Seventh set of photos from the Factory for 2014 ...

[Craig]

Here's the seventh set of photos for 2014, which were posted on G&L's Facebook page (April 7-20, 2014):

Here's a Will Ray Semi-Hollow in Turquoise Metal Flake with matching headstock and double bound body.

Here's a JB in Spanish Copper Metallic with matching headstock, tortoise guard, rosewood board with face dots deleted on a quartersawn maple neck.

Here's an S-500 in Black over alder with wood binding, 3-ply white guard, black covers and knurled knobs, rosewood board and Clear Satin neck finish.

Here's an ASAT Special Deluxe in Honeyburst over swamp ash, maple board with Clear Satin finish. Normally this model comes with a flame top,
but this one has the top deleted. Basically this is an ASAT Special with no guard and rear mounted controls.

Here's an S-500 hardtail in Spanish Copper Metallic with matching headstock, 3-ply black guard, black covers and knurled knobs, rosewood board.

Here's an L-2500 fretless in Blueburst over swamp ash, matching headstock, ebony board with inlayed ghostlines.

Here's a Bluesboy Semi-Hollow in Honeyburst over swamp ash, tortoise guard, maple neck with Vintage Tint Satin finish.

Here's a Legacy in 3-Tone Sunburst over alder, tortoise guard, white covers and knobs, rosewood board, Clear Satin neck finish.

Here's a Comanche in Gold Metal Flake with matching headstock, pearl guard, white covers and knobs,
maple board with white pearl dots, Vintage Tint Gloss neck finish and more.

Here's a Legacy in Lake Placid Blue with matching headstock, 3-ply white guard, white knobs, and rosewood board.

Here's an ASAT Bass Semi-Hollow in Honeyburst over swamp ash, rosewood board on a quartersawn maple neck with Vintage Tint Gloss finish.
A real beauty.

Here's an ASAT Classic S Alnico in Vintage White with 3- ply creme guard, creme middle cover, creme volume & tone knobs, rosewood board.

Here's an ASAT Bass Tom Hamilton in Red Metal Flake. Tom's model comes in red, blue or turquoise with double faux binding in silver,
Western Sugar Pine body, quartersawn maple neck with Light Tint Satin finish, and specially wound "Hamiltone" MFD pickups.

Here's a Legacy in Himalayan Blue, 3-ply creme guard, black covers and knobs, rosewood board, Clear Satin neck finish.

Here's an ASAT Deluxe in Clear Orange over flame maple on mahogany with wood binding, rosewood board and Clear Satin neck finish.
The iPhone is not capturing just how nice this guitar is.

Here's the back of that Clear Orange ASAT Deluxe. The iPhone didn't do so well showing the front, but it did a great job on the back.
Look at that mahogany. It's some of the best ever. Wow.

Here's a Fallout in Vintage White, 3-ply Creme guard, rosewood board and Vintage Tint Gloss neck finish.

Here's an LB-100 in Lake Placid Blue, 3-ply Mint guard, black covers, quartersawn maple neck with Vintage Tint Gloss finish.
Simply sexy.

Here's an S-500 in Clear Red over swamp ash, 3-ply white guard, white covers, chrome knurled knobs,
rosewood board, Clear Satin neck finish.

Here's a Fallout in Ruby Red Metallic with matching headstock, 3-ply black guard, black pickups, GraphTech nut,
rosewood board with face dots deleted, and more.

Here's a Legacy Deluxe in Honeyburst with wood binding, matching headstock and ebony board.

Here's an ASAT Bass in Green Metal Flake with rosewood board and Clear Satin neck finish.

Here's an SB-1 in Shoreline Gold with black headstock, 3-ply creme guard, black covers, rosewood board with face dots deleted.

Here's an ASAT Z-3 in Clear Orange over swamp ash, 3-ply creme guard, black covers, black knurled knobs,
rosewood board and Clear Satin neck finish.

Here's an L-2500 in Black over alder with wood binding, matching headstock, GraphTech nut,
ebony board on a quartersawn maple neck.

Here's an ASAT Deluxe Semi-Hollow in Cherryburst with wood binding, black knurled knobs, maple neck with Light Tint Satin finish.

Here's a Fallout in Belair Green, pearl guard, rosewood board, Clear Satin neck finish.

Here's a Legacy in 2-Tone Sunburst over alder, 3-ply white guard, creme covers and knobs, maple neck with Clear Satin finish.

Here's an L-2000 in Clear Orange over swamp ash, quartersawn maple neck with Light Tint Satin finish.
We dig this bass.

Here's a Bluesboy 90 in 3-Tone Sunburst over swamp ash, double binding, tortoise guard, rosewood board, Clear Satin neck finish.

Here's a Bluesboy 90 in Sonic Blue, 3-ply white guard, creme cover, rosewood board and Clear Satin neck finish.

Here's a Legacy in Himalayan Blue with 3-ply white guard, white covers and knobs, maple neck with Vintage Tint Satin finish.

Here's a JB-2 in Cherryburst over alder, rosewood board, Clear Satin neck finish.

Here's a Will Ray Semi-Hollow in Clear Orange over swamp ash, pearl guard, black covers, and of course a rosewood board with Will's skull inlays.
That's a Hipshot B-Bender.

Here's an LB-100 in Old School Tobacco Sunburst over swamp ash, tortoise guard, rosewood board with face dots deleted
on a quartersawn maple neck with Light Tint Satin finish. Sexy.

Legacy Semi-Hollow in Natural Gloss over swamp ash, tortoise guard, black covers and knobs, rosewood board, Clear Satin neck finish.

Here's an ASAT Classic S Alnico in Greenburst over swamp ash, arm and tummy cuts, pearl guard, maple neck with Clear Satin neck finish.

Here's a Legacy in Emerald Blue with 3-ply black guard, black covers and knobs, rosewood board, Vintage Tint Satin neck finish.

Here's a Legacy Deluxe in Honeyburst over flame maple on mahogany, Saddle Lock hardtail, knurled knobs,
rosewood board, Clear Satin neck finish.

Here's an ASAT Classic S in 2-Tone Sunburst over alder, arm and tummy cuts, 1-ply black guard, maple neck with Vintage Tint Satin finish.

Here's a Legacy in Candy Apple Red, tortoise guard, creme covers and knobs, rosewood board, Clear Satin neck finish.

Here's a Legacy in Butterscotch Blonde over swamp ash, 3-ply black guard, black covers and knobs, maple neck with Clear Gloss finish.

[Fumble fingers]

the fretless bass with the ghost line inlays is just bad to the bone

http://www.guitarsbyleo.com/GALLERY/Cra ... os7/36.jpg


the shoreline gold and the honey burst colors don't look correct under the lighting for what ever reason , the last factory batch of photo's were dead match for the colors , they seem off a little on this batch , different camera or something ??

[Salmon]

Something Turquoise or Emerald is going to burn a hole in my pocket if I keep looking at these factory threads.

Jeff Marshall's Copper S-500 has made an appearance.


Fumble Fingers,

Maybe they used a different camera or the lens was dirty? Some colors are interpreted different than usual. The photos are more washed out in this batch and blurry. Look at the necks. Another example is the Vintage White ASAT which almost looks like Sonic Blue.




?

[fianoman]

Another superb batch of instruments. JM's Spanish Castle Metallic looks better in Jeff's NGD post. Neat guitar.

The Will Rays are super cool looking. That black finish over alder with wood binding on the S-500 and bass is a very classy combo. And that ruby red metallic Fallout - nice!

I would be proud to own any one of them.

[helle-man]

Nice pair of WR's, Craig. The Fallouts look pretty cool too. Might have to get me one...

Will

[blargfromouterspace]

That Spanish copper JB looks fantastic, I'd happily have one like it.

Someone has to say it - G&L's shoreline gold flat out sucks.

[Case24]

I really like the clear red over swamp ash finishes. And fianoman you are correct; black over alder with wood binding is a great combination, especially with a vintage tinted neck.

[Fumble fingers]

the black with natural wood binding is fabulous

[sam]

I can't decide between the turquoise Will Ray or double bound Bluesboy 90

Great looking gitars, thanks for the GAS Craig