s always the same
Date: 09/25/19 communication breakdown, it’s always the same
1997 body template to make a baritone ASATele beast-1
George Fullerton’s 1997 body template to make a baritone ASATele beast. It sure doesn’t feel like 22 years since we were messing around with this.
Date: 09/27/19
George Fullerton’s 1997 body template to make a baritone ASATele beast. It sure doesn’t feel like 22 years since we were messing around with this.
1997 body template to make a baritone ASATele beast-2
George Fullerton’s 1997 body template to make a baritone ASATele beast. It sure doesn’t feel like 22 years since we were messing around with this.
Date: 09/27/19
George Fullerton’s 1997 body template to make a baritone ASATele beast. It sure doesn’t feel like 22 years since we were messing around with this.
1997 body template to make a baritone ASATele beast-3
George Fullerton’s 1997 body template to make a baritone ASATele beast. It sure doesn’t feel like 22 years since we were messing around with this.
Date: 09/27/19
George Fullerton’s 1997 body template to make a baritone ASATele beast. It sure doesn’t feel like 22 years since we were messing around with this.
1997 body template to make a baritone ASATele beast-4
George Fullerton’s 1997 body template to make a baritone ASATele beast. It sure doesn’t feel like 22 years since we were messing around with this.
Date: 09/27/19
George Fullerton’s 1997 body template to make a baritone ASATele beast. It sure doesn’t feel like 22 years since we were messing around with this.
leo proto which became the Espada-1
Wikipedia says that on November 19, 1969, astronaut Alan Bean guided the Apollo 12 module to within 200 yards of Surveyor 3 landing site. Meanwhile, Leo continued developing his own technology moonshot.
Date: 09/28/19
Wikipedia says that on November 19, 1969, astronaut Alan Bean guided the Apollo 12 module to within 200 yards of Surveyor 3 landing site. Meanwhile, Leo continued developing his own technology moonshot.
leo proto which became the Espada-2
Wikipedia says that on November 19, 1969, astronaut Alan Bean guided the Apollo 12 module to within 200 yards of Surveyor 3 landing site. Meanwhile, Leo continued developing his own technology moonshot.
Date: 09/28/19
Wikipedia says that on November 19, 1969, astronaut Alan Bean guided the Apollo 12 module to within 200 yards of Surveyor 3 landing site. Meanwhile, Leo continued developing his own technology moonshot.
leo proto which became the Espada-3
Wikipedia says that on November 19, 1969, astronaut Alan Bean guided the Apollo 12 module to within 200 yards of Surveyor 3 landing site. Meanwhile, Leo continued developing his own technology moonshot.
Date: 09/28/19
Wikipedia says that on November 19, 1969, astronaut Alan Bean guided the Apollo 12 module to within 200 yards of Surveyor 3 landing site. Meanwhile, Leo continued developing his own technology moonshot.
leo proto which became the Espada-4
Wikipedia says that on November 19, 1969, astronaut Alan Bean guided the Apollo 12 module to within 200 yards of Surveyor 3 landing site. Meanwhile, Leo continued developing his own technology moonshot.
Date: 09/28/19
Wikipedia says that on November 19, 1969, astronaut Alan Bean guided the Apollo 12 module to within 200 yards of Surveyor 3 landing site. Meanwhile, Leo continued developing his own technology moonshot.
leo proto which became the Espada-5
Wikipedia says that on November 19, 1969, astronaut Alan Bean guided the Apollo 12 module to within 200 yards of Surveyor 3 landing site. Meanwhile, Leo continued developing his own technology moonshot.
Date: 09/28/19
Wikipedia says that on November 19, 1969, astronaut Alan Bean guided the Apollo 12 module to within 200 yards of Surveyor 3 landing site. Meanwhile, Leo continued developing his own technology moonshot.
Leo’s old Famco press made in Kenosha, Wisconsin
pressure, pressin’ down on you: Leo’s old Famco press made in Kenosha, Wisconsin. It was built to last and is serviceable nearly forever. Yeah, it’s just a tool in a factory, but what it represents to me is far more special than that.
Date: 09/29/19
pressure, pressin’ down on you: Leo’s old Famco press made in Kenosha, Wisconsin. It was built to last and is serviceable nearly forever. Yeah, it’s just a tool in a factory, but what it represents to me is far more special than that.
Here’s the story...of an axe named ASAT
Here’s the story...of an axe named ASAT: Coming up next on the CLF Research YouTube channel.
Date: 09/30/19
Here’s the story...of an axe named ASAT: Coming up next on the CLF Research YouTube channel.
Me and Tommy Chong with his new ride
Me and Tommy Chong with his new ride
Date: 10/01/19
Me and Tommy Chong with his new ride
Leo’s “breadboard” pickup testers
I just filmed the story on Leo’s “breadboard” pickup testers. Should hit the CLF Research YouTube channel tomorrow, so let’s geek the hell out with amazing historic artifacts.
Date: 10/03/19
I just filmed the story on Leo’s “breadboard” pickup testers. Should hit the CLF Research YouTube channel tomorrow, so let’s geek the hell out with amazing historic artifacts.
mid 1960s Rockwell 15-655 drill press
In the wood shop: I was doing a little service on this mid 1960s Rockwell 15-655 drill press. I forgot you guys like weird stuff like Leo’s vintage American tools, so here’s a fix. :
Date: 10/04/19
In the wood shop: I was doing a little service on this mid 1960s Rockwell 15-655 drill press. I forgot you guys like weird stuff like Leo’s vintage American tools, so here’s a fix. :
Danny drew this-1
Nailed it: Danny drew this and I f’ing love it. He even got the cup of green tea I’m always carrying around.
Date: 10/09/19
Nailed it: Danny drew this and I f’ing love it. He even got the cup of green tea I’m always carrying around.
Danny drew this-2
Nailed it: Danny drew this and I f’ing love it. He even got the cup of green tea I’m always carrying around.
Date: 10/09/19
Nailed it: Danny drew this and I f’ing love it. He even got the cup of green tea I’m always carrying around.
Project Fake Broadcaster
Yeee Haaa! Bendin’ an’ twangin’ on Project Fake Broadcaster. Damn this is fun.
Date: 10/09/19
Yeee Haaa! Bendin’ an’ twangin’ on Project Fake Broadcaster. Damn this is fun.
Random pic of an old friend
Random pic of an old friend.
Date: 10/11/19
Random pic of an old friend.
Leo Fender’s consulting fee for the month of August 1969-1
Leo Fender’s consulting fee for the month of August 1969.
Date: 10/12/19
Leo Fender’s consulting fee for the month of August 1969.
Leo Fender’s consulting fee for the month of August 1969 -2
Leo Fender’s consulting fee for the month of August 1969 .
Date: 10/12/19
Leo Fender’s consulting fee for the month of August 1969 .
ASAT Classic MFD bridge pickups served fresh at Leo’s bakery
ASAT Classic MFD bridge pickups served fresh at Leo’s bakery.
Date: 10/12/19
ASAT Classic MFD bridge pickups served fresh at Leo’s bakery.
Carmen doing her thing since 1985
Carmen doing her thing since 1985
Date: 10/14/19
Carmen doing her thing since 1985
March 17, 1980: George Fullerton still making small adjustments to the first G&L guitar headstock design
March 17, 1980: George Fullerton still making small adjustments to the first G&L guitar headstock design.
Date: 10/15/19
March 17, 1980: George Fullerton still making small adjustments to the first G&L guitar headstock design.
An old friend John Jorgenson
An old friend John Jorgenson
Date: 10/16/19
An old friend John Jorgenson
Great pic of Leo here in the lab around 1977-1
Great pic of Leo here in the lab around 1977. The photo is sitting on the same chair Leo was sitting on when the photo was taken. How cool is that?
Date: 10/21/19
Great pic of Leo here in the lab around 1977. The photo is sitting on the same chair Leo was sitting on when the photo was taken. How cool is that?
Great pic of Leo here in the lab around 1977-2
Great pic of Leo here in the lab around 1977. The photo is sitting on the same chair Leo was sitting on when the photo was taken. How cool is that?
Date: 10/21/19
Great pic of Leo here in the lab around 1977. The photo is sitting on the same chair Leo was sitting on when the photo was taken. How cool is that?
B023699-1
Sorry to my friend Murphy Karges for taking forever to post these pics of his beloved SB-2, the one that he played on Sugar Ray hits including “Fly” and more. Serial number B023699 was completed here on January 5, 1993.
Date: 10/29/19
Sorry to my friend Murphy Karges for taking forever to post these pics of his beloved SB-2, the one that he played on Sugar Ray hits including “Fly” and more. Serial number B023699 was completed here on January 5, 1993.
B023699-2
Sorry to my friend Murphy Karges for taking forever to post these pics of his beloved SB-2, the one that he played on Sugar Ray hits including “Fly” and more. Serial number B023699 was completed here on January 5, 1993.
Date: 10/29/19
Sorry to my friend Murphy Karges for taking forever to post these pics of his beloved SB-2, the one that he played on Sugar Ray hits including “Fly” and more. Serial number B023699 was completed here on January 5, 1993.
B023699-3
Sorry to my friend Murphy Karges for taking forever to post these pics of his beloved SB-2, the one that he played on Sugar Ray hits including “Fly” and more. Serial number B023699 was completed here on January 5, 1993.
Date: 10/29/19
Sorry to my friend Murphy Karges for taking forever to post these pics of his beloved SB-2, the one that he played on Sugar Ray hits including “Fly” and more. Serial number B023699 was completed here on January 5, 1993.
B023699-4
Sorry to my friend Murphy Karges for taking forever to post these pics of his beloved SB-2, the one that he played on Sugar Ray hits including “Fly” and more. Serial number B023699 was completed here on January 5, 1993.
Date: 10/29/19
Sorry to my friend Murphy Karges for taking forever to post these pics of his beloved SB-2, the one that he played on Sugar Ray hits including “Fly” and more. Serial number B023699 was completed here on January 5, 1993.
B023699-5
Sorry to my friend Murphy Karges for taking forever to post these pics of his beloved SB-2, the one that he played on Sugar Ray hits including “Fly” and more. Serial number B023699 was completed here on January 5, 1993.
Date: 10/29/19
Sorry to my friend Murphy Karges for taking forever to post these pics of his beloved SB-2, the one that he played on Sugar Ray hits including “Fly” and more. Serial number B023699 was completed here on January 5, 1993.
B023699-6
Sorry to my friend Murphy Karges for taking forever to post these pics of his beloved SB-2, the one that he played on Sugar Ray hits including “Fly” and more. Serial number B023699 was completed here on January 5, 1993.
Date: 10/29/19
Sorry to my friend Murphy Karges for taking forever to post these pics of his beloved SB-2, the one that he played on Sugar Ray hits including “Fly” and more. Serial number B023699 was completed here on January 5, 1993.
B023699-7
Sorry to my friend Murphy Karges for taking forever to post these pics of his beloved SB-2, the one that he played on Sugar Ray hits including “Fly” and more. Serial number B023699 was completed here on January 5, 1993.
Date: 10/29/19
Sorry to my friend Murphy Karges for taking forever to post these pics of his beloved SB-2, the one that he played on Sugar Ray hits including “Fly” and more. Serial number B023699 was completed here on January 5, 1993.
B023699-8
Sorry to my friend Murphy Karges for taking forever to post these pics of his beloved SB-2, the one that he played on Sugar Ray hits including “Fly” and more. Serial number B023699 was completed here on January 5, 1993.
Date: 10/29/19
Sorry to my friend Murphy Karges for taking forever to post these pics of his beloved SB-2, the one that he played on Sugar Ray hits including “Fly” and more. Serial number B023699 was completed here on January 5, 1993.
B023699-9
Sorry to my friend Murphy Karges for taking forever to post these pics of his beloved SB-2, the one that he played on Sugar Ray hits including “Fly” and more. Serial number B023699 was completed here on January 5, 1993.
Date: 10/29/19
Sorry to my friend Murphy Karges for taking forever to post these pics of his beloved SB-2, the one that he played on Sugar Ray hits including “Fly” and more. Serial number B023699 was completed here on January 5, 1993.
B023699-10
Sorry to my friend Murphy Karges for taking forever to post these pics of his beloved SB-2, the one that he played on Sugar Ray hits including “Fly” and more. Serial number B023699 was completed here on January 5, 1993.
Date: 10/29/19
Sorry to my friend Murphy Karges for taking forever to post these pics of his beloved SB-2, the one that he played on Sugar Ray hits including “Fly” and more. Serial number B023699 was completed here on January 5, 1993.
Shhh...nothing to see here. ; )
Shhh...nothing to see here. ; )
Date: 10/31/19
Shhh...nothing to see here. ; )
2002 ASAT Deluxe Semi-Hollow-1
Dave Brown at the G&L Custom Shop caught me doing a quick shave of the fret ends on my 2002 ASAT Deluxe Semi-Hollow. Now back to wailing 38 Special.
Date: 10/31/19
Dave Brown at the G&L Custom Shop caught me doing a quick shave of the fret ends on my 2002 ASAT Deluxe Semi-Hollow. Now back to wailing 38 Special.
2002 ASAT Deluxe Semi-Hollow-2
Dave Brown at the G&L Custom Shop caught me doing a quick shave of the fret ends on my 2002 ASAT Deluxe Semi-Hollow. Now back to wailing 38 Special.
Date: 10/31/19
Dave Brown at the G&L Custom Shop caught me doing a quick shave of the fret ends on my 2002 ASAT Deluxe Semi-Hollow. Now back to wailing 38 Special.
Universal Audio interface
New Gear Day: I bought this Universal Audio interface for the lounge studio.
Date: 11/01/19
New Gear Day: I bought this Universal Audio interface for the lounge studio.
Like if you know why this 1976 neck reminds me of the movie Toy Story
Like if you know why this 1976 neck reminds me of the movie Toy Story. : )
Date: 11/01/19
Like if you know why this 1976 neck reminds me of the movie Toy Story. : )
one of Leo’s briefcases-1
I think it would be cool use one of Leo’s briefcases at NAMM in January. Probably go to meetings I don’t really need to attend, just to show it off. ; )
Date: 11/01/19
I think it would be cool use one of Leo’s briefcases at NAMM in January. Probably go to meetings I don’t really need to attend, just to show it off. ; )
one of Leo’s briefcases-2
I think it would be cool use one of Leo’s briefcases at NAMM in January. Probably go to meetings I don’t really need to attend, just to show it off. ; )
Date: 11/01/19
I think it would be cool use one of Leo’s briefcases at NAMM in January. Probably go to meetings I don’t really need to attend, just to show it off. ; )
John is drilling out a blank jazz bass pickup cover. What do you think he’s developing?
John is drilling out a blank jazz bass pickup cover. What do you think he’s developing?
Date: 11/03/19
John is drilling out a blank jazz bass pickup cover. What do you think he’s developing?
I see Mic Dangerously has his Fallout in for a little massage-1
I see Mic Dangerously has his Fallout in for a little massage.
Date: 11/04/19
I see Mic Dangerously has his Fallout in for a little massage.
I see Mic Dangerously has his Fallout in for a little massage-2
I see Mic Dangerously has his Fallout in for a little massage.
Date: 11/04/19
I see Mic Dangerously has his Fallout in for a little massage.
I see Mic Dangerously has his Fallout in for a little massage-3
I see Mic Dangerously has his Fallout in for a little massage.
Date: 11/04/19
I see Mic Dangerously has his Fallout in for a little massage.
John is working on: MFD jazz pickups
So you guys figured out what John is working on: MFD jazz pickups. The first prototype pair are already loaded, which means now we get into the musical side. More turns? Less turns? Change the wire gauge? Change the bobbin aperture? Change the magnets?
Date: 11/04/19
So you guys figured out what John is working on: MFD jazz pickups. The first prototype pair are already loaded, which means now we get into the musical side. More turns? Less turns? Change the wire gauge? Change the bobbin aperture? Change the magnets?
I think John showed Danny how to use the mini mill to do a straight cut across the pickup covers to clear the MFD pole pieces which still need fine tuning in their positioning. The journey really begins now that we have something together to play with.
I think John showed Danny how to use the mini mill to do a straight cut across the pickup covers to clear the MFD pole pieces which still need fine tuning in their positioning. The journey really begins now that we have something together to play with.
Leo signed this artist’s G&L Cavalier here in the lab-1
Leo signed this artist’s G&L Cavalier here in the lab. The photo says 1984 on the back. Can anyone positively ID him? Let’s not turn this into a sh*t show, guys, I really want to know
Date: 11/05/19
Leo signed this artist’s G&L Cavalier here in the lab. The photo says 1984 on the back. Can anyone positively ID him? Let’s not turn this into a sh*t show, guys, I really want to know
Leo signed this artist’s G&L Cavalier here in the lab-2
Leo signed this artist’s G&L Cavalier here in the lab. The photo says 1984 on the back. Can anyone positively ID him? Let’s not turn this into a sh*t show, guys, I really want to know
Date: 11/05/19
Leo signed this artist’s G&L Cavalier here in the lab. The photo says 1984 on the back. Can anyone positively ID him? Let’s not turn this into a sh*t show, guys, I really want to know
cool evening autumn air in Fullerton as a freight train passes-1
Feeling the cool evening autumn air in Fullerton as a freight train passes behind me. A mile down the same track passes where the Fender factory was. I bet that freight train is passing there now.
Date: 11/06/19 Feeling the cool evening autumn air in Fullerton as a freight train passes behind me. A mile down the same track passes where the Fender factory was. I bet that freight train is passing there now.
Date: 11/06/19 Feeling the cool evening autumn air in Fullerton as a freight train passes behind me. A mile down the same track passes where the Fender factory was. I bet that freight train is passing there now.
cool evening autumn air in Fullerton as a freight train passes-2
Feeling the cool evening autumn air in Fullerton as a freight train passes behind me. A mile down the same track passes where the Fender factory was. I bet that freight train is passing there now.
Date: 11/06/19 Feeling the cool evening autumn air in Fullerton as a freight train passes behind me. A mile down the same track passes where the Fender factory was. I bet that freight train is passing there now.
Date: 11/06/19 Feeling the cool evening autumn air in Fullerton as a freight train passes behind me. A mile down the same track passes where the Fender factory was. I bet that freight train is passing there now.
The Green Machine and I are gonna have some fun
The Green Machine and I are gonna have some fun.
Date: 11/07/19
The Green Machine and I are gonna have some fun.
Messing around with some lights in Leo’s Lounge
Messing around with some lights in Leo’s Lounge. This is about the best we can come up with without reading the manual or having lunch yet. I kinda dig it though.
Date: 11/11/19 Messing around with some lights in Leo’s Lounge. This is about the best we can come up with without reading the manual or having lunch yet. I kinda dig it though.
Date: 11/11/19 Messing around with some lights in Leo’s Lounge. This is about the best we can come up with without reading the manual or having lunch yet. I kinda dig it though.
Leo prototype
Steve Austin, astronaut. A man barely alive. Gentlemen, we can rebuild him. We have the technology. We have the capability to build the world's first bionic man. Steve Austin will be that man. Better than he was before. Better, stronger, faster.
-Oscar G Date: 11/12/19 Steve Austin, astronaut. A man barely alive. Gentlemen, we can rebuild him. We have the technology. We have the capability to build the world's first bionic man. Steve Austin will be that man. Better than he was before. Better, stronger, faster.
-Oscar Goldman
-Oscar G Date: 11/12/19 Steve Austin, astronaut. A man barely alive. Gentlemen, we can rebuild him. We have the technology. We have the capability to build the world's first bionic man. Steve Austin will be that man. Better than he was before. Better, stronger, faster.
-Oscar Goldman
Roasted quartersawn flame maple
Roasted quartersawn flame maple. This feels like if G&L opened the custom shop in 1980 and I’m McLovin’ it. G&L Custom Shop is making some stuff that is blowing my mind.
Date: 11/13/19
Roasted quartersawn flame maple. This feels like if G&L opened the custom shop in 1980 and I’m McLovin’ it. G&L Custom Shop is making some stuff that is blowing my mind.
Hangin’ out in Leo’s lab with my friend Ralf Rohrbach, owner of Musik Wein which distributes G&L in Germany
Hangin’ out in Leo’s lab with my friend Ralf Rohrbach, owner of Musik Wein which distributes G&L in Germany. ???????? Ralf is holding the CLF-67/68 prototype.
Date: 11/15/19 Hangin’ out in Leo’s lab with my friend Ralf Rohrbach, owner of Musik Wein which distributes G&L in Germany. ???????? Ralf is holding the CLF-67/68 prototype.
Date: 11/15/19 Hangin’ out in Leo’s lab with my friend Ralf Rohrbach, owner of Musik Wein which distributes G&L in Germany. ???????? Ralf is holding the CLF-67/68 prototype.
visit from our old friend and Leo’s friend too, Rob Joly, whose kind of an industry legend. He and his store Jim's Music Center
We had a wonderful visit from our old friend and Leo’s friend too, Rob Joly, whose kind of an industry legend. He and his store Jim's Music Center started the careers of many musicians and industry people. Here’s me and Rob with his beloved old G&L El
Date: 11/18/19
We had a wonderful visit from our old friend and Leo’s friend too, Rob Joly, whose kind of an industry legend. He and his store Jim's Music Center started the careers of many musicians and industry people. Here’s me and Rob with his beloved old G&L El Toro.
Phyllis Fender stopped by to visit John and me
Phyllis Fender stopped by to visit John and me. No, we’re not holding her up, she’s fine, she just likes holding hands a lot. Anyway, I hit her up about hanging out with us and telling stories on my CLF Research YouTube channel. She’s totally on board, so
Date: 11/19/19
Phyllis Fender stopped by to visit John and me. No, we’re not holding her up, she’s fine, she just likes holding hands a lot. Anyway, I hit her up about hanging out with us and telling stories on my CLF Research YouTube channel. She’s totally on board, so this should be fun! : )
Rob Joly’s old El Toro-1
Say hello to Rob Joly’s old El Toro, probably given to him by Leo, my guess in 1984. I can’t find a serial number so I’ll have to get Rob to see if he can remember what was up
Date: 11/27/19
Say hello to Rob Joly’s old El Toro, probably given to him by Leo, my guess in 1984. I can’t find a serial number so I’ll have to get Rob to see if he can remember what was up
Rob Joly’s old El Toro-2
Say hello to Rob Joly’s old El Toro, probably given to him by Leo, my guess in 1984. I can’t find a serial number so I’ll have to get Rob to see if he can remember what was up
Date: 11/27/19
Say hello to Rob Joly’s old El Toro, probably given to him by Leo, my guess in 1984. I can’t find a serial number so I’ll have to get Rob to see if he can remember what was up
Rob Joly’s old El Toro-4
Say hello to Rob Joly’s old El Toro, probably given to him by Leo, my guess in 1984. I can’t find a serial number so I’ll have to get Rob to see if he can remember what was up
Date: 11/27/19
Say hello to Rob Joly’s old El Toro, probably given to him by Leo, my guess in 1984. I can’t find a serial number so I’ll have to get Rob to see if he can remember what was up
Rob Joly’s old El Toro-5
Say hello to Rob Joly’s old El Toro, probably given to him by Leo, my guess in 1984. I can’t find a serial number so I’ll have to get Rob to see if he can remember what was up
Date: 11/27/19
Say hello to Rob Joly’s old El Toro, probably given to him by Leo, my guess in 1984. I can’t find a serial number so I’ll have to get Rob to see if he can remember what was up
Rob Joly’s old El Toro-6
Say hello to Rob Joly’s old El Toro, probably given to him by Leo, my guess in 1984. I can’t find a serial number so I’ll have to get Rob to see if he can remember what was up
Date: 11/27/19
Say hello to Rob Joly’s old El Toro, probably given to him by Leo, my guess in 1984. I can’t find a serial number so I’ll have to get Rob to see if he can remember what was up
Rob Joly’s old El Toro-7
Say hello to Rob Joly’s old El Toro, probably given to him by Leo, my guess in 1984. I can’t find a serial number so I’ll have to get Rob to see if he can remember what was up
Date: 11/27/19
Say hello to Rob Joly’s old El Toro, probably given to him by Leo, my guess in 1984. I can’t find a serial number so I’ll have to get Rob to see if he can remember what was up
Rob Joly’s old El Toro-8
Say hello to Rob Joly’s old El Toro, probably given to him by Leo, my guess in 1984. I can’t find a serial number so I’ll have to get Rob to see if he can remember what was up
Date: 11/27/19
Say hello to Rob Joly’s old El Toro, probably given to him by Leo, my guess in 1984. I can’t find a serial number so I’ll have to get Rob to see if he can remember what was up
Rob Joly’s old El Toro-3
Say hello to Rob Joly’s old El Toro, probably given to him by Leo, my guess in 1984. I can’t find a serial number so I’ll have to get Rob to see if he can remember what was up.
Date: 11/27/19
Say hello to Rob Joly’s old El Toro, probably given to him by Leo, my guess in 1984. I can’t find a serial number so I’ll have to get Rob to see if he can remember what was up.
CLF Research Project Instrumennts: An Introduction banner
Click the link for a YouTube intro to my CLF Research Project Instruments. If you’ve been following here for a while, you know I start with a decades old body or neck and build out a complete instrument. There's always a few surprises in store, from findi
Date: 12/02/19
Click the link for a YouTube intro to my CLF Research Project Instruments. If you’ve been following here for a while, you know I start with a decades old body or neck and build out a complete instrument. There's always a few surprises in store, from finding ancient parts in dusty old bins to fabricating what can't be found inside Leo Fender's historic CLF Research factory on Fender Avenue in Fullerton, California.
https://youtu.be/FmtZ3uuMptE
https://youtu.be/FmtZ3uuMptE
Well, this sucks
Well, this sucks. The mains fuse just popped. We’ll check it out later and get it sorted.
Date: 12/03/19 Well, this sucks. The mains fuse just popped. We’ll check it out later and get it sorted.
Date: 12/03/19 Well, this sucks. The mains fuse just popped. We’ll check it out later and get it sorted.
Calling in backup
Calling in backup: this dusty character fired up but I think it will also need medical attention soon.
Date: 12/03/19
Calling in backup: this dusty character fired up but I think it will also need medical attention soon.
Doctor Brown took care of the patient, and I’m pleased to report a complete recovery
Doctor Brown took care of the patient, and I’m pleased to report a complete recovery.
Date: 12/03/19
Doctor Brown took care of the patient, and I’m pleased to report a complete recovery.
Joe Ayoub with his new CLF Research L-2500
Our friend Joe Ayoub with his new CLF Research L-2500. He will be rocking it on the upcoming season of American Idol.
Date: 12/08/19
Our friend Joe Ayoub with his new CLF Research L-2500. He will be rocking it on the upcoming season of American Idol.
adjust the truss rod on my 2002 ASAT Deluxe Semi-Hollow
Gotta adjust the truss rod on my 2002 ASAT Deluxe Semi-Hollow. I backed it off a little and now it’s good to go. Man, I love this guitar.
Date: 12/13/19
Gotta adjust the truss rod on my 2002 ASAT Deluxe Semi-Hollow. I backed it off a little and now it’s good to go. Man, I love this guitar.
Sisters born in the same home 35 years apart
Sisters born in the same home 35 years apart.
Date: 12/13/19
Sisters born in the same home 35 years apart.
original Leo Fender business card here in his office
An original Leo Fender business card here in his office. I’m sending this card to someone who really made my day during the NAMM show back in January.
Date: 12/13/19
An original Leo Fender business card here in his office. I’m sending this card to someone who really made my day during the NAMM show back in January.
All hail the mighty 1987 ASAT
All hail the mighty 1987 ASAT. The original ASAT and still my favorite in what we call ASAT Special today. The Anti-Satellite.
Date: 12/13/19
All hail the mighty 1987 ASAT. The original ASAT and still my favorite in what we call ASAT Special today. The Anti-Satellite.
Two original 1981 masterpieces
MFD power for a new generation. Two original 1981 masterpieces from the house of Leo
Date: 12/13/19
MFD power for a new generation. Two original 1981 masterpieces from the house of Leo
mount lights on top of the QSC speakers-1
Well I’m proud of my total MacGyver job using chopped off photography tripod parts to mount lights on top of the QSC speakers. I bet there’s a solution out there, but me and Home Depot got it done.
Date: 12/13/19
Well I’m proud of my total MacGyver job using chopped off photography tripod parts to mount lights on top of the QSC speakers. I bet there’s a solution out there, but me and Home Depot got it done.
mount lights on top of the QSC speakers-2
Well I’m proud of my total MacGyver job using chopped off photography tripod parts to mount lights on top of the QSC speakers. I bet there’s a solution out there, but me and Home Depot got it done.
Date: 12/13/19
Well I’m proud of my total MacGyver job using chopped off photography tripod parts to mount lights on top of the QSC speakers. I bet there’s a solution out there, but me and Home Depot got it done.
mount lights on top of the QSC speakers-3
Well I’m proud of my total MacGyver job using chopped off photography tripod parts to mount lights on top of the QSC speakers. I bet there’s a solution out there, but me and Home Depot got it done.
Date: 12/13/19
Well I’m proud of my total MacGyver job using chopped off photography tripod parts to mount lights on top of the QSC speakers. I bet there’s a solution out there, but me and Home Depot got it done.
R&D artifacts
Picked this up from behind a bench in the lab, ancient dust bunnies and all. I love R&D artifacts the most.
Date: 12/17/19
Picked this up from behind a bench in the lab, ancient dust bunnies and all. I love R&D artifacts the most.
Skyhawk porn
Skyhawk porn! The ‘80s kicked ass, at least what I can remember. Here is evidence that Leo and George definitely had their game on.
Date: 12/17/19
Skyhawk porn! The ‘80s kicked ass, at least what I can remember. Here is evidence that Leo and George definitely had their game on.
I just love everything about this 1987 ASAT headstock
I just love everything about this 1987 ASAT headstock.
Date: 12/20/19
I just love everything about this 1987 ASAT headstock.
built in honeyburst with pearl guard
I finally got an Espada!!! Somehow this got built in honeyburst with pearl guard. The story had something to do with an artist who maybe changed an order...whatever. So we have a CLFR concept from 1969 dressed up totally like a G&L from 1999. My mind
Date: 12/20/19
I finally got an Espada!!! Somehow this got built in honeyburst with pearl guard. The story had something to do with an artist who maybe changed an order...whatever. So we have a CLFR concept from 1969 dressed up totally like a G&L from 1999. My mind is tripping but I like it, like it, yes I do.
CLF Research CLF-67:68 developmental prototype
The CLF Research CLF-67/68 developmental prototype from 1967-1968. It is a snapshot in time of Leo’s pioneering spirit, almost quaintly still housed in a Telecaster body, before the fancier Espada styling work was done in 1969. It still amazes me to imagi
Date: 12/20/19
The CLF Research CLF-67/68 developmental prototype from 1967-1968. It is a snapshot in time of Leo’s pioneering spirit, almost quaintly still housed in a Telecaster body, before the fancier Espada styling work was done in 1969. It still amazes me to imagine that Leo was literally constructing the future on the foundation he had created less than 20 years before.
One of Leo's G&L hats
Happy New Year! Pretty sure 2020 is gonna kick ass.
Date: 01/02/20
Happy New Year! Pretty sure 2020 is gonna kick ass.
The Ritual-1
The Ritual: the moment when you peel off the pickguard film on your new axe. I didn’t even notice the film was still on until the stuff started rolling up. Whoa, that white pearl is looking swank
Date: 01/07/20
The Ritual: the moment when you peel off the pickguard film on your new axe. I didn’t even notice the film was still on until the stuff started rolling up. Whoa, that white pearl is looking swank
The Ritual-2
The Ritual: the moment when you peel off the pickguard film on your new axe. I didn’t even notice the film was still on until the stuff started rolling up. Whoa, that white pearl is looking swank
Date: 01/07/20
The Ritual: the moment when you peel off the pickguard film on your new axe. I didn’t even notice the film was still on until the stuff started rolling up. Whoa, that white pearl is looking swank
The Ritual-3
The Ritual: the moment when you peel off the pickguard film on your new axe. I didn’t even notice the film was still on until the stuff started rolling up. Whoa, that white pearl is looking swank
Date: 01/07/20
The Ritual: the moment when you peel off the pickguard film on your new axe. I didn’t even notice the film was still on until the stuff started rolling up. Whoa, that white pearl is looking swank
I got caught stealing Leo’s pen
I got caught stealing Leo’s pen.
Date: 01/07/20
I got caught stealing Leo’s pen.
NAMM display stuff being packed for the show
“No one knows who they were or what they were doin’...but their legacy remains” NAMM display stuff being packed for the show.
Date: 01/08/20
“No one knows who they were or what they were doin’...but their legacy remains” NAMM display stuff being packed for the show.
Custom Shop Espada body for Jeff Byrd
Paging my old friend Jeff Byrd: stumbling through the G&L Custom Shop this Espada body caught my eye and I think it’s yours. Super even grain striations in one of the nicest 2-piece alder bodies I’ve ever seen. Shell Pink nitro will sink into the grai
Date: 01/10/20
Paging my old friend Jeff Byrd: stumbling through the G&L Custom Shop this Espada body caught my eye and I think it’s yours. Super even grain striations in one of the nicest 2-piece alder bodies I’ve ever seen. Shell Pink nitro will sink into the grain like ????????????
Ancient nitrocellulose crystals-1
Ancient nitrocellulose crystals once formed Heavy guitar-pick shaped structures which have broken down over time. Scientists speculate that the ancient black guitar picks found at the site managed to remain intact because they are Medium and nobody wanted
Date: 01/10/20
Ancient nitrocellulose crystals once formed Heavy guitar-pick shaped structures which have broken down over time. Scientists speculate that the ancient black guitar picks found at the site managed to remain intact because they are Medium and nobody wanted them.
Ancient nitrocellulose crystals-2
Ancient nitrocellulose crystals once formed Heavy guitar-pick shaped structures which have broken down over time. Scientists speculate that the ancient black guitar picks found at the site managed to remain intact because they are Medium and nobody wanted
Date: 01/10/20
Ancient nitrocellulose crystals once formed Heavy guitar-pick shaped structures which have broken down over time. Scientists speculate that the ancient black guitar picks found at the site managed to remain intact because they are Medium and nobody wanted them.
Ancient nitrocellulose crystals-3
Ancient nitrocellulose crystals once formed Heavy guitar-pick shaped structures which have broken down over time. Scientists speculate that the ancient black guitar picks found at the site managed to remain intact because they are Medium and nobody wanted
Date: 01/10/20
Ancient nitrocellulose crystals once formed Heavy guitar-pick shaped structures which have broken down over time. Scientists speculate that the ancient black guitar picks found at the site managed to remain intact because they are Medium and nobody wanted them.
CLF Research paint shop floor
The CLF Research paint shop floor looks like a Jackson Pollock painting started here back in 1976. Maybe someday we will have to diamond grind the floor to clear it, but I like knowing that four decades of G&L plus the first four years of MM productio
Date: 01/21/20
The CLF Research paint shop floor looks like a Jackson Pollock painting started here back in 1976. Maybe someday we will have to diamond grind the floor to clear it, but I like knowing that four decades of G&L plus the first four years of MM production is history that’s literally under my feet. Somehow that feels powerful to me.
This L-1000 was born on September 25, 1980
This L-1000 was born on September 25, 1980 and now belongs to our friend Rob Wolanski The Bartolini stuff was added long ago before Rob bought it. It also has a sketchy neck, so....yeah. What we have here, see, is a Project Instrument. NAMM is over, time
Date: 01/21/20
This L-1000 was born on September 25, 1980 and now belongs to our friend Rob Wolanski The Bartolini stuff was added long ago before Rob bought it. It also has a sketchy neck, so....yeah. What we have here, see, is a Project Instrument. NAMM is over, time to get back to tinkering with old stuff!
1966 photo of Leo’s drafting table
1966 photo of Leo’s drafting table in his first CLF Research building on Elm Street. I just took a photo of that photo, sitting on the same drafting table in his CLF Research building here on Fender Avenue.
Date: 02/02/20
1966 photo of Leo’s drafting table in his first CLF Research building on Elm Street. I just took a photo of that photo, sitting on the same drafting table in his CLF Research building here on Fender Avenue.
well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks-1
This well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks who visited us today. Aside from the fact that my “want” button was absolutely smashed, note the matte black finish on the bridge plate; more powder coated black hardware wou
Date: 02/02/20
This well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks who visited us today. Aside from the fact that my “want” button was absolutely smashed, note the matte black finish on the bridge plate; more powder coated black hardware would follow on various G&L models but with a textured crinkle finish as we use on the Doheny V12 today.
well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks-2
This well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks who visited us today. Aside from the fact that my “want” button was absolutely smashed, note the matte black finish on the bridge plate; more powder coated black hardware wou
Date: 02/02/20
This well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks who visited us today. Aside from the fact that my “want” button was absolutely smashed, note the matte black finish on the bridge plate; more powder coated black hardware would follow on various G&L models but with a textured crinkle finish as we use on the Doheny V12 today.
well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks-3
This well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks who visited us today. Aside from the fact that my “want” button was absolutely smashed, note the matte black finish on the bridge plate; more powder coated black hardware wou
Date: 02/02/20
This well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks who visited us today. Aside from the fact that my “want” button was absolutely smashed, note the matte black finish on the bridge plate; more powder coated black hardware would follow on various G&L models but with a textured crinkle finish as we use on the Doheny V12 today.
well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks-4
This well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks who visited us today. Aside from the fact that my “want” button was absolutely smashed, note the matte black finish on the bridge plate; more powder coated black hardware wou
Date: 02/02/20
This well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks who visited us today. Aside from the fact that my “want” button was absolutely smashed, note the matte black finish on the bridge plate; more powder coated black hardware would follow on various G&L models but with a textured crinkle finish as we use on the Doheny V12 today.
well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks-5
This well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks who visited us today. Aside from the fact that my “want” button was absolutely smashed, note the matte black finish on the bridge plate; more powder coated black hardware wou
Date: 02/02/20
This well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks who visited us today. Aside from the fact that my “want” button was absolutely smashed, note the matte black finish on the bridge plate; more powder coated black hardware would follow on various G&L models but with a textured crinkle finish as we use on the Doheny V12 today.
well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks-6
This well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks who visited us today. Aside from the fact that my “want” button was absolutely smashed, note the matte black finish on the bridge plate; more powder coated black hardware wou
Date: 02/02/20
This well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks who visited us today. Aside from the fact that my “want” button was absolutely smashed, note the matte black finish on the bridge plate; more powder coated black hardware would follow on various G&L models but with a textured crinkle finish as we use on the Doheny V12 today.
well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks-7
This well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks who visited us today. Aside from the fact that my “want” button was absolutely smashed, note the matte black finish on the bridge plate; more powder coated black hardware wou
Date: 02/02/20
This well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks who visited us today. Aside from the fact that my “want” button was absolutely smashed, note the matte black finish on the bridge plate; more powder coated black hardware would follow on various G&L models but with a textured crinkle finish as we use on the Doheny V12 today.
well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks-8
This well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks who visited us today. Aside from the fact that my “want” button was absolutely smashed, note the matte black finish on the bridge plate; more powder coated black hardware wou
Date: 02/02/20
This well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks who visited us today. Aside from the fact that my “want” button was absolutely smashed, note the matte black finish on the bridge plate; more powder coated black hardware would follow on various G&L models but with a textured crinkle finish as we use on the Doheny V12 today.
well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks-9
This well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks who visited us today. Aside from the fact that my “want” button was absolutely smashed, note the matte black finish on the bridge plate; more powder coated black hardware wou
Date: 02/02/20
This well-worn L-1000 was born on February 5, 1982 and is owned by Jordan Brooks who visited us today. Aside from the fact that my “want” button was absolutely smashed, note the matte black finish on the bridge plate; more powder coated black hardware would follow on various G&L models but with a textured crinkle finish as we use on the Doheny V12 today.
“Jazzmaster” example-1
Leo kept wiring diagrams in binders, such as this “Jazzmaster” example. Can’t know for sure it’s for Jazzmaster guitar without those quotation marks, ‘cause it was mid-century America, baby, where all the cool kids wrote their nicknames in quotation marks
Date: 02/02/20
Leo kept wiring diagrams in binders, such as this “Jazzmaster” example. Can’t know for sure it’s for Jazzmaster guitar without those quotation marks, ‘cause it was mid-century America, baby, where all the cool kids wrote their nicknames in quotation marks like in Grease.
“Jazzmaster” example-2
Leo kept wiring diagrams in binders, such as this “Jazzmaster” example. Can’t know for sure it’s for Jazzmaster guitar without those quotation marks, ‘cause it was mid-century America, baby, where all the cool kids wrote their nicknames in quotation marks
Date: 02/02/20
Leo kept wiring diagrams in binders, such as this “Jazzmaster” example. Can’t know for sure it’s for Jazzmaster guitar without those quotation marks, ‘cause it was mid-century America, baby, where all the cool kids wrote their nicknames in quotation marks like in Grease.
MFD Z-coil-1
Leo in the creative zone: during the second half of the ‘80s he got his MFD Z-coil action sorted. Good things take time, sometimes years.
Date: 02/02/20
Leo in the creative zone: during the second half of the ‘80s he got his MFD Z-coil action sorted. Good things take time, sometimes years.
MFD Z-coil-2
Leo in the creative zone: during the second half of the ‘80s he got his MFD Z-coil action sorted. Good things take time, sometimes years.
Date: 02/02/20
Leo in the creative zone: during the second half of the ‘80s he got his MFD Z-coil action sorted. Good things take time, sometimes years.
ASAT and ASAT Classic Leo Fender Signature models
A naturally potent pair: ASAT and ASAT Classic Leo Fender Signature models.
Date: 02/02/20
A naturally potent pair: ASAT and ASAT Classic Leo Fender Signature models.
Fender 1965 Stratocaster in Sonic Blue, Serial No. 104232-1
Memento from the good old days: “Fender 1965 Stratocaster in Sonic Blue, Serial No. 104232” I’m gonna clean this up and hang it somewhere around here.
Date: 02/06/20
Memento from the good old days: “Fender 1965 Stratocaster in Sonic Blue, Serial No. 104232” I’m gonna clean this up and hang it somewhere around here.
Fender 1965 Stratocaster in Sonic Blue, Serial No. 104232-2
Memento from the good old days: “Fender 1965 Stratocaster in Sonic Blue, Serial No. 104232” I’m gonna clean this up and hang it somewhere around here.
Date: 02/06/20
Memento from the good old days: “Fender 1965 Stratocaster in Sonic Blue, Serial No. 104232” I’m gonna clean this up and hang it somewhere around here.
Many of the pots in Leo’s laboratory parts bins are used-1
Many of the pots in Leo’s laboratory parts bins are used. Why? Because Leo doesn’t throw away perfectly good pots when he’s done tinkering with a project. To me this is a cool little demonstration of the values of Leo Fender.
Date: 02/06/20
Many of the pots in Leo’s laboratory parts bins are used. Why? Because Leo doesn’t throw away perfectly good pots when he’s done tinkering with a project. To me this is a cool little demonstration of the values of Leo Fender.
Many of the pots in Leo’s laboratory parts bins are used-2
Many of the pots in Leo’s laboratory parts bins are used. Why? Because Leo doesn’t throw away perfectly good pots when he’s done tinkering with a project. To me this is a cool little demonstration of the values of Leo Fender.
Date: 02/06/20
Many of the pots in Leo’s laboratory parts bins are used. Why? Because Leo doesn’t throw away perfectly good pots when he’s done tinkering with a project. To me this is a cool little demonstration of the values of Leo Fender.
stack of aluminum S-500 pickguards
John showed me this stack of aluminum S-500 pickguards and the idea of sexy CLFR black crinkle powdercoat is absolutely smashing my want button. Are you thinking what I’m thinking? : )
Date: 02/06/20
John showed me this stack of aluminum S-500 pickguards and the idea of sexy CLFR black crinkle powdercoat is absolutely smashing my want button. Are you thinking what I’m thinking? : )
rare 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato
Finally, a quiet moment in the lounge, a nice time to appreciate any good fortune in my life. We often take for granted the little things, like when a good friend makes an impulsive decision to sell a guitar and calls you with a deal and you’re like “uh,
Date: 02/08/20
Finally, a quiet moment in the lounge, a nice time to appreciate any good fortune in my life. We often take for granted the little things, like when a good friend makes an impulsive decision to sell a guitar and calls you with a deal and you’re like “uh, yeah, I’ll take it off your hands” and you know they regret it later. Isn’t that right Patrick? Anyway, what we have here is a rare 1987 Skyhawk in Sunburst on maple body, ebony board, matching headstock, roller nut and CLF fine tuner vibrato. It’s just gorgeous.
George Fullerton model looking fine in Clear Blue over swamp ash with pearl guard
Bustin’ out the old George Fullerton model looking fine in Clear Blue over swamp ash with pearl guard. Got the V neck, too, and 3-bolt. This thing has major ‘90s G&L vibes that l love.
Date: 02/11/20
Bustin’ out the old George Fullerton model looking fine in Clear Blue over swamp ash with pearl guard. Got the V neck, too, and 3-bolt. This thing has major ‘90s G&L vibes that l love.
custom S-500 built with CLFR styling elements from the ‘70s and ‘80s
I'm having my own custom S-500 built with CLFR styling elements from the ‘70s and ‘80s. Right now I’m geeking out on the logo art mockup and I can already tell I’m gonna love this.
Date: 02/12/20
I'm having my own custom S-500 built with CLFR styling elements from the ‘70s and ‘80s. Right now I’m geeking out on the logo art mockup and I can already tell I’m gonna love this.
Jeff Floro: All About Guitar show
We did the Jeff Floro: All About Guitar show again because it’s always a blast. This time Steve Postell showed up with his Skyhawk HH and it was all fun and games. Left to right: Jeff Floro, my ass, Steve Postell, Ron Moreno and Doug Moore.
Date: 02/17/20
We did the Jeff Floro: All About Guitar show again because it’s always a blast. This time Steve Postell showed up with his Skyhawk HH and it was all fun and games. Left to right: Jeff Floro, my ass, Steve Postell, Ron Moreno and Doug Moore.
Today’s practice menu
Today’s practice menu: various Judas Priest faves and some Ratt, at least until Warren rips it hard and I’m like every third note or something oughta do it
Date: 02/17/20
Today’s practice menu: various Judas Priest faves and some Ratt, at least until Warren rips it hard and I’m like every third note or something oughta do it
Sabre II
Major Tom to Ground Control: all systems go aboard the Sabre II. Will the earth people be ready in 1978? Yes! Of course! Give this technology to the young people, they can handle it! They were not ready. ; )
Date: 02/17/20
Major Tom to Ground Control: all systems go aboard the Sabre II. Will the earth people be ready in 1978? Yes! Of course! Give this technology to the young people, they can handle it! They were not ready. ; )
1981 L-1000
Taking this 1981 L-1000 out for a drive. This thing has so much mojo everyone wants it but noooo...this one is a keeper.
Date: 02/17/20
Taking this 1981 L-1000 out for a drive. This thing has so much mojo everyone wants it but noooo...this one is a keeper.
Some of Leo’s vibrato research and development
Some of Leo’s vibrato research and development.
Date: 02/18/20 Some of Leo’s vibrato research and development.
Date: 02/18/20 Some of Leo’s vibrato research and development.
custom S-500 logo art is coming along
My custom S-500 logo art is coming along. Next I’ll get this trimmed and stuck on a headstock face, do a quick build to see exactly where strings are relative to the logo and generally how it looks. Really trying to capture a fun feeling like we built it
Date: 02/19/20
My custom S-500 logo art is coming along. Next I’ll get this trimmed and stuck on a headstock face, do a quick build to see exactly where strings are relative to the logo and generally how it looks. Really trying to capture a fun feeling like we built it in the late ‘70s and it’s kinda flexing cause it knows it kicks ass. : )
May 5, 1980 pot samples from CTS for Leo’s approval-1
May 5, 1980 pot samples from CTS for Leo’s approval. Something about that doesn’t sound quite right. ; )
Date: 02/20/20
May 5, 1980 pot samples from CTS for Leo’s approval. Something about that doesn’t sound quite right. ; )
May 5, 1980 pot samples from CTS for Leo’s approval-2
May 5, 1980 pot samples from CTS for Leo’s approval. Something about that doesn’t sound quite right. ; )
Date: 02/20/20
May 5, 1980 pot samples from CTS for Leo’s approval. Something about that doesn’t sound quite right. ; )
May 5, 1980 pot samples from CTS for Leo’s approval-3
May 5, 1980 pot samples from CTS for Leo’s approval. Something about that doesn’t sound quite right. ; )
Date: 02/20/20
May 5, 1980 pot samples from CTS for Leo’s approval. Something about that doesn’t sound quite right. ; )
old SB-1:SB-2 pickguard from the late ‘80s in our black crinkle powdercoated aluminum-1
The CLFR time portal sent me this old SB-1/SB-2 pickguard from the late ‘80s in our black crinkle powdercoated aluminum. I needed one of these for a while then - bam! - suddenly I find one. I love it when that happens. : )
Date: 02/22/20
The CLFR time portal sent me this old SB-1/SB-2 pickguard from the late ‘80s in our black crinkle powdercoated aluminum. I needed one of these for a while then - bam! - suddenly I find one. I love it when that happens. : )
old SB-1:SB-2 pickguard from the late ‘80s in our black crinkle powdercoated aluminum-2
The CLFR time portal sent me this old SB-1/SB-2 pickguard from the late ‘80s in our black crinkle powdercoated aluminum. I needed one of these for a while then - bam! - suddenly I find one. I love it when that happens. : )
Date: 02/22/20
The CLFR time portal sent me this old SB-1/SB-2 pickguard from the late ‘80s in our black crinkle powdercoated aluminum. I needed one of these for a while then - bam! - suddenly I find one. I love it when that happens. : )
I noticed this bench getting more elaborate in its woodwork and I have no idea who or why
Artistic creativity extends to aspects of the workspace. I just made that up but it sounds legit. Anyway, I noticed this bench getting more elaborate in its woodwork and I have no idea who or why. I like a good mystery.
Date: 02/26/20
Artistic creativity extends to aspects of the workspace. I just made that up but it sounds legit. Anyway, I noticed this bench getting more elaborate in its woodwork and I have no idea who or why. I like a good mystery.
Mystery solved
Mystery solved: Josh didn’t like the surface and this is the woodshop and there’s some bits of wood over there...
Date: 02/26/20
Mystery solved: Josh didn’t like the surface and this is the woodshop and there’s some bits of wood over there...
project1979S500 headstock
My pet project has a name: #project1979S500 because I’m going for a retro CLFR vibe. On my development mule it looks like the headstock artwork lines up nicely and the aluminum pickguard fits well. I’m also thinking about using the bass dots like the earl
Date: 02/26/20
My pet project has a name: #project1979S500 because I’m going for a retro CLFR vibe. On my development mule it looks like the headstock artwork lines up nicely and the aluminum pickguard fits well. I’m also thinking about using the bass dots like the early G&L and Music Man guitars made here.
project1979S500 prototype
My pet project has a name: #project1979S500 because I’m going for a retro CLFR vibe. On my development mule it looks like the headstock artwork lines up nicely and the aluminum pickguard fits well. I’m also thinking about using the bass dots like the earl
Date: 02/26/20
My pet project has a name: #project1979S500 because I’m going for a retro CLFR vibe. On my development mule it looks like the headstock artwork lines up nicely and the aluminum pickguard fits well. I’m also thinking about using the bass dots like the early G&L and Music Man guitars made here.
settle for Leo’s Lab to test #project1979S500
Leo’s Lounge is being used for something so I have to settle for Leo’s Lab to test #project1979S500. The struggle is not real. ; )
Date: 02/26/20
Leo’s Lounge is being used for something so I have to settle for Leo’s Lab to test #project1979S500. The struggle is not real. ; )
CLF-75G1
I’m stuck in the lab playing whatever is in here that works. The CLF-75G1 prototype from 1975 is working great and a lot of fun to play. The styling is clearly George Fullerton’s predecessor to his Skyhawk (Nighthawk etc.) forms. The CLF-75G1 was never pu
Date: 02/26/20
I’m stuck in the lab playing whatever is in here that works. The CLF-75G1 prototype from 1975 is working great and a lot of fun to play. The styling is clearly George Fullerton’s predecessor to his Skyhawk (Nighthawk etc.) forms. The CLF-75G1 was never put into production.
breadboard instrument
Almost got this pickup tester (nicknamed a “breadboard instrument”) working but then poof, need to do a bit of soldering. I love this one because it spans all of Leo’s brands. It started in the 1960s at Fender, in the mid 1970s a Stingray neck was added,
Date: 02/27/20
Almost got this pickup tester (nicknamed a “breadboard instrument”) working but then poof, need to do a bit of soldering. I love this one because it spans all of Leo’s brands. It started in the 1960s at Fender, in the mid 1970s a Stingray neck was added, and perhaps late 1970s to early 1980s MFD single coils mounted to a test board were fitted. Maybe tomorrow I can find some time to fix this and I’ll bet Steve will want to film a little clip with it.
needed an adapter from RCA to 1:4”-1
I needed an adapter from RCA to 1/4” to use the breadboard instrument in the lounge. Well, I figured I’d give the lab another look, not expecting to find one cause I kinda looked yesterday. This is what I’d do before just making one in like 5 minutes. Ha!
Date: 02/28/20
I needed an adapter from RCA to 1/4” to use the breadboard instrument in the lounge. Well, I figured I’d give the lab another look, not expecting to find one cause I kinda looked yesterday. This is what I’d do before just making one in like 5 minutes. Ha! Procrastination pays off: I found one in a box in the sketchy cobweb zone.
needed an adapter from RCA to 1:4”-2
I needed an adapter from RCA to 1/4” to use the breadboard instrument in the lounge. Well, I figured I’d give the lab another look, not expecting to find one cause I kinda looked yesterday. This is what I’d do before just making one in like 5 minutes. Ha!
Date: 02/28/20
I needed an adapter from RCA to 1/4” to use the breadboard instrument in the lounge. Well, I figured I’d give the lab another look, not expecting to find one cause I kinda looked yesterday. This is what I’d do before just making one in like 5 minutes. Ha! Procrastination pays off: I found one in a box in the sketchy cobweb zone.
Stopped by G&L Custom Shop to do some soldering
Stopped by G&L Custom Shop to do some soldering and quick spritz clean of the electronics on the breadboard bass.
Date: 02/28/20
Stopped by G&L Custom Shop to do some soldering and quick spritz clean of the electronics on the breadboard bass.
It's allive!!!
It's allive!!!
ASAT Classic neck pickup coils hanging out at the spa getting a thorough wax treatment
ASAT Classic neck pickup coils hanging out at the spa getting a thorough wax treatment. ; )
Date: 02/28/20
ASAT Classic neck pickup coils hanging out at the spa getting a thorough wax treatment. ; )
Tom Hamilton sent me this L-2500 back
A few years ago Tom Hamilton sent me this L-2500 back and now it hangs on my office wall. He wasn’t really using it cause it was kinda heavy, and I guess this was probably one of those rush things, like when the tech calls and says “you guys got a 2500 th
Date: 03/02/20
A few years ago Tom Hamilton sent me this L-2500 back and now it hangs on my office wall. He wasn’t really using it cause it was kinda heavy, and I guess this was probably one of those rush things, like when the tech calls and says “you guys got a 2500 that we can get to the hotel by Wednesday?” Anyway, literally just now I noticed some wear and I feel kinda bad that Tom played this thing way more than I figured. I kinda assumed it had always been a wallflower...huh. Hopefully the extra light basses we’ve sent since have given his back a break, not break his back. ; )
new CLFR L-2500 headstock
If you follow G&L Musical Instruments then you’ve already seen the new CLFR L-2500. This was a pet project of mine to make the L-2500 vibe like it could have been made here in 1980 not 2020. Vintage bass geeks: note the detail in the logo art. That’s
Date: 03/02/20
If you follow G&L Musical Instruments then you’ve already seen the new CLFR L-2500. This was a pet project of mine to make the L-2500 vibe like it could have been made here in 1980 not 2020. Vintage bass geeks: note the detail in the logo art. That’s my jam right there and I know some of you appreciate that level of geekery
chonky monkey
I am in love with this chonky monkey. Why have I never done this before? I mean, wth have I been doing? Someone asked if the CLFR L-2500 has a control plate. Yes, yes it does...milled from aluminum just like those glorious machined CLF knobs, all coated i
Date: 03/02/20
I am in love with this chonky monkey. Why have I never done this before? I mean, wth have I been doing? Someone asked if the CLFR L-2500 has a control plate. Yes, yes it does...milled from aluminum just like those glorious machined CLF knobs, all coated in highly polished chrome by our old friend and badass, plating magician Vince. Got those color-coded mini-toggle switch tips for the full CLFR / NASA shuttle mission control module effect.
I’m deep in the land that time forgot...but I didn’t
I’m deep in the land that time forgot...but I didn’t : )
Date: 03/13/20
I’m deep in the land that time forgot...but I didn’t : )
Leo’s old Davis & Wells stroke sander
Was hunting for a few bits while working on Leo’s old Davis & Wells stroke sander. Here is a machine that might literally run forever as long as we take care of it. And we do. : )
Date: 03/13/20
Was hunting for a few bits while working on Leo’s old Davis & Wells stroke sander. Here is a machine that might literally run forever as long as we take care of it. And we do. : )
Abort mission and get the hell out of here
Abort mission and get the hell out of here. Sounded like something got thrown around up there. Twice, the second time as I was walking up the stairs to have a look. I don’t see anything but damn, I still get spooked from time to time.
Date: 03/13/20
Abort mission and get the hell out of here. Sounded like something got thrown around up there. Twice, the second time as I was walking up the stairs to have a look. I don’t see anything but damn, I still get spooked from time to time.
Leo drew this simple wiring diagram for a late style SB-2
Leo drew this simple wiring diagram for a late style SB-2. Not much to see here, kids! : )
Date: 03/13/20
Leo drew this simple wiring diagram for a late style SB-2. Not much to see here, kids! : )
Ancient samples sent from Helmut Schaller to Leo Fender-1
Ancient samples sent from Helmut Schaller to Leo Fender. My guess is Leo removed the covers to have a good look inside.
Date: 03/13/20
Ancient samples sent from Helmut Schaller to Leo Fender. My guess is Leo removed the covers to have a good look inside.
Ancient samples sent from Helmut Schaller to Leo Fender-2
Ancient samples sent from Helmut Schaller to Leo Fender. My guess is Leo removed the covers to have a good look inside.
Date: 03/13/20
Ancient samples sent from Helmut Schaller to Leo Fender. My guess is Leo removed the covers to have a good look inside.
Ancient samples sent from Helmut Schaller to Leo Fender-3
Ancient samples sent from Helmut Schaller to Leo Fender. My guess is Leo removed the covers to have a good look inside.
Date: 03/13/20
Ancient samples sent from Helmut Schaller to Leo Fender. My guess is Leo removed the covers to have a good look inside.
Found a 2009 aged nitro blonde swamp ash L-2000 body
Put this baby in the project pile: Found a 2009 aged nitro blonde swamp ash L-2000 body in CLFR random land. It was pre-aged but 11 years of doing nothing has made it check more, as nitro does ; )
Date: 03/13/20 Put this baby in the project pile: Found a 2009 aged nitro blonde swamp ash L-2000 body in CLFR random land. It was pre-aged but 11 years of doing nothing has made it check more, as nitro does ; )
Date: 03/13/20 Put this baby in the project pile: Found a 2009 aged nitro blonde swamp ash L-2000 body in CLFR random land. It was pre-aged but 11 years of doing nothing has made it check more, as nitro does ; )
It’s project time!
It’s project time! I’ve been taking apart this 1980 mahogany L-1000 which belongs to our friend Rob Wolanski. I heard it had a sketchy neck so I got him to send me the whole bass from Canada so I can check it out. I just filmed me taking it apart and talk
Date: 03/13/20
It’s project time! I’ve been taking apart this 1980 mahogany L-1000 which belongs to our friend Rob Wolanski. I heard it had a sketchy neck so I got him to send me the whole bass from Canada so I can check it out. I just filmed me taking it apart and talking about my game plan for this lovely wunkay. I’m also ready to tackle a project involving a modded SC-1 owned by our friend Robert Poss. There won’t be any un-modding of his guitar, but that I think that project will take a bit more effort than this one will. Might make sense later : )
Leo’s Lounge now has two backlit EXIT signs
Thanks to my brother John, Leo’s Lounge now has two backlit EXIT signs. I frickin’ love playing pretend nightclub owner. : )
Date: 03/13/20
Thanks to my brother John, Leo’s Lounge now has two backlit EXIT signs. I frickin’ love playing pretend nightclub owner. : )
Dig these double bound semihollows
Dig these double bound semihollows
Date: 03/13/20
Dig these double bound semihollows
Leo Fender’s darkroom built into his house
Leo Fender’s darkroom built into his house allowed him develop to film and make prints at home. He loved cameras and their complex mechanical workings. Wasn’t great at photography, but he loved messing with the gear. Sounds like some musicians I know...wa
Date: 03/13/20
Leo Fender’s darkroom built into his house allowed him develop to film and make prints at home. He loved cameras and their complex mechanical workings. Wasn’t great at photography, but he loved messing with the gear. Sounds like some musicians I know...wait, is that me?
Project Wunkay Rehab
#projectwunkayrehab intro vid is the on the Tube, so hit the link to see what’s up
https://youtu.be/Pjfg4TC6T6Q Date: 04/01/20 #projectwunkayrehab intro vid is the on the Tube, so hit the link to see what’s up
https://youtu.be/Pjfg4TC6T6Q
https://youtu.be/Pjfg4TC6T6Q Date: 04/01/20 #projectwunkayrehab intro vid is the on the Tube, so hit the link to see what’s up
https://youtu.be/Pjfg4TC6T6Q
I got started on the neck
I got started on the neck. At this point, the portion of the board that will be the maple fingerboard has been sliced off, the two pieces are prepped and I’ve just routed the channels for the dual-action truss rod and supplemental rods. This neck will fee
Date: 04/01/20
I got started on the neck. At this point, the portion of the board that will be the maple fingerboard has been sliced off, the two pieces are prepped and I’ve just routed the channels for the dual-action truss rod and supplemental rods. This neck will feel like the best of old school CLFR necks due to hand craftsmanship but it’ll also be more stable due to technology.
Project Wunkay Rehab
installing the dual-action rod and supplemental rods. Fits like a [glove] cause this bass is gonna punch like a [glove]https://www.facebook.com/clfresearch/videos/198431251450563/
Date: 04/01/20
installing the dual-action rod and supplemental rods. Fits like a [glove] cause this bass is gonna punch like a [glove]
https://www.facebook.com/clfresearch/videos/198431251450563/
https://www.facebook.com/clfresearch/videos/198431251450563/
Project Wunkay Rehab
gettin that glue down
https://www.facebook.com/clfresearch/videos/647233022762417/
Date: 04/01/20 gettin that glue down
https://www.facebook.com/clfresearch/videos/647233022762417/
https://www.facebook.com/clfresearch/videos/647233022762417/
Date: 04/01/20 gettin that glue down
https://www.facebook.com/clfresearch/videos/647233022762417/
Project Wunkay Rehab
reunited and it feels so good. Got the grain lined up so nice it’s like the truss rod magically got in there. It’s magically delicious! Actually, I’ve always liked the smell of Titebond glue. Any of you wood workers agree?
https://www.facebook.com/clfr Date: 04/01/20 reunited and it feels so good. Got the grain lined up so nice it’s like the truss rod magically got in there. It’s magically delicious! Actually, I’ve always liked the smell of Titebond glue. Any of you wood workers agree?
https://www.facebook.com/clfresearch/videos/140950370667854/
https://www.facebook.com/clfr Date: 04/01/20 reunited and it feels so good. Got the grain lined up so nice it’s like the truss rod magically got in there. It’s magically delicious! Actually, I’ve always liked the smell of Titebond glue. Any of you wood workers agree?
https://www.facebook.com/clfresearch/videos/140950370667854/
getting started removing the J pickup route
getting started removing the J pickup route. First I’m gonna get out that old foam and see what we’ve got.
Date: 04/01/20
getting started removing the J pickup route. First I’m gonna get out that old foam and see what we’ve got.
The foam peeled right out-1
The foam peeled right out, which of course left the adhesive goo which sorta melts over years. A few minutes later and we see a pretty clean route. Nice job, whoever did this, but it’s time for this 40 year old soldier to return to being a proper L-1000.
Date: 04/01/20
The foam peeled right out, which of course left the adhesive goo which sorta melts over years. A few minutes later and we see a pretty clean route. Nice job, whoever did this, but it’s time for this 40 year old soldier to return to being a proper L-1000.
I just pulled some glued up neck blanks out of the old Taylor clamp
I just pulled some glued up neck blanks out of the old Taylor clamp. Now let me find the one I need...
Date: 04/01/20
I just pulled some glued up neck blanks out of the old Taylor clamp. Now let me find the one I need...
the neck blank is glued up
the neck blank is glued up and now I’m gonna put it in a dehumidified room while I take measurements of the old neck and make some notes.
Date: 04/01/20
the neck blank is glued up and now I’m gonna put it in a dehumidified room while I take measurements of the old neck and make some notes.
Project Wunkay Rehab
This neck is gonna have so much woody character and those ghost flames are gonna show up with the finish. Now back to work...
https://www.facebook.com/clfresearch/videos/214716462958320/ Date: 04/01/20 This neck is gonna have so much woody character and those ghost flames are gonna show up with the finish. Now back to work...
https://www.facebook.com/clfresearch/videos/214716462958320/
https://www.facebook.com/clfresearch/videos/214716462958320/ Date: 04/01/20 This neck is gonna have so much woody character and those ghost flames are gonna show up with the finish. Now back to work...
https://www.facebook.com/clfresearch/videos/214716462958320/
I need a pencil and Leo delivers
I need a pencil and Leo delivers. I’ll return it to his drafting table after I take notes for #projectwunkayrehab
Date: 04/01/20
I need a pencil and Leo delivers. I’ll return it to his drafting table after I take notes for #projectwunkayrehab
a few CLFR workbench top jigs from the ‘70s and ‘80s
Stumbled on a few CLFR workbench top jigs from the ‘70s and ‘80s while trying to find an ancient piece of mahogany for #projectwunkayrehab
Date: 04/01/20
Stumbled on a few CLFR workbench top jigs from the ‘70s and ‘80s while trying to find an ancient piece of mahogany for #projectwunkayrehab
wooden prototype template for a Stingray guitar-1
How about wooden prototype template for a Stingray guitar? Must be 1975. This is why I can’t find anything. I go looking and something else interesting gets my attention. Ok, return to the dust you old template, I need some ancient mahogany!
Date: 04/01/20 How about wooden prototype template for a Stingray guitar? Must be 1975. This is why I can’t find anything. I go looking and something else interesting gets my attention. Ok, return to the dust you old template, I need some ancient mahogany!
Date: 04/01/20 How about wooden prototype template for a Stingray guitar? Must be 1975. This is why I can’t find anything. I go looking and something else interesting gets my attention. Ok, return to the dust you old template, I need some ancient mahogany!
wooden prototype template for a Stingray guitar-2
How about wooden prototype template for a Stingray guitar? Must be 1975. This is why I can’t find anything. I go looking and something else interesting gets my attention. Ok, return to the dust you old template, I need some ancient mahogany!
Date: 04/01/20 How about wooden prototype template for a Stingray guitar? Must be 1975. This is why I can’t find anything. I go looking and something else interesting gets my attention. Ok, return to the dust you old template, I need some ancient mahogany!
Date: 04/01/20 How about wooden prototype template for a Stingray guitar? Must be 1975. This is why I can’t find anything. I go looking and something else interesting gets my attention. Ok, return to the dust you old template, I need some ancient mahogany!
1981 wooden prototype template-1
1981 wooden prototype template with notes from George Fullerton. It says “this pattern for a 24 fret neck” but I’m gonna guess he meant 24 3/4” scale as this looks very much like the short-lived G-200 guitar that would be launched the same year.
Date: 04/01/20
1981 wooden prototype template with notes from George Fullerton. It says “this pattern for a 24 fret neck” but I’m gonna guess he meant 24 3/4” scale as this looks very much like the short-lived G-200 guitar that would be launched the same year.
1981 wooden prototype template-2
1981 wooden prototype template with notes from George Fullerton. It says “this pattern for a 24 fret neck” but I’m gonna guess he meant 24 3/4” scale as this looks very much like the short-lived G-200 guitar that would be launched the same year.
Date: 04/01/20
1981 wooden prototype template with notes from George Fullerton. It says “this pattern for a 24 fret neck” but I’m gonna guess he meant 24 3/4” scale as this looks very much like the short-lived G-200 guitar that would be launched the same year.
and finally a beautiful chunk of old mahogany
...and finally a beautiful chunk of old mahogany for #projectwunkayrehab. Does it need to be old? Nah, but it’d be a lot cooler ; )
Date: 04/01/20
...and finally a beautiful chunk of old mahogany for #projectwunkayrehab. Does it need to be old? Nah, but it’d be a lot cooler ; )
I’m taking measurements of the original 1980 neck
I’m taking measurements of the original 1980 neck
Date: 04/01/20
I’m taking measurements of the original 1980 neck
Josh is making a template to buzz out the J pickup pocket
Josh is making a template to buzz out the J pickup pocket
Date: 04/01/20
Josh is making a template to buzz out the J pickup pocket
Project Wunkay Rehab
A few passes through template gives us a peek at fresh cut 40 year old mahogany
https://www.facebook.com/clfresearch/videos/555092021778567/ Date: 04/01/20 A few passes through template gives us a peek at fresh cut 40 year old mahogany
https://www.facebook.com/clfresearch/videos/555092021778567/
https://www.facebook.com/clfresearch/videos/555092021778567/ Date: 04/01/20 A few passes through template gives us a peek at fresh cut 40 year old mahogany
https://www.facebook.com/clfresearch/videos/555092021778567/
Project Wunkay Rehab
rollin tape to make some deep cuts
https://www.facebook.com/clfresearch/videos/220926882300653/ Date: 04/01/20 rollin tape to make some deep cuts
https://www.facebook.com/clfresearch/videos/220926882300653/
https://www.facebook.com/clfresearch/videos/220926882300653/ Date: 04/01/20 rollin tape to make some deep cuts
https://www.facebook.com/clfresearch/videos/220926882300653/
The template got this magic mahogany mining operation started
The template got this magic mahogany mining operation started
Date: 04/01/20
The template got this magic mahogany mining operation started
Project Wunkay Rehab
Josh made about four more delicate passes to clean out the bottom of the J route
https://www.facebook.com/clfresearch/videos/1083289368704992/ Date: 04/01/20 Josh made about four more delicate passes to clean out the bottom of the J route
https://www.facebook.com/clfresearch/videos/1083289368704992/
https://www.facebook.com/clfresearch/videos/1083289368704992/ Date: 04/01/20 Josh made about four more delicate passes to clean out the bottom of the J route
https://www.facebook.com/clfresearch/videos/1083289368704992/
Project Wunkay Rehab
If you follow this account you should not think this is weird ; )
https://www.facebook.com/clfresearch/videos/234544961009642/ Date: 04/01/20 If you follow this account you should not think this is weird ; )
https://www.facebook.com/clfresearch/videos/234544961009642/
https://www.facebook.com/clfresearch/videos/234544961009642/ Date: 04/01/20 If you follow this account you should not think this is weird ; )
https://www.facebook.com/clfresearch/videos/234544961009642/
Ok is this weird?-1
Ok is this weird? The mahogany chips can wait in Leo’s desk drawer until the project is complete and ready to go back to Rob Wolanski. This way the mahogany chips can absorb massive mojo, even through the plastic bag. It’s powerful stuff, kids. ; )
Date: 04/01/20
Ok is this weird? The mahogany chips can wait in Leo’s desk drawer until the project is complete and ready to go back to Rob Wolanski. This way the mahogany chips can absorb massive mojo, even through the plastic bag. It’s powerful stuff, kids. ; )
Ok is this weird?-2
Ok is this weird? The mahogany chips can wait in Leo’s desk drawer until the project is complete and ready to go back to Rob Wolanski. This way the mahogany chips can absorb massive mojo, even through the plastic bag. It’s powerful stuff, kids. ; )
Date: 04/01/20
Ok is this weird? The mahogany chips can wait in Leo’s desk drawer until the project is complete and ready to go back to Rob Wolanski. This way the mahogany chips can absorb massive mojo, even through the plastic bag. It’s powerful stuff, kids. ; )
Ok is this weird?-3
Ok is this weird? The mahogany chips can wait in Leo’s desk drawer until the project is complete and ready to go back to Rob Wolanski. This way the mahogany chips can absorb massive mojo, even through the plastic bag. It’s powerful stuff, kids. ; )
Date: 04/01/20
Ok is this weird? The mahogany chips can wait in Leo’s desk drawer until the project is complete and ready to go back to Rob Wolanski. This way the mahogany chips can absorb massive mojo, even through the plastic bag. It’s powerful stuff, kids. ; )
Josh eyeballing that grain
Josh eyeballing that grain to take a nice slice for #projectwunkayrehab
Date: 04/01/20
Josh eyeballing that grain to take a nice slice for #projectwunkayrehab
Project Wunkay Rehab
Titebond glue massage
https://www.facebook.com/clfresearch/videos/2531284270453270/ Date: 04/01/20 Titebond glue massage
https://www.facebook.com/clfresearch/videos/2531284270453270/
https://www.facebook.com/clfresearch/videos/2531284270453270/ Date: 04/01/20 Titebond glue massage
https://www.facebook.com/clfresearch/videos/2531284270453270/
Project Wunkay Rehab
Filling the void
https://www.facebook.com/clfresearch/videos/292302651740603/ Date: 04/01/20 Filling the void
https://www.facebook.com/clfresearch/videos/292302651740603/
https://www.facebook.com/clfresearch/videos/292302651740603/ Date: 04/01/20 Filling the void
https://www.facebook.com/clfresearch/videos/292302651740603/
Josh shaving down the plug
Josh shaving down the plug Now before you say anything, Josh glued in the plug late yesterday but I just posted today. It’s not like we just slammed glue in there and half an hour later go at it with a rasp
Date: 04/01/20
Josh shaving down the plug Now before you say anything, Josh glued in the plug late yesterday but I just posted today. It’s not like we just slammed glue in there and half an hour later go at it with a rasp
that’s clean!
Josh...dayum son, that’s clean! It actually looks like some idiot just scraped the lacquer off the body but never routed it. This is good news for the finish repair work ahead
Date: 04/01/20
Josh...dayum son, that’s clean! It actually looks like some idiot just scraped the lacquer off the body but never routed it. This is good news for the finish repair work ahead
Project Poss Machine
Intro vid for #projectpossmachine is on the tube. Hit the link to learn about this awesome 1983 G&L SC-1 owned and modded by Robert Poss. https://youtu.be/TsIvg14dx8M
Date: 04/01/20
Intro vid for #projectpossmachine is on the tube. Hit the link to learn about this awesome 1983 G&L SC-1 owned and modded by Robert Poss. https://youtu.be/TsIvg14dx8M
the Robert Poss machine
Before I take it apart, I’m gonna have a little fun with the Robert Poss machine.
Date: 04/01/20
Before I take it apart, I’m gonna have a little fun with the Robert Poss machine.
Well, that sucks
Well, that sucks. Trying to have fun with #projectpossmachine but it seemed to be missing some mojo. Well, a little massage with a hot iron took care of that. Started with a crack on the knuckles but escalated to a hot iron. Now back to the lounge to try
Date: 04/01/20
Well, that sucks. Trying to have fun with #projectpossmachine but it seemed to be missing some mojo. Well, a little massage with a hot iron took care of that. Started with a crack on the knuckles but escalated to a hot iron. Now back to the lounge to try rocking this beast again. #sc1guitar got that hashtag my man : )
Project Poss Machine
skillz for the YouTubes
https://www.facebook.com/clfresearch/videos/2532798670320402/ Date: 04/01/20 skillz for the YouTubes
https://www.facebook.com/clfresearch/videos/2532798670320402/
https://www.facebook.com/clfresearch/videos/2532798670320402/ Date: 04/01/20 skillz for the YouTubes
https://www.facebook.com/clfresearch/videos/2532798670320402/
Original 1982 S-500 with #project1979s500
Original 1982 S-500 with #project1979s500
Date: 04/02/20
Original 1982 S-500 with #project1979s500
Project Poss Machine banner
Dave McLaren kicks off Project Poss Machine, a customized SC-1, owned by Robert Poss from Band of Susans.
Check it out on YouTube:
https://youtu.be/TsIvg14dx8M
Date: 04/03/20 Dave McLaren kicks off Project Poss Machine, a customized SC-1, owned by Robert Poss from Band of Susans.
Check it out on YouTube:
https://youtu.be/TsIvg14dx8M
Check it out on YouTube:
https://youtu.be/TsIvg14dx8M
Date: 04/03/20 Dave McLaren kicks off Project Poss Machine, a customized SC-1, owned by Robert Poss from Band of Susans.
Check it out on YouTube:
https://youtu.be/TsIvg14dx8M
body of #projectwunkayrehab-1
I want to let the plug settle in the body of #projectwunkayrehab before starting paint repair. But....I need a place to stash it. I want somewhere out of the way but still easily accessible and has a strong mojo feel. My brain: 1) the cart behind Leo’s of
Date: 04/03/20
I want to let the plug settle in the body of #projectwunkayrehab before starting paint repair. But....I need a place to stash it. I want somewhere out of the way but still easily accessible and has a strong mojo feel. My brain: 1) the cart behind Leo’s office desk, meh, yeah mkay 2) next to CLFR prototypes from late ‘60s and mid ‘80s, oooh...but nah, guitars 3) on Leo’s drafting chair, duh, too easy to fall off 4) dark box in the cobweb zone under Leo’s tech bench in the lab. Yep, that’ll do it. Hang out there with whatever magical or frightening things may be down there. : )
body of #projectwunkayrehab-2
I want to let the plug settle in the body of #projectwunkayrehab before starting paint repair. But....I need a place to stash it. I want somewhere out of the way but still easily accessible and has a strong mojo feel. My brain: 1) the cart behind Leo’s of
Date: 04/03/20
I want to let the plug settle in the body of #projectwunkayrehab before starting paint repair. But....I need a place to stash it. I want somewhere out of the way but still easily accessible and has a strong mojo feel. My brain: 1) the cart behind Leo’s office desk, meh, yeah mkay 2) next to CLFR prototypes from late ‘60s and mid ‘80s, oooh...but nah, guitars 3) on Leo’s drafting chair, duh, too easy to fall off 4) dark box in the cobweb zone under Leo’s tech bench in the lab. Yep, that’ll do it. Hang out there with whatever magical or frightening things may be down there. : )
I want to let the plug settle in the body of #projectwunkayrehab before starting paint repair. But....I need a place to stash it. I want somewhere out of the way but still easily accessible and has a strong mojo feel. My brain: 1) the cart behind Leo’s office desk, meh, yeah mkay 2) next to CLFR prototypes from late ‘60s and mid ‘80s, oooh...but nah, guitars 3) on Leo’s drafting chair, duh, too easy to fall off 4) dark box in the cobweb zone under Leo’s tech bench in the lab. Yep, that’ll do it. Hang out there with whatever magical or frightening things may be down there. : )
I want to let the plug settle in the body of #projectwunkayrehab before starting paint repair. But....I need a place to stash it. I want somewhere out of the way but still easily accessible and has a strong mojo feel. My brain: 1) the cart behind Leo’s office desk, meh, yeah mkay 2) next to CLFR prototypes from late ‘60s and mid ‘80s, oooh...but nah, guitars 3) on Leo’s drafting chair, duh, too easy to fall off 4) dark box in the cobweb zone under Leo’s tech bench in the lab. Yep, that’ll do it. Hang out there with whatever magical or frightening things may be down there. : )
I want to let the plug settle in the body of #projectwunkayrehab before starting paint repair. But....I need a place to stash it. I want somewhere out of the way but still easily accessible and has a strong mojo feel. My brain: 1) the cart behind Leo’s office desk, meh, yeah mkay 2) next to CLFR prototypes from late ‘60s and mid ‘80s, oooh...but nah, guitars 3) on Leo’s drafting chair, duh, too easy to fall off 4) dark box in the cobweb zone under Leo’s tech bench in the lab. Yep, that’ll do it. Hang out there with whatever magical or frightening things may be down there. : )
I want to let the plug settle in the body of #projectwunkayrehab before starting paint repair. But....I need a place to stash it. I want somewhere out of the way but still easily accessible and has a strong mojo feel. My brain: 1) the cart behind Leo’s office desk, meh, yeah mkay 2) next to CLFR prototypes from late ‘60s and mid ‘80s, oooh...but nah, guitars 3) on Leo’s drafting chair, duh, too easy to fall off 4) dark box in the cobweb zone under Leo’s tech bench in the lab. Yep, that’ll do it. Hang out there with whatever magical or frightening things may be down there. : )
body of #projectwunkayrehab-3
I want to let the plug settle in the body of #projectwunkayrehab before starting paint repair. But....I need a place to stash it. I want somewhere out of the way but still easily accessible and has a strong mojo feel. My brain: 1) the cart behind Leo’s of
Date: 04/03/20
I want to let the plug settle in the body of #projectwunkayrehab before starting paint repair. But....I need a place to stash it. I want somewhere out of the way but still easily accessible and has a strong mojo feel. My brain: 1) the cart behind Leo’s office desk, meh, yeah mkay 2) next to CLFR prototypes from late ‘60s and mid ‘80s, oooh...but nah, guitars 3) on Leo’s drafting chair, duh, too easy to fall off 4) dark box in the cobweb zone under Leo’s tech bench in the lab. Yep, that’ll do it. Hang out there with whatever magical or frightening things may be down there. : )
Project 1979 S-500 banner
Dave McLaren introduces his Project 1979 S-500 and takes us on a magical history tour.
George Fullerton and Leo Fender fans: don’t miss this!
Check it out on YouTube:
https://youtu.be/DczYP5iD04M
Date: 04/07/20 Dave McLaren introduces his Project 1979 S-500 and takes us on a magical history tour.
George Fullerton and Leo Fender fans: don’t miss this!
Check it out on YouTube:
https://youtu.be/DczYP5iD04M
George Fullerton and Leo Fender fans: don’t miss this!
Check it out on YouTube:
https://youtu.be/DczYP5iD04M
Date: 04/07/20 Dave McLaren introduces his Project 1979 S-500 and takes us on a magical history tour.
George Fullerton and Leo Fender fans: don’t miss this!
Check it out on YouTube:
https://youtu.be/DczYP5iD04M
Project 1979 S-500
Yet another banner Dave posted on the CLF Research facebook page.
Date: 04/07/20
Yet another banner Dave posted on the CLF Research facebook page.
piece of okoume to build a body for #project1979s500-1
went to look for a piece of okoume to build a body for #project1979s500 and literally the first piece I picked up I fell in love with. Got that old school looking hog grain with a little extra flair. Not sure what color yet but it has to be transparent a
Date: 04/15/20
went to look for a piece of okoume to build a body for #project1979s500 and literally the first piece I picked up I fell in love with. Got that old school looking hog grain with a little extra flair. Not sure what color yet but it has to be transparent and project massive period CLFR vibes. Could be the mocha/whiskey look, maybe old school tobacco, dunno yet. My test mule body in Honeyburst on swamp ash is extremely ‘90s G&L and though it’s cool, it’s totally killing the 1979 vibes
piece of okoume to build a body for #project1979s500-2
went to look for a piece of okoume to build a body for #project1979s500 and literally the first piece I picked up I fell in love with. Got that old school looking hog grain with a little extra flair. Not sure what color yet but it has to be transparent a
Date: 04/15/20
went to look for a piece of okoume to build a body for #project1979s500 and literally the first piece I picked up I fell in love with. Got that old school looking hog grain with a little extra flair. Not sure what color yet but it has to be transparent and project massive period CLFR vibes. Could be the mocha/whiskey look, maybe old school tobacco, dunno yet. My test mule body in Honeyburst on swamp ash is extremely ‘90s G&L and though it’s cool, it’s totally killing the 1979 vibes
Getting started in the Woodshop with Armando on a body
Who wants to see some okoume wood chips fly? Getting started in the Woodshop with Armando on a body for #project1979s500
Date: 04/15/20
Who wants to see some okoume wood chips fly? Getting started in the Woodshop with Armando on a body for #project1979s500
and we’re about done milling the back side
...and we’re about done milling the back side
Date: 04/15/20
...and we’re about done milling the back side
body CNC done
Han 1: what the
Han 2: argh!!!!
Han 3: im outta here
Han 4: ffs just lemme chill here in the sun for a while I’ll be good ... Date: 04/16/20 Han 1: what the
Han 2: argh!!!!
Han 3: im outta here
Han 4: ffs just lemme chill here in the sun for a while I’ll be good ...
Han 2: argh!!!!
Han 3: im outta here
Han 4: ffs just lemme chill here in the sun for a while I’ll be good ... Date: 04/16/20 Han 1: what the
Han 2: argh!!!!
Han 3: im outta here
Han 4: ffs just lemme chill here in the sun for a while I’ll be good ...
Han Solo
Han 1: what the
Han 2: argh!!!!
Han 3: im outta here
Han 4: ffs just lemme chill here in the sun for a while I’ll be good ... Date: 04/16/20 Han 1: what the
Han 2: argh!!!!
Han 3: im outta here
Han 4: ffs just lemme chill here in the sun for a while I’ll be good ...
Han 2: argh!!!!
Han 3: im outta here
Han 4: ffs just lemme chill here in the sun for a while I’ll be good ... Date: 04/16/20 Han 1: what the
Han 2: argh!!!!
Han 3: im outta here
Han 4: ffs just lemme chill here in the sun for a while I’ll be good ...
leftovers
Han 1: what the
Han 2: argh!!!!
Han 3: im outta here
Han 4: ffs just lemme chill here in the sun for a while I’ll be good ... Date: 04/16/20 Han 1: what the
Han 2: argh!!!!
Han 3: im outta here
Han 4: ffs just lemme chill here in the sun for a while I’ll be good ...
Han 2: argh!!!!
Han 3: im outta here
Han 4: ffs just lemme chill here in the sun for a while I’ll be good ... Date: 04/16/20 Han 1: what the
Han 2: argh!!!!
Han 3: im outta here
Han 4: ffs just lemme chill here in the sun for a while I’ll be good ...
body after
Han 1: what the
Han 2: argh!!!!
Han 3: im outta here
Han 4: ffs just lemme chill here in the sun for a while I’ll be good ... Date: 04/16/20 Han 1: what the
Han 2: argh!!!!
Han 3: im outta here
Han 4: ffs just lemme chill here in the sun for a while I’ll be good ...
Han 2: argh!!!!
Han 3: im outta here
Han 4: ffs just lemme chill here in the sun for a while I’ll be good ... Date: 04/16/20 Han 1: what the
Han 2: argh!!!!
Han 3: im outta here
Han 4: ffs just lemme chill here in the sun for a while I’ll be good ...
Leo Fender's Breadboard Bass
Yo, I heard you might like a demo of this breadboard pickup tester as left by Leo Fender. Yeah, I thought so. Me too. I don’t know what it really sounds like so Steve is gonna do the honors. If you haven’t already, go to the CLF Research YouTube channel a
Date: 04/18/20
Yo, I heard you might like a demo of this breadboard pickup tester as left by Leo Fender. Yeah, I thought so. Me too. I don’t know what it really sounds like so Steve is gonna do the honors. If you haven’t already, go to the CLF Research YouTube channel and watch the vid about Leo’s “Breadboard” instruments. That way you know what’s up with this thing and the demo is just the demo, you don’t have to suffer through me rambling in TMI city about the same thing. Deal?
https://youtu.be/YAOzawpSzgw
https://youtu.be/YAOzawpSzgw
What I was gonna say...is that I’m gonna get the truss rod installed in the new neck for #projectpossmachine-1
What I was gonna say...is that I’m gonna get the truss rod installed in the new neck for #projectpossmachine
Date: 04/18/20
What I was gonna say...is that I’m gonna get the truss rod installed in the new neck for #projectpossmachine
What I was gonna say...is that I’m gonna get the truss rod installed in the new neck for #projectpossmachine-2
What I was gonna say...is that I’m gonna get the truss rod installed in the new neck for #projectpossmachine
Date: 04/18/20
What I was gonna say...is that I’m gonna get the truss rod installed in the new neck for #projectpossmachine
Used Leo’s late 1960s Rockwell Model 20 band saw to slice off the fingerboard-1
Used Leo’s late 1960s Rockwell Model 20 band saw to slice off the fingerboard from the 6/4 maple board. Mmmm....maple smells so nice get into mah bellah! #projectpossmachine
Date: 04/18/20
Used Leo’s late 1960s Rockwell Model 20 band saw to slice off the fingerboard from the 6/4 maple board. Mmmm....maple smells so nice get into mah bellah! #projectpossmachine
Used Leo’s late 1960s Rockwell Model 20 band saw to slice off the fingerboard-2
Used Leo’s late 1960s Rockwell Model 20 band saw to slice off the fingerboard from the 6/4 maple board. Mmmm....maple smells so nice get into mah bellah! #projectpossmachine
Date: 04/18/20
Used Leo’s late 1960s Rockwell Model 20 band saw to slice off the fingerboard from the 6/4 maple board. Mmmm....maple smells so nice get into mah bellah! #projectpossmachine
Used Leo’s late 1960s Rockwell Model 20 band saw to slice off the fingerboard-3
Used Leo’s late 1960s Rockwell Model 20 band saw to slice off the fingerboard from the 6/4 maple board. Mmmm....maple smells so nice get into mah bellah! #projectpossmachine
Date: 04/18/20
Used Leo’s late 1960s Rockwell Model 20 band saw to slice off the fingerboard from the 6/4 maple board. Mmmm....maple smells so nice get into mah bellah! #projectpossmachine
The neck blank for #projectpossmachine-1
The neck blank for #projectpossmachine passes through Leo’s classic 1970s Timesaver wide-belt sander. My brother John has developed crazy skills at rebuilding and fabricating stuff for this golden age machine.
Date: 04/18/20
The neck blank for #projectpossmachine passes through Leo’s classic 1970s Timesaver wide-belt sander. My brother John has developed crazy skills at rebuilding and fabricating stuff for this golden age machine.
The neck blank for #projectpossmachine-2
The neck blank for #projectpossmachine passes through Leo’s classic 1970s Timesaver wide-belt sander. My brother John has developed crazy skills at rebuilding and fabricating stuff for this golden age machine.
Date: 04/18/20
The neck blank for #projectpossmachine passes through Leo’s classic 1970s Timesaver wide-belt sander. My brother John has developed crazy skills at rebuilding and fabricating stuff for this golden age machine.
Project Poss Machine
Some people think I just mill around all day. Well, sometimes I actually mill stuff, like the truss rod channel for #projectpossmachine
https://www.facebook.com/clfresearch/videos/707469336667547/ Date: 04/18/20 Some people think I just mill around all day. Well, sometimes I actually mill stuff, like the truss rod channel for #projectpossmachine
https://www.facebook.com/clfresearch/videos/707469336667547/
https://www.facebook.com/clfresearch/videos/707469336667547/ Date: 04/18/20 Some people think I just mill around all day. Well, sometimes I actually mill stuff, like the truss rod channel for #projectpossmachine
https://www.facebook.com/clfresearch/videos/707469336667547/
neck for #projectpossmachine will look and feel
The neck for #projectpossmachine will look and feel old school CLFR but be more stable with this dual-action rod.
Date: 04/18/20
The neck for #projectpossmachine will look and feel old school CLFR but be more stable with this dual-action rod.
Truss rod fitment- #projectpossmachine
Truss rod fitment: #projectpossmachine
Date: 04/18/20
Truss rod fitment: #projectpossmachine
#projectpossmachine chillin in Leo’s cart
#projectpossmachine chillin in Leo’s cart. This ancient cart was used to transport massive quantities of mojo yet it never moved. Is this even possible? Ancient alien theorists say “yes”
Date: 04/18/20
#projectpossmachine chillin in Leo’s cart. This ancient cart was used to transport massive quantities of mojo yet it never moved. Is this even possible? Ancient alien theorists say “yes”
Try new Titebond roll-on
“Try new Titebond roll-on. Even on your toughest gigs your neck won’t break a sweat.” Manny sent me this pic from the Woodshop and reports “I use Titebond every day because in my work, coming unglued isn’t an option. Thanks, Titebond!”
Date: 04/18/20
“Try new Titebond roll-on. Even on your toughest gigs your neck won’t break a sweat.” Manny sent me this pic from the Woodshop and reports “I use Titebond every day because in my work, coming unglued isn’t an option. Thanks, Titebond!”
*ding ding* one maple and Titebond sammich order up!
*ding ding* one maple and Titebond sammich order up! #projectpossmachine
Date: 04/18/20
*ding ding* one maple and Titebond sammich order up! #projectpossmachine
Under pressure- the neck marked “DMC” is for #projectpossmachine
Under pressure: the neck marked “DMC” is for #projectpossmachine while the glue dries in the old Taylor press. Also you are now earwormed with either Queen/Bowie or Vanilla Ice. You’re welcome.
Date: 04/18/20
Under pressure: the neck marked “DMC” is for #projectpossmachine while the glue dries in the old Taylor press. Also you are now earwormed with either Queen/Bowie or Vanilla Ice. You’re welcome.
The original Robert Poss SC-1 neck
The original Robert Poss SC-1 neck hangin in the woodshop. There’s gonna be some sexy custom fitment goin on #projectpossmachine
Date: 04/18/20
The original Robert Poss SC-1 neck hangin in the woodshop. There’s gonna be some sexy custom fitment goin on #projectpossmachine
Me staring at this for 10 minutes thinking about my plan for this neck #projectpossmachine
Me staring at this for 10 minutes thinking about my plan for this neck #projectpossmachine
Date: 04/18/20
Me staring at this for 10 minutes thinking about my plan for this neck #projectpossmachine
#projectpossmachine neck gettin saddled up
#projectpossmachine neck gettin saddled up. Now I’m thinking of my boys Aerosmith rockin “Back in the Saddle” which was a seriously badass track
Date: 04/18/20
#projectpossmachine neck gettin saddled up. Now I’m thinking of my boys Aerosmith rockin “Back in the Saddle” which was a seriously badass track
the Robert Poss machine
Guitar tuner holes are smaller than bass tuner holes so we use a drill bit with a couple of pecks to keep things clear.
https://www.facebook.com/clfresearch/videos/897382877372372/ Date: 04/18/20 Guitar tuner holes are smaller than bass tuner holes so we use a drill bit with a couple of pecks to keep things clear.
https://www.facebook.com/clfresearch/videos/897382877372372/
https://www.facebook.com/clfresearch/videos/897382877372372/ Date: 04/18/20 Guitar tuner holes are smaller than bass tuner holes so we use a drill bit with a couple of pecks to keep things clear.
https://www.facebook.com/clfresearch/videos/897382877372372/
the Robert Poss machine
Whoa, these tiny holes are gonna blow your minds with the unbelievable alien technology used to create them. Somebody call Giorgio Tsoukalos, this is some crazy action going down. The company that makes this “machine” is American, but who gave them this t
Date: 04/18/20
Whoa, these tiny holes are gonna blow your minds with the unbelievable alien technology used to create them. Somebody call Giorgio Tsoukalos, this is some crazy action going down. The company that makes this “machine” is American, but who gave them this technology? Was it back engineered from artifacts from actual crash sites? I doubt it. I mean, no decent UFO should squeak just because you mill a little wood in it. Anyway, the holes are shallow so don’t need to peck these just hit ‘em quick with a sharp stick
https://www.facebook.com/clfresearch/videos/246772376726149/
https://www.facebook.com/clfresearch/videos/246772376726149/
the other side...of the headstock!
Now, where were we? Ah, yes, we made some lovely holes, and some are actually pathways to another dimension: the other side...of the headstock!
Date: 04/18/20
Now, where were we? Ah, yes, we made some lovely holes, and some are actually pathways to another dimension: the other side...of the headstock!
And now...the other side. Boring!!! Let’s do some stuff to it-1
And now...the other side. Boring!!! Let’s do some stuff to it
Date: 04/18/20
And now...the other side. Boring!!! Let’s do some stuff to it
And now...the other side. Boring!!! Let’s do some stuff to it-2
And now...the other side. Boring!!! Let’s do some stuff to it
Date: 04/18/20
And now...the other side. Boring!!! Let’s do some stuff to it
And now...the other side. Boring!!! Let’s do some stuff to it-3
And now...the other side. Boring!!! Let’s do some stuff to it
Date: 04/18/20
And now...the other side. Boring!!! Let’s do some stuff to it
And now...the other side. Boring!!! Let’s do some stuff to it-4
And now...the other side. Boring!!! Let’s do some stuff to it
Date: 04/18/20
And now...the other side. Boring!!! Let’s do some stuff to it
the Robert Poss machine
Oh hello there today I’m preparing some of my delightful maplewood chips #projectpossmachine
https://www.facebook.com/clfresearch/videos/185078662454724/ Date: 04/18/20 Oh hello there today I’m preparing some of my delightful maplewood chips #projectpossmachine
https://www.facebook.com/clfresearch/videos/185078662454724/
https://www.facebook.com/clfresearch/videos/185078662454724/ Date: 04/18/20 Oh hello there today I’m preparing some of my delightful maplewood chips #projectpossmachine
https://www.facebook.com/clfresearch/videos/185078662454724/
the Robert Poss machine
Headstock scoop cutter comin in hot. Oh this is gonna be good. Nope!!! Meathead here f’d up the iPhone, so here is a totally unsatisfying video #projectpossmachine
https://www.facebook.com/clfresearch/videos/2612777532314389/ Date: 04/18/20 Headstock scoop cutter comin in hot. Oh this is gonna be good. Nope!!! Meathead here f’d up the iPhone, so here is a totally unsatisfying video #projectpossmachine
https://www.facebook.com/clfresearch/videos/2612777532314389/
https://www.facebook.com/clfresearch/videos/2612777532314389/ Date: 04/18/20 Headstock scoop cutter comin in hot. Oh this is gonna be good. Nope!!! Meathead here f’d up the iPhone, so here is a totally unsatisfying video #projectpossmachine
https://www.facebook.com/clfresearch/videos/2612777532314389/
the Robert Poss machine
This is what you came to see ya bunch of weirdos #projectpossmachine
https://www.facebook.com/clfresearch/videos/2633301456949625/ Date: 04/18/20 This is what you came to see ya bunch of weirdos #projectpossmachine
https://www.facebook.com/clfresearch/videos/2633301456949625/
https://www.facebook.com/clfresearch/videos/2633301456949625/ Date: 04/18/20 This is what you came to see ya bunch of weirdos #projectpossmachine
https://www.facebook.com/clfresearch/videos/2633301456949625/
the Robert Poss machine
A nice clean drill is always #satisfying . . .
#projectpossmachine
https://www.facebook.com/clfresearch/videos/662122751243432/ Date: 04/18/20 A nice clean drill is always #satisfying . . .
#projectpossmachine
https://www.facebook.com/clfresearch/videos/662122751243432/
#projectpossmachine
https://www.facebook.com/clfresearch/videos/662122751243432/ Date: 04/18/20 A nice clean drill is always #satisfying . . .
#projectpossmachine
https://www.facebook.com/clfresearch/videos/662122751243432/
#projectwunkayrehab-orginial neck
Today we are going to make some delightful maplewood chips following my grandmother’s secret recipe. When we were children, the sweet scent of grandmother’s maplewood chips wafting through the springtime air made us all rush to the kitchen house at our li
Date: 04/18/20
Today we are going to make some delightful maplewood chips following my grandmother’s secret recipe. When we were children, the sweet scent of grandmother’s maplewood chips wafting through the springtime air made us all rush to the kitchen house at our little farm on Martha’s Vinyard. I often reflect on those cherished memories over drinks and maplewood chips with my friend Doctor Evil, whose fondness for his own childhood is simply heartwarming.
commencing countdown engines on #projectwunkayrehab
commencing countdown engines on #projectwunkayrehab
Date: 04/18/20
commencing countdown engines on #projectwunkayrehab
Project Wunkay Rehab
Those tuners gotta go somewhere #projectwunkayrehab
https://www.facebook.com/clfresearch/videos/656564511823499/ Date: 04/18/20 Those tuners gotta go somewhere #projectwunkayrehab
https://www.facebook.com/clfresearch/videos/656564511823499/
https://www.facebook.com/clfresearch/videos/656564511823499/ Date: 04/18/20 Those tuners gotta go somewhere #projectwunkayrehab
https://www.facebook.com/clfresearch/videos/656564511823499/
Project Wunkay Rehab
now gimme some screw holes for those tuners. Even if they get kinda gummed up with finish at least they’re perfectly placed pilot holes
https://www.facebook.com/clfresearch/videos/221971112478987/ Date: 04/18/20 now gimme some screw holes for those tuners. Even if they get kinda gummed up with finish at least they’re perfectly placed pilot holes
https://www.facebook.com/clfresearch/videos/221971112478987/
https://www.facebook.com/clfresearch/videos/221971112478987/ Date: 04/18/20 now gimme some screw holes for those tuners. Even if they get kinda gummed up with finish at least they’re perfectly placed pilot holes
https://www.facebook.com/clfresearch/videos/221971112478987/
Project Wunkay Rehab
Ok turn over, now we will exfoliate your face...on your head...stock
https://www.facebook.com/clfresearch/videos/1114735722225138/ Date: 04/18/20 Ok turn over, now we will exfoliate your face...on your head...stock
https://www.facebook.com/clfresearch/videos/1114735722225138/
https://www.facebook.com/clfresearch/videos/1114735722225138/ Date: 04/18/20 Ok turn over, now we will exfoliate your face...on your head...stock
https://www.facebook.com/clfresearch/videos/1114735722225138/
Project Wunkay Rehab
Now let’s give it a shave
https://www.facebook.com/clfresearch/videos/153034252759092/ Date: 04/18/20 Now let’s give it a shave
https://www.facebook.com/clfresearch/videos/153034252759092/
https://www.facebook.com/clfresearch/videos/153034252759092/ Date: 04/18/20 Now let’s give it a shave
https://www.facebook.com/clfresearch/videos/153034252759092/
Project Wunkay Rehab
Perimeter rough cut. Hey it actually looks like a neck and not just a rectangle
https://www.facebook.com/clfresearch/videos/255924362124959/ Date: 04/18/20 Perimeter rough cut. Hey it actually looks like a neck and not just a rectangle
https://www.facebook.com/clfresearch/videos/255924362124959/
https://www.facebook.com/clfresearch/videos/255924362124959/ Date: 04/18/20 Perimeter rough cut. Hey it actually looks like a neck and not just a rectangle
https://www.facebook.com/clfresearch/videos/255924362124959/
Project Wunkay Rehab
...and the cleanup cut
https://www.facebook.com/clfresearch/videos/513551912647097/ Date: 04/18/20 ...and the cleanup cut
https://www.facebook.com/clfresearch/videos/513551912647097/
https://www.facebook.com/clfresearch/videos/513551912647097/ Date: 04/18/20 ...and the cleanup cut
https://www.facebook.com/clfresearch/videos/513551912647097/
hit up Ed at G&L Custom Shop
I just hit up Ed at G&L Custom Shop about doing localized nitro repair of the filled area. Prep work is the key
Date: 04/18/20
I just hit up Ed at G&L Custom Shop about doing localized nitro repair of the filled area. Prep work is the key
Leo’s SB-1 split coil MFD pickup mounted to a test board in his lab
Leo’s SB-1 split coil MFD pickup mounted to a test board in his lab. I was gonna use this in the video but I spaced out...so here’s a picture. Before Leo got this pickup completed, he briefly used a split coil pickup from Schaller in the 2nd generation SB
Date: 04/18/20
Leo’s SB-1 split coil MFD pickup mounted to a test board in his lab. I was gonna use this in the video but I spaced out...so here’s a picture. Before Leo got this pickup completed, he briefly used a split coil pickup from Schaller in the 2nd generation SB-1 bass. There are some great stories about Helmut Schaller and his friend Leo Fender
The original necks from #projectwunkayrehab and #projectpossmachine hangin in the Woodshop for reference1
The original necks from #projectwunkayrehab and #projectpossmachine hangin in the Woodshop for reference. It’s been nearly 40 years since these two made in here. #clfresearch
Date: 04/19/20
The original necks from #projectwunkayrehab and #projectpossmachine hangin in the Woodshop for reference. It’s been nearly 40 years since these two made in here. #clfresearch
The original necks from #projectwunkayrehab and #projectpossmachine hangin in the Woodshop for reference2
The original necks from #projectwunkayrehab and #projectpossmachine hangin in the Woodshop for reference. It’s been nearly 40 years since these two made in here. #clfresearch
Date: 04/19/20
The original necks from #projectwunkayrehab and #projectpossmachine hangin in the Woodshop for reference. It’s been nearly 40 years since these two made in here. #clfresearch
The original necks from #projectwunkayrehab and #projectpossmachine hangin in the Woodshop for reference3
The original necks from #projectwunkayrehab and #projectpossmachine hangin in the Woodshop for reference. It’s been nearly 40 years since these two made in here. #clfresearch
Date: 04/19/20
The original necks from #projectwunkayrehab and #projectpossmachine hangin in the Woodshop for reference. It’s been nearly 40 years since these two made in here. #clfresearch
Things are shaping up1
Things are shaping up #projectwunkayrehab
Date: 04/28/20
Things are shaping up #projectwunkayrehab
Things are shaping up2
Things are shaping up #projectwunkayrehab
Date: 04/28/20
Things are shaping up #projectwunkayrehab
Looking at this makes me feel like it needs dots stat
Looking at this makes me feel like it needs dots stat #projectwunkayrehab
Date: 04/28/20
Looking at this makes me feel like it needs dots stat #projectwunkayrehab
cool G&L shirt from the crew at Musik Wein in Germany
I’m rockin those tasty maplewood chips all over my cool G&L shirt from the crew at Musik Wein in Germany
Date: 04/28/20
I’m rockin those tasty maplewood chips all over my cool G&L shirt from the crew at Musik Wein in Germany
Just a drop of Titebond glue here
Just a drop of Titebond glue here... #projectwunkayrehab
Date: 04/28/20
Just a drop of Titebond glue here... #projectwunkayrehab
couldn’t find #project1979s500 in the Woodshop
When I couldn’t find #project1979s500 in the Woodshop I went looking in the paint shop, checking a bunch of these until I found the one with grain that matched. I’m frickin Sherlock Holmes over here. But how did the thief manage to steal the body? Well, I
Date: 05/01/20
When I couldn’t find #project1979s500 in the Woodshop I went looking in the paint shop, checking a bunch of these until I found the one with grain that matched. I’m frickin Sherlock Holmes over here. But how did the thief manage to steal the body? Well, I left it there. You simply left it “there” unsecured with no marking or identification of any kind? Uh, nope. Then you see, good sir, that the real culprit in this mystery is, indeed, your own stupidity. Oh....
now it is becoming a 40th Anniversary Collection S-500 with the Clear Ruby Red finish
Well, I screwed up. I left the body for #project1979s500 in the Woodshop with no note or anything and now it is becoming a 40th Anniversary Collection S-500 with the Clear Ruby Red finish. Looks killer, but not what I want so....yeah....I’ll buzz out anot
Date: 05/01/20
Well, I screwed up. I left the body for #project1979s500 in the Woodshop with no note or anything and now it is becoming a 40th Anniversary Collection S-500 with the Clear Ruby Red finish. Looks killer, but not what I want so....yeah....I’ll buzz out another body then we’ll pick up with videos or whatever in the sanding department
I just explained to Malcolm that I need #project1979s500 to be painted
I just explained to Malcolm that I need #project1979s500 to be painted so that it vibes like an aged out natural nitro on mahogany G&L or old Mocha on ash CLFRMM. it’s not about accuracy in finish, it’s about accuracy in vibe. Malcolm: beam me to 1979
Date: 05/25/20
I just explained to Malcolm that I need #project1979s500 to be painted so that it vibes like an aged out natural nitro on mahogany G&L or old Mocha on ash CLFRMM. it’s not about accuracy in finish, it’s about accuracy in vibe. Malcolm: beam me to 1979 brother!
Who else thinks this would look totally legit on Food Network?
Who else thinks this would look totally legit on Food Network?
Date: 05/25/20
Who else thinks this would look totally legit on Food Network?
Let’s have another look at all those yummy chips
Let’s have another look at all those yummy chips. I could relax in a tub of this stuff like Cartman in KFC gravy #project1979s500
Date: 05/25/20
Let’s have another look at all those yummy chips. I could relax in a tub of this stuff like Cartman in KFC gravy #project1979s500
muse for my second version
This vintage Skyhawk is kinda like my muse for my second version of #project1979s500. It’s all about that CLFR black crinkle plate against a mahogany body wearing a smokey sunburst. This is gonna be sweet
Date: 05/25/20
This vintage Skyhawk is kinda like my muse for my second version of #project1979s500. It’s all about that CLFR black crinkle plate against a mahogany body wearing a smokey sunburst. This is gonna be sweet
Malcolm showing me some transparent brown
Malcolm showing me some transparent brown he blended for #project1979s500 and as he was explaining how the okoume already has a reddish color so he was compensating for that....all I could think is how awesome he is
Date: 05/25/20
Malcolm showing me some transparent brown he blended for #project1979s500 and as he was explaining how the okoume already has a reddish color so he was compensating for that....all I could think is how awesome he is
that mocha vibe-1
#project1979s500 has that mocha madness vibe I wanted. Malcolm is the man
Date: 05/25/20
#project1979s500 has that mocha madness vibe I wanted. Malcolm is the man
that mocha vibe-2
#project1979s500 has that mocha madness vibe I wanted. Malcolm is the man
Date: 05/25/20
#project1979s500 has that mocha madness vibe I wanted. Malcolm is the man
Yeah, you!
Hey! I said HEY!!! Yeah, you! I may not look like much now but tomorrow I’m gonna get me some tobacco sunburst action goin on. I’m #project1979s500 version 2.0 and I’m gonna kick ass
Date: 05/25/20
Hey! I said HEY!!! Yeah, you! I may not look like much now but tomorrow I’m gonna get me some tobacco sunburst action goin on. I’m #project1979s500 version 2.0 and I’m gonna kick ass
#project1979s500 v2 is ready for some color-1
#project1979s500 v2 is ready for some color. Magic Malcolm has a plan for my Tobacco Sunburst fantasy and I’m sure whatever he does is gonna be awesome.
Date: 05/25/20
#project1979s500 v2 is ready for some color. Magic Malcolm has a plan for my Tobacco Sunburst fantasy and I’m sure whatever he does is gonna be awesome.
#project1979s500 v2 is ready for some color-2
#project1979s500 v2 is ready for some color. Magic Malcolm has a plan for my Tobacco Sunburst fantasy and I’m sure whatever he does is gonna be awesome.
Date: 05/25/20
#project1979s500 v2 is ready for some color. Magic Malcolm has a plan for my Tobacco Sunburst fantasy and I’m sure whatever he does is gonna be awesome.
Magic Malcolm laying down the first color he blended for this project. The color needs to work with the reddish brown of the oko
Magic Malcolm laying down the first color he blended for this project. The color needs to work with the reddish brown of the okoume to somehow come out like it’s wrapped in some kinda tasty honey glaze.
Date: 05/25/20
Magic Malcolm laying down the first color he blended for this project. The color needs to work with the reddish brown of the okoume to somehow come out like it’s wrapped in some kinda tasty honey glaze.
Magic Malcolm can see finish-1
Magic Malcolm can see finish before it’s even finished. I can’t even see where I left my phone. Seriously, we could totally stop now and it would be ... but nah...Malcolm is on a roll
Date: 05/25/20
Magic Malcolm can see finish before it’s even finished. I can’t even see where I left my phone. Seriously, we could totally stop now and it would be ... but nah...Malcolm is on a roll
Magic Malcolm can see finish-2
Magic Malcolm can see finish before it’s even finished. I can’t even see where I left my phone. Seriously, we could totally stop now and it would be ... but nah...Malcolm is on a roll
Date: 05/25/20
Magic Malcolm can see finish before it’s even finished. I can’t even see where I left my phone. Seriously, we could totally stop now and it would be ... but nah...Malcolm is on a roll
Magic Malcolm is on fire-1
Magic Malcolm is on fire, he explained the color strategy *just for this layer of the burst* and it took like four sentences. That’s an artist
Date: 05/25/20
Magic Malcolm is on fire, he explained the color strategy *just for this layer of the burst* and it took like four sentences. That’s an artist
Magic Malcolm is on fire-2
Magic Malcolm is on fire, he explained the color strategy *just for this layer of the burst* and it took like four sentences. That’s an artist
Date: 05/25/20
Magic Malcolm is on fire, he explained the color strategy *just for this layer of the burst* and it took like four sentences. That’s an artist
laying down a darker blend-1
Magic Malcolm laying down a darker blend to fade out the burst
Date: 05/25/20
Magic Malcolm laying down a darker blend to fade out the burst
laying down a darker blend-2
Magic Malcolm laying down a darker blend to fade out the burst
Date: 05/25/20
Magic Malcolm laying down a darker blend to fade out the burst
t’s better than I imagined it could be-1
Magic Malcolm...wow I don’t even know what to say. It’s better than I imagined it could be
Date: 05/25/20
Magic Malcolm...wow I don’t even know what to say. It’s better than I imagined it could be
t’s better than I imagined it could be-2
Magic Malcolm...wow I don’t even know what to say. It’s better than I imagined it could be
Date: 05/25/20
Magic Malcolm...wow I don’t even know what to say. It’s better than I imagined it could be
Leo Fender’s work as he was developing his new Dual Fulcrum vibrato in the late 1970s-1
Leo Fender’s work as he was developing his new Dual Fulcrum vibrato in the late 1970s.
Date: 06/08/20
Leo Fender’s work as he was developing his new Dual Fulcrum vibrato in the late 1970s.
Leo Fender’s work as he was developing his new Dual Fulcrum vibrato in the late 1970s-2
Leo Fender’s work as he was developing his new Dual Fulcrum vibrato in the late 1970s.
Date: 06/08/20
Leo Fender’s work as he was developing his new Dual Fulcrum vibrato in the late 1970s.
Leo Fender’s work as he was developing his new Dual Fulcrum vibrato in the late 1970s-3
Leo Fender’s work as he was developing his new Dual Fulcrum vibrato in the late 1970s.
Date: 06/08/20
Leo Fender’s work as he was developing his new Dual Fulcrum vibrato in the late 1970s.
Project Wunkay Rehab Update Banner
Project Wunkay Rehab Update banner
Date: 08/18/20
Project Wunkay Rehab Update banner
Project 77 Again banner
I’ve got a YouTube kick-off vid for #project77again so hit the link for adventures in Leo-land ????
https://youtu.be/nqQ5fzsi4xU Date: 09/12/20 I’ve got a YouTube kick-off vid for #project77again so hit the link for adventures in Leo-land ????
https://youtu.be/nqQ5fzsi4xU
https://youtu.be/nqQ5fzsi4xU Date: 09/12/20 I’ve got a YouTube kick-off vid for #project77again so hit the link for adventures in Leo-land ????
https://youtu.be/nqQ5fzsi4xU
Project1979s500-pickguard1
#project1979s500 is back on track with a badass CLF Research crinkle powdercoated aluminum S-500 pickguard modded with George Fullerton’s genius mini-toggle positioning as a secondary control. This S-500 is here to deliver and it don’t care who’s in the
Date: 09/18/20
#project1979s500 is back on track with a badass CLF Research crinkle powdercoated aluminum S-500 pickguard modded with George Fullerton’s genius mini-toggle positioning as a secondary control. This S-500 is here to deliver and it don’t care who’s in the way.
Project1979s500-pickguard2
#project1979s500 is back on track with a badass CLF Research crinkle powdercoated aluminum S-500 pickguard modded with George Fullerton’s genius mini-toggle positioning as a secondary control. This S-500 is here to deliver and it don’t care who’s in the
Date: 09/18/20
#project1979s500 is back on track with a badass CLF Research crinkle powdercoated aluminum S-500 pickguard modded with George Fullerton’s genius mini-toggle positioning as a secondary control. This S-500 is here to deliver and it don’t care who’s in the way.
bringing back the swag of those big ass dots1
#project1979s500 bringing back the swag of those big ass dots. Well, actually they were just the standard Leo bass dots. But on a guitar! Whoa, dude!!!
Date: 09/18/20
#project1979s500 bringing back the swag of those big ass dots. Well, actually they were just the standard Leo bass dots. But on a guitar! Whoa, dude!!!
bringing back the swag of those big ass dots2
#project1979s500 bringing back the swag of those big ass dots. Well, actually they were just the standard Leo bass dots. But on a guitar! Whoa, dude!!!
Date: 09/18/20
#project1979s500 bringing back the swag of those big ass dots. Well, actually they were just the standard Leo bass dots. But on a guitar! Whoa, dude!!!
bringing back the swag of those big ass dots3
#project1979s500 bringing back the swag of those big ass dots. Well, actually they were just the standard Leo bass dots. But on a guitar! Whoa, dude!!!
Date: 09/18/20
#project1979s500 bringing back the swag of those big ass dots. Well, actually they were just the standard Leo bass dots. But on a guitar! Whoa, dude!!!
Project Fake Broadcaster
Project Fake Broadcaster banner
Date: 10/15/20
Project Fake Broadcaster banner
Project El Toro
Project El Toro banner
Date: 10/29/20
Dave McLaren brings a legend back to life with project El Toro.
Check it out on YouTube:
https://youtu.be/0VW2gQ0VfS0
†The personal name, likeness and signature of Mr. Clarence Leo Fender are property of G&L Musical Instruments / BBE Sound, Inc. G&L is not associated with Fender Musical Instruments Corporation (FMIC).
© 2020 G&L Musical Instruments 2548 Fender Avenue, Fullerton, California 92831 Tel (714)897-6766
Check it out on YouTube:
https://youtu.be/0VW2gQ0VfS0
†The personal name, likeness and signature of Mr. Clarence Leo Fender are property of G&L Musical Instruments / BBE Sound, Inc. G&L is not associated with Fender Musical Instruments Corporation (FMIC).
© 2020 G&L Musical Instruments 2548 Fender Avenue, Fullerton, California 92831 Tel (714)897-6766
In The Beginning
Merry Christmas! May the music we make provide comfort and healing to the world
Date: 12/25/20
Merry Christmas! May the music we make provide comfort and healing to the world
Dougs Partscaster
I’m about to plug in Doug’s partscaster. He put ASAT Special pickups under some blank jazzer covers he drilled out. This is functionally an ASAT Special with PTB controls and Dual Fulcrum vibrato.
Date: 01/08/21
I’m about to plug in Doug’s partscaster. He put ASAT Special pickups under some blank jazzer covers he drilled out. This is functionally an ASAT Special with PTB controls and Dual Fulcrum vibrato.
G&L HG-2 pickups closeup
The very rare G&L HG-2 with MFD mini-humbuckers. Getting it ready for active duty in the lounge. I want some friends to play it and vibe out on Leo’s concept.
Date: 01/08/21
The very rare G&L HG-2 with MFD mini-humbuckers. Getting it ready for active duty in the lounge. I want some friends to play it and vibe out on Leo’s concept.
G&L HG-2 full
The very rare G&L HG-2 with MFD mini-humbuckers. Getting it ready for active duty in the lounge. I want some friends to play it and vibe out on Leo’s concept.
Date: 01/08/21
The very rare G&L HG-2 with MFD mini-humbuckers. Getting it ready for active duty in the lounge. I want some friends to play it and vibe out on Leo’s concept.
G&L HG-2 headstock
The very rare G&L HG-2 with MFD mini-humbuckers. Getting it ready for active duty in the lounge. I want some friends to play it and vibe out on Leo’s concept.
Date: 01/08/21
The very rare G&L HG-2 with MFD mini-humbuckers. Getting it ready for active duty in the lounge. I want some friends to play it and vibe out on Leo’s concept.
Project Big Chonks
Dave McLaren wraps up Project Big Chonks.
Check it out on YouTube:
https://youtu.be/4rdMu4pM9vc
Date: 02/27/21 Dave McLaren wraps up Project Big Chonks.
Check it out on YouTube:
https://youtu.be/4rdMu4pM9vc
Check it out on YouTube:
https://youtu.be/4rdMu4pM9vc
Date: 02/27/21 Dave McLaren wraps up Project Big Chonks.
Check it out on YouTube:
https://youtu.be/4rdMu4pM9vc
The postman always strings twice
The postman always strings twice
Date: 03/27/21
The postman always strings twice
Leo is holding his 1981 ACM - Academy of Country Music award
Remember I said that Leo Fender and Walter Knott were friends? Here’s Leo at his friend’s place called Knott's Berry Farm. Leo is holding his 1981 ACM - Academy of Country Music award.
Date: 03/27/21
Remember I said that Leo Fender and Walter Knott were friends? Here’s Leo at his friend’s place called Knott's Berry Farm. Leo is holding his 1981 ACM - Academy of Country Music award.
Katy Guillen
Katy Guillen with her CLF Research Espada
Check it out on YouTube:
https://youtu.be/rOnVZwR5-iE Date: 04/30/21 Katy Guillen with her CLF Research Espada
Check it out on YouTube:
https://youtu.be/rOnVZwR5-iE
Check it out on YouTube:
https://youtu.be/rOnVZwR5-iE Date: 04/30/21 Katy Guillen with her CLF Research Espada
Check it out on YouTube:
https://youtu.be/rOnVZwR5-iE
G&L Player's Update
https://gallery.mailchimp.com/dff3e0f01d4f2ce6feb7dc935/images/58ae4589-ac17-42b3-bf3b-741186bd5ea6.jpg
Date: 04/30/21 https://gallery.mailchimp.com/dff3e0f01d4f2ce6feb7dc935/images/58ae4589-ac17-42b3-bf3b-741186bd5ea6.jpg
Date: 04/30/21 https://gallery.mailchimp.com/dff3e0f01d4f2ce6feb7dc935/images/58ae4589-ac17-42b3-bf3b-741186bd5ea6.jpg
Storytime with Dave & John McLaren
StoryTime! with Johnny: Dave and John McLaren chat about his early years at Fender, their dad, musical instrument industry leader John C. McLaren, and a taste of the crazy antics from the old days.
Check out the video by clicking on the image above and d Date: 05/24/21 StoryTime! with Johnny: Dave and John McLaren chat about his early years at Fender, their dad, musical instrument industry leader John C. McLaren, and a taste of the crazy antics from the old days.
Check out the video by clicking on the image above and don't forget to subscribe to the CLF Research YouTube Channel.
https://bbesound.us7.list-manage.com/track/click?u=dff3e0f01d4f2ce6feb7dc935&id=60db28b4c2&e=a6836802bf
Check out the video by clicking on the image above and d Date: 05/24/21 StoryTime! with Johnny: Dave and John McLaren chat about his early years at Fender, their dad, musical instrument industry leader John C. McLaren, and a taste of the crazy antics from the old days.
Check out the video by clicking on the image above and don't forget to subscribe to the CLF Research YouTube Channel.
https://bbesound.us7.list-manage.com/track/click?u=dff3e0f01d4f2ce6feb7dc935&id=60db28b4c2&e=a6836802bf
new pickups for #project1979s500
John went full mad scientist???? on new pickups for #project1979s500. He was way deep into the precise design of the original 1982 S-500 square-end pickups and how the 1989+ design changed to fit in a Strat pickguard for aftermarket sales. I know when
Date: 05/27/21
John went full mad scientist???? on new pickups for #project1979s500. He was way deep into the precise design of the original 1982 S-500 square-end pickups and how the 1989+ design changed to fit in a Strat pickguard for aftermarket sales. I know when he gets in this deep something awesome is gonna come out
Messing with magnets for project1979s500
Messing with magnets for #project1979s500 Mocha Madness prototype is back on the scene with different magnets in the pickups.
Date: 05/27/21
Messing with magnets for #project1979s500 Mocha Madness prototype is back on the scene with different magnets in the pickups.
John in the R&D zone with his #project1979s500 pickups
John in the R&D zone with his #project1979s500 pickups
Date: 05/27/21
John in the R&D zone with his #project1979s500 pickups
G026536 full
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logb
Date: 09/13/21
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logbook
G026536 body
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logb
Date: 09/13/21
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logbook
G026536 body2
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logb
Date: 09/13/21
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logbook
G026536 headstock
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logb
Date: 09/13/21
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logbook
G026536 back of headstock
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logb
Date: 09/13/21
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logbook
G026536 back of body
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logb
Date: 09/13/21
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logbook
G026536 back of body2
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logb
Date: 09/13/21
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logbook
G026536 full
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logb
Date: 09/13/21
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logbook
G026536 body
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logb
Date: 09/13/21
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logbook
G026536 body2
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logb
Date: 09/13/21
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logbook
G026536 headstock
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logb
Date: 09/13/21
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logbook
G026536 back of headstock
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logb
Date: 09/13/21
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logbook
G026536 back of body
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logb
Date: 09/13/21
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logbook
G026536 back of body2
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logb
Date: 09/13/21
1990 prototype ???? #G026536 has a sickle-headstock, slightly pointy horns and three jumbo MFD pickups - the real point being considered. I assume the middle is RWRP (reverse-wound reverse-polarity). Note the blank entry by this serial number in the logbook
B017090 full
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compart
Date: 10/11/21
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compartment not in the usual CLFR style. Lots of stuff thrown at this one
B017090 closeup bridge
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compart
Date: 10/11/21
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compartment not in the usual CLFR style. Lots of stuff thrown at this one
B017090 close up controls
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compart
Date: 10/11/21
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compartment not in the usual CLFR style. Lots of stuff thrown at this one
B017090 close up pickups
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compart
Date: 10/11/21
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compartment not in the usual CLFR style. Lots of stuff thrown at this one
B017090 close up neck and body
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compart
Date: 10/11/21
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compartment not in the usual CLFR style. Lots of stuff thrown at this one
B017090 close up of lower body horn
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compart
Date: 10/11/21
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compartment not in the usual CLFR style. Lots of stuff thrown at this one
B017090 headstock
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compart
Date: 10/11/21
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compartment not in the usual CLFR style. Lots of stuff thrown at this one
B017090 back of headstock
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compart
Date: 10/11/21
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compartment not in the usual CLFR style. Lots of stuff thrown at this one
B017090 full back
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compart
Date: 10/11/21
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compartment not in the usual CLFR style. Lots of stuff thrown at this one
B017090 factory log book page
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compart
Date: 10/11/21
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compartment not in the usual CLFR style. Lots of stuff thrown at this one
B017090 full
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compart
Date: 10/11/21
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compartment not in the usual CLFR style. Lots of stuff thrown at this one
B017090 closeup bridge
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compart
Date: 10/11/21
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compartment not in the usual CLFR style. Lots of stuff thrown at this one
B017090 close up controls
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compart
Date: 10/11/21
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compartment not in the usual CLFR style. Lots of stuff thrown at this one
B017090 close up pickups
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compart
Date: 10/11/21
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compartment not in the usual CLFR style. Lots of stuff thrown at this one
B017090 close up neck and body
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compart
Date: 10/11/21
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compartment not in the usual CLFR style. Lots of stuff thrown at this one
B017090 close up of lower body horn
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compart
Date: 10/11/21
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compartment not in the usual CLFR style. Lots of stuff thrown at this one
B017090 headstock
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compart
Date: 10/11/21
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compartment not in the usual CLFR style. Lots of stuff thrown at this one
B017090 back of headstock
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compart
Date: 10/11/21
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compartment not in the usual CLFR style. Lots of stuff thrown at this one
B017090 full back
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compart
Date: 10/11/21
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compartment not in the usual CLFR style. Lots of stuff thrown at this one
B017090 factory log book page
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compart
Date: 10/11/21
1986 prototype B017090 has cut-and-shut MFD pickup covers, prototype Leo Fender “Guitar-Tech” bridge, deeply scalloped horns and a headstock to rock the kids. Electronics were up for grabs at this point, but someone manually added a small battery compartment not in the usual CLFR style. Lots of stuff thrown at this one
G022960 body
1988 S•500 prototype - Let’s go retro - Never mind the pointy Interceptor headstock; that’s a distraction. G022960 has a solid-pole MFD bridge pickup concept which didn’t go anywhere but the Leo Fender fine tuner bridge and vibrato stop did. And the retro
Date: 10/13/21
1988 S•500 prototype - Let’s go retro - Never mind the pointy Interceptor headstock; that’s a distraction. G022960 has a solid-pole MFD bridge pickup concept which didn’t go anywhere but the Leo Fender fine tuner bridge and vibrato stop did. And the retro styling
G022960 full
1988 S•500 prototype - Let’s go retro - Never mind the pointy Interceptor headstock; that’s a distraction. G022960 has a solid-pole MFD bridge pickup concept which didn’t go anywhere but the Leo Fender fine tuner bridge and vibrato stop did. And the retro
Date: 10/13/21
1988 S•500 prototype - Let’s go retro - Never mind the pointy Interceptor headstock; that’s a distraction. G022960 has a solid-pole MFD bridge pickup concept which didn’t go anywhere but the Leo Fender fine tuner bridge and vibrato stop did. And the retro styling
G022960 body2
1988 S•500 prototype - Let’s go retro - Never mind the pointy Interceptor headstock; that’s a distraction. G022960 has a solid-pole MFD bridge pickup concept which didn’t go anywhere but the Leo Fender fine tuner bridge and vibrato stop did. And the retro
Date: 10/13/21
1988 S•500 prototype - Let’s go retro - Never mind the pointy Interceptor headstock; that’s a distraction. G022960 has a solid-pole MFD bridge pickup concept which didn’t go anywhere but the Leo Fender fine tuner bridge and vibrato stop did. And the retro styling
G022960 headstock
1988 S•500 prototype - Let’s go retro - Never mind the pointy Interceptor headstock; that’s a distraction. G022960 has a solid-pole MFD bridge pickup concept which didn’t go anywhere but the Leo Fender fine tuner bridge and vibrato stop did. And the retro
Date: 10/13/21
1988 S•500 prototype - Let’s go retro - Never mind the pointy Interceptor headstock; that’s a distraction. G022960 has a solid-pole MFD bridge pickup concept which didn’t go anywhere but the Leo Fender fine tuner bridge and vibrato stop did. And the retro styling
G022960 back of headstock
1988 S•500 prototype - Let’s go retro - Never mind the pointy Interceptor headstock; that’s a distraction. G022960 has a solid-pole MFD bridge pickup concept which didn’t go anywhere but the Leo Fender fine tuner bridge and vibrato stop did. And the retro
Date: 10/13/21
1988 S•500 prototype - Let’s go retro - Never mind the pointy Interceptor headstock; that’s a distraction. G022960 has a solid-pole MFD bridge pickup concept which didn’t go anywhere but the Leo Fender fine tuner bridge and vibrato stop did. And the retro styling
G022960 back of body
1988 S•500 prototype - Let’s go retro - Never mind the pointy Interceptor headstock; that’s a distraction. G022960 has a solid-pole MFD bridge pickup concept which didn’t go anywhere but the Leo Fender fine tuner bridge and vibrato stop did. And the retro
Date: 10/13/21
1988 S•500 prototype - Let’s go retro - Never mind the pointy Interceptor headstock; that’s a distraction. G022960 has a solid-pole MFD bridge pickup concept which didn’t go anywhere but the Leo Fender fine tuner bridge and vibrato stop did. And the retro styling
G022960 full back
1988 S•500 prototype - Let’s go retro - Never mind the pointy Interceptor headstock; that’s a distraction. G022960 has a solid-pole MFD bridge pickup concept which didn’t go anywhere but the Leo Fender fine tuner bridge and vibrato stop did. And the retro
Date: 10/13/21
1988 S•500 prototype - Let’s go retro - Never mind the pointy Interceptor headstock; that’s a distraction. G022960 has a solid-pole MFD bridge pickup concept which didn’t go anywhere but the Leo Fender fine tuner bridge and vibrato stop did. And the retro styling
G022960 factory log book page
1988 S•500 prototype - Let’s go retro - Never mind the pointy Interceptor headstock; that’s a distraction. G022960 has a solid-pole MFD bridge pickup concept which didn’t go anywhere but the Leo Fender fine tuner bridge and vibrato stop did. And the retro
Date: 10/13/21
1988 S•500 prototype - Let’s go retro - Never mind the pointy Interceptor headstock; that’s a distraction. G022960 has a solid-pole MFD bridge pickup concept which didn’t go anywhere but the Leo Fender fine tuner bridge and vibrato stop did. And the retro styling
G009410 full
1982 prototype G009410 explores a two-single-coil MFD arrangement. At the time, the original S•500 was being introduced so it was convenient to start with those pickups and modify them as needed. The following year the SC•2 launched with much different pi
Date: 01/21/22
1982 prototype G009410 explores a two-single-coil MFD arrangement. At the time, the original S•500 was being introduced so it was convenient to start with those pickups and modify them as needed. The following year the SC•2 launched with much different pickups, so I’d like to thank this prototype for not being the right direction and instead we got the SC•2 pickups that achieved fame in the original ASAT
G009410 body closeup
1982 prototype G009410 explores a two-single-coil MFD arrangement. At the time, the original S•500 was being introduced so it was convenient to start with those pickups and modify them as needed. The following year the SC•2 launched with much different pi
Date: 01/21/22
1982 prototype G009410 explores a two-single-coil MFD arrangement. At the time, the original S•500 was being introduced so it was convenient to start with those pickups and modify them as needed. The following year the SC•2 launched with much different pickups, so I’d like to thank this prototype for not being the right direction and instead we got the SC•2 pickups that achieved fame in the original ASAT
G009410 body closeup 2
1982 prototype G009410 explores a two-single-coil MFD arrangement. At the time, the original S•500 was being introduced so it was convenient to start with those pickups and modify them as needed. The following year the SC•2 launched with much different pi
Date: 01/21/22
1982 prototype G009410 explores a two-single-coil MFD arrangement. At the time, the original S•500 was being introduced so it was convenient to start with those pickups and modify them as needed. The following year the SC•2 launched with much different pickups, so I’d like to thank this prototype for not being the right direction and instead we got the SC•2 pickups that achieved fame in the original ASAT
G009410 headstock
1982 prototype G009410 explores a two-single-coil MFD arrangement. At the time, the original S•500 was being introduced so it was convenient to start with those pickups and modify them as needed. The following year the SC•2 launched with much different pi
Date: 01/21/22
1982 prototype G009410 explores a two-single-coil MFD arrangement. At the time, the original S•500 was being introduced so it was convenient to start with those pickups and modify them as needed. The following year the SC•2 launched with much different pickups, so I’d like to thank this prototype for not being the right direction and instead we got the SC•2 pickups that achieved fame in the original ASAT
G009410 back of headstock
1982 prototype G009410 explores a two-single-coil MFD arrangement. At the time, the original S•500 was being introduced so it was convenient to start with those pickups and modify them as needed. The following year the SC•2 launched with much different pi
Date: 01/21/22
1982 prototype G009410 explores a two-single-coil MFD arrangement. At the time, the original S•500 was being introduced so it was convenient to start with those pickups and modify them as needed. The following year the SC•2 launched with much different pickups, so I’d like to thank this prototype for not being the right direction and instead we got the SC•2 pickups that achieved fame in the original ASAT
G009410 back of body
1982 prototype G009410 explores a two-single-coil MFD arrangement. At the time, the original S•500 was being introduced so it was convenient to start with those pickups and modify them as needed. The following year the SC•2 launched with much different pi
Date: 01/21/22
1982 prototype G009410 explores a two-single-coil MFD arrangement. At the time, the original S•500 was being introduced so it was convenient to start with those pickups and modify them as needed. The following year the SC•2 launched with much different pickups, so I’d like to thank this prototype for not being the right direction and instead we got the SC•2 pickups that achieved fame in the original ASAT
G009410 full back
1982 prototype G009410 explores a two-single-coil MFD arrangement. At the time, the original S•500 was being introduced so it was convenient to start with those pickups and modify them as needed. The following year the SC•2 launched with much different pi
Date: 01/21/22
1982 prototype G009410 explores a two-single-coil MFD arrangement. At the time, the original S•500 was being introduced so it was convenient to start with those pickups and modify them as needed. The following year the SC•2 launched with much different pickups, so I’d like to thank this prototype for not being the right direction and instead we got the SC•2 pickups that achieved fame in the original ASAT
G009410 log book entry
1982 prototype G009410 explores a two-single-coil MFD arrangement. At the time, the original S•500 was being introduced so it was convenient to start with those pickups and modify them as needed. The following year the SC•2 launched with much different pi
Date: 01/21/22
1982 prototype G009410 explores a two-single-coil MFD arrangement. At the time, the original S•500 was being introduced so it was convenient to start with those pickups and modify them as needed. The following year the SC•2 launched with much different pickups, so I’d like to thank this prototype for not being the right direction and instead we got the SC•2 pickups that achieved fame in the original ASAT
rare Dual Fulcrum vibrato with fine tuners in Leo’s lab
by ???????????? ???????????????????????? ?? a rare Dual Fulcrum vibrato with fine tuners in Leo’s lab. Thinking about using this ‘80s machine on a project
Date: 01/25/22
by ???????????? ???????????????????????? ?? a rare Dual Fulcrum vibrato with fine tuners in Leo’s lab. Thinking about using this ‘80s machine on a project
G009568 full
1982 prototype G•200 visiting Leo’s Lab. G009568 left here 40 years ago with Rick Meyer, Rob Joly’s longtime business partner and also a friend of Leo. Rick played a lot of good old fashioned smoke-filled clubs and it shows
Date: 02/11/22
1982 prototype G•200 visiting Leo’s Lab. G009568 left here 40 years ago with Rick Meyer, Rob Joly’s longtime business partner and also a friend of Leo. Rick played a lot of good old fashioned smoke-filled clubs and it shows
G009568 body
1982 prototype G•200 visiting Leo’s Lab. G009568 left here 40 years ago with Rick Meyer, Rob Joly’s longtime business partner and also a friend of Leo. Rick played a lot of good old fashioned smoke-filled clubs and it shows
Date: 02/11/22
1982 prototype G•200 visiting Leo’s Lab. G009568 left here 40 years ago with Rick Meyer, Rob Joly’s longtime business partner and also a friend of Leo. Rick played a lot of good old fashioned smoke-filled clubs and it shows
G009568 full back
1982 prototype G•200 visiting Leo’s Lab. G009568 left here 40 years ago with Rick Meyer, Rob Joly’s longtime business partner and also a friend of Leo. Rick played a lot of good old fashioned smoke-filled clubs and it shows
Date: 02/11/22
1982 prototype G•200 visiting Leo’s Lab. G009568 left here 40 years ago with Rick Meyer, Rob Joly’s longtime business partner and also a friend of Leo. Rick played a lot of good old fashioned smoke-filled clubs and it shows
G009568 back of body
1982 prototype G•200 visiting Leo’s Lab. G009568 left here 40 years ago with Rick Meyer, Rob Joly’s longtime business partner and also a friend of Leo. Rick played a lot of good old fashioned smoke-filled clubs and it shows
Date: 02/11/22
1982 prototype G•200 visiting Leo’s Lab. G009568 left here 40 years ago with Rick Meyer, Rob Joly’s longtime business partner and also a friend of Leo. Rick played a lot of good old fashioned smoke-filled clubs and it shows
G009568 headstock
1982 prototype G•200 visiting Leo’s Lab. G009568 left here 40 years ago with Rick Meyer, Rob Joly’s longtime business partner and also a friend of Leo. Rick played a lot of good old fashioned smoke-filled clubs and it shows
Date: 02/11/22
1982 prototype G•200 visiting Leo’s Lab. G009568 left here 40 years ago with Rick Meyer, Rob Joly’s longtime business partner and also a friend of Leo. Rick played a lot of good old fashioned smoke-filled clubs and it shows
G009568 back of headstock
1982 prototype G•200 visiting Leo’s Lab. G009568 left here 40 years ago with Rick Meyer, Rob Joly’s longtime business partner and also a friend of Leo. Rick played a lot of good old fashioned smoke-filled clubs and it shows
Date: 02/11/22
1982 prototype G•200 visiting Leo’s Lab. G009568 left here 40 years ago with Rick Meyer, Rob Joly’s longtime business partner and also a friend of Leo. Rick played a lot of good old fashioned smoke-filled clubs and it shows
G009568 bridge
1982 prototype G•200 visiting Leo’s Lab. G009568 left here 40 years ago with Rick Meyer, Rob Joly’s longtime business partner and also a friend of Leo. Rick played a lot of good old fashioned smoke-filled clubs and it shows
Date: 02/11/22
1982 prototype G•200 visiting Leo’s Lab. G009568 left here 40 years ago with Rick Meyer, Rob Joly’s longtime business partner and also a friend of Leo. Rick played a lot of good old fashioned smoke-filled clubs and it shows
G009568 factory log page
1982 prototype G•200 visiting Leo’s Lab. G009568 left here 40 years ago with Rick Meyer, Rob Joly’s longtime business partner and also a friend of Leo. Rick played a lot of good old fashioned smoke-filled clubs and it shows
Date: 02/11/22
1982 prototype G•200 visiting Leo’s Lab. G009568 left here 40 years ago with Rick Meyer, Rob Joly’s longtime business partner and also a friend of Leo. Rick played a lot of good old fashioned smoke-filled clubs and it shows
G009568 in case
1982 prototype G•200 visiting Leo’s Lab. G009568 left here 40 years ago with Rick Meyer, Rob Joly’s longtime business partner and also a friend of Leo. Rick played a lot of good old fashioned smoke-filled clubs and it shows
Date: 02/13/22
1982 prototype G•200 visiting Leo’s Lab. G009568 left here 40 years ago with Rick Meyer, Rob Joly’s longtime business partner and also a friend of Leo. Rick played a lot of good old fashioned smoke-filled clubs and it shows
G009568 headstock
1982 prototype G•200 visiting Leo’s Lab. G009568 left here 40 years ago with Rick Meyer, Rob Joly’s longtime business partner and also a friend of Leo. Rick played a lot of good old fashioned smoke-filled clubs and it shows
Date: 02/13/22
1982 prototype G•200 visiting Leo’s Lab. G009568 left here 40 years ago with Rick Meyer, Rob Joly’s longtime business partner and also a friend of Leo. Rick played a lot of good old fashioned smoke-filled clubs and it shows
Mister Rob Joly
Storytime! ???? Friend of Leo ???? Mister Rob Joly recalls getting to know Leo Fender.
https://www.facebook.com/watch/?v=688124512626822
Date: 02/13/22 Storytime! ???? Friend of Leo ???? Mister Rob Joly recalls getting to know Leo Fender.
https://www.facebook.com/watch/?v=688124512626822
https://www.facebook.com/watch/?v=688124512626822
Date: 02/13/22 Storytime! ???? Friend of Leo ???? Mister Rob Joly recalls getting to know Leo Fender.
https://www.facebook.com/watch/?v=688124512626822
Big Time Score Found today
Big Time Score Found today:
my old Interceptor Bass B024865
2007 Phyllis “Blondie” CLF47747
2006 Green Metal Flake Comanche CLF43169 from the Guitar World photo shoot for the 2007 GW Calendar
2006 Red Metal Flake L•2000 CLF40043 from the same GW shoo Date: 02/17/22 Big Time Score Found today:
my old Interceptor Bass B024865
2007 Phyllis “Blondie” CLF47747
2006 Green Metal Flake Comanche CLF43169 from the Guitar World photo shoot for the 2007 GW Calendar
2006 Red Metal Flake L•2000 CLF40043 from the same GW shoot.
Clearing out a loft to make our first “Family Room” hangout for the people here. Lots of junk but it’s like panning for gold
my old Interceptor Bass B024865
2007 Phyllis “Blondie” CLF47747
2006 Green Metal Flake Comanche CLF43169 from the Guitar World photo shoot for the 2007 GW Calendar
2006 Red Metal Flake L•2000 CLF40043 from the same GW shoo Date: 02/17/22 Big Time Score Found today:
my old Interceptor Bass B024865
2007 Phyllis “Blondie” CLF47747
2006 Green Metal Flake Comanche CLF43169 from the Guitar World photo shoot for the 2007 GW Calendar
2006 Red Metal Flake L•2000 CLF40043 from the same GW shoot.
Clearing out a loft to make our first “Family Room” hangout for the people here. Lots of junk but it’s like panning for gold
Rob Joly storytime
Storytime! Mr. Rob Joly recalls getting to know Leo Fender.
https://bbesound.us7.list-manage.com/track/click?u=dff3e0f01d4f2ce6feb7dc935&id=271cc1597b&e=a6836802bf Date: 02/18/22
Storytime! Mr. Rob Joly recalls getting to know Leo Fender.
https://bbesound.us7.list-manage.com/track/click?u=dff3e0f01d4f2ce6feb7dc935&id=271cc1597b&e=a6836802bf
Storytime! Mr. Rob Joly recalls getting to know Leo Fender.
https://bbesound.us7.list-manage.com/track/click?u=dff3e0f01d4f2ce6feb7dc935&id=271cc1597b&e=a6836802bf Date: 02/18/22
Storytime! Mr. Rob Joly recalls getting to know Leo Fender.
https://bbesound.us7.list-manage.com/track/click?u=dff3e0f01d4f2ce6feb7dc935&id=271cc1597b&e=a6836802bf
CLF2107096 full
2007 Phyllis “Blondie” CLF47747 is back in the lab after 15 years. Phyllis Fender couldn’t make it for the occasion but she’s always there in spirit, the memories are all smiles
Date: 02/18/22
2007 Phyllis “Blondie” CLF47747 is back in the lab after 15 years. Phyllis Fender couldn’t make it for the occasion but she’s always there in spirit, the memories are all smiles
CLF47747 full back
2007 Phyllis “Blondie” CLF47747 is back in the lab after 15 years. Phyllis Fender couldn’t make it for the occasion but she’s always there in spirit, the memories are all smiles
Date: 02/18/22
2007 Phyllis “Blondie” CLF47747 is back in the lab after 15 years. Phyllis Fender couldn’t make it for the occasion but she’s always there in spirit, the memories are all smiles
CLF47747 body
2007 Phyllis “Blondie” CLF47747 is back in the lab after 15 years. Phyllis Fender couldn’t make it for the occasion but she’s always there in spirit, the memories are all smiles
Date: 02/18/22
2007 Phyllis “Blondie” CLF47747 is back in the lab after 15 years. Phyllis Fender couldn’t make it for the occasion but she’s always there in spirit, the memories are all smiles
CLF47747 front of headstock
2007 Phyllis “Blondie” CLF47747 is back in the lab after 15 years. Phyllis Fender couldn’t make it for the occasion but she’s always there in spirit, the memories are all smiles
Date: 02/18/22
2007 Phyllis “Blondie” CLF47747 is back in the lab after 15 years. Phyllis Fender couldn’t make it for the occasion but she’s always there in spirit, the memories are all smiles
CLF47747 back of headstock
2007 Phyllis “Blondie” CLF47747 is back in the lab after 15 years. Phyllis Fender couldn’t make it for the occasion but she’s always there in spirit, the memories are all smiles
Date: 02/18/22
2007 Phyllis “Blondie” CLF47747 is back in the lab after 15 years. Phyllis Fender couldn’t make it for the occasion but she’s always there in spirit, the memories are all smiles
CLF47747 Johnny and Dave with Phylils
2007 Phyllis “Blondie” CLF47747 is back in the lab after 15 years. Phyllis Fender couldn’t make it for the occasion but she’s always there in spirit, the memories are all smiles
Date: 02/18/22
2007 Phyllis “Blondie” CLF47747 is back in the lab after 15 years. Phyllis Fender couldn’t make it for the occasion but she’s always there in spirit, the memories are all smiles
B024865 full
Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about Date: 02/19/22 Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about the time I sold the last of the L•5000 basses to Scott Shapiro at American Keyboard in Oxnard, California. So...we weren’t looking to bring back odd stuff when we still had odd stuff in stock
This must be about Date: 02/19/22 Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about the time I sold the last of the L•5000 basses to Scott Shapiro at American Keyboard in Oxnard, California. So...we weren’t looking to bring back odd stuff when we still had odd stuff in stock
B024865 full back
Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about Date: 02/19/22 Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about the time I sold the last of the L•5000 basses to Scott Shapiro at American Keyboard in Oxnard, California. So...we weren’t looking to bring back odd stuff when we still had odd stuff in stock
This must be about Date: 02/19/22 Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about the time I sold the last of the L•5000 basses to Scott Shapiro at American Keyboard in Oxnard, California. So...we weren’t looking to bring back odd stuff when we still had odd stuff in stock
B024865 headstock
Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about Date: 02/19/22 Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about the time I sold the last of the L•5000 basses to Scott Shapiro at American Keyboard in Oxnard, California. So...we weren’t looking to bring back odd stuff when we still had odd stuff in stock
This must be about Date: 02/19/22 Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about the time I sold the last of the L•5000 basses to Scott Shapiro at American Keyboard in Oxnard, California. So...we weren’t looking to bring back odd stuff when we still had odd stuff in stock
B024865 back of headstock
Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about Date: 02/19/22 Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about the time I sold the last of the L•5000 basses to Scott Shapiro at American Keyboard in Oxnard, California. So...we weren’t looking to bring back odd stuff when we still had odd stuff in stock
This must be about Date: 02/19/22 Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about the time I sold the last of the L•5000 basses to Scott Shapiro at American Keyboard in Oxnard, California. So...we weren’t looking to bring back odd stuff when we still had odd stuff in stock
B024865 body1
Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about Date: 02/19/22 Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about the time I sold the last of the L•5000 basses to Scott Shapiro at American Keyboard in Oxnard, California. So...we weren’t looking to bring back odd stuff when we still had odd stuff in stock
This must be about Date: 02/19/22 Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about the time I sold the last of the L•5000 basses to Scott Shapiro at American Keyboard in Oxnard, California. So...we weren’t looking to bring back odd stuff when we still had odd stuff in stock
B024865 body2
Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about Date: 02/19/22 Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about the time I sold the last of the L•5000 basses to Scott Shapiro at American Keyboard in Oxnard, California. So...we weren’t looking to bring back odd stuff when we still had odd stuff in stock
This must be about Date: 02/19/22 Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about the time I sold the last of the L•5000 basses to Scott Shapiro at American Keyboard in Oxnard, California. So...we weren’t looking to bring back odd stuff when we still had odd stuff in stock
B024865 back of body
Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about Date: 02/19/22 Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about the time I sold the last of the L•5000 basses to Scott Shapiro at American Keyboard in Oxnard, California. So...we weren’t looking to bring back odd stuff when we still had odd stuff in stock
This must be about Date: 02/19/22 Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about the time I sold the last of the L•5000 basses to Scott Shapiro at American Keyboard in Oxnard, California. So...we weren’t looking to bring back odd stuff when we still had odd stuff in stock
B024865 factory log book entry
Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about Date: 02/19/22 Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about the time I sold the last of the L•5000 basses to Scott Shapiro at American Keyboard in Oxnard, California. So...we weren’t looking to bring back odd stuff when we still had odd stuff in stock
This must be about Date: 02/19/22 Interceptor Bass was so ‘80s that John Crawford from the band Berlin looked pretty cool with one. B024865 seems to have missed the metro, as it was been built in 1993 and I’m gonna bet the body and neck were old stock hanging around.
This must be about the time I sold the last of the L•5000 basses to Scott Shapiro at American Keyboard in Oxnard, California. So...we weren’t looking to bring back odd stuff when we still had odd stuff in stock
CLF43169 bdy closeup
2006 Comanche CLF43169 visits LeosLab with quite a story about one great gig it did with my old friends at Guitar World. CassandraLynn is the model and she was super cool and we had the best *two* months of 2007. Not cool to report that she passed away
Date: 03/04/22
2006 Comanche CLF43169 visits LeosLab with quite a story about one great gig it did with my old friends at Guitar World. CassandraLynn is the model and she was super cool and we had the best *two* months of 2007. Not cool to report that she passed away in 2014. So yeah, this was what it was and I can’t regret the fun times during peak Guitar World craziness. Anyway, LeoFender would not have disapproved. PhyllisFender knew he liked blondes.
CLF43169 full
2006 Comanche CLF43169 visits LeosLab with quite a story about one great gig it did with my old friends at Guitar World. CassandraLynn is the model and she was super cool and we had the best *two* months of 2007. Not cool to report that she passed away
Date: 03/04/22
2006 Comanche CLF43169 visits LeosLab with quite a story about one great gig it did with my old friends at Guitar World. CassandraLynn is the model and she was super cool and we had the best *two* months of 2007. Not cool to report that she passed away in 2014. So yeah, this was what it was and I can’t regret the fun times during peak Guitar World craziness. Anyway, LeoFender would not have disapproved. PhyllisFender knew he liked blondes.
CLF43169 body close up2
2006 Comanche CLF43169 visits LeosLab with quite a story about one great gig it did with my old friends at Guitar World. CassandraLynn is the model and she was super cool and we had the best *two* months of 2007. Not cool to report that she passed away
Date: 03/04/22
2006 Comanche CLF43169 visits LeosLab with quite a story about one great gig it did with my old friends at Guitar World. CassandraLynn is the model and she was super cool and we had the best *two* months of 2007. Not cool to report that she passed away in 2014. So yeah, this was what it was and I can’t regret the fun times during peak Guitar World craziness. Anyway, LeoFender would not have disapproved. PhyllisFender knew he liked blondes.
CLF43169 headstock
2006 Comanche CLF43169 visits LeosLab with quite a story about one great gig it did with my old friends at Guitar World. CassandraLynn is the model and she was super cool and we had the best *two* months of 2007. Not cool to report that she passed away
Date: 03/04/22
2006 Comanche CLF43169 visits LeosLab with quite a story about one great gig it did with my old friends at Guitar World. CassandraLynn is the model and she was super cool and we had the best *two* months of 2007. Not cool to report that she passed away in 2014. So yeah, this was what it was and I can’t regret the fun times during peak Guitar World craziness. Anyway, LeoFender would not have disapproved. PhyllisFender knew he liked blondes.
CLF43169 back of headstock
2006 Comanche CLF43169 visits LeosLab with quite a story about one great gig it did with my old friends at Guitar World. CassandraLynn is the model and she was super cool and we had the best *two* months of 2007. Not cool to report that she passed away
Date: 03/04/22
2006 Comanche CLF43169 visits LeosLab with quite a story about one great gig it did with my old friends at Guitar World. CassandraLynn is the model and she was super cool and we had the best *two* months of 2007. Not cool to report that she passed away in 2014. So yeah, this was what it was and I can’t regret the fun times during peak Guitar World craziness. Anyway, LeoFender would not have disapproved. PhyllisFender knew he liked blondes.
CLF43169 back of body
2006 Comanche CLF43169 visits LeosLab with quite a story about one great gig it did with my old friends at Guitar World. CassandraLynn is the model and she was super cool and we had the best *two* months of 2007. Not cool to report that she passed away
Date: 03/04/22
2006 Comanche CLF43169 visits LeosLab with quite a story about one great gig it did with my old friends at Guitar World. CassandraLynn is the model and she was super cool and we had the best *two* months of 2007. Not cool to report that she passed away in 2014. So yeah, this was what it was and I can’t regret the fun times during peak Guitar World craziness. Anyway, LeoFender would not have disapproved. PhyllisFender knew he liked blondes.
CLF43169 back of body2
2006 Comanche CLF43169 visits LeosLab with quite a story about one great gig it did with my old friends at Guitar World. CassandraLynn is the model and she was super cool and we had the best *two* months of 2007. Not cool to report that she passed away
Date: 03/04/22
2006 Comanche CLF43169 visits LeosLab with quite a story about one great gig it did with my old friends at Guitar World. CassandraLynn is the model and she was super cool and we had the best *two* months of 2007. Not cool to report that she passed away in 2014. So yeah, this was what it was and I can’t regret the fun times during peak Guitar World craziness. Anyway, LeoFender would not have disapproved. PhyllisFender knew he liked blondes.
CLF43169 full back
2006 Comanche CLF43169 visits LeosLab with quite a story about one great gig it did with my old friends at Guitar World. CassandraLynn is the model and she was super cool and we had the best *two* months of 2007. Not cool to report that she passed away
Date: 03/04/22
2006 Comanche CLF43169 visits LeosLab with quite a story about one great gig it did with my old friends at Guitar World. CassandraLynn is the model and she was super cool and we had the best *two* months of 2007. Not cool to report that she passed away in 2014. So yeah, this was what it was and I can’t regret the fun times during peak Guitar World craziness. Anyway, LeoFender would not have disapproved. PhyllisFender knew he liked blondes.
CLF43169 calendar page
2006 Comanche CLF43169 visits LeosLab with quite a story about one great gig it did with my old friends at Guitar World. CassandraLynn is the model and she was super cool and we had the best *two* months of 2007. Not cool to report that she passed away
Date: 03/04/22
2006 Comanche CLF43169 visits LeosLab with quite a story about one great gig it did with my old friends at Guitar World. CassandraLynn is the model and she was super cool and we had the best *two* months of 2007. Not cool to report that she passed away in 2014. So yeah, this was what it was and I can’t regret the fun times during peak Guitar World craziness. Anyway, LeoFender would not have disapproved. PhyllisFender knew he liked blondes.
Leo's last prototype1
“3/21/91 Proto 6 String Bass” not much else to note that G029213 is an unusual prototype concept and the very last instrument Leo Fender worked on or even touched before he went home and passed away. Like a typical Leo guitar, the scale length is 25.5 inc
Date: 03/21/22
“3/21/91 Proto 6 String Bass” not much else to note that G029213 is an unusual prototype concept and the very last instrument Leo Fender worked on or even touched before he went home and passed away. Like a typical Leo guitar, the scale length is 25.5 inches but tuning is an octave deeper, with bigger strings, a bigger bridge and bigger tuners custom made by Bob Sperzel of Sperzel Guitar Tuners. The pickups are MFD coils paired up in original S•500 covers, which should offer switching potential but only a 5-way appears. No one knew for sure where Leo was going with this, but maybe it’s time I asked some talented musicians to show us where this truly unique instrument takes them
Leo's last prototype2
“3/21/91 Proto 6 String Bass” not much else to note that G029213 is an unusual prototype concept and the very last instrument Leo Fender worked on or even touched before he went home and passed away. Like a typical Leo guitar, the scale length is 25.5 inc
Date: 03/21/22
“3/21/91 Proto 6 String Bass” not much else to note that G029213 is an unusual prototype concept and the very last instrument Leo Fender worked on or even touched before he went home and passed away. Like a typical Leo guitar, the scale length is 25.5 inches but tuning is an octave deeper, with bigger strings, a bigger bridge and bigger tuners custom made by Bob Sperzel of Sperzel Guitar Tuners. The pickups are MFD coils paired up in original S•500 covers, which should offer switching potential but only a 5-way appears. No one knew for sure where Leo was going with this, but maybe it’s time I asked some talented musicians to show us where this truly unique instrument takes them
Leo's last prototype3
“3/21/91 Proto 6 String Bass” not much else to note that G029213 is an unusual prototype concept and the very last instrument Leo Fender worked on or even touched before he went home and passed away. Like a typical Leo guitar, the scale length is 25.5 inc
Date: 03/21/22
“3/21/91 Proto 6 String Bass” not much else to note that G029213 is an unusual prototype concept and the very last instrument Leo Fender worked on or even touched before he went home and passed away. Like a typical Leo guitar, the scale length is 25.5 inches but tuning is an octave deeper, with bigger strings, a bigger bridge and bigger tuners custom made by Bob Sperzel of Sperzel Guitar Tuners. The pickups are MFD coils paired up in original S•500 covers, which should offer switching potential but only a 5-way appears. No one knew for sure where Leo was going with this, but maybe it’s time I asked some talented musicians to show us where this truly unique instrument takes them
Leo's last prototype4
“3/21/91 Proto 6 String Bass” not much else to note that G029213 is an unusual prototype concept and the very last instrument Leo Fender worked on or even touched before he went home and passed away. Like a typical Leo guitar, the scale length is 25.5 inc
Date: 03/21/22
“3/21/91 Proto 6 String Bass” not much else to note that G029213 is an unusual prototype concept and the very last instrument Leo Fender worked on or even touched before he went home and passed away. Like a typical Leo guitar, the scale length is 25.5 inches but tuning is an octave deeper, with bigger strings, a bigger bridge and bigger tuners custom made by Bob Sperzel of Sperzel Guitar Tuners. The pickups are MFD coils paired up in original S•500 covers, which should offer switching potential but only a 5-way appears. No one knew for sure where Leo was going with this, but maybe it’s time I asked some talented musicians to show us where this truly unique instrument takes them
Leo's last prototype5
“3/21/91 Proto 6 String Bass” not much else to note that G029213 is an unusual prototype concept and the very last instrument Leo Fender worked on or even touched before he went home and passed away. Like a typical Leo guitar, the scale length is 25.5 inc
Date: 03/21/22
“3/21/91 Proto 6 String Bass” not much else to note that G029213 is an unusual prototype concept and the very last instrument Leo Fender worked on or even touched before he went home and passed away. Like a typical Leo guitar, the scale length is 25.5 inches but tuning is an octave deeper, with bigger strings, a bigger bridge and bigger tuners custom made by Bob Sperzel of Sperzel Guitar Tuners. The pickups are MFD coils paired up in original S•500 covers, which should offer switching potential but only a 5-way appears. No one knew for sure where Leo was going with this, but maybe it’s time I asked some talented musicians to show us where this truly unique instrument takes them
Leo's last prototype6
“3/21/91 Proto 6 String Bass” not much else to note that G029213 is an unusual prototype concept and the very last instrument Leo Fender worked on or even touched before he went home and passed away. Like a typical Leo guitar, the scale length is 25.5 inc
Date: 03/21/22
“3/21/91 Proto 6 String Bass” not much else to note that G029213 is an unusual prototype concept and the very last instrument Leo Fender worked on or even touched before he went home and passed away. Like a typical Leo guitar, the scale length is 25.5 inches but tuning is an octave deeper, with bigger strings, a bigger bridge and bigger tuners custom made by Bob Sperzel of Sperzel Guitar Tuners. The pickups are MFD coils paired up in original S•500 covers, which should offer switching potential but only a 5-way appears. No one knew for sure where Leo was going with this, but maybe it’s time I asked some talented musicians to show us where this truly unique instrument takes them
Leo's last prototype7
“3/21/91 Proto 6 String Bass” not much else to note that G029213 is an unusual prototype concept and the very last instrument Leo Fender worked on or even touched before he went home and passed away. Like a typical Leo guitar, the scale length is 25.5 inc
Date: 03/21/22
“3/21/91 Proto 6 String Bass” not much else to note that G029213 is an unusual prototype concept and the very last instrument Leo Fender worked on or even touched before he went home and passed away. Like a typical Leo guitar, the scale length is 25.5 inches but tuning is an octave deeper, with bigger strings, a bigger bridge and bigger tuners custom made by Bob Sperzel of Sperzel Guitar Tuners. The pickups are MFD coils paired up in original S•500 covers, which should offer switching potential but only a 5-way appears. No one knew for sure where Leo was going with this, but maybe it’s time I asked some talented musicians to show us where this truly unique instrument takes them
Leo's last prototype8
“3/21/91 Proto 6 String Bass” not much else to note that G029213 is an unusual prototype concept and the very last instrument Leo Fender worked on or even touched before he went home and passed away. Like a typical Leo guitar, the scale length is 25.5 inc
Date: 03/21/22
“3/21/91 Proto 6 String Bass” not much else to note that G029213 is an unusual prototype concept and the very last instrument Leo Fender worked on or even touched before he went home and passed away. Like a typical Leo guitar, the scale length is 25.5 inches but tuning is an octave deeper, with bigger strings, a bigger bridge and bigger tuners custom made by Bob Sperzel of Sperzel Guitar Tuners. The pickups are MFD coils paired up in original S•500 covers, which should offer switching potential but only a 5-way appears. No one knew for sure where Leo was going with this, but maybe it’s time I asked some talented musicians to show us where this truly unique instrument takes them
Leo's last prototype9
“3/21/91 Proto 6 String Bass” not much else to note that G029213 is an unusual prototype concept and the very last instrument Leo Fender worked on or even touched before he went home and passed away. Like a typical Leo guitar, the scale length is 25.5 inc
Date: 03/21/22
“3/21/91 Proto 6 String Bass” not much else to note that G029213 is an unusual prototype concept and the very last instrument Leo Fender worked on or even touched before he went home and passed away. Like a typical Leo guitar, the scale length is 25.5 inches but tuning is an octave deeper, with bigger strings, a bigger bridge and bigger tuners custom made by Bob Sperzel of Sperzel Guitar Tuners. The pickups are MFD coils paired up in original S•500 covers, which should offer switching potential but only a 5-way appears. No one knew for sure where Leo was going with this, but maybe it’s time I asked some talented musicians to show us where this truly unique instrument takes them
CLF2203053 body
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
Date: 03/23/22
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
CLF2203053 full
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
Date: 03/23/22
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
CLF2203053 headstock
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
Date: 03/23/22
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
CLF2203053 back of headstock
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
Date: 03/23/22
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
CLF2203053 closeup of neck attachment
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
Date: 03/23/22
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
CLF2203053 body back
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
Date: 03/23/22
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
CLF2203053 full back
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
Date: 03/23/22
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
CLF2203053 back of body
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
Date: 03/23/22
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
CLF2203053 body
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
Date: 03/23/22
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
CLF2203053 full
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
Date: 03/23/22
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
CLF2203053 headstock
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
Date: 03/23/22
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
CLF2203053 back of headstock
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
Date: 03/23/22
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
CLF2203053 closeup of neck attachment
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
Date: 03/23/22
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
CLF2203053 body back
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
Date: 03/23/22
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
CLF2203053 full back
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
Date: 03/23/22
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
CLF2203053 back of body
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
Date: 03/23/22
#ProjectWidebodyWunkay has traveled to the #BigChonks sector of Andromeda Galaxy 500. I expect the show will be spectacular
G018167 full
1986 Skyhawk Tobacco Sunburst, mahogany, ebony… G018167 has that classic #FenderAvenue style
Date: 03/30/22
1986 Skyhawk Tobacco Sunburst, mahogany, ebony… G018167 has that classic #FenderAvenue style
G018167 body closeup
1986 Skyhawk Tobacco Sunburst, mahogany, ebony… G018167 has that classic #FenderAvenue style
Date: 03/30/22
1986 Skyhawk Tobacco Sunburst, mahogany, ebony… G018167 has that classic #FenderAvenue style
G018167 body closeup2
1986 Skyhawk Tobacco Sunburst, mahogany, ebony… G018167 has that classic #FenderAvenue style
Date: 03/30/22
1986 Skyhawk Tobacco Sunburst, mahogany, ebony… G018167 has that classic #FenderAvenue style
G018167 headstock
1986 Skyhawk Tobacco Sunburst, mahogany, ebony… G018167 has that classic #FenderAvenue style
Date: 03/30/22
1986 Skyhawk Tobacco Sunburst, mahogany, ebony… G018167 has that classic #FenderAvenue style
G018167 back of headstock
1986 Skyhawk Tobacco Sunburst, mahogany, ebony… G018167 has that classic #FenderAvenue style
Date: 03/30/22
1986 Skyhawk Tobacco Sunburst, mahogany, ebony… G018167 has that classic #FenderAvenue style
G018167 back of body
1986 Skyhawk Tobacco Sunburst, mahogany, ebony… G018167 has that classic #FenderAvenue style
Date: 03/30/22
1986 Skyhawk Tobacco Sunburst, mahogany, ebony… G018167 has that classic #FenderAvenue style
G018167 back of body2
1986 Skyhawk Tobacco Sunburst, mahogany, ebony… G018167 has that classic #FenderAvenue style
Date: 03/30/22
1986 Skyhawk Tobacco Sunburst, mahogany, ebony… G018167 has that classic #FenderAvenue style
G018167 full back
1986 Skyhawk Tobacco Sunburst, mahogany, ebony… G018167 has that classic #FenderAvenue style
Date: 03/30/22
1986 Skyhawk Tobacco Sunburst, mahogany, ebony… G018167 has that classic #FenderAvenue style
G018167 log page
1986 Skyhawk Tobacco Sunburst, mahogany, ebony… G018167 has that classic #FenderAvenue style
Date: 03/30/22
1986 Skyhawk Tobacco Sunburst, mahogany, ebony… G018167 has that classic #FenderAvenue style
GF0573-1
1995 George Fullerton Signature Model GF0573. There is nothing more Fullerton than this guitar. Nothing. It’s a little disappointing that we have city people on the payroll for a while but they don’t know who George Fullerton is. They will soon, though.
Date: 04/01/22
1995 George Fullerton Signature Model GF0573. There is nothing more Fullerton than this guitar. Nothing. It’s a little disappointing that we have city people on the payroll for a while but they don’t know who George Fullerton is. They will soon, though.
GF0573-2
1995 George Fullerton Signature Model GF0573. There is nothing more Fullerton than this guitar. Nothing. It’s a little disappointing that we have city people on the payroll for a while but they don’t know who George Fullerton is. They will soon, though.
Date: 04/01/22
1995 George Fullerton Signature Model GF0573. There is nothing more Fullerton than this guitar. Nothing. It’s a little disappointing that we have city people on the payroll for a while but they don’t know who George Fullerton is. They will soon, though.
GF0573-3
1995 George Fullerton Signature Model GF0573. There is nothing more Fullerton than this guitar. Nothing. It’s a little disappointing that we have city people on the payroll for a while but they don’t know who George Fullerton is. They will soon, though.
Date: 04/01/22
1995 George Fullerton Signature Model GF0573. There is nothing more Fullerton than this guitar. Nothing. It’s a little disappointing that we have city people on the payroll for a while but they don’t know who George Fullerton is. They will soon, though.
GF0573-4
1995 George Fullerton Signature Model GF0573. There is nothing more Fullerton than this guitar. Nothing. It’s a little disappointing that we have city people on the payroll for a while but they don’t know who George Fullerton is. They will soon, though.
Date: 04/01/22
1995 George Fullerton Signature Model GF0573. There is nothing more Fullerton than this guitar. Nothing. It’s a little disappointing that we have city people on the payroll for a while but they don’t know who George Fullerton is. They will soon, though.
GF0573-5
1995 George Fullerton Signature Model GF0573. There is nothing more Fullerton than this guitar. Nothing. It’s a little disappointing that we have city people on the payroll for a while but they don’t know who George Fullerton is. They will soon, though.
Date: 04/01/22
1995 George Fullerton Signature Model GF0573. There is nothing more Fullerton than this guitar. Nothing. It’s a little disappointing that we have city people on the payroll for a while but they don’t know who George Fullerton is. They will soon, though.
GF0573-6
1995 George Fullerton Signature Model GF0573. There is nothing more Fullerton than this guitar. Nothing. It’s a little disappointing that we have city people on the payroll for a while but they don’t know who George Fullerton is. They will soon, though.
Date: 04/01/22
1995 George Fullerton Signature Model GF0573. There is nothing more Fullerton than this guitar. Nothing. It’s a little disappointing that we have city people on the payroll for a while but they don’t know who George Fullerton is. They will soon, though.
GF0573-7
1995 George Fullerton Signature Model GF0573. There is nothing more Fullerton than this guitar. Nothing. It’s a little disappointing that we have city people on the payroll for a while but they don’t know who George Fullerton is. They will soon, though.
Date: 04/01/22
1995 George Fullerton Signature Model GF0573. There is nothing more Fullerton than this guitar. Nothing. It’s a little disappointing that we have city people on the payroll for a while but they don’t know who George Fullerton is. They will soon, though.
GF0573-8
1995 George Fullerton Signature Model GF0573. There is nothing more Fullerton than this guitar. Nothing. It’s a little disappointing that we have city people on the payroll for a while but they don’t know who George Fullerton is. They will soon, though.
Date: 04/01/22
1995 George Fullerton Signature Model GF0573. There is nothing more Fullerton than this guitar. Nothing. It’s a little disappointing that we have city people on the payroll for a while but they don’t know who George Fullerton is. They will soon, though.
GF0573-9
1995 George Fullerton Signature Model GF0573. There is nothing more Fullerton than this guitar. Nothing. It’s a little disappointing that we have city people on the payroll for a while but they don’t know who George Fullerton is. They will soon, though.
Date: 04/01/22
1995 George Fullerton Signature Model GF0573. There is nothing more Fullerton than this guitar. Nothing. It’s a little disappointing that we have city people on the payroll for a while but they don’t know who George Fullerton is. They will soon, though.
GF0573-10
1995 George Fullerton Signature Model GF0573. There is nothing more Fullerton than this guitar. Nothing. It’s a little disappointing that we have city people on the payroll for a while but they don’t know who George Fullerton is. They will soon, though.
Date: 04/01/22
1995 George Fullerton Signature Model GF0573. There is nothing more Fullerton than this guitar. Nothing. It’s a little disappointing that we have city people on the payroll for a while but they don’t know who George Fullerton is. They will soon, though.
B019051-1
1988 SB•1 maple body with some tasty flame, this Sunburst sensation is the SB•1 to have in my book. It belongs to Steve’s friend Thomas Herndon and he brought a few other basses, too. B019051
Date: 04/04/22
1988 SB•1 maple body with some tasty flame, this Sunburst sensation is the SB•1 to have in my book. It belongs to Steve’s friend Thomas Herndon and he brought a few other basses, too. B019051
B019051-2
1988 SB•1 maple body with some tasty flame, this Sunburst sensation is the SB•1 to have in my book. It belongs to Steve’s friend Thomas Herndon and he brought a few other basses, too.
Date: 04/04/22
1988 SB•1 maple body with some tasty flame, this Sunburst sensation is the SB•1 to have in my book. It belongs to Steve’s friend Thomas Herndon and he brought a few other basses, too.
B019051-3
1988 SB•1 maple body with some tasty flame, this Sunburst sensation is the SB•1 to have in my book. It belongs to Steve’s friend Thomas Herndon and he brought a few other basses, too.
Date: 04/04/22
1988 SB•1 maple body with some tasty flame, this Sunburst sensation is the SB•1 to have in my book. It belongs to Steve’s friend Thomas Herndon and he brought a few other basses, too.
B019051-4
1988 SB•1 maple body with some tasty flame, this Sunburst sensation is the SB•1 to have in my book. It belongs to Steve’s friend Thomas Herndon and he brought a few other basses, too.
Date: 04/04/22
1988 SB•1 maple body with some tasty flame, this Sunburst sensation is the SB•1 to have in my book. It belongs to Steve’s friend Thomas Herndon and he brought a few other basses, too.
B019051-5
1988 SB•1 maple body with some tasty flame, this Sunburst sensation is the SB•1 to have in my book. It belongs to Steve’s friend Thomas Herndon and he brought a few other basses, too.
Date: 04/04/22
1988 SB•1 maple body with some tasty flame, this Sunburst sensation is the SB•1 to have in my book. It belongs to Steve’s friend Thomas Herndon and he brought a few other basses, too.
B019051-6
1988 SB•1 maple body with some tasty flame, this Sunburst sensation is the SB•1 to have in my book. It belongs to Steve’s friend Thomas Herndon and he brought a few other basses, too.
Date: 04/04/22
1988 SB•1 maple body with some tasty flame, this Sunburst sensation is the SB•1 to have in my book. It belongs to Steve’s friend Thomas Herndon and he brought a few other basses, too.
B019051-7
1988 SB•1 maple body with some tasty flame, this Sunburst sensation is the SB•1 to have in my book. It belongs to Steve’s friend Thomas Herndon and he brought a few other basses, too.
Date: 04/04/22
1988 SB•1 maple body with some tasty flame, this Sunburst sensation is the SB•1 to have in my book. It belongs to Steve’s friend Thomas Herndon and he brought a few other basses, too.
B019051-8
1988 SB•1 maple body with some tasty flame, this Sunburst sensation is the SB•1 to have in my book. It belongs to Steve’s friend Thomas Herndon and he brought a few other basses, too.
Date: 04/04/22
1988 SB•1 maple body with some tasty flame, this Sunburst sensation is the SB•1 to have in my book. It belongs to Steve’s friend Thomas Herndon and he brought a few other basses, too.
B019051-9
1988 SB•1 maple body with some tasty flame, this Sunburst sensation is the SB•1 to have in my book. It belongs to Steve’s friend Thomas Herndon and he brought a few other basses, too.
Date: 04/04/22
1988 SB•1 maple body with some tasty flame, this Sunburst sensation is the SB•1 to have in my book. It belongs to Steve’s friend Thomas Herndon and he brought a few other basses, too.
B019051-10
1988 SB•1 maple body with some tasty flame, this Sunburst sensation is the SB•1 to have in my book. It belongs to Steve’s friend Thomas Herndon and he brought a few other basses, too.
Date: 04/04/22
1988 SB•1 maple body with some tasty flame, this Sunburst sensation is the SB•1 to have in my book. It belongs to Steve’s friend Thomas Herndon and he brought a few other basses, too.
B020489-B020525
#B020507 is a neck plate from Leo’s lab, where he normally kept some handy for his prototypes. I’m gonna use this plate to build a 1991 SB•1 in Sparkle Red with black crinkle powdercoat pickguard and this serial number is close enough to be legit ? I’ve
Date: 05/01/22
#B020507 is a neck plate from Leo’s lab, where he normally kept some handy for his prototypes. I’m gonna use this plate to build a 1991 SB•1 in Sparkle Red with black crinkle powdercoat pickguard and this serial number is close enough to be legit ? I’ve got some goodies coming!
1984 B015350 is merely a neck plate-1
1984 B015350 is merely a neck plate but I may choose to make it instrumental. I’ll have the Ministry of Bass make the necessary corrections to the books
Date: 05/04/22
1984 B015350 is merely a neck plate but I may choose to make it instrumental. I’ll have the Ministry of Bass make the necessary corrections to the books
1984 B015350 is merely a neck plate-2
1984 B015350 is merely a neck plate but I may choose to make it instrumental. I’ll have the Ministry of Bass make the necessary corrections to the books
Date: 05/04/22
1984 B015350 is merely a neck plate but I may choose to make it instrumental. I’ll have the Ministry of Bass make the necessary corrections to the books
ProjectRandomTandem-1
#ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
Date: 05/25/22 #ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
Date: 05/25/22 #ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
ProjectRandomTandem-2
#ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
Date: 05/25/22 #ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
Date: 05/25/22 #ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
ProjectRandomTandem-3
#ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
Date: 05/25/22 #ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
Date: 05/25/22 #ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
ProjectRandomTandem-4
#ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
Date: 05/25/22 #ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
Date: 05/25/22 #ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
ProjectRandomTandem-5
#ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
Date: 05/25/22 #ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
Date: 05/25/22 #ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
ProjectRandomTandem-6
#ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
Date: 05/25/22 #ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
Date: 05/25/22 #ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
ProjectRandomTandem-7
#ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
Date: 05/25/22 #ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
Date: 05/25/22 #ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
ProjectRandomTandem-8
#ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
Date: 05/25/22 #ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
Date: 05/25/22 #ProjectRandomTandem is #JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
ProjectRandomTandem-9
#JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
Date: 05/25/22
#JJ0173 surfing through the decades to kick out at an old friend’s house. This was a fun project started and finished in LeosLab Dean Coy
G016030-1
1984 HG•2 sounds like GeorgeOrwell and HGWells planned the future of the guitar but it just meant Humbucking Guitar…two. Because they already made a G&L F100guitar that was also a Humbucking Guitar, but that one had wider MFD humbuckers. These are l
Date: 05/31/22
1984 HG•2 sounds like GeorgeOrwell and HGWells planned the future of the guitar but it just meant Humbucking Guitar…two. Because they already made a G&L F100guitar that was also a Humbucking Guitar, but that one had wider MFD humbuckers. These are like Cavalierguitar pickups without the angled shape. Electronics are just a 3-way selector, volume and tone on a control plate shared with SC2guitar. S/N G016030.
G016030-2
1984 HG•2 sounds like GeorgeOrwell and HGWells planned the future of the guitar but it just meant Humbucking Guitar…two. Because they already made a G&L F100guitar that was also a Humbucking Guitar, but that one had wider MFD humbuckers. These are l
Date: 05/31/22
1984 HG•2 sounds like GeorgeOrwell and HGWells planned the future of the guitar but it just meant Humbucking Guitar…two. Because they already made a G&L F100guitar that was also a Humbucking Guitar, but that one had wider MFD humbuckers. These are like Cavalierguitar pickups without the angled shape. Electronics are just a 3-way selector, volume and tone on a control plate shared with SC2guitar. S/N G016030.
G016030-3
1984 HG•2 sounds like GeorgeOrwell and HGWells planned the future of the guitar but it just meant Humbucking Guitar…two. Because they already made a G&L F100guitar that was also a Humbucking Guitar, but that one had wider MFD humbuckers. These are l
Date: 05/31/22
1984 HG•2 sounds like GeorgeOrwell and HGWells planned the future of the guitar but it just meant Humbucking Guitar…two. Because they already made a G&L F100guitar that was also a Humbucking Guitar, but that one had wider MFD humbuckers. These are like Cavalierguitar pickups without the angled shape. Electronics are just a 3-way selector, volume and tone on a control plate shared with SC2guitar. S/N G016030.
G016030-4
1984 HG•2 sounds like GeorgeOrwell and HGWells planned the future of the guitar but it just meant Humbucking Guitar…two. Because they already made a G&L F100guitar that was also a Humbucking Guitar, but that one had wider MFD humbuckers. These are l
Date: 05/31/22
1984 HG•2 sounds like GeorgeOrwell and HGWells planned the future of the guitar but it just meant Humbucking Guitar…two. Because they already made a G&L F100guitar that was also a Humbucking Guitar, but that one had wider MFD humbuckers. These are like Cavalierguitar pickups without the angled shape. Electronics are just a 3-way selector, volume and tone on a control plate shared with SC2guitar. S/N G016030.
G016030-5
1984 HG•2 sounds like GeorgeOrwell and HGWells planned the future of the guitar but it just meant Humbucking Guitar…two. Because they already made a G&L F100guitar that was also a Humbucking Guitar, but that one had wider MFD humbuckers. These are l
Date: 05/31/22
1984 HG•2 sounds like GeorgeOrwell and HGWells planned the future of the guitar but it just meant Humbucking Guitar…two. Because they already made a G&L F100guitar that was also a Humbucking Guitar, but that one had wider MFD humbuckers. These are like Cavalierguitar pickups without the angled shape. Electronics are just a 3-way selector, volume and tone on a control plate shared with SC2guitar. S/N G016030.
G016030-6
1984 HG•2 sounds like GeorgeOrwell and HGWells planned the future of the guitar but it just meant Humbucking Guitar…two. Because they already made a G&L F100guitar that was also a Humbucking Guitar, but that one had wider MFD humbuckers. These are l
Date: 05/31/22
1984 HG•2 sounds like GeorgeOrwell and HGWells planned the future of the guitar but it just meant Humbucking Guitar…two. Because they already made a G&L F100guitar that was also a Humbucking Guitar, but that one had wider MFD humbuckers. These are like Cavalierguitar pickups without the angled shape. Electronics are just a 3-way selector, volume and tone on a control plate shared with SC2guitar. S/N G016030.
G016030-7
1984 HG•2 sounds like GeorgeOrwell and HGWells planned the future of the guitar but it just meant Humbucking Guitar…two. Because they already made a G&L F100guitar that was also a Humbucking Guitar, but that one had wider MFD humbuckers. These are l
Date: 05/31/22
1984 HG•2 sounds like GeorgeOrwell and HGWells planned the future of the guitar but it just meant Humbucking Guitar…two. Because they already made a G&L F100guitar that was also a Humbucking Guitar, but that one had wider MFD humbuckers. These are like Cavalierguitar pickups without the angled shape. Electronics are just a 3-way selector, volume and tone on a control plate shared with SC2guitar. S/N G016030.
G016030-8
1984 HG•2 sounds like GeorgeOrwell and HGWells planned the future of the guitar but it just meant Humbucking Guitar…two. Because they already made a G&L F100guitar that was also a Humbucking Guitar, but that one had wider MFD humbuckers. These are l
Date: 05/31/22
1984 HG•2 sounds like GeorgeOrwell and HGWells planned the future of the guitar but it just meant Humbucking Guitar…two. Because they already made a G&L F100guitar that was also a Humbucking Guitar, but that one had wider MFD humbuckers. These are like Cavalierguitar pickups without the angled shape. Electronics are just a 3-way selector, volume and tone on a control plate shared with SC2guitar. S/N G016030.
G016030-9
1984 HG•2 sounds like GeorgeOrwell and HGWells planned the future of the guitar but it just meant Humbucking Guitar…two. Because they already made a G&L F100guitar that was also a Humbucking Guitar, but that one had wider MFD humbuckers. These are l
Date: 05/31/22
1984 HG•2 sounds like GeorgeOrwell and HGWells planned the future of the guitar but it just meant Humbucking Guitar…two. Because they already made a G&L F100guitar that was also a Humbucking Guitar, but that one had wider MFD humbuckers. These are like Cavalierguitar pickups without the angled shape. Electronics are just a 3-way selector, volume and tone on a control plate shared with SC2guitar. S/N G016030.
CLF2209107-1
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
CLF2209107-2
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
CLF2209107-3
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
CLF2209107-4
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
CLF2209107-5
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
CLF2209107-6
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
CLF2209107-7
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
CLF2209107-1
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
CLF2209107-2
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
CLF2209107-3
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
CLF2209107-4
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
CLF2209107-5
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
CLF2209107-6
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
CLF2209107-7
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
CLF2209107-1
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
CLF2209107-2
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
CLF2209107-3
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
CLF2209107-4
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
CLF2209107-5
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
CLF2209107-6
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
CLF2209107-7
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
Date: 10/13/22
Mocha Madness Project1979s500 checking in with the big boss. Magic Malcolm’s latest blend looks period perfect and I love it. CLF2209107 (CLF Research S-500 prototype}
S•500 E prototype-1
The S•500 E prototype checks in with the big boss. The white mini-toggle switch controls the G&L micro-preamp (off/on/on-bright) and the red one is the S•500 pickup expander switch. With the expander toggle switch on, positions 1 and 5 are neck+brid
Date: 11/29/22
The S•500 E prototype checks in with the big boss. The white mini-toggle switch controls the G&L micro-preamp (off/on/on-bright) and the red one is the S•500 pickup expander switch. With the expander toggle switch on, positions 1 and 5 are neck+bridge, positions 2 and 4 are all 3 pickups. Position 3 is middle pickup only whether expander is on or off.
S•500 E prototype-2
The S•500 E prototype checks in with the big boss. The white mini-toggle switch controls the G&L micro-preamp (off/on/on-bright) and the red one is the S•500 pickup expander switch. With the expander toggle switch on, positions 1 and 5 are neck+brid
Date: 11/29/22
The S•500 E prototype checks in with the big boss. The white mini-toggle switch controls the G&L micro-preamp (off/on/on-bright) and the red one is the S•500 pickup expander switch. With the expander toggle switch on, positions 1 and 5 are neck+bridge, positions 2 and 4 are all 3 pickups. Position 3 is middle pickup only whether expander is on or off.
S•500 E prototype-3
The S•500 E prototype checks in with the big boss. The white mini-toggle switch controls the G&L micro-preamp (off/on/on-bright) and the red one is the S•500 pickup expander switch. With the expander toggle switch on, positions 1 and 5 are neck+brid
Date: 11/29/22
The S•500 E prototype checks in with the big boss. The white mini-toggle switch controls the G&L micro-preamp (off/on/on-bright) and the red one is the S•500 pickup expander switch. With the expander toggle switch on, positions 1 and 5 are neck+bridge, positions 2 and 4 are all 3 pickups. Position 3 is middle pickup only whether expander is on or off.
S•500 E prototype-4
The S•500 E prototype checks in with the big boss. The white mini-toggle switch controls the G&L micro-preamp (off/on/on-bright) and the red one is the S•500 pickup expander switch. With the expander toggle switch on, positions 1 and 5 are neck+brid
Date: 11/29/22
The S•500 E prototype checks in with the big boss. The white mini-toggle switch controls the G&L micro-preamp (off/on/on-bright) and the red one is the S•500 pickup expander switch. With the expander toggle switch on, positions 1 and 5 are neck+bridge, positions 2 and 4 are all 3 pickups. Position 3 is middle pickup only whether expander is on or off.
S•500 E prototype-5
The S•500 E prototype checks in with the big boss. The white mini-toggle switch controls the G&L micro-preamp (off/on/on-bright) and the red one is the S•500 pickup expander switch. With the expander toggle switch on, positions 1 and 5 are neck+brid
Date: 11/29/22
The S•500 E prototype checks in with the big boss. The white mini-toggle switch controls the G&L micro-preamp (off/on/on-bright) and the red one is the S•500 pickup expander switch. With the expander toggle switch on, positions 1 and 5 are neck+bridge, positions 2 and 4 are all 3 pickups. Position 3 is middle pickup only whether expander is on or off.
S•500 E prototype-6
The S•500 E prototype checks in with the big boss. The white mini-toggle switch controls the G&L micro-preamp (off/on/on-bright) and the red one is the S•500 pickup expander switch. With the expander toggle switch on, positions 1 and 5 are neck+brid
Date: 11/29/22
The S•500 E prototype checks in with the big boss. The white mini-toggle switch controls the G&L micro-preamp (off/on/on-bright) and the red one is the S•500 pickup expander switch. With the expander toggle switch on, positions 1 and 5 are neck+bridge, positions 2 and 4 are all 3 pickups. Position 3 is middle pickup only whether expander is on or off.
S•500 E prototype-7
The S•500 E prototype checks in with the big boss. The white mini-toggle switch controls the G&L micro-preamp (off/on/on-bright) and the red one is the S•500 pickup expander switch. With the expander toggle switch on, positions 1 and 5 are neck+brid
Date: 11/29/22
The S•500 E prototype checks in with the big boss. The white mini-toggle switch controls the G&L micro-preamp (off/on/on-bright) and the red one is the S•500 pickup expander switch. With the expander toggle switch on, positions 1 and 5 are neck+bridge, positions 2 and 4 are all 3 pickups. Position 3 is middle pickup only whether expander is on or off.
S•500 E prototype update-1
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-2
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-3
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-4
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-5
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-6
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-7
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-1
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-2
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-3
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-4
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-5
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-6
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-7
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-1
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-2
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-3
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-4
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-5
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-6
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-7
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-1
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-2
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-3
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-4
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-5
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-6
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-7
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-1
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-2
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-3
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-4
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-5
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-6
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-7
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-1
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-2
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-3
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-4
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-5
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-6
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
S•500 E prototype update-7
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
Date: 01/22/23
Crème Fraiche The S•500 E prototype gets a random crème guard for my approval of the position of the second mini-toggle. Young John sent pics from the kitchen.
2018 project an older S•500-1
2018 project an older S•500 that had been hanging around was converted into this thing. It has 19 pickup combinations that I couldn’t remember without an Excel sheet made for reference. Now this looks rad, but the coils paired into humbuckers are way to
Date: 02/06/23
2018 project an older S•500 that had been hanging around was converted into this thing. It has 19 pickup combinations that I couldn’t remember without an Excel sheet made for reference. Now this looks rad, but the coils paired into humbuckers are way too hot. We may come back to this but it’s not as easy as it may seem. All the coils will need to be changed until a satisfactory balance is achieved. Presently this sounds like an S•500 with added flamethrower modes (S/N CLF063384)
2018 project an older S•500-2
2018 project an older S•500 that had been hanging around was converted into this thing. It has 19 pickup combinations that I couldn’t remember without an Excel sheet made for reference. Now this looks rad, but the coils paired into humbuckers are way to
Date: 02/06/23
2018 project an older S•500 that had been hanging around was converted into this thing. It has 19 pickup combinations that I couldn’t remember without an Excel sheet made for reference. Now this looks rad, but the coils paired into humbuckers are way too hot. We may come back to this but it’s not as easy as it may seem. All the coils will need to be changed until a satisfactory balance is achieved. Presently this sounds like an S•500 with added flamethrower modes
2018 project an older S•500-3
2018 project an older S•500 that had been hanging around was converted into this thing. It has 19 pickup combinations that I couldn’t remember without an Excel sheet made for reference. Now this looks rad, but the coils paired into humbuckers are way to
Date: 02/06/23
2018 project an older S•500 that had been hanging around was converted into this thing. It has 19 pickup combinations that I couldn’t remember without an Excel sheet made for reference. Now this looks rad, but the coils paired into humbuckers are way too hot. We may come back to this but it’s not as easy as it may seem. All the coils will need to be changed until a satisfactory balance is achieved. Presently this sounds like an S•500 with added flamethrower modes
2018 project an older S•500-4
2018 project an older S•500 that had been hanging around was converted into this thing. It has 19 pickup combinations that I couldn’t remember without an Excel sheet made for reference. Now this looks rad, but the coils paired into humbuckers are way to
Date: 02/06/23
2018 project an older S•500 that had been hanging around was converted into this thing. It has 19 pickup combinations that I couldn’t remember without an Excel sheet made for reference. Now this looks rad, but the coils paired into humbuckers are way too hot. We may come back to this but it’s not as easy as it may seem. All the coils will need to be changed until a satisfactory balance is achieved. Presently this sounds like an S•500 with added flamethrower modes
2018 project an older S•500-5
2018 project an older S•500 that had been hanging around was converted into this thing. It has 19 pickup combinations that I couldn’t remember without an Excel sheet made for reference. Now this looks rad, but the coils paired into humbuckers are way to
Date: 02/06/23
2018 project an older S•500 that had been hanging around was converted into this thing. It has 19 pickup combinations that I couldn’t remember without an Excel sheet made for reference. Now this looks rad, but the coils paired into humbuckers are way too hot. We may come back to this but it’s not as easy as it may seem. All the coils will need to be changed until a satisfactory balance is achieved. Presently this sounds like an S•500 with added flamethrower modes
2018 project an older S•500-6
2018 project an older S•500 that had been hanging around was converted into this thing. It has 19 pickup combinations that I couldn’t remember without an Excel sheet made for reference. Now this looks rad, but the coils paired into humbuckers are way to
Date: 02/06/23
2018 project an older S•500 that had been hanging around was converted into this thing. It has 19 pickup combinations that I couldn’t remember without an Excel sheet made for reference. Now this looks rad, but the coils paired into humbuckers are way too hot. We may come back to this but it’s not as easy as it may seem. All the coils will need to be changed until a satisfactory balance is achieved. Presently this sounds like an S•500 with added flamethrower modes
2018 project an older S•500-7
2018 project an older S•500 that had been hanging around was converted into this thing. It has 19 pickup combinations that I couldn’t remember without an Excel sheet made for reference. Now this looks rad, but the coils paired into humbuckers are way to
Date: 02/06/23
2018 project an older S•500 that had been hanging around was converted into this thing. It has 19 pickup combinations that I couldn’t remember without an Excel sheet made for reference. Now this looks rad, but the coils paired into humbuckers are way too hot. We may come back to this but it’s not as easy as it may seem. All the coils will need to be changed until a satisfactory balance is achieved. Presently this sounds like an S•500 with added flamethrower modes
2018 project an older S•500-8
2018 project an older S•500 that had been hanging around was converted into this thing. It has 19 pickup combinations that I couldn’t remember without an Excel sheet made for reference. Now this looks rad, but the coils paired into humbuckers are way to
Date: 02/06/23
2018 project an older S•500 that had been hanging around was converted into this thing. It has 19 pickup combinations that I couldn’t remember without an Excel sheet made for reference. Now this looks rad, but the coils paired into humbuckers are way too hot. We may come back to this but it’s not as easy as it may seem. All the coils will need to be changed until a satisfactory balance is achieved. Presently this sounds like an S•500 with added flamethrower modes
2018 project an older S•500-9
2018 project an older S•500 that had been hanging around was converted into this thing. It has 19 pickup combinations that I couldn’t remember without an Excel sheet made for reference. Now this looks rad, but the coils paired into humbuckers are way to
Date: 02/06/23
2018 project an older S•500 that had been hanging around was converted into this thing. It has 19 pickup combinations that I couldn’t remember without an Excel sheet made for reference. Now this looks rad, but the coils paired into humbuckers are way too hot. We may come back to this but it’s not as easy as it may seem. All the coils will need to be changed until a satisfactory balance is achieved. Presently this sounds like an S•500 with added flamethrower modes
1975 George Fullerton-1
1975 George Fullerton the prototype neck on the left has a slightly different headstock shape than the production headstock on the right for the technically advanced Stingray guitar introduced in 1976.
Date: 02/13/23
1975 George Fullerton the prototype neck on the left has a slightly different headstock shape than the production headstock on the right for the technically advanced Stingray guitar introduced in 1976.
1975 George Fullerton-2
1975 George Fullerton the prototype neck on the left has a slightly different headstock shape than the production headstock on the right for the technically advanced Stingray guitar introduced in 1976.
Date: 02/13/23
1975 George Fullerton the prototype neck on the left has a slightly different headstock shape than the production headstock on the right for the technically advanced Stingray guitar introduced in 1976.
1975 George Fullerton-3
1975 George Fullerton the prototype neck on the left has a slightly different headstock shape than the production headstock on the right for the technically advanced Stingray guitar introduced in 1976.
Date: 02/13/23
1975 George Fullerton the prototype neck on the left has a slightly different headstock shape than the production headstock on the right for the technically advanced Stingray guitar introduced in 1976.
1975 George Fullerton-4
1975 George Fullerton the prototype neck on the left has a slightly different headstock shape than the production headstock on the right for the technically advanced Stingray guitar introduced in 1976.
Date: 02/13/23
1975 George Fullerton the prototype neck on the left has a slightly different headstock shape than the production headstock on the right for the technically advanced Stingray guitar introduced in 1976.
ProjectEspadaDeluxed v4 goes back to R&D-1
ProjectEspadaDeluxed v4 goes back to R&D roughness as the bridge pickup is moved closer to the bridge.
Date: 02/18/23
ProjectEspadaDeluxed v4 goes back to R&D roughness as the bridge pickup is moved closer to the bridge.
ProjectEspadaDeluxed v4 goes back to R&D-2
ProjectEspadaDeluxed v4 goes back to R&D roughness as the bridge pickup is moved closer to the bridge.
Date: 02/18/23
ProjectEspadaDeluxed v4 goes back to R&D roughness as the bridge pickup is moved closer to the bridge.
ProjectEspadaDeluxed v4 goes back to R&D-3
ProjectEspadaDeluxed v4 goes back to R&D roughness as the bridge pickup is moved closer to the bridge.
Date: 02/18/23
ProjectEspadaDeluxed v4 goes back to R&D roughness as the bridge pickup is moved closer to the bridge.
ProjectEspadaDeluxed v4 goes back to R&D-4
ProjectEspadaDeluxed v4 goes back to R&D roughness as the bridge pickup is moved closer to the bridge.
Date: 02/18/23
ProjectEspadaDeluxed v4 goes back to R&D roughness as the bridge pickup is moved closer to the bridge.
ProjectEspadaDeluxed v4 goes back to R&D-5
ProjectEspadaDeluxed v4 goes back to R&D roughness as the bridge pickup is moved closer to the bridge.
Date: 02/18/23
ProjectEspadaDeluxed v4 goes back to R&D roughness as the bridge pickup is moved closer to the bridge.
ProjectEspadaDeluxed v4 goes back to R&D-6
ProjectEspadaDeluxed v4 goes back to R&D roughness as the bridge pickup is moved closer to the bridge.
Date: 02/18/23
ProjectEspadaDeluxed v4 goes back to R&D roughness as the bridge pickup is moved closer to the bridge.
G029303-1
1991 ASAT Classic Signature. G029303 is on my bench with its Sperzel Guitar Tuners while the 1970s Tower of Schaller is in the background
Date: 03/01/23
1991 ASAT Classic Signature. G029303 is on my bench with its Sperzel Guitar Tuners while the 1970s Tower of Schaller is in the background
G029303-2
1991 ASAT Classic Signature. G029303 is on my bench with its Sperzel Guitar Tuners while the 1970s Tower of Schaller is in the background
Date: 03/01/23
1991 ASAT Classic Signature. G029303 is on my bench with its Sperzel Guitar Tuners while the 1970s Tower of Schaller is in the background
G029303-3
1991 ASAT Classic Signature. G029303 is on my bench with its Sperzel Guitar Tuners while the 1970s Tower of Schaller is in the background
Date: 03/01/23
1991 ASAT Classic Signature. G029303 is on my bench with its Sperzel Guitar Tuners while the 1970s Tower of Schaller is in the background
G029303-4
1991 ASAT Classic Signature. G029303 is on my bench with its Sperzel Guitar Tuners while the 1970s Tower of Schaller is in the background
Date: 03/01/23
1991 ASAT Classic Signature. G029303 is on my bench with its Sperzel Guitar Tuners while the 1970s Tower of Schaller is in the background
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3-1
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3 S/N B015722.
Date: 03/03/23
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3 S/N B015722.
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3-2
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
Date: 03/03/23
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3-3
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
Date: 03/03/23
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3-4
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
Date: 03/03/23
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3-5
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
Date: 03/03/23
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3-6
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
Date: 03/03/23
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3-7
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
Date: 03/03/23
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3-8
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
Date: 03/03/23
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3-10
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
Date: 03/03/23
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3-1
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3 S/N B015722.
Date: 03/03/23
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3 S/N B015722.
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3-2
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
Date: 03/03/23
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3-3
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
Date: 03/03/23
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3-4
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
Date: 03/03/23
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3-5
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
Date: 03/03/23
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3-6
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
Date: 03/03/23
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3-7
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
Date: 03/03/23
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3-10
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
Date: 03/03/23
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3-10
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
Date: 03/03/23
1985 Leo Fender Prototype “Single Coil Bi-pole” pickups x3. This could have been an SB•3
1985 Leo Fender Superhawk prototype-1
1985 Leo Fender Superhawk prototype got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Next to it is an Invader prototype that got the same treatment, and both are sister models to the Rampage.
Date: 03/07/23
1985 Leo Fender Superhawk prototype got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Next to it is an Invader prototype that got the same treatment, and both are sister models to the Rampage.
1985 Leo Fender Superhawk prototype-2
1985 Leo Fender Superhawk prototype got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Next to it is an Invader prototype that got the same treatment, and both are sister models to the Rampage.
Date: 03/07/23
1985 Leo Fender Superhawk prototype got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Next to it is an Invader prototype that got the same treatment, and both are sister models to the Rampage.
1985 Leo Fender Superhawk prototype-3
1985 Leo Fender Superhawk prototype got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Next to it is an Invader prototype that got the same treatment, and both are sister models to the Rampage.
Date: 03/07/23
1985 Leo Fender Superhawk prototype got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Next to it is an Invader prototype that got the same treatment, and both are sister models to the Rampage.
1985 Leo Fender Superhawk prototype-4
1985 Leo Fender Superhawk prototype got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Next to it is an Invader prototype that got the same treatment, and both are sister models to the Rampage.
Date: 03/07/23
1985 Leo Fender Superhawk prototype got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Next to it is an Invader prototype that got the same treatment, and both are sister models to the Rampage.
1985 Leo Fender Superhawk prototype-5
1985 Leo Fender Superhawk prototype got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Next to it is an Invader prototype that got the same treatment, and both are sister models to the Rampage.
Date: 03/07/23
1985 Leo Fender Superhawk prototype got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Next to it is an Invader prototype that got the same treatment, and both are sister models to the Rampage.
1985 Leo Fender Superhawk prototype-6
1985 Leo Fender Superhawk prototype got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Next to it is an Invader prototype that got the same treatment, and both are sister models to the Rampage.
Date: 03/07/23
1985 Leo Fender Superhawk prototype got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Next to it is an Invader prototype that got the same treatment, and both are sister models to the Rampage.
1985 Leo Fender Superhawk prototype-7
1985 Leo Fender Superhawk prototype got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Next to it is an Invader prototype that got the same treatment, and both are sister models to the Rampage.
Date: 03/07/23
1985 Leo Fender Superhawk prototype got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Next to it is an Invader prototype that got the same treatment, and both are sister models to the Rampage.
1985 Leo Fender Superhawk prototype-8
1985 Leo Fender Superhawk prototype got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Next to it is an Invader prototype that got the same treatment, and both are sister models to the Rampage.
Date: 03/07/23
1985 Leo Fender Superhawk prototype got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Next to it is an Invader prototype that got the same treatment, and both are sister models to the Rampage.
1985 Leo Fender Superhawk prototype-9
1985 Leo Fender Superhawk prototype got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Next to it is an Invader prototype that got the same treatment, and both are sister models to the Rampage.
Date: 03/07/23
1985 Leo Fender Superhawk prototype got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Next to it is an Invader prototype that got the same treatment, and both are sister models to the Rampage.
1985 Leo Fender Superhawk prototype-10
1985 Leo Fender Superhawk prototype got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Next to it is an Invader prototype that got the same treatment, and both are sister models to the Rampage.
Date: 03/07/23
1985 Leo Fender Superhawk prototype got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Next to it is an Invader prototype that got the same treatment, and both are sister models to the Rampage.
1984 A sample Superhawk neck has never seen keys-1
1984 A sample Superhawk neck has never seen keys. I suppose I can fix this up for that Invader prototype. It’s fun to make old prototypes work and explain what was happening at the time. History comes to life.
Date: 03/08/23
1984 A sample Superhawk neck has never seen keys. I suppose I can fix this up for that Invader prototype. It’s fun to make old prototypes work and explain what was happening at the time. History comes to life.
1984 A sample Superhawk neck has never seen keys-2
1984 A sample Superhawk neck has never seen keys. I suppose I can fix this up for that Invader prototype. It’s fun to make old prototypes work and explain what was happening at the time. History comes to life.
Date: 03/08/23
1984 A sample Superhawk neck has never seen keys. I suppose I can fix this up for that Invader prototype. It’s fun to make old prototypes work and explain what was happening at the time. History comes to life.
1984 A sample Superhawk neck has never seen keys-3
1984 A sample Superhawk neck has never seen keys. I suppose I can fix this up for that Invader prototype. It’s fun to make old prototypes work and explain what was happening at the time. History comes to life.
Date: 03/08/23
1984 A sample Superhawk neck has never seen keys. I suppose I can fix this up for that Invader prototype. It’s fun to make old prototypes work and explain what was happening at the time. History comes to life.
Carl Perkins and his 1985 G&L Broadcaster
Friend of Leo Carl Perkins and his 1985 G&L Broadcaster wish you a happy ASATurday. When Elvis left the building, Carl kept on rockin’
Date: 03/11/23
Friend of Leo Carl Perkins and his 1985 G&L Broadcaster wish you a happy ASATurday. When Elvis left the building, Carl kept on rockin’
JC_ASAT-1
From Carl Perkins to Jerry Cantrell, the original ASAT rocks ASATurday like nothing else
Date: 03/13/23
From Carl Perkins to Jerry Cantrell, the original ASAT rocks ASATurday like nothing else
JC_ASAT-2
From Carl Perkins to Jerry Cantrell, the original ASAT rocks ASATurday like nothing else
Date: 03/13/23
From Carl Perkins to Jerry Cantrell, the original ASAT rocks ASATurday like nothing else
Frickenfracker-1
Frickenfracker - Leo Fender’s late 1960s R&D monster that allows A/B testing of various pickups and positions. Sanded-off headstock tips of dual-rod mystery meat sporting Kluson tuners. Needs work, obviously
Date: 03/16/23
Frickenfracker - Leo Fender’s late 1960s R&D monster that allows A/B testing of various pickups and positions. Sanded-off headstock tips of dual-rod mystery meat sporting Kluson tuners. Needs work, obviously
Frickenfracker-2
Frickenfracker - Leo Fender’s late 1960s R&D monster that allows A/B testing of various pickups and positions. Sanded-off headstock tips of dual-rod mystery meat sporting Kluson tuners. Needs work, obviously
Date: 03/16/23
Frickenfracker - Leo Fender’s late 1960s R&D monster that allows A/B testing of various pickups and positions. Sanded-off headstock tips of dual-rod mystery meat sporting Kluson tuners. Needs work, obviously
Frickenfracker-3
Frickenfracker - Leo Fender’s late 1960s R&D monster that allows A/B testing of various pickups and positions. Sanded-off headstock tips of dual-rod mystery meat sporting Kluson tuners. Needs work, obviously
Date: 03/16/23
Frickenfracker - Leo Fender’s late 1960s R&D monster that allows A/B testing of various pickups and positions. Sanded-off headstock tips of dual-rod mystery meat sporting Kluson tuners. Needs work, obviously
Frickenfracker-4
Frickenfracker - Leo Fender’s late 1960s R&D monster that allows A/B testing of various pickups and positions. Sanded-off headstock tips of dual-rod mystery meat sporting Kluson tuners. Needs work, obviously
Date: 03/16/23
Frickenfracker - Leo Fender’s late 1960s R&D monster that allows A/B testing of various pickups and positions. Sanded-off headstock tips of dual-rod mystery meat sporting Kluson tuners. Needs work, obviously
Frickenfracker-5
Frickenfracker - Leo Fender’s late 1960s R&D monster that allows A/B testing of various pickups and positions. Sanded-off headstock tips of dual-rod mystery meat sporting Kluson tuners. Needs work, obviously
Date: 03/16/23
Frickenfracker - Leo Fender’s late 1960s R&D monster that allows A/B testing of various pickups and positions. Sanded-off headstock tips of dual-rod mystery meat sporting Kluson tuners. Needs work, obviously
Frickenfracker-6
Frickenfracker - Leo Fender’s late 1960s R&D monster that allows A/B testing of various pickups and positions. Sanded-off headstock tips of dual-rod mystery meat sporting Kluson tuners. Needs work, obviously
Date: 03/16/23
Frickenfracker - Leo Fender’s late 1960s R&D monster that allows A/B testing of various pickups and positions. Sanded-off headstock tips of dual-rod mystery meat sporting Kluson tuners. Needs work, obviously
Frickenfracker-7
Frickenfracker - Leo Fender’s late 1960s R&D monster that allows A/B testing of various pickups and positions. Sanded-off headstock tips of dual-rod mystery meat sporting Kluson tuners. Needs work, obviously
Date: 03/16/23
Frickenfracker - Leo Fender’s late 1960s R&D monster that allows A/B testing of various pickups and positions. Sanded-off headstock tips of dual-rod mystery meat sporting Kluson tuners. Needs work, obviously
Frickenfracker-8
Frickenfracker - Leo Fender’s late 1960s R&D monster that allows A/B testing of various pickups and positions. Sanded-off headstock tips of dual-rod mystery meat sporting Kluson tuners. Needs work, obviously
Date: 03/16/23
Frickenfracker - Leo Fender’s late 1960s R&D monster that allows A/B testing of various pickups and positions. Sanded-off headstock tips of dual-rod mystery meat sporting Kluson tuners. Needs work, obviously
Frickenfracker-9
Frickenfracker - Leo Fender’s late 1960s R&D monster that allows A/B testing of various pickups and positions. Sanded-off headstock tips of dual-rod mystery meat sporting Kluson tuners. Needs work, obviously
Date: 03/16/23
Frickenfracker - Leo Fender’s late 1960s R&D monster that allows A/B testing of various pickups and positions. Sanded-off headstock tips of dual-rod mystery meat sporting Kluson tuners. Needs work, obviously
Frickenfracker-10
Frickenfracker - Leo Fender’s late 1960s R&D monster that allows A/B testing of various pickups and positions. Sanded-off headstock tips of dual-rod mystery meat sporting Kluson tuners. Needs work, obviously
Date: 03/16/23
Frickenfracker - Leo Fender’s late 1960s R&D monster that allows A/B testing of various pickups and positions. Sanded-off headstock tips of dual-rod mystery meat sporting Kluson tuners. Needs work, obviously
1979 design, Leo Fender’s prototype Magnetic Field Design humbuckers
1979 design, Leo Fender’s prototype Magnetic Field Design humbuckers on the left and middle show a smooth field around the pickup compared to a 1978 humbucker with magnets for pole pieces. A sheet of paper sprinkled with iron particles reveals the form o
Date: 03/20/23
1979 design, Leo Fender’s prototype Magnetic Field Design humbuckers on the left and middle show a smooth field around the pickup compared to a 1978 humbucker with magnets for pole pieces. A sheet of paper sprinkled with iron particles reveals the form of the magnetic field in two dimensions.
CLF2211106-1
Checking in with the big boss, a Legacy HSS that was outfitted with a preamp like my S•500 E project. I mentioned before that a couple of alder bodies were accidentally run with a vintage CLFR battery pocket so now I get to experience another “what if” c
Date: 03/20/23
Checking in with the big boss, a Legacy HSS that was outfitted with a preamp like my S•500 E project. I mentioned before that a couple of alder bodies were accidentally run with a vintage CLFR battery pocket so now I get to experience another “what if” configuration. The mini-toggle controls the preamp and the coil-split is on a push/pull
CLF2211106-2
Checking in with the big boss, a Legacy HSS that was outfitted with a preamp like my S•500 E project. I mentioned before that a couple of alder bodies were accidentally run with a vintage CLFR battery pocket so now I get to experience another “what if” c
Date: 03/20/23
Checking in with the big boss, a Legacy HSS that was outfitted with a preamp like my S•500 E project. I mentioned before that a couple of alder bodies were accidentally run with a vintage CLFR battery pocket so now I get to experience another “what if” configuration. The mini-toggle controls the preamp and the coil-split is on a push/pull
CLF2211106-3
Checking in with the big boss, a Legacy HSS that was outfitted with a preamp like my S•500 E project. I mentioned before that a couple of alder bodies were accidentally run with a vintage CLFR battery pocket so now I get to experience another “what if” c
Date: 03/20/23
Checking in with the big boss, a Legacy HSS that was outfitted with a preamp like my S•500 E project. I mentioned before that a couple of alder bodies were accidentally run with a vintage CLFR battery pocket so now I get to experience another “what if” configuration. The mini-toggle controls the preamp and the coil-split is on a push/pull
CLF2211106-4
Checking in with the big boss, a Legacy HSS that was outfitted with a preamp like my S•500 E project. I mentioned before that a couple of alder bodies were accidentally run with a vintage CLFR battery pocket so now I get to experience another “what if” c
Date: 03/20/23
Checking in with the big boss, a Legacy HSS that was outfitted with a preamp like my S•500 E project. I mentioned before that a couple of alder bodies were accidentally run with a vintage CLFR battery pocket so now I get to experience another “what if” configuration. The mini-toggle controls the preamp and the coil-split is on a push/pull
CLF2211106-5
Checking in with the big boss, a Legacy HSS that was outfitted with a preamp like my S•500 E project. I mentioned before that a couple of alder bodies were accidentally run with a vintage CLFR battery pocket so now I get to experience another “what if” c
Date: 03/20/23
Checking in with the big boss, a Legacy HSS that was outfitted with a preamp like my S•500 E project. I mentioned before that a couple of alder bodies were accidentally run with a vintage CLFR battery pocket so now I get to experience another “what if” configuration. The mini-toggle controls the preamp and the coil-split is on a push/pull
CLF2211106-6
Checking in with the big boss, a Legacy HSS that was outfitted with a preamp like my S•500 E project. I mentioned before that a couple of alder bodies were accidentally run with a vintage CLFR battery pocket so now I get to experience another “what if” c
Date: 03/20/23
Checking in with the big boss, a Legacy HSS that was outfitted with a preamp like my S•500 E project. I mentioned before that a couple of alder bodies were accidentally run with a vintage CLFR battery pocket so now I get to experience another “what if” configuration. The mini-toggle controls the preamp and the coil-split is on a push/pull
CLF2211106-7
Checking in with the big boss, a Legacy HSS that was outfitted with a preamp like my S•500 E project. I mentioned before that a couple of alder bodies were accidentally run with a vintage CLFR battery pocket so now I get to experience another “what if” c
Date: 03/20/23
Checking in with the big boss, a Legacy HSS that was outfitted with a preamp like my S•500 E project. I mentioned before that a couple of alder bodies were accidentally run with a vintage CLFR battery pocket so now I get to experience another “what if” configuration. The mini-toggle controls the preamp and the coil-split is on a push/pull
CLF2211106-8
Checking in with the big boss, a Legacy HSS that was outfitted with a preamp like my S•500 E project. I mentioned before that a couple of alder bodies were accidentally run with a vintage CLFR battery pocket so now I get to experience another “what if” c
Date: 03/20/23
Checking in with the big boss, a Legacy HSS that was outfitted with a preamp like my S•500 E project. I mentioned before that a couple of alder bodies were accidentally run with a vintage CLFR battery pocket so now I get to experience another “what if” configuration. The mini-toggle controls the preamp and the coil-split is on a push/pull
CLF2211106-9
Checking in with the big boss, a Legacy HSS that was outfitted with a preamp like my S•500 E project. I mentioned before that a couple of alder bodies were accidentally run with a vintage CLFR battery pocket so now I get to experience another “what if” c
Date: 03/20/23
Checking in with the big boss, a Legacy HSS that was outfitted with a preamp like my S•500 E project. I mentioned before that a couple of alder bodies were accidentally run with a vintage CLFR battery pocket so now I get to experience another “what if” configuration. The mini-toggle controls the preamp and the coil-split is on a push/pull
1975 George Fullerton styling prototype-1
1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
Date: 04/01/23 1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
Date: 04/01/23 1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
1975 George Fullerton styling prototype-2
1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
Date: 04/01/23
1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
1975 George Fullerton styling prototype-3
1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
Date: 04/01/23
1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
1975 George Fullerton styling prototype-4
1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
Date: 04/01/23
1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
1975 George Fullerton styling prototype-5
1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
Date: 04/01/23
1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
1975 George Fullerton styling prototype-6
1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
Date: 04/01/23
1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
1975 George Fullerton styling prototype-7
1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
Date: 04/01/23
1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
1975 George Fullerton styling prototype-8
1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
Date: 04/01/23
1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
1975 George Fullerton styling prototype-9
1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
Date: 04/01/23
1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
1975 George Fullerton styling prototype-10
1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
Date: 04/01/23
1975 George Fullerton styling prototype that lead to the Stingray Bass launched in 1976.
G026536-1
1990 Leo Fender prototype G026536 has ASAT jumbo MFD pickups x3. Because it had to be done. Some years later we briefly made a model called ASAT S3 with the same pickup setup
Date: 04/05/23
1990 Leo Fender prototype G026536 has ASAT jumbo MFD pickups x3. Because it had to be done. Some years later we briefly made a model called ASAT S3 with the same pickup setup
G026536-2
1990 Leo Fender prototype G026536 has ASAT jumbo MFD pickups x3. Because it had to be done. Some years later we briefly made a model called ASAT S3 with the same pickup setup
Date: 04/05/23
1990 Leo Fender prototype G026536 has ASAT jumbo MFD pickups x3. Because it had to be done. Some years later we briefly made a model called ASAT S3 with the same pickup setup
G026536-3
1990 Leo Fender prototype G026536 has ASAT jumbo MFD pickups x3. Because it had to be done. Some years later we briefly made a model called ASAT S3 with the same pickup setup
Date: 04/05/23
1990 Leo Fender prototype G026536 has ASAT jumbo MFD pickups x3. Because it had to be done. Some years later we briefly made a model called ASAT S3 with the same pickup setup
G026536-4
1990 Leo Fender prototype G026536 has ASAT jumbo MFD pickups x3. Because it had to be done. Some years later we briefly made a model called ASAT S3 with the same pickup setup
Date: 04/05/23
1990 Leo Fender prototype G026536 has ASAT jumbo MFD pickups x3. Because it had to be done. Some years later we briefly made a model called ASAT S3 with the same pickup setup
G026536-5
1990 Leo Fender prototype G026536 has ASAT jumbo MFD pickups x3. Because it had to be done. Some years later we briefly made a model called ASAT S3 with the same pickup setup
Date: 04/05/23
1990 Leo Fender prototype G026536 has ASAT jumbo MFD pickups x3. Because it had to be done. Some years later we briefly made a model called ASAT S3 with the same pickup setup
G026536-6
1990 Leo Fender prototype G026536 has ASAT jumbo MFD pickups x3. Because it had to be done. Some years later we briefly made a model called ASAT S3 with the same pickup setup
Date: 04/05/23
1990 Leo Fender prototype G026536 has ASAT jumbo MFD pickups x3. Because it had to be done. Some years later we briefly made a model called ASAT S3 with the same pickup setup
G026536-7
1990 Leo Fender prototype G026536 has ASAT jumbo MFD pickups x3. Because it had to be done. Some years later we briefly made a model called ASAT S3 with the same pickup setup
Date: 04/05/23
1990 Leo Fender prototype G026536 has ASAT jumbo MFD pickups x3. Because it had to be done. Some years later we briefly made a model called ASAT S3 with the same pickup setup
G026536-8
1990 Leo Fender prototype G026536 has ASAT jumbo MFD pickups x3. Because it had to be done. Some years later we briefly made a model called ASAT S3 with the same pickup setup
Date: 04/05/23
1990 Leo Fender prototype G026536 has ASAT jumbo MFD pickups x3. Because it had to be done. Some years later we briefly made a model called ASAT S3 with the same pickup setup
G026536-9
1990 Leo Fender prototype G026536 has ASAT jumbo MFD pickups x3. Because it had to be done. Some years later we briefly made a model called ASAT S3 with the same pickup setup
Date: 04/05/23
1990 Leo Fender prototype G026536 has ASAT jumbo MFD pickups x3. Because it had to be done. Some years later we briefly made a model called ASAT S3 with the same pickup setup
prototype ‘84 Invader body with prototype fine-tuner bridge-1
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
Date: 04/24/23
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
prototype ‘84 Invader body with prototype fine-tuner bridge-2
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
Date: 04/24/23
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
prototype ‘84 Invader body with prototype fine-tuner bridge-3
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
Date: 04/24/23
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
prototype ‘84 Invader body with prototype fine-tuner bridge-4
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
Date: 04/24/23
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
prototype ‘84 Invader body with prototype fine-tuner bridge-5
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
Date: 04/24/23
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
prototype ‘84 Invader body with prototype fine-tuner bridge-6
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
Date: 04/24/23
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
prototype ‘84 Invader body with prototype fine-tuner bridge-7
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
Date: 04/24/23
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
prototype ‘84 Invader body with prototype fine-tuner bridge-8
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
Date: 04/24/23
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
prototype ‘84 Invader body with prototype fine-tuner bridge-1
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
Date: 04/24/23
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
prototype ‘84 Invader body with prototype fine-tuner bridge-2
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
Date: 04/24/23
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
prototype ‘84 Invader body with prototype fine-tuner bridge-3
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
Date: 04/24/23
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
prototype ‘84 Invader body with prototype fine-tuner bridge-4
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
Date: 04/24/23
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
prototype ‘84 Invader body with prototype fine-tuner bridge-5
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
Date: 04/24/23
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
prototype ‘84 Invader body with prototype fine-tuner bridge-6
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
Date: 04/24/23
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
prototype ‘84 Invader body with prototype fine-tuner bridge-7
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
Date: 04/24/23
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
prototype ‘84 Invader body with prototype fine-tuner bridge-8
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
Date: 04/24/23
1984 hot in the Prole District the prototype ‘84 Invader body with prototype fine-tuner bridge is paired with the early sample ‘84 Superhawk neck. Sounds great, too. I really didn’t know if this one was gonna go badly Orwell.
WidebodyFunkay, v1-1
WidebodyFunkay, v1 is getting technical attention again. Yes, my chopped-and-glued pickup cover looks rough, but that’s how Leo did it when he was designing a new pickup and could make a prototype cover from existing parts. Now, v1 here is gonna get a s
Date: 04/26/23
WidebodyFunkay, v1 is getting technical attention again. Yes, my chopped-and-glued pickup cover looks rough, but that’s how Leo did it when he was designing a new pickup and could make a prototype cover from existing parts. Now, v1 here is gonna get a slightly updated prototype pickup and cover.
WidebodyFunkay, v1-2
idebodyFunkay, v1 is getting technical attention again. Yes, my chopped-and-glued pickup cover looks rough, but that’s how Leo did it when he was designing a new pickup and could make a prototype cover from existing parts. Now, v1 here is gonna get a sl
Date: 04/26/23
idebodyFunkay, v1 is getting technical attention again. Yes, my chopped-and-glued pickup cover looks rough, but that’s how Leo did it when he was designing a new pickup and could make a prototype cover from existing parts. Now, v1 here is gonna get a slightly updated prototype pickup and cover.
WidebodyFunkay, v1-3
idebodyFunkay, v1 is getting technical attention again. Yes, my chopped-and-glued pickup cover looks rough, but that’s how Leo did it when he was designing a new pickup and could make a prototype cover from existing parts. Now, v1 here is gonna get a sl
Date: 04/26/23
idebodyFunkay, v1 is getting technical attention again. Yes, my chopped-and-glued pickup cover looks rough, but that’s how Leo did it when he was designing a new pickup and could make a prototype cover from existing parts. Now, v1 here is gonna get a slightly updated prototype pickup and cover.
WidebodyFunkay, v1-4
idebodyFunkay, v1 is getting technical attention again. Yes, my chopped-and-glued pickup cover looks rough, but that’s how Leo did it when he was designing a new pickup and could make a prototype cover from existing parts. Now, v1 here is gonna get a sl
Date: 04/26/23
idebodyFunkay, v1 is getting technical attention again. Yes, my chopped-and-glued pickup cover looks rough, but that’s how Leo did it when he was designing a new pickup and could make a prototype cover from existing parts. Now, v1 here is gonna get a slightly updated prototype pickup and cover.
WidebodyFunkay, v1-1
WidebodyFunkay, v1 is getting technical attention again. Yes, my chopped-and-glued pickup cover looks rough, but that’s how Leo did it when he was designing a new pickup and could make a prototype cover from existing parts. Now, v1 here is gonna get a s
Date: 04/26/23
WidebodyFunkay, v1 is getting technical attention again. Yes, my chopped-and-glued pickup cover looks rough, but that’s how Leo did it when he was designing a new pickup and could make a prototype cover from existing parts. Now, v1 here is gonna get a slightly updated prototype pickup and cover.
WidebodyFunkay, v1-2
idebodyFunkay, v1 is getting technical attention again. Yes, my chopped-and-glued pickup cover looks rough, but that’s how Leo did it when he was designing a new pickup and could make a prototype cover from existing parts. Now, v1 here is gonna get a sl
Date: 04/26/23
idebodyFunkay, v1 is getting technical attention again. Yes, my chopped-and-glued pickup cover looks rough, but that’s how Leo did it when he was designing a new pickup and could make a prototype cover from existing parts. Now, v1 here is gonna get a slightly updated prototype pickup and cover.
WidebodyFunkay, v1-3
idebodyFunkay, v1 is getting technical attention again. Yes, my chopped-and-glued pickup cover looks rough, but that’s how Leo did it when he was designing a new pickup and could make a prototype cover from existing parts. Now, v1 here is gonna get a sl
Date: 04/26/23
idebodyFunkay, v1 is getting technical attention again. Yes, my chopped-and-glued pickup cover looks rough, but that’s how Leo did it when he was designing a new pickup and could make a prototype cover from existing parts. Now, v1 here is gonna get a slightly updated prototype pickup and cover.
WidebodyFunkay, v1-4
idebodyFunkay, v1 is getting technical attention again. Yes, my chopped-and-glued pickup cover looks rough, but that’s how Leo did it when he was designing a new pickup and could make a prototype cover from existing parts. Now, v1 here is gonna get a sl
Date: 04/26/23
idebodyFunkay, v1 is getting technical attention again. Yes, my chopped-and-glued pickup cover looks rough, but that’s how Leo did it when he was designing a new pickup and could make a prototype cover from existing parts. Now, v1 here is gonna get a slightly updated prototype pickup and cover.
B010901-1
1983 El Toro Leo Fender prototype. Note the early-style SB•2 single coil pickup covers modified for humbuckers. B010901 is a wonderful missing link, still here in Leo’s lab connecting the dots of bass history.
Date: 04/26/23
1983 El Toro Leo Fender prototype. Note the early-style SB•2 single coil pickup covers modified for humbuckers. B010901 is a wonderful missing link, still here in Leo’s lab connecting the dots of bass history.
B010901-2
1983 El Toro Leo Fender prototype. Note the early-style SB•2 single coil pickup covers modified for humbuckers. B010901 is a wonderful missing link, still here in Leo’s lab connecting the dots of bass history.
Date: 04/26/23
1983 El Toro Leo Fender prototype. Note the early-style SB•2 single coil pickup covers modified for humbuckers. B010901 is a wonderful missing link, still here in Leo’s lab connecting the dots of bass history.
B010901-3
1983 El Toro Leo Fender prototype. Note the early-style SB•2 single coil pickup covers modified for humbuckers. B010901 is a wonderful missing link, still here in Leo’s lab connecting the dots of bass history.
Date: 04/26/23
1983 El Toro Leo Fender prototype. Note the early-style SB•2 single coil pickup covers modified for humbuckers. B010901 is a wonderful missing link, still here in Leo’s lab connecting the dots of bass history.
B010901-4
1983 El Toro Leo Fender prototype. Note the early-style SB•2 single coil pickup covers modified for humbuckers. B010901 is a wonderful missing link, still here in Leo’s lab connecting the dots of bass history.
Date: 04/26/23
1983 El Toro Leo Fender prototype. Note the early-style SB•2 single coil pickup covers modified for humbuckers. B010901 is a wonderful missing link, still here in Leo’s lab connecting the dots of bass history.
B010901-5
1983 El Toro Leo Fender prototype. Note the early-style SB•2 single coil pickup covers modified for humbuckers. B010901 is a wonderful missing link, still here in Leo’s lab connecting the dots of bass history.
Date: 04/26/23
1983 El Toro Leo Fender prototype. Note the early-style SB•2 single coil pickup covers modified for humbuckers. B010901 is a wonderful missing link, still here in Leo’s lab connecting the dots of bass history.
B010901-6
1983 El Toro Leo Fender prototype. Note the early-style SB•2 single coil pickup covers modified for humbuckers. B010901 is a wonderful missing link, still here in Leo’s lab connecting the dots of bass history.
Date: 04/26/23
1983 El Toro Leo Fender prototype. Note the early-style SB•2 single coil pickup covers modified for humbuckers. B010901 is a wonderful missing link, still here in Leo’s lab connecting the dots of bass history.
B010901-7
1983 El Toro Leo Fender prototype. Note the early-style SB•2 single coil pickup covers modified for humbuckers. B010901 is a wonderful missing link, still here in Leo’s lab connecting the dots of bass history.
Date: 04/26/23
1983 El Toro Leo Fender prototype. Note the early-style SB•2 single coil pickup covers modified for humbuckers. B010901 is a wonderful missing link, still here in Leo’s lab connecting the dots of bass history.
B010901-8
1983 El Toro Leo Fender prototype. Note the early-style SB•2 single coil pickup covers modified for humbuckers. B010901 is a wonderful missing link, still here in Leo’s lab connecting the dots of bass history.
Date: 04/26/23
1983 El Toro Leo Fender prototype. Note the early-style SB•2 single coil pickup covers modified for humbuckers. B010901 is a wonderful missing link, still here in Leo’s lab connecting the dots of bass history.
B010901-9
1983 El Toro Leo Fender prototype. Note the early-style SB•2 single coil pickup covers modified for humbuckers. B010901 is a wonderful missing link, still here in Leo’s lab connecting the dots of bass history.
Date: 04/26/23
1983 El Toro Leo Fender prototype. Note the early-style SB•2 single coil pickup covers modified for humbuckers. B010901 is a wonderful missing link, still here in Leo’s lab connecting the dots of bass history.
B010901-10
1983 El Toro Leo Fender prototype. Note the early-style SB•2 single coil pickup covers modified for humbuckers. B010901 is a wonderful missing link, still here in Leo’s lab connecting the dots of bass history.
Date: 04/26/23
1983 El Toro Leo Fender prototype. Note the early-style SB•2 single coil pickup covers modified for humbuckers. B010901 is a wonderful missing link, still here in Leo’s lab connecting the dots of bass history.
April 1976 George Fullerton’s drawings-1
April 1976 George Fullerton’s drawings are the basis for WidebodyFunkay v2. I’m not really sure why v2 exists, but it started like this: I want to have proper 3-bolt G&L replacement necks for our online store, then I thought it would be cool to offe
Date: 05/05/23
April 1976 George Fullerton’s drawings are the basis for WidebodyFunkay v2. I’m not really sure why v2 exists, but it started like this: I want to have proper 3-bolt G&L replacement necks for our online store, then I thought it would be cool to offer them with the original MM heel shape. Wrong headstock for a replacement, but the right genes so whatever. Next thing I knew I was all up in the drawings and v2 got dressed up like it’s 1976 here on Fender Avenue. Anyway, check out this CNC undercut that lets me fit an M•2000/2500 preamp in there. On v2 I did it with a Dremel
April 1976 George Fullerton’s drawings-2
April 1976 George Fullerton’s drawings are the basis for WidebodyFunkay v2. I’m not really sure why v2 exists, but it started like this: I want to have proper 3-bolt G&L replacement necks for our online store, then I thought it would be cool to offe
Date: 05/05/23
April 1976 George Fullerton’s drawings are the basis for WidebodyFunkay v2. I’m not really sure why v2 exists, but it started like this: I want to have proper 3-bolt G&L replacement necks for our online store, then I thought it would be cool to offer them with the original MM heel shape. Wrong headstock for a replacement, but the right genes so whatever. Next thing I knew I was all up in the drawings and v2 got dressed up like it’s 1976 here on Fender Avenue. Anyway, check out this CNC undercut that lets me fit an M•2000/2500 preamp in there. On v2 I did it with a Dremel
April 1976 George Fullerton’s drawings-3
April 1976 George Fullerton’s drawings are the basis for WidebodyFunkay v2. I’m not really sure why v2 exists, but it started like this: I want to have proper 3-bolt G&L replacement necks for our online store, then I thought it would be cool to offe
Date: 05/05/23
April 1976 George Fullerton’s drawings are the basis for WidebodyFunkay v2. I’m not really sure why v2 exists, but it started like this: I want to have proper 3-bolt G&L replacement necks for our online store, then I thought it would be cool to offer them with the original MM heel shape. Wrong headstock for a replacement, but the right genes so whatever. Next thing I knew I was all up in the drawings and v2 got dressed up like it’s 1976 here on Fender Avenue. Anyway, check out this CNC undercut that lets me fit an M•2000/2500 preamp in there. On v2 I did it with a Dremel
April 1976 George Fullerton’s drawings-4
April 1976 George Fullerton’s drawings are the basis for WidebodyFunkay v2. I’m not really sure why v2 exists, but it started like this: I want to have proper 3-bolt G&L replacement necks for our online store, then I thought it would be cool to offe
Date: 05/05/23
April 1976 George Fullerton’s drawings are the basis for WidebodyFunkay v2. I’m not really sure why v2 exists, but it started like this: I want to have proper 3-bolt G&L replacement necks for our online store, then I thought it would be cool to offer them with the original MM heel shape. Wrong headstock for a replacement, but the right genes so whatever. Next thing I knew I was all up in the drawings and v2 got dressed up like it’s 1976 here on Fender Avenue. Anyway, check out this CNC undercut that lets me fit an M•2000/2500 preamp in there. On v2 I did it with a Dremel
G021044-1
1987 SC•3 Leo Fender prototype, never mind the Hot Pink neck, what we’ve got here is a rear-mount control (RMC) setup on an SC•3 instead of the standard SC•2/3 control plate. The period trend was toward the “clean” look without a control plate, so hey, l
Date: 05/09/23
1987 SC•3 Leo Fender prototype, never mind the Hot Pink neck, what we’ve got here is a rear-mount control (RMC) setup on an SC•3 instead of the standard SC•2/3 control plate. The period trend was toward the “clean” look without a control plate, so hey, let’s try this one! What comes around goes around, and comes around again G021044
G021044-2
1987 SC•3 Leo Fender prototype, never mind the Hot Pink neck, what we’ve got here is a rear-mount control (RMC) setup on an SC•3 instead of the standard SC•2/3 control plate. The period trend was toward the “clean” look without a control plate, so hey, l
Date: 05/09/23
1987 SC•3 Leo Fender prototype, never mind the Hot Pink neck, what we’ve got here is a rear-mount control (RMC) setup on an SC•3 instead of the standard SC•2/3 control plate. The period trend was toward the “clean” look without a control plate, so hey, let’s try this one! What comes around goes around, and comes around again G021044
G021044-3
1987 SC•3 Leo Fender prototype, never mind the Hot Pink neck, what we’ve got here is a rear-mount control (RMC) setup on an SC•3 instead of the standard SC•2/3 control plate. The period trend was toward the “clean” look without a control plate, so hey, l
Date: 05/09/23
1987 SC•3 Leo Fender prototype, never mind the Hot Pink neck, what we’ve got here is a rear-mount control (RMC) setup on an SC•3 instead of the standard SC•2/3 control plate. The period trend was toward the “clean” look without a control plate, so hey, let’s try this one! What comes around goes around, and comes around again G021044
G021044-4
1987 SC•3 Leo Fender prototype, never mind the Hot Pink neck, what we’ve got here is a rear-mount control (RMC) setup on an SC•3 instead of the standard SC•2/3 control plate. The period trend was toward the “clean” look without a control plate, so hey, l
Date: 05/09/23
1987 SC•3 Leo Fender prototype, never mind the Hot Pink neck, what we’ve got here is a rear-mount control (RMC) setup on an SC•3 instead of the standard SC•2/3 control plate. The period trend was toward the “clean” look without a control plate, so hey, let’s try this one! What comes around goes around, and comes around again G021044
G021044-5
1987 SC•3 Leo Fender prototype, never mind the Hot Pink neck, what we’ve got here is a rear-mount control (RMC) setup on an SC•3 instead of the standard SC•2/3 control plate. The period trend was toward the “clean” look without a control plate, so hey, l
Date: 05/09/23
1987 SC•3 Leo Fender prototype, never mind the Hot Pink neck, what we’ve got here is a rear-mount control (RMC) setup on an SC•3 instead of the standard SC•2/3 control plate. The period trend was toward the “clean” look without a control plate, so hey, let’s try this one! What comes around goes around, and comes around again G021044
G021044-6
1987 SC•3 Leo Fender prototype, never mind the Hot Pink neck, what we’ve got here is a rear-mount control (RMC) setup on an SC•3 instead of the standard SC•2/3 control plate. The period trend was toward the “clean” look without a control plate, so hey, l
Date: 05/09/23
1987 SC•3 Leo Fender prototype, never mind the Hot Pink neck, what we’ve got here is a rear-mount control (RMC) setup on an SC•3 instead of the standard SC•2/3 control plate. The period trend was toward the “clean” look without a control plate, so hey, let’s try this one! What comes around goes around, and comes around again G021044
G021044-7
1987 SC•3 Leo Fender prototype, never mind the Hot Pink neck, what we’ve got here is a rear-mount control (RMC) setup on an SC•3 instead of the standard SC•2/3 control plate. The period trend was toward the “clean” look without a control plate, so hey, l
Date: 05/09/23
1987 SC•3 Leo Fender prototype, never mind the Hot Pink neck, what we’ve got here is a rear-mount control (RMC) setup on an SC•3 instead of the standard SC•2/3 control plate. The period trend was toward the “clean” look without a control plate, so hey, let’s try this one! What comes around goes around, and comes around again G021044
G021044-8
1987 SC•3 Leo Fender prototype, never mind the Hot Pink neck, what we’ve got here is a rear-mount control (RMC) setup on an SC•3 instead of the standard SC•2/3 control plate. The period trend was toward the “clean” look without a control plate, so hey, l
Date: 05/09/23
1987 SC•3 Leo Fender prototype, never mind the Hot Pink neck, what we’ve got here is a rear-mount control (RMC) setup on an SC•3 instead of the standard SC•2/3 control plate. The period trend was toward the “clean” look without a control plate, so hey, let’s try this one! What comes around goes around, and comes around again G021044
G021044-9
1987 SC•3 Leo Fender prototype, never mind the Hot Pink neck, what we’ve got here is a rear-mount control (RMC) setup on an SC•3 instead of the standard SC•2/3 control plate. The period trend was toward the “clean” look without a control plate, so hey, l
Date: 05/09/23
1987 SC•3 Leo Fender prototype, never mind the Hot Pink neck, what we’ve got here is a rear-mount control (RMC) setup on an SC•3 instead of the standard SC•2/3 control plate. The period trend was toward the “clean” look without a control plate, so hey, let’s try this one! What comes around goes around, and comes around again G021044
2023 ProjectEspadaDeluxed v4 prototype-1
2023 ProjectEspadaDeluxed v4 prototype, 1990s G&L Honeyburst over swamp ash is looking very nice on this model that would have been new for 1970. Fits in anywhere, always sexy
Date: 05/18/23
2023 ProjectEspadaDeluxed v4 prototype, 1990s G&L Honeyburst over swamp ash is looking very nice on this model that would have been new for 1970. Fits in anywhere, always sexy
2023 ProjectEspadaDeluxed v4 prototype-2
2023 ProjectEspadaDeluxed v4 prototype, 1990s G&L Honeyburst over swamp ash is looking very nice on this model that would have been new for 1970. Fits in anywhere, always sexy
Date: 05/18/23
2023 ProjectEspadaDeluxed v4 prototype, 1990s G&L Honeyburst over swamp ash is looking very nice on this model that would have been new for 1970. Fits in anywhere, always sexy
2023 ProjectEspadaDeluxed v4 prototype-3
2023 ProjectEspadaDeluxed v4 prototype, 1990s G&L Honeyburst over swamp ash is looking very nice on this model that would have been new for 1970. Fits in anywhere, always sexy
Date: 05/18/23
2023 ProjectEspadaDeluxed v4 prototype, 1990s G&L Honeyburst over swamp ash is looking very nice on this model that would have been new for 1970. Fits in anywhere, always sexy
2023 ProjectEspadaDeluxed v4 prototype-4
2023 ProjectEspadaDeluxed v4 prototype, 1990s G&L Honeyburst over swamp ash is looking very nice on this model that would have been new for 1970. Fits in anywhere, always sexy
Date: 05/18/23
2023 ProjectEspadaDeluxed v4 prototype, 1990s G&L Honeyburst over swamp ash is looking very nice on this model that would have been new for 1970. Fits in anywhere, always sexy
2023 ProjectEspadaDeluxed v4 prototype-5
2023 ProjectEspadaDeluxed v4 prototype, 1990s G&L Honeyburst over swamp ash is looking very nice on this model that would have been new for 1970. Fits in anywhere, always sexy
Date: 05/18/23
2023 ProjectEspadaDeluxed v4 prototype, 1990s G&L Honeyburst over swamp ash is looking very nice on this model that would have been new for 1970. Fits in anywhere, always sexy
2023 ProjectEspadaDeluxed v4 prototype-6
2023 ProjectEspadaDeluxed v4 prototype, 1990s G&L Honeyburst over swamp ash is looking very nice on this model that would have been new for 1970. Fits in anywhere, always sexy
Date: 05/18/23
2023 ProjectEspadaDeluxed v4 prototype, 1990s G&L Honeyburst over swamp ash is looking very nice on this model that would have been new for 1970. Fits in anywhere, always sexy
2023 ProjectEspadaDeluxed v4 prototype-7
2023 ProjectEspadaDeluxed v4 prototype, 1990s G&L Honeyburst over swamp ash is looking very nice on this model that would have been new for 1970. Fits in anywhere, always sexy
Date: 05/18/23
2023 ProjectEspadaDeluxed v4 prototype, 1990s G&L Honeyburst over swamp ash is looking very nice on this model that would have been new for 1970. Fits in anywhere, always sexy
2023 ProjectEspadaDeluxed v4 prototype-8
2023 ProjectEspadaDeluxed v4 prototype, 1990s G&L Honeyburst over swamp ash is looking very nice on this model that would have been new for 1970. Fits in anywhere, always sexy
Date: 05/18/23
2023 ProjectEspadaDeluxed v4 prototype, 1990s G&L Honeyburst over swamp ash is looking very nice on this model that would have been new for 1970. Fits in anywhere, always sexy
Concerns about the Bronco guitar bridge-1
1967 cc: L. Fender- Concerns about the Bronco guitar bridge are responded to with Leo’s own comments included.
Date: 06/06/23
1967 cc: L. Fender- Concerns about the Bronco guitar bridge are responded to with Leo’s own comments included.
Concerns about the Bronco guitar bridge-2
1967 cc: L. Fender- Concerns about the Bronco guitar bridge are responded to with Leo’s own comments included.
Date: 06/06/23
1967 cc: L. Fender- Concerns about the Bronco guitar bridge are responded to with Leo’s own comments included.
CLF at 70s NAMM
‘70s NAMM-I’m thinking this is 1977 as we didn’t make the Sabre bass and guitar until 1978.
Date: 06/07/23
‘70s NAMM-I’m thinking this is 1977 as we didn’t make the Sabre bass and guitar until 1978.
CLF at 70s NAMM
‘70s NAMM-I’m thinking this is 1977 as we didn’t make the Sabre bass and guitar until 1978.
Date: 06/07/23
‘70s NAMM-I’m thinking this is 1977 as we didn’t make the Sabre bass and guitar until 1978.
CLF at 70s NAMM
‘70s NAMM-I’m thinking this is 1977 as we didn’t make the Sabre bass and guitar until 1978.
Date: 06/07/23
‘70s NAMM-I’m thinking this is 1977 as we didn’t make the Sabre bass and guitar until 1978.
Z-coil with 1970s quarter-inch Sabre:Stingray guitar magnets-1
The mad scientist Brother John is experimenting again. What if a Z-coil had 1970s quarter-inch Sabre/Stingray guitar magnets? Step 1: fabricate the bobbin. Step 2: estimate the number of coil turns. Step 3: bring to life and laugh maniacally.
Date: 06/28/23
The mad scientist Brother John is experimenting again. What if a Z-coil had 1970s quarter-inch Sabre/Stingray guitar magnets? Step 1: fabricate the bobbin. Step 2: estimate the number of coil turns. Step 3: bring to life and laugh maniacally.
Z-coil with 1970s quarter-inch Sabre:Stingray guitar magnets-2
The mad scientist Brother John is experimenting again. What if a Z-coil had 1970s quarter-inch Sabre/Stingray guitar magnets? Step 1: fabricate the bobbin. Step 2: estimate the number of coil turns. Step 3: bring to life and laugh maniacally.
Date: 06/28/23
The mad scientist Brother John is experimenting again. What if a Z-coil had 1970s quarter-inch Sabre/Stingray guitar magnets? Step 1: fabricate the bobbin. Step 2: estimate the number of coil turns. Step 3: bring to life and laugh maniacally.
Z-coil with 1970s quarter-inch Sabre:Stingray guitar magnets-3
The mad scientist Brother John is experimenting again. What if a Z-coil had 1970s quarter-inch Sabre/Stingray guitar magnets? Step 1: fabricate the bobbin. Step 2: estimate the number of coil turns. Step 3: bring to life and laugh maniacally.
Date: 06/28/23
The mad scientist Brother John is experimenting again. What if a Z-coil had 1970s quarter-inch Sabre/Stingray guitar magnets? Step 1: fabricate the bobbin. Step 2: estimate the number of coil turns. Step 3: bring to life and laugh maniacally.
Z-coil with 1970s quarter-inch Sabre:Stingray guitar magnets-4
The mad scientist Brother John is experimenting again. What if a Z-coil had 1970s quarter-inch Sabre/Stingray guitar magnets? Step 1: fabricate the bobbin. Step 2: estimate the number of coil turns. Step 3: bring to life and laugh maniacally.
Date: 06/28/23
The mad scientist Brother John is experimenting again. What if a Z-coil had 1970s quarter-inch Sabre/Stingray guitar magnets? Step 1: fabricate the bobbin. Step 2: estimate the number of coil turns. Step 3: bring to life and laugh maniacally.
Z-coil with 1970s quarter-inch Sabre:Stingray guitar magnets-5
The mad scientist Brother John is experimenting again. What if a Z-coil had 1970s quarter-inch Sabre/Stingray guitar magnets? Step 1: fabricate the bobbin. Step 2: estimate the number of coil turns. Step 3: bring to life and laugh maniacally.
Date: 06/28/23
The mad scientist Brother John is experimenting again. What if a Z-coil had 1970s quarter-inch Sabre/Stingray guitar magnets? Step 1: fabricate the bobbin. Step 2: estimate the number of coil turns. Step 3: bring to life and laugh maniacally.
Z-coil with 1970s quarter-inch Sabre:Stingray guitar magnets-6
The mad scientist Brother John is experimenting again. What if a Z-coil had 1970s quarter-inch Sabre/Stingray guitar magnets? Step 1: fabricate the bobbin. Step 2: estimate the number of coil turns. Step 3: bring to life and laugh maniacally.
Date: 06/28/23
The mad scientist Brother John is experimenting again. What if a Z-coil had 1970s quarter-inch Sabre/Stingray guitar magnets? Step 1: fabricate the bobbin. Step 2: estimate the number of coil turns. Step 3: bring to life and laugh maniacally.
Brother John’s pickup is installed and ready for testing-1
Weird Science Brother John’s pickup is installed and ready for testing.
Date: 06/29/23
Weird Science Brother John’s pickup is installed and ready for testing.
Brother John’s pickup is installed and ready for testing-2
Weird Science Brother John’s pickup is installed and ready for testing.
Date: 06/29/23
Weird Science Brother John’s pickup is installed and ready for testing.
Brother John’s pickup is installed and ready for testing-3
Weird Science Brother John’s pickup is installed and ready for testing.
Date: 06/29/23
Weird Science Brother John’s pickup is installed and ready for testing.
Brother John’s pickup is installed and ready for testing-4
Weird Science Brother John’s pickup is installed and ready for testing.
Date: 06/29/23
Weird Science Brother John’s pickup is installed and ready for testing.
Brother John’s pickup is installed and ready for testing-5
Weird Science Brother John’s pickup is installed and ready for testing.
Date: 06/29/23
Weird Science Brother John’s pickup is installed and ready for testing.
Brother John’s pickup is installed and ready for testing-6
Weird Science Brother John’s pickup is installed and ready for testing.
Date: 06/29/23
Weird Science Brother John’s pickup is installed and ready for testing.
Brother John’s pickup is installed and ready for testing-7
Weird Science Brother John’s pickup is installed and ready for testing.
Date: 06/29/23
Weird Science Brother John’s pickup is installed and ready for testing.
Total CLFR
Total CLFR-ProjectEspadaDeluxed v2 and ProjectBeauxJangles. Past visions of the future…remixed
Date: 07/13/23
Total CLFR-ProjectEspadaDeluxed v2 and ProjectBeauxJangles. Past visions of the future…remixed
December 12, 1980 4-bolt guitar neckplate drawing...
December 12, 1980-I remember back in ‘97 when we started phasing in 4-bolt guitar necks. Heresy! Leo would be rolling in his grave! Yeah, well, Leo might be offended by that as he was considering doing the same for 1981+ models. Don’t think I ever showe
Date: 12/23/23
December 12, 1980-I remember back in ‘97 when we started phasing in 4-bolt guitar necks. Heresy! Leo would be rolling in his grave! Yeah, well, Leo might be offended by that as he was considering doing the same for 1981+ models. Don’t think I ever showed you guys this. There’s a bass version too.
December 16, 1981-Original S•500 drawing by George Fullerton-1
December 16, 1981-Original S•500 drawing by George Fullerton. I have NOS control plates here and spare pickguards somewhere in the building. I figured I’d start putting the pieces together in case the 3D printed pickup covers work out.
My thoughts are t Date: 12/23/23 December 16, 1981-Original S•500 drawing by George Fullerton. I have NOS control plates here and spare pickguards somewhere in the building. I figured I’d start putting the pieces together in case the 3D printed pickup covers work out.
My thoughts are to use a current 4-bolt setup with slightly wider heel rather than the old school 3-bolts, as it’s really much nicer when playing up the neck. The early S•500 headstock is not my favorite, but either Skyhawk or Doheny headstocks would look great. The body shape already lives on as the Skyhawk today, but the pickup and control routes would need to be changed to early S•500.
The control plate would be a direct reproduction and the pickguard would just need the neck heel opened up a little. Anyway, it’s all about those pickup covers.
My thoughts are t Date: 12/23/23 December 16, 1981-Original S•500 drawing by George Fullerton. I have NOS control plates here and spare pickguards somewhere in the building. I figured I’d start putting the pieces together in case the 3D printed pickup covers work out.
My thoughts are to use a current 4-bolt setup with slightly wider heel rather than the old school 3-bolts, as it’s really much nicer when playing up the neck. The early S•500 headstock is not my favorite, but either Skyhawk or Doheny headstocks would look great. The body shape already lives on as the Skyhawk today, but the pickup and control routes would need to be changed to early S•500.
The control plate would be a direct reproduction and the pickguard would just need the neck heel opened up a little. Anyway, it’s all about those pickup covers.
December 16, 1981-Original S•500 drawing by George Fullerton-2
December 16, 1981-Original S•500 drawing by George Fullerton. I have NOS control plates here and spare pickguards somewhere in the building. I figured I’d start putting the pieces together in case the 3D printed pickup covers work out.
My thoughts are t Date: 12/23/23 December 16, 1981-Original S•500 drawing by George Fullerton. I have NOS control plates here and spare pickguards somewhere in the building. I figured I’d start putting the pieces together in case the 3D printed pickup covers work out.
My thoughts are to use a current 4-bolt setup with slightly wider heel rather than the old school 3-bolts, as it’s really much nicer when playing up the neck. The early S•500 headstock is not my favorite, but either Skyhawk or Doheny headstocks would look great. The body shape already lives on as the Skyhawk today, but the pickup and control routes would need to be changed to early S•500.
The control plate would be a direct reproduction and the pickguard would just need the neck heel opened up a little. Anyway, it’s all about those pickup covers.
My thoughts are t Date: 12/23/23 December 16, 1981-Original S•500 drawing by George Fullerton. I have NOS control plates here and spare pickguards somewhere in the building. I figured I’d start putting the pieces together in case the 3D printed pickup covers work out.
My thoughts are to use a current 4-bolt setup with slightly wider heel rather than the old school 3-bolts, as it’s really much nicer when playing up the neck. The early S•500 headstock is not my favorite, but either Skyhawk or Doheny headstocks would look great. The body shape already lives on as the Skyhawk today, but the pickup and control routes would need to be changed to early S•500.
The control plate would be a direct reproduction and the pickguard would just need the neck heel opened up a little. Anyway, it’s all about those pickup covers.
December 16, 1981-Original S•500 drawing by George Fullerton-3
December 16, 1981-Original S•500 drawing by George Fullerton. I have NOS control plates here and spare pickguards somewhere in the building. I figured I’d start putting the pieces together in case the 3D printed pickup covers work out.
My thoughts are t Date: 12/23/23 December 16, 1981-Original S•500 drawing by George Fullerton. I have NOS control plates here and spare pickguards somewhere in the building. I figured I’d start putting the pieces together in case the 3D printed pickup covers work out.
My thoughts are to use a current 4-bolt setup with slightly wider heel rather than the old school 3-bolts, as it’s really much nicer when playing up the neck. The early S•500 headstock is not my favorite, but either Skyhawk or Doheny headstocks would look great. The body shape already lives on as the Skyhawk today, but the pickup and control routes would need to be changed to early S•500.
The control plate would be a direct reproduction and the pickguard would just need the neck heel opened up a little. Anyway, it’s all about those pickup covers.
My thoughts are t Date: 12/23/23 December 16, 1981-Original S•500 drawing by George Fullerton. I have NOS control plates here and spare pickguards somewhere in the building. I figured I’d start putting the pieces together in case the 3D printed pickup covers work out.
My thoughts are to use a current 4-bolt setup with slightly wider heel rather than the old school 3-bolts, as it’s really much nicer when playing up the neck. The early S•500 headstock is not my favorite, but either Skyhawk or Doheny headstocks would look great. The body shape already lives on as the Skyhawk today, but the pickup and control routes would need to be changed to early S•500.
The control plate would be a direct reproduction and the pickguard would just need the neck heel opened up a little. Anyway, it’s all about those pickup covers.
December 16, 1981-Original S•500 drawing by George Fullerton-4
December 16, 1981-Original S•500 drawing by George Fullerton. I have NOS control plates here and spare pickguards somewhere in the building. I figured I’d start putting the pieces together in case the 3D printed pickup covers work out.
My thoughts are t Date: 12/23/23 December 16, 1981-Original S•500 drawing by George Fullerton. I have NOS control plates here and spare pickguards somewhere in the building. I figured I’d start putting the pieces together in case the 3D printed pickup covers work out.
My thoughts are to use a current 4-bolt setup with slightly wider heel rather than the old school 3-bolts, as it’s really much nicer when playing up the neck. The early S•500 headstock is not my favorite, but either Skyhawk or Doheny headstocks would look great. The body shape already lives on as the Skyhawk today, but the pickup and control routes would need to be changed to early S•500.
The control plate would be a direct reproduction and the pickguard would just need the neck heel opened up a little. Anyway, it’s all about those pickup covers.
My thoughts are t Date: 12/23/23 December 16, 1981-Original S•500 drawing by George Fullerton. I have NOS control plates here and spare pickguards somewhere in the building. I figured I’d start putting the pieces together in case the 3D printed pickup covers work out.
My thoughts are to use a current 4-bolt setup with slightly wider heel rather than the old school 3-bolts, as it’s really much nicer when playing up the neck. The early S•500 headstock is not my favorite, but either Skyhawk or Doheny headstocks would look great. The body shape already lives on as the Skyhawk today, but the pickup and control routes would need to be changed to early S•500.
The control plate would be a direct reproduction and the pickguard would just need the neck heel opened up a little. Anyway, it’s all about those pickup covers.
gathering samples of early S•500 pickup covers-1
I’m in Leo's Lab gathering samples of early S•500 pickup covers to send to Merit3D together with copies of prints drawn by George Fullerton. You guys know what I’m trying to do...
Date: 12/23/23
I’m in Leo's Lab gathering samples of early S•500 pickup covers to send to Merit3D together with copies of prints drawn by George Fullerton. You guys know what I’m trying to do...
gathering samples of early S•500 pickup covers-2
I’m in Leo's Lab gathering samples of early S•500 pickup covers to send to Merit3D together with copies of prints drawn by George Fullerton. You guys know what I’m trying to do...
Date: 12/23/23
I’m in Leo's Lab gathering samples of early S•500 pickup covers to send to Merit3D together with copies of prints drawn by George Fullerton. You guys know what I’m trying to do...
gathering samples of early S•500 pickup covers-3
I’m in Leo's Lab gathering samples of early S•500 pickup covers to send to Merit3D together with copies of prints drawn by George Fullerton. You guys know what I’m trying to do...
Date: 12/23/23
I’m in Leo's Lab gathering samples of early S•500 pickup covers to send to Merit3D together with copies of prints drawn by George Fullerton. You guys know what I’m trying to do...
1979 prototype Stingray bass bridge plate print by George Fullerton-1
1979 prototype Stingray bass bridge plate print by George Fullerton. Just one of the many old prints around here. Young John and I were looking for something else and I randomly grabbed this for you guys
Date: 12/24/23
1979 prototype Stingray bass bridge plate print by George Fullerton. Just one of the many old prints around here. Young John and I were looking for something else and I randomly grabbed this for you guys
1979 prototype Stingray bass bridge plate print by George Fullerton-2
1979 prototype Stingray bass bridge plate print by George Fullerton. Just one of the many old prints around here. Young John and I were looking for something else and I randomly grabbed this for you guys
Date: 12/24/23
1979 prototype Stingray bass bridge plate print by George Fullerton. Just one of the many old prints around here. Young John and I were looking for something else and I randomly grabbed this for you guys
G013405-1
1983 SC•2 My Gold Standard, Born on Tuesday, April 19th, this guitar managed to stay in amazing condition except for its black finish. I bought it in 2018 with a turquoise paint roller finish. Paint roller! So I refinished it in Pharaoh Gold Firemist, my
Date: 01/06/24
1983 SC•2 My Gold Standard, Born on Tuesday, April 19th, this guitar managed to stay in amazing condition except for its black finish. I bought it in 2018 with a turquoise paint roller finish. Paint roller! So I refinished it in Pharaoh Gold Firemist, my supa fly color from Cadillac in 1973-1974. My son John used Leo’s magnifying glasses to read the serial number.
G013405-2
1983 SC•2 My Gold Standard, Born on Tuesday, April 19th, this guitar managed to stay in amazing condition except for its black finish. I bought it in 2018 with a turquoise paint roller finish. Paint roller! So I refinished it in Pharaoh Gold Firemist, my
Date: 01/06/24
1983 SC•2 My Gold Standard, Born on Tuesday, April 19th, this guitar managed to stay in amazing condition except for its black finish. I bought it in 2018 with a turquoise paint roller finish. Paint roller! So I refinished it in Pharaoh Gold Firemist, my supa fly color from Cadillac in 1973-1974. My son John used Leo’s magnifying glasses to read the serial number.
G013405-3
1983 SC•2 My Gold Standard, Born on Tuesday, April 19th, this guitar managed to stay in amazing condition except for its black finish. I bought it in 2018 with a turquoise paint roller finish. Paint roller! So I refinished it in Pharaoh Gold Firemist, my
Date: 01/06/24
1983 SC•2 My Gold Standard, Born on Tuesday, April 19th, this guitar managed to stay in amazing condition except for its black finish. I bought it in 2018 with a turquoise paint roller finish. Paint roller! So I refinished it in Pharaoh Gold Firemist, my supa fly color from Cadillac in 1973-1974. My son John used Leo’s magnifying glasses to read the serial number.
G013405-4
1983 SC•2 My Gold Standard, Born on Tuesday, April 19th, this guitar managed to stay in amazing condition except for its black finish. I bought it in 2018 with a turquoise paint roller finish. Paint roller! So I refinished it in Pharaoh Gold Firemist, my
Date: 01/06/24
1983 SC•2 My Gold Standard, Born on Tuesday, April 19th, this guitar managed to stay in amazing condition except for its black finish. I bought it in 2018 with a turquoise paint roller finish. Paint roller! So I refinished it in Pharaoh Gold Firemist, my supa fly color from Cadillac in 1973-1974. My son John used Leo’s magnifying glasses to read the serial number.
G013405-5
1983 SC•2 My Gold Standard, Born on Tuesday, April 19th, this guitar managed to stay in amazing condition except for its black finish. I bought it in 2018 with a turquoise paint roller finish. Paint roller! So I refinished it in Pharaoh Gold Firemist, my
Date: 01/06/24
1983 SC•2 My Gold Standard, Born on Tuesday, April 19th, this guitar managed to stay in amazing condition except for its black finish. I bought it in 2018 with a turquoise paint roller finish. Paint roller! So I refinished it in Pharaoh Gold Firemist, my supa fly color from Cadillac in 1973-1974. My son John used Leo’s magnifying glasses to read the serial number.
G013405-6
1983 SC•2 My Gold Standard, Born on Tuesday, April 19th, this guitar managed to stay in amazing condition except for its black finish. I bought it in 2018 with a turquoise paint roller finish. Paint roller! So I refinished it in Pharaoh Gold Firemist, my
Date: 01/06/24
1983 SC•2 My Gold Standard, Born on Tuesday, April 19th, this guitar managed to stay in amazing condition except for its black finish. I bought it in 2018 with a turquoise paint roller finish. Paint roller! So I refinished it in Pharaoh Gold Firemist, my supa fly color from Cadillac in 1973-1974. My son John used Leo’s magnifying glasses to read the serial number.
G013405-7
1983 SC•2 My Gold Standard, Born on Tuesday, April 19th, this guitar managed to stay in amazing condition except for its black finish. I bought it in 2018 with a turquoise paint roller finish. Paint roller! So I refinished it in Pharaoh Gold Firemist, my
Date: 01/06/24
1983 SC•2 My Gold Standard, Born on Tuesday, April 19th, this guitar managed to stay in amazing condition except for its black finish. I bought it in 2018 with a turquoise paint roller finish. Paint roller! So I refinished it in Pharaoh Gold Firemist, my supa fly color from Cadillac in 1973-1974. My son John used Leo’s magnifying glasses to read the serial number.
1985 Leo Fender Superhawk prototype-1
In March last year I posted about a 1985 Leo Fender Superhawk prototype that got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Well, today James G&L Custom Shop found a correct original production b
Date: 01/06/24
In March last year I posted about a 1985 Leo Fender Superhawk prototype that got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Well, today James G&L Custom Shop found a correct original production bridge in a random old bin. I lined up the bridge and I can see that the hack routing job missed the mark, so that’s probably why it never got built; it was easier or cleaner to just make another body. However, looks like I can make it work with a router or Dremel so I can get this bridge installed and bring this prototype to life.
1985 Leo Fender Superhawk prototype-2
In March last year I posted about a 1985 Leo Fender Superhawk prototype that got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Well, today James G&L Custom Shop found a correct original production b
Date: 01/06/24
In March last year I posted about a 1985 Leo Fender Superhawk prototype that got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Well, today James G&L Custom Shop found a correct original production bridge in a random old bin. I lined up the bridge and I can see that the hack routing job missed the mark, so that’s probably why it never got built; it was easier or cleaner to just make another body. However, looks like I can make it work with a router or Dremel so I can get this bridge installed and bring this prototype to life.
1985 Leo Fender Superhawk prototype-3
In March last year I posted about a 1985 Leo Fender Superhawk prototype that got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Well, today James G&L Custom Shop found a correct original production b
Date: 01/06/24
In March last year I posted about a 1985 Leo Fender Superhawk prototype that got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Well, today James G&L Custom Shop found a correct original production bridge in a random old bin. I lined up the bridge and I can see that the hack routing job missed the mark, so that’s probably why it never got built; it was easier or cleaner to just make another body. However, looks like I can make it work with a router or Dremel so I can get this bridge installed and bring this prototype to life.
1985 Leo Fender Superhawk prototype-4
In March last year I posted about a 1985 Leo Fender Superhawk prototype that got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Well, today James G&L Custom Shop found a correct original production b
Date: 01/06/24
In March last year I posted about a 1985 Leo Fender Superhawk prototype that got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Well, today James G&L Custom Shop found a correct original production bridge in a random old bin. I lined up the bridge and I can see that the hack routing job missed the mark, so that’s probably why it never got built; it was easier or cleaner to just make another body. However, looks like I can make it work with a router or Dremel so I can get this bridge installed and bring this prototype to life.
1985 Leo Fender Superhawk prototype-5
In March last year I posted about a 1985 Leo Fender Superhawk prototype that got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Well, today James G&L Custom Shop found a correct original production b
Date: 01/06/24
In March last year I posted about a 1985 Leo Fender Superhawk prototype that got a quickie routing job to fit Leo’s prototype “ambidextrous” Dual Fulcrum vibrato with fine tuners. Well, today James G&L Custom Shop found a correct original production bridge in a random old bin. I lined up the bridge and I can see that the hack routing job missed the mark, so that’s probably why it never got built; it was easier or cleaner to just make another body. However, looks like I can make it work with a router or Dremel so I can get this bridge installed and bring this prototype to life.
1985 Leo Fender Superhawk prototype-6
Just needed a quick hit with a router and a Dremel on the ends to fit the “ambidextrous” Dual Fulcrum vibrato with fine tuners. There’s some visible gap where the 1985 routing job was done but it’s all part of the story. The mission was aborted 39 ye
Date: 01/06/24
Just needed a quick hit with a router and a Dremel on the ends to fit the “ambidextrous” Dual Fulcrum vibrato with fine tuners. There’s some visible gap where the 1985 routing job was done but it’s all part of the story. The mission was aborted 39 years ago but now this Leo Fender Superhawk prototype will fly at last.
1985 Leo Fender Superhawk prototype-7
Just needed a quick hit with a router and a Dremel on the ends to fit the “ambidextrous” Dual Fulcrum vibrato with fine tuners. There’s some visible gap where the 1985 routing job was done but it’s all part of the story. The mission was aborted 39 ye
Date: 01/06/24
Just needed a quick hit with a router and a Dremel on the ends to fit the “ambidextrous” Dual Fulcrum vibrato with fine tuners. There’s some visible gap where the 1985 routing job was done but it’s all part of the story. The mission was aborted 39 years ago but now this Leo Fender Superhawk prototype will fly at last.
1985 Leo Fender Superhawk prototype-8
Just needed a quick hit with a router and a Dremel on the ends to fit the “ambidextrous” Dual Fulcrum vibrato with fine tuners. There’s some visible gap where the 1985 routing job was done but it’s all part of the story. The mission was aborted 39 ye
Date: 01/06/24
Just needed a quick hit with a router and a Dremel on the ends to fit the “ambidextrous” Dual Fulcrum vibrato with fine tuners. There’s some visible gap where the 1985 routing job was done but it’s all part of the story. The mission was aborted 39 years ago but now this Leo Fender Superhawk prototype will fly at last.
1985 Leo Fender Superhawk prototype-9
Just needed a quick hit with a router and a Dremel on the ends to fit the “ambidextrous” Dual Fulcrum vibrato with fine tuners. There’s some visible gap where the 1985 routing job was done but it’s all part of the story. The mission was aborted 39 ye
Date: 01/06/24
Just needed a quick hit with a router and a Dremel on the ends to fit the “ambidextrous” Dual Fulcrum vibrato with fine tuners. There’s some visible gap where the 1985 routing job was done but it’s all part of the story. The mission was aborted 39 years ago but now this Leo Fender Superhawk prototype will fly at last.
1985 Leo Fender Superhawk prototype-10
Just needed a quick hit with a router and a Dremel on the ends to fit the “ambidextrous” Dual Fulcrum vibrato with fine tuners. There’s some visible gap where the 1985 routing job was done but it’s all part of the story. The mission was aborted 39 ye
Date: 01/06/24
Just needed a quick hit with a router and a Dremel on the ends to fit the “ambidextrous” Dual Fulcrum vibrato with fine tuners. There’s some visible gap where the 1985 routing job was done but it’s all part of the story. The mission was aborted 39 years ago but now this Leo Fender Superhawk prototype will fly at last.
Espada HH Active prototype-1
ProjectEspadaDeluxed v2 from 2022 evolved into the Espada HH Active. I have so many project guitars that I need to make time to give them some love.
Date: 01/08/24
ProjectEspadaDeluxed v2 from 2022 evolved into the Espada HH Active. I have so many project guitars that I need to make time to give them some love.
Espada HH Active prototype-2
ProjectEspadaDeluxed v2 from 2022 evolved into the Espada HH Active. I have so many project guitars that I need to make time to give them some love.
Date: 01/08/24
ProjectEspadaDeluxed v2 from 2022 evolved into the Espada HH Active. I have so many project guitars that I need to make time to give them some love.
Espada HH Active prototype-3
ProjectEspadaDeluxed v2 from 2022 evolved into the Espada HH Active. I have so many project guitars that I need to make time to give them some love.
Date: 01/08/24
ProjectEspadaDeluxed v2 from 2022 evolved into the Espada HH Active. I have so many project guitars that I need to make time to give them some love.
Espada HH Active prototype-4
ProjectEspadaDeluxed v2 from 2022 evolved into the Espada HH Active. I have so many project guitars that I need to make time to give them some love.
Date: 01/08/24
ProjectEspadaDeluxed v2 from 2022 evolved into the Espada HH Active. I have so many project guitars that I need to make time to give them some love.
Espada HH Active prototype-5
ProjectEspadaDeluxed v2 from 2022 evolved into the Espada HH Active. I have so many project guitars that I need to make time to give them some love.
Date: 01/08/24
ProjectEspadaDeluxed v2 from 2022 evolved into the Espada HH Active. I have so many project guitars that I need to make time to give them some love.
Espada HH Active prototype-1
ProjectEspadaDeluxed v2 from 2022 evolved into the Espada HH Active. I have so many project guitars that I need to make time to give them some love.
Date: 01/08/24
ProjectEspadaDeluxed v2 from 2022 evolved into the Espada HH Active. I have so many project guitars that I need to make time to give them some love.
Espada HH Active prototype-2
ProjectEspadaDeluxed v2 from 2022 evolved into the Espada HH Active. I have so many project guitars that I need to make time to give them some love.
Date: 01/08/24
ProjectEspadaDeluxed v2 from 2022 evolved into the Espada HH Active. I have so many project guitars that I need to make time to give them some love.
Espada HH Active prototype-3
ProjectEspadaDeluxed v2 from 2022 evolved into the Espada HH Active. I have so many project guitars that I need to make time to give them some love.
Date: 01/08/24
ProjectEspadaDeluxed v2 from 2022 evolved into the Espada HH Active. I have so many project guitars that I need to make time to give them some love.
Espada HH Active prototype-4
ProjectEspadaDeluxed v2 from 2022 evolved into the Espada HH Active. I have so many project guitars that I need to make time to give them some love.
Date: 01/08/24
ProjectEspadaDeluxed v2 from 2022 evolved into the Espada HH Active. I have so many project guitars that I need to make time to give them some love.
Espada HH Active prototype-5
ProjectEspadaDeluxed v2 from 2022 evolved into the Espada HH Active. I have so many project guitars that I need to make time to give them some love.
Date: 01/08/24
ProjectEspadaDeluxed v2 from 2022 evolved into the Espada HH Active. I have so many project guitars that I need to make time to give them some love.
CLF Research 24-fret Rampage with Floyd Trem-1
Getting back to this project: 24 fret Rampage with a Floyd. Turbo shred sled
Date: 01/11/24
Getting back to this project: 24 fret Rampage with a Floyd. Turbo shred sled
CLF Research 24-fret Rampage with Floyd Trem-2
Getting back to this project: 24 fret Rampage with a Floyd. Turbo shred sled
Date: 01/11/24
Getting back to this project: 24 fret Rampage with a Floyd. Turbo shred sled
CLF Research 24-fret Rampage with Floyd Trem-3
Getting back to this project: 24 fret Rampage with a Floyd. Turbo shred sled
Date: 01/11/24
Getting back to this project: 24 fret Rampage with a Floyd. Turbo shred sled
CLF Research 24-fret Rampage with Floyd Trem-4
Getting back to this project: 24 fret Rampage with a Floyd. Turbo shred sled
Date: 01/11/24
Getting back to this project: 24 fret Rampage with a Floyd. Turbo shred sled
CLF Research 24-fret Rampage with Floyd Trem-5
Getting back to this project: 24 fret Rampage with a Floyd. Turbo shred sled
Date: 01/11/24
Getting back to this project: 24 fret Rampage with a Floyd. Turbo shred sled
Parts sharing- The Lynx:SB•2 basses and SC•2 guitar-1
Parts sharing: The Lynx/SB•2 basses and SC•2 guitar use the same control plate, so here’s a nice pairing as an example. While the Lynx model is the same as the early SB•2 but with added front and rear contours, George Fullerton did make a drawing for a di
Date: 01/20/24
Parts sharing: The Lynx/SB•2 basses and SC•2 guitar use the same control plate, so here’s a nice pairing as an example. While the Lynx model is the same as the early SB•2 but with added front and rear contours, George Fullerton did make a drawing for a different control plate proposed for the Lynx. However, it was decided to carry on with the same plate.
Parts sharing- The Lynx:SB•2 basses and SC•2 guitar-2
Parts sharing: The Lynx/SB•2 basses and SC•2 guitar use the same control plate, so here’s a nice pairing as an example. While the Lynx model is the same as the early SB•2 but with added front and rear contours, George Fullerton did make a drawing for a di
Date: 01/20/24
Parts sharing: The Lynx/SB•2 basses and SC•2 guitar use the same control plate, so here’s a nice pairing as an example. While the Lynx model is the same as the early SB•2 but with added front and rear contours, George Fullerton did make a drawing for a different control plate proposed for the Lynx. However, it was decided to carry on with the same plate.
Parts sharing- The Lynx:SB•2 basses and SC•2 guitar-3
Parts sharing: The Lynx/SB•2 basses and SC•2 guitar use the same control plate, so here’s a nice pairing as an example. While the Lynx model is the same as the early SB•2 but with added front and rear contours, George Fullerton did make a drawing for a di
Date: 01/20/24
Parts sharing: The Lynx/SB•2 basses and SC•2 guitar use the same control plate, so here’s a nice pairing as an example. While the Lynx model is the same as the early SB•2 but with added front and rear contours, George Fullerton did make a drawing for a different control plate proposed for the Lynx. However, it was decided to carry on with the same plate.
Parts sharing- The Lynx:SB•2 basses and SC•2 guitar-4
Parts sharing: The Lynx/SB•2 basses and SC•2 guitar use the same control plate, so here’s a nice pairing as an example. While the Lynx model is the same as the early SB•2 but with added front and rear contours, George Fullerton did make a drawing for a di
Date: 01/20/24
Parts sharing: The Lynx/SB•2 basses and SC•2 guitar use the same control plate, so here’s a nice pairing as an example. While the Lynx model is the same as the early SB•2 but with added front and rear contours, George Fullerton did make a drawing for a different control plate proposed for the Lynx. However, it was decided to carry on with the same plate.
Parts sharing- The Lynx:SB•2 basses and SC•2 guitar-5
Parts sharing: The Lynx/SB•2 basses and SC•2 guitar use the same control plate, so here’s a nice pairing as an example. While the Lynx model is the same as the early SB•2 but with added front and rear contours, George Fullerton did make a drawing for a di
Date: 01/20/24
Parts sharing: The Lynx/SB•2 basses and SC•2 guitar use the same control plate, so here’s a nice pairing as an example. While the Lynx model is the same as the early SB•2 but with added front and rear contours, George Fullerton did make a drawing for a different control plate proposed for the Lynx. However, it was decided to carry on with the same plate.
Injection mold tooling boxed up
Injection mold tooling to make a variety of G&L pickup covers. Our oldest supplier of pickup covers has retired so our fixtures were returned to us. A new supplier a couple of blocks away will come to “crack open” these molds then we can see what we’v
Date: 03/14/24
Injection mold tooling to make a variety of G&L pickup covers. Our oldest supplier of pickup covers has retired so our fixtures were returned to us. A new supplier a couple of blocks away will come to “crack open” these molds then we can see what we’ve got. It would be awesome if we find some discontinued pickup covers from the 1980s.
American Republic-1
Land That I Love ???????? The first of my American Republic ASAT Classic Alnico and LB•100 instruments are painted. These have a Red Metal Flake body, 3-ply white pick guard and Blue Metal Flake headstock. I also went with white Pearl face dots because t
Date: 04/09/24
Land That I Love ???????? The first of my American Republic ASAT Classic Alnico and LB•100 instruments are painted. These have a Red Metal Flake body, 3-ply white pick guard and Blue Metal Flake headstock. I also went with white Pearl face dots because they look clean and tie in with the red, white and blue theme.
Nobody knows yet but we’re gonna take some orders for these at $1776. Actually kind of a deal with all the metal flake work but that number just feels so right. And it’s fun.
Nobody knows yet but we’re gonna take some orders for these at $1776. Actually kind of a deal with all the metal flake work but that number just feels so right. And it’s fun.
American Republic-2
Land That I Love ???????? The first of my American Republic ASAT Classic Alnico and LB•100 instruments are painted. These have a Red Metal Flake body, 3-ply white pick guard and Blue Metal Flake headstock. I also went with white Pearl face dots because t
Date: 04/09/24
Land That I Love ???????? The first of my American Republic ASAT Classic Alnico and LB•100 instruments are painted. These have a Red Metal Flake body, 3-ply white pick guard and Blue Metal Flake headstock. I also went with white Pearl face dots because they look clean and tie in with the red, white and blue theme.
Nobody knows yet but we’re gonna take some orders for these at $1776. Actually kind of a deal with all the metal flake work but that number just feels so right. And it’s fun
Nobody knows yet but we’re gonna take some orders for these at $1776. Actually kind of a deal with all the metal flake work but that number just feels so right. And it’s fun
American Republic-3
Land That I Love ???????? The first of my American Republic ASAT Classic Alnico and LB•100 instruments are painted. These have a Red Metal Flake body, 3-ply white pick guard and Blue Metal Flake headstock. I also went with white Pearl face dots because t
Date: 04/09/24
Land That I Love ???????? The first of my American Republic ASAT Classic Alnico and LB•100 instruments are painted. These have a Red Metal Flake body, 3-ply white pick guard and Blue Metal Flake headstock. I also went with white Pearl face dots because they look clean and tie in with the red, white and blue theme.
Nobody knows yet but we’re gonna take some orders for these at $1776. Actually kind of a deal with all the metal flake work but that number just feels so right. And it’s fun
Nobody knows yet but we’re gonna take some orders for these at $1776. Actually kind of a deal with all the metal flake work but that number just feels so right. And it’s fun
American Republic-4
Land That I Love ???????? The first of my American Republic ASAT Classic Alnico and LB•100 instruments are painted. These have a Red Metal Flake body, 3-ply white pick guard and Blue Metal Flake headstock. I also went with white Pearl face dots because t
Date: 04/09/24
Land That I Love ???????? The first of my American Republic ASAT Classic Alnico and LB•100 instruments are painted. These have a Red Metal Flake body, 3-ply white pick guard and Blue Metal Flake headstock. I also went with white Pearl face dots because they look clean and tie in with the red, white and blue theme.
Nobody knows yet but we’re gonna take some orders for these at $1776. Actually kind of a deal with all the metal flake work but that number just feels so right. And it’s fun
Nobody knows yet but we’re gonna take some orders for these at $1776. Actually kind of a deal with all the metal flake work but that number just feels so right. And it’s fun
American Republic-5
Land That I Love ???????? The first of my American Republic ASAT Classic Alnico and LB•100 instruments are painted. These have a Red Metal Flake body, 3-ply white pick guard and Blue Metal Flake headstock. I also went with white Pearl face dots because t
Date: 04/09/24
Land That I Love ???????? The first of my American Republic ASAT Classic Alnico and LB•100 instruments are painted. These have a Red Metal Flake body, 3-ply white pick guard and Blue Metal Flake headstock. I also went with white Pearl face dots because they look clean and tie in with the red, white and blue theme.
Nobody knows yet but we’re gonna take some orders for these at $1776. Actually kind of a deal with all the metal flake work but that number just feels so right. And it’s fun
Nobody knows yet but we’re gonna take some orders for these at $1776. Actually kind of a deal with all the metal flake work but that number just feels so right. And it’s fun
American Republic-6
Land That I Love ???????? The first of my American Republic ASAT Classic Alnico and LB•100 instruments are painted. These have a Red Metal Flake body, 3-ply white pick guard and Blue Metal Flake headstock. I also went with white Pearl face dots because t
Date: 04/09/24
Land That I Love ???????? The first of my American Republic ASAT Classic Alnico and LB•100 instruments are painted. These have a Red Metal Flake body, 3-ply white pick guard and Blue Metal Flake headstock. I also went with white Pearl face dots because they look clean and tie in with the red, white and blue theme.
Nobody knows yet but we’re gonna take some orders for these at $1776. Actually kind of a deal with all the metal flake work but that number just feels so right. And it’s fun
Nobody knows yet but we’re gonna take some orders for these at $1776. Actually kind of a deal with all the metal flake work but that number just feels so right. And it’s fun
prototype Rampage 24 body with modified neck pocket depth and traditional surface-mount Kahler 2300 bridge
R&D action: prototype Rampage 24 body with modified neck pocket depth and traditional surface-mount Kahler 2300 bridge.
Date: 07/14/24
R&D action: prototype Rampage 24 body with modified neck pocket depth and traditional surface-mount Kahler 2300 bridge.
1978 Leo Fender in his lab here at the CLF Research factory
1978 Leo Fender in his lab here at the CLF Research factory, holding the new Sabre guitar designed by George and Leo. I think of the ‘70s models made here as the first G and L instruments.
Date: 09/22/24
1978 Leo Fender in his lab here at the CLF Research factory, holding the new Sabre guitar designed by George and Leo. I think of the ‘70s models made here as the first G and L instruments.
October 1969- CBS approval of tooling costs for the last Fender guitar
Fullerton - October 1969: CBS approval of tooling costs for the last Fender guitar to be designed by Leo Fender. The new guitar was to be positioned above the Telecaster for 1970, but it was not completed before Leo’s contract expired. The prototype #CLF
Date: 09/22/24
Fullerton - October 1969: CBS approval of tooling costs for the last Fender guitar to be designed by Leo Fender. The new guitar was to be positioned above the Telecaster for 1970, but it was not completed before Leo’s contract expired. The prototype #CLF69 instrument was completed almost 50 years later, using features created by Leo at CLF Research during the ‘60s, ‘70s and ‘80s. That “lost Fender design” is the G&L Espada.
a row of 1975 Rockwell Delta 15-655 drill presses
Late ‘70s CLF Research: a row of 1975 Rockwell Delta 15-655 drill presses set up for various holes in Music Man instruments. These machines and the cart they’re mounted to remain in use here today. The cart is made of welded angle-iron by Ronnie Beers, wh
Date: 10/06/24
Late ‘70s CLF Research: a row of 1975 Rockwell Delta 15-655 drill presses set up for various holes in Music Man instruments. These machines and the cart they’re mounted to remain in use here today. The cart is made of welded angle-iron by Ronnie Beers, who made carts and workbenches for Leo at the Fender factory.
NAMM 1977- Les Paul, Leo Fender, and I believe Norton Stevens
NAMM 1977: Les Paul, Leo Fender, and I believe Norton Stevens, Chairman and CEO of Norlin/CMI (Chicago Musical Instruments) which owned Gibson at the time. Gibson was celebrating the 25th anniversary of the Les Paul model. Behind them to the right is Ge
Date: 10/06/24
NAMM 1977: Les Paul, Leo Fender, and I believe Norton Stevens, Chairman and CEO of Norlin/CMI (Chicago Musical Instruments) which owned Gibson at the time. Gibson was celebrating the 25th anniversary of the Les Paul model. Behind them to the right is George Fullerton, not looking too comfortable on the scene. :
The “Lost Fender” design Espada model
2017: My early measurements taken from the 1969 drawing of the CLF Research #CLF69 styling development. The “Lost Fender” design Espada model was finally brought to life almost 50 years from initial concept.
Date: 10/06/24
2017: My early measurements taken from the 1969 drawing of the CLF Research #CLF69 styling development. The “Lost Fender” design Espada model was finally brought to life almost 50 years from initial concept.
George Fullerton holding Leo’s last instrument
George Fullerton holding Leo’s last instrument. Nobody knew what Leo’s intentions were for it, as they were just following Leo’s instructions. George made the technical drawings as usual, and even he didn’t know. Leo passed away hours after this prototype
Date: 10/09/24
George Fullerton holding Leo’s last instrument. Nobody knew what Leo’s intentions were for it, as they were just following Leo’s instructions. George made the technical drawings as usual, and even he didn’t know. Leo passed away hours after this prototype was assembled and brought to him in his lab. It’s been a years since I posted pics of it and described it, so I’ll find that and repost.
Here in the paint shop Stingray bodies are being sprayed
August 1976: The CLF Research factory on Fender Avenue was up and running. The first bass model, the Stingray, styled by George Fullerton with technical development by Leo Fender, was starting to do well in the market. Here in the paint shop Stingray bodi
Date: 10/10/24
August 1976: The CLF Research factory on Fender Avenue was up and running. The first bass model, the Stingray, styled by George Fullerton with technical development by Leo Fender, was starting to do well in the market. Here in the paint shop Stingray bodies are being sprayed.
Paul McCartney and Leo Fender’s old friend Carl Perkins
Circa 1982: Paul McCartney and Leo Fender’s old friend Carl Perkins with his G&L F•100.
Date: 10/18/24
Circa 1982: Paul McCartney and Leo Fender’s old friend Carl Perkins with his G&L F•100.
80s Rampage guitar ad with Mark St. John
Totally ‘80s Rampage guitar ad with Mark St. John.
Date: 10/21/24
Totally ‘80s Rampage guitar ad with Mark St. John.
1986 ASAT ad- “The Real One” headline
1986 ASAT ad: “The Real One” headline combined with the Leo Fender signature decal really ticked off FMIC management of the time. Two weeks after Leo passed away in 1991 the lawsuit against G&L (the Estate of Leo Fender) was filed. His wife Phyllis ha
Date: 10/21/24
1986 ASAT ad: “The Real One” headline combined with the Leo Fender signature decal really ticked off FMIC management of the time. Two weeks after Leo passed away in 1991 the lawsuit against G&L (the Estate of Leo Fender) was filed. His wife Phyllis had just lost her husband and immediately faced another crushing blow.
However, Leo had a feeling something might happen once he’s gone, so he had an insurance policy to pay for legal expenses in case Phyllis/G&L got sued. With my dad helping sort it out, and the lawyers paid by the insurance, tables turned. The whole thing ended when Mike Yamano of Yamano Music in Japan, invester in Fender to make the buyout from CBS possible, called my father to ask him to please stop the legal fight. Fender had already spent $500,000 on it.
Maybe it would be fun to do a video on the details. My brother John remembers it all vividly. The name, likeness and signature of Leo Fender remain property of G&L, so legally, Leo never left us.
However, Leo had a feeling something might happen once he’s gone, so he had an insurance policy to pay for legal expenses in case Phyllis/G&L got sued. With my dad helping sort it out, and the lawyers paid by the insurance, tables turned. The whole thing ended when Mike Yamano of Yamano Music in Japan, invester in Fender to make the buyout from CBS possible, called my father to ask him to please stop the legal fight. Fender had already spent $500,000 on it.
Maybe it would be fun to do a video on the details. My brother John remembers it all vividly. The name, likeness and signature of Leo Fender remain property of G&L, so legally, Leo never left us.
Circa 1987 L•2000 ad
Circa 1987 L•2000 ad. By this time the model had evolved to the clean look of rear-mounted controls and the updated headstock. Gone was the ‘70s flavor of George Fullerton’s chunky control plate and early headstock. About 30 years later those early G
Date: 10/21/24
Circa 1987 L•2000 ad. By this time the model had evolved to the clean look of rear-mounted controls and the updated headstock. Gone was the ‘70s flavor of George Fullerton’s chunky control plate and early headstock. About 30 years later those early G&L styling cues returned to production. I think George would have been surprised.