Aussie wrote:Q1 Do you mod your G&L’s and if so why? Is it a shortcfoming that should be fixed in the G&L design, is it just a personalization thing that you wouldn’t expect G&L to accommodate, or are you just a compulsive tinkerer.
I won't mod a G&L, and I won't buy one (at least so far) that has had irreversible mods. Even the dumb things that were done to my rescue L-1000 will all be reversible with some minor woodworking skills, good tool setup, and a lot of patience. I guess the refinishing won't technically be reversing a mod, but it will at least get it back close to original condition.
Aussie wrote:Q2 Gave you ever done a mod that you wish you hadn't?
No, but I've dealt with mods I wished other people hadn't made. My current project with my son is restoring a 90s MIM DuoSonic that had suffered hack job attempts at "relicking" and "upgrades". So far I've only gotten the remains of the original finish off. Next will be plugging the holes from a misconceived bridge replacement, and an even more misconceived attempt to convert the replacement bridge into a string-through-body design:
And plugging and redrilling the body holes for the neck attachment screws, since the previous owner ran a power drill through them, freehand and at an angle:
I realize full well that we will end up with a $250 guitar at the end of this process, but more importantly my son and I will have the memories and I will have some refinishing experience under my belt before I think about the L-1000.
Aussie wrote:Q3 Pets – Its been a while so how a bout a current pick of yours
All of the pictures are on my wife's laptop. We have one dog (a pug) and two cats (domestic shorthairs).
Aussie wrote:Q4 Vets – What was the strangest or most embarrassing trip you’ve had to make to your vet?
No embarrassing vet visits. I could tell some stories from my days of working in hospitals, about the buzz in the emergency room on Monday mornings...
Aussie wrote:The first reall Australian Aboriginal bands appeared ihn the late 70's/early 80s. The thing I loved about many of the pioneering Aboriginal bands was their earthy rawness. Its interesting that while the singer songwriters tended to raise issues facing their people, for the most part the bands tended to focus on building pride. Its also interesting how many of the early bands were influenced by either country and/or reggae.
Yesterday I mentioned two closely related cultures from where I grew up on a South Carolina sea island: Gullah and Geechee. Both terms have lost a lot of their old meaning over the past twenty years, as developers have paved or built on every square inch of dry land down there and "come yahs" displaced the "bin yahs". When I was growing up, "Gullah" referred to a language that had developed among communities of freed and escaped slaves in the 1700s, and the people who spoke it as their primary language. The Gullah had lived in almost complete isolation from American culture from the 1700s up until the 1960s and 70s, so at that point the language was still composed mainly of words from western African tongues, with some Portuguese (a main language of the slave traders) and English mixed in. When I was growing up, Geechee referred to the dialect spoken by many of the residents of the sea islands who were not Gullah, and who had an accent that bore many traces of Gullah. Geechee also referred to natives of the sea islands; some considered it derogatory, and others of us took pride in it.
Here's a video of a Lowcountry native explaining the terms "come yah" and "bin yah". The first part of the video is in a pretty typical Geechee accent. Just to be clear, the music that starts at 1:35 has no relationship to anything remotely Gullah or Geechee - it's just fodder for the tourists. The music at 0:55 is what I remember. The speaker slips finally into Gullah at 4:25, through the end of the clip.
[youtube]No5HrBHkfzs[/youtube]
FWIW, I was never aware of having any Geechee in my own speech growing up, but for about ten years after I moved away I would have people ask me which country I was from. People who hadn't been to the sea islands wouldn't believe that I was from South Carolina. I could definitely understand conversation that sounded like the first part of the video. A lot of my friends could slip in and out of full-blown Geechee, but I couldn't. Gullah was another story - you either grew up speaking it or you didn't. It was really a whole other language. I can get the gist of about half of what is said in the last ten seconds of the video, mainly the English words and some of the vocal inflections. Maybe the speech after 4:25 in the video is pretty obvious to all listeners...did anybody else understand it?
Since I'm already a day or two behind in the First Peoples thread, I'll save Gullah music and musical influences for tomorrow.
Ken