Mon Sep 26, 2011 10:38 pm
The guitar got here this morning, and I just finished about two hours' worth of tuning, practice, and goofing around (which is a great way to learn the feeling of a new guitar).
“Barely played” was actually less true than it could've been, but for my benefit. The plastic film was still on the pick guard, the strings hadn't stretched yet, and everything was so clean I could've eaten off of it. The best thing about the age aspect of this guitar is that the rock maple has already yellowed in a way that looks beautiful with the gold/brown/red/black sunburst coloring of the finish (of course, I hate the white appearance of new maple on a guitar).
The neck geometry instantly made me a better player, and the sound is unbelievable. Turns out I didn't need to retrain my ears, I just needed a better guitar. Played clean it is as jazzy and crisp as anything I can imagine, and overdriven—with the sorta-Santana settings on the amp I set up with my old guitar—it is Carlos Santana: the MFD pickups really do have the heat to feed tube overdrive without losing tone. To say the tonal range of this thing has legs (a Southern saying meaning something has years' worth of use) would be a gross understatement.
The strings stretched out with about 20 minutes' worth of tuning and retuning, and they stayed perfectly in tune once they'd finished stretching. I don't know anything about locking tuners, but I have to assume they're engaged. The whammy bar hasn't been installed yet, so I'll have to tell you about the dual fulcrum bridge some other time.
Subjectively, the weight difference is night and day. Two hours of tuning and playing caused me none of the usual discomfort. I now see playing everyday as a possibility. Putting my old guitar away (as in moving the loaded case) used to threaten my balance; I can do bicep curls with the S-500. Also, the shaping of the body makes it infinitely more comfortable to play seated than any ES-335 clone I've seen.
I am so happy with this guitar is feels fake, like I used a cheat code in real life...I can't put into words how much more this feels like actually playing guitar. A true glissando and a few bends in practice, and I'm almost writing emo poetry. Most of that sensation is due to the fact that my fretwork improved by miles as soon as I started playing this guitar: the times I've experienced that kind of improvement in my body can be counted on the fingers of one spastic, uncooperative hand.
Tue Sep 27, 2011 7:09 am
Tue Sep 27, 2011 8:38 am
Tue Sep 27, 2011 10:14 am
Tue Sep 27, 2011 12:36 pm
Tue Sep 27, 2011 12:52 pm
Tue Sep 27, 2011 2:19 pm
Kit wrote:If your strings are staying on then the tuners are 'engaged.' Usually there a twist knob on the back of the tuner. When you loosen it the string is free from the hole to allow you to pull the old string out and put a new string in. When you tighten it the tuner pinches the string inside the hole and secures it. You can then tune it like normal. When you use locking tuners you don't have to allow extra length on your string for windings around the tuner post.
Fri Sep 30, 2011 7:29 pm
Fri Sep 30, 2011 9:43 pm
zapcosongs wrote:PS: Craig is right though: Without pictures, it might not exist.....
Sat Oct 01, 2011 1:46 pm
Fri Oct 07, 2011 6:38 am